Midnight (5 page)

9

At the foot of Ocean Avenue, Tessa Lockland walked through the empty parking lot and onto the public beach. The night breeze off the Pacific was just cranking up, faint but chilly enough that she was glad to be wearing slacks, a wool sweater, and her leather jacket.

She crossed the soft sand, toward the seaside shadows that lay beyond the radius of the glow from the last streetlamp, past a tall cypress growing on the beach and so radically shaped by ocean winds that it reminded her of an erte sculpture, all curved lines and molten form. On the damp sand at the surf’s edge, with the tide lapping at the strand inches from her shoes, Tessa stared westward. The partial moon was insufficient to light the vast, rolling main; all she could see were the nearest three lines of low, foam-crested breakers surging toward her from out of the foam. She tried to picture her sister standing on this deserted beach, washing down thirty or forty Valium capsules with a Diet Coke, then stripping naked and plunging into the cold sea. No. Not Janice.

With growing conviction that the authorities in Moonlight Cove were incompetent fools or liars, Tessa walked slowly south along the curving shoreline. In the pearly luminescence of the immature moon, she studied the sand, the widely separated cypresses farther back on the beach, and the time-worn formations of rock. She was not looking for physical clues that might tell her what had happened to Janice; those had been erased by wind and tide during the past three weeks. instead, she was hoping that the very landscape itself and the elements of night-darkness, cool wind, and arabesques of pale but slowly thickening fog—would inspire her to develop a theory about what had
really
happened to Janice and an approach she might use to prove that theory.

She was a filmmaker specializing in industrials and documentaries of various kinds. When in doubt about the meaning and purpose of a project, she often found that immersion in a particular geographical locale could inspire narrative and thematic approaches to making a film about it. In the developmental stages of a new travel film, for instance, she often spent a couple of days casually strolling around a city like Singapore or Hong Kong or Rio, just absorbing details, which was more productive than thousands of hours of background reading and brainstorming, though of course the reading and brainstorming had to be a part of it too.

She had walked less than two hundred feet south along the beach, when she heard a shrill, haunting cry that halted her. The sound was distant, rising and falling, rising and falling, then fading.

Chilled more by that strange call than by the brisk October air, she wondered what she had heard. Although it had been partly a canine howl, she was certain it was not the voice of a dog. Though it was also marked by a feline whine and wail, she was equally certain it had not issued from a cat; no domestic cat could produce such volume, and to the best of her knowledge, no cougars roamed the coastal hills, certainly not in or near a town the size of Moonlight Cove.

Just as she was about to move on, the same uncanny cry cut the night again, and she was fairly sure it was coming from atop the bluff that overlooked the beach, farther south, where the lights of sea-facing houses were fewer than along the middle of the cove. This time the howl ended on a protracted and more guttural note, which might have been produced by a large dog, though she still felt it had to have come from some other creature. Someone living along the bluff must be keeping an exotic pet in a cage a wolf, perhaps, or some big mountain cat not indigenous to the northern coast.

That explanation did not satisfy her, either, for there was some peculiarly familiar quality to the cry that she could not place, a quality not related to a wolf or mountain cat. She waited for another shriek, but it did not come.

Around her the darkness had deepened. The fog was clotting, and a lumpish cloud slid across half of the two-pointed moon.

She decided she could better absorb the details of the scene in the morning, and she turned back toward the mist-shrouded streetlamps at the bottom of Ocean Avenue. She didn’t realize she was walking so fast—almost running—until she had left the shore, crossed the beach parking lot, and climbed half the first steep block of Ocean Avenue, at which point she became aware of her pace only because she suddenly heard her own labored breathing.

10

Thomas Shaddack drifted in a perfect blackness that was neither warm nor cool, where he seemed weightless, where he had ceased to feel any sensation against his skin, where he seemed limbless and without musculature or bones, where he seemed to have no physical substance whatsoever. A tenuous thread of thought linked him to his corporeal self, and in the dimmest reaches of his mind, he was still aware that he was a man—an Ichabod Crane of a man, six feet two, one hundred and sixty-five pounds, lean and bony, with a too-narrow face, a high brow, and brown eyes so light they were almost yellow.

He was also vaguely aware that he was nude and afloat in a state-of-the-art sensory-deprivation chamber, which looked somewhat like an old-fashioned iron lung but was four times larger. The single low-wattage bulb was not lit, and no light penetrated the shell of the tank. The pool in which Shaddack floated was a few feet deep, a ten-percent solution of magnesium sulfate in water for maximum buoyancy. Monitored by a computer—as was every element of that environment—the water cycled between ninety-three degrees Fahrenheit, the temperature at which a floating body was least affected by gravity, and ninety eight degrees, at which the heat differential between human body temperature and surrounding fluid was marginal.

He suffered from no claustrophobia. A minute or two after he stepped into the tank and closed the hatch behind him, his sense of confinement entirely faded.

Deprived of sensory input—no sight, no sound, little or no taste, no olfactory stimulation, no sense of touch or weight or place or time—Shaddack let his mind break free of the dreary restraints of the flesh, soaring to previously unattainable heights of insight and exploring ideas of a complexity otherwise beyond his reach.

Even without the assistance of sensory deprivation, he was a genius. Time magazine had said he was, so it must be true. He had built New Wave Microtechnology from a struggling firm with initial capital of twenty thousand dollars to a three-hundred-million-a-year operation that conceived, researched, and developed cutting-edge microtechnology.

At the moment, however, Shaddack was making no effort to focus his mind on current research problems. He was using the tank strictly for recreational purposes, for the inducement of a specific vision that never failed to enthrall and excite him.

His vision:

Except for that thin thread of thought that tethered him to reality, he believed himself to be within a great, laboring machine, so immense that its dimensions could be ascertained no more easily than could those of the universe itself. It was the landscape of a dream but infinitely more textured and intense than a dream. Like an airborne mote within the eerily lit bowels of that colossal imaginary mechanism, he drifted past massive walls and interconnected columns of whirling drive shafts, rattling drive chains, myriad thrusting piston rods joined by sliding blocks to connecting rods that were in turn joined by crank wrists to well-greased cranks that turned flywheels of all dimensions. Servomotors hummed, compressors huffed, distributors sparked as electrical current flashed through millions of tangled wires to far reaches of the construct.

For Shaddack, the most exciting thing about this visionary world was the manner in which steel drive shafts and alloy pistons and hard rubber gaskets and aluminum cowlings were joined with organic parts to form a revolutionary entity possessed of two types of life: efficient mechanical animation and the throb of organic tissue. For pumps, the designer had employed glistening human hearts that pulsated tirelessly in that ancient lubdub rhythm, joined by thick arteries to rubber tubing that snaked into the walls; some of them pumped blood to parts of the system that required organic lubrication, while others pumped high-viscosity oil. Incorporated into other sections of the infinite machine were tens of thousands of lung sacs functioning as bellows and filters; tendons and tumor-like excrescences of flesh were employed to join lengths of pipe and rubber hoses with more flexibility and surety of seal than could have been attained with ordinary nonorganic couplings.

Here was the best of organic and machine systems wedded in one perfect structure. As Thomas Shaddack imagined his way through the endless avenues of this dream place, he was enraptured even though he did not understand—or care—what ultimate function any of it had, what product or service it labored to bring forth. He was excited by the entity because it was clearly efficient at whatever it was doing, because its organic and inorganic parts were brilliantly integrated.

All of his life, for as many of his forty-one years as he could recall, Shaddack had struggled against the limitations of the human condition, striving with all his will and heart to rise above the destiny of his species. He wanted to be more than merely a man. He wanted to have the power of a god and to shape not only his own future but that of all mankind. In his private sensory-deprivation chamber, transported by this vision of a cybernetic organism, he was closer to that longed-for metamorphosis than he could be in the real world, and that was what invigorated him.

For him the vision was not simply intellectually stimulating and emotionally moving, but powerfully erotic too. As he floated through that imaginary semiorganic machine, watching it throb and pulsate, he surrendered to an orgasm that he felt not merely in his genitals but in every fiber; indeed he was unaware of his fierce erection, unaware of the forceful ejaculations around which his entire body contracted, for he perceived the pleasure to be diffused throughout him rather than focused in his penis. Milky threads of semen spread through the dark pool of magnesium-sulfate solution.

A few minutes later the sensory-deprivation chamber’s a matic timer activated the interior light and sounded a soft alarm. Shaddack was called back from his dream to the real world of Moonlight Cove.

11

Chrissie Foster’s eyes adjusted to the darkness, and she was able to find her way swiftly through even unfamiliar territory.

When she reached the rim of the canyon, she passed between a pair of Monterey cypresses and onto another mule-deer trail leading south through the forest. Protected from the wind by the surrounding trees, those enormous cypresses were lush and full, neither badly twisted nor marked by antler-like branches as they were along the windswept shore. For a moment she considered climbing high into those leafy reaches, with the hope that her pursuers would pass beneath, unaware of her. But she dared not take that chance; if they smelled her or divined her presence by some other means, they would ascend, and she would be unable to retreat.

She hurried on and quickly reached a break in the trees. Beyond lay a meadow that sloped from east to west, as did most of the land thereabout. The breeze picked up and was strong enough to ruffle her blond hair continuously. The fog was not as thin as it had been when she’d left Foster Stables on horseback, but the moonlight was still unfiltered enough to frost the knee-high, dry grass that rippled when the wind blew.

As she ran across the field toward the next stand of woods, she saw a large truck, strung with lights as if it were a Christmas tree, heading south on the interstate, nearly a mile east of her, along the crest of the second tier of coastal hills. She ruled out seeking help from anyone on the distant freeway, for they were all strangers headed to faraway places, therefore even less likely than locals to believe her. Besides, she read newspapers and watched TV, so she had heard all about the serial killers that roamed the interstates, and she had no trouble imagining tabloid headlines summing up her fate YOUNG GIRL KILLED AND EATEN BY ROVING CANNIBALS IN DODGE VAN; SERVED WITH A SIDE OF BROCCOLI AND PARSLEY FOR GARNISH; BONES USED FOR SOUP.

The county road lay half a mile closer, along the tops of the first hills, but no traffic moved on it. In any case she already had rejected the idea of seeking help there, for fear of encountering Tucker in his Honda.

Of course she believed that she had heard three distinct voices among the eerie pulings of those who stalked her, which had to mean that Tucker had abandoned his car and was with her parents now. Maybe she could safely head toward the county highway, after all.

She thought about that as she sprinted across the meadow. But before she had made up her mind to change course, those dreadful cries rose behind her again, still in the woods but closer than before. Two or three voices yowled simultaneously, as if a pack of baying hounds was at her heels, though stranger and more savage than ordinary dogs.

Abruptly Chrissie stepped into thin air and found herself falling into what, for an instant, seemed to be a terrible chasm. But it was only an eight-foot-wide, six-foot-deep drainage channel that cleaved the meadow, and she rolled to the bottom of it unharmed.

The angry shrieking of her pursuers grew louder, nearer, and now their voices had a more frenetic quality … a note of need, of hunger.

She scrambled to her feet and started to clamber up the six-foot wall of the channel, when she realized that to her left, upslope, the ditch terminated in a large culvert that bored away into the earth. She froze halfway up the arroyo and considered this new option.

The pale concrete pipe offered the lambent moonlight just enough of a reflective surface to be visible. When she saw it, she knew immediately that it was the main drainage line that carried rainwater off the interstate and county road far above and east of her. Judging by the shrill cries of the hunters, her lead was dwindling. She was increasingly afraid that she would not make the trees at the far side of the meadow before being brought down. Perhaps the culvert was a dead end and would provide her with a haven no more secure than the cypress that she had considered climbing, but she decided to risk it.

She slid to the floor of the arroyo again and scurried to the conduit. The pipe was four feet in diameter. By stooping slightly she was able to walk into it. She went only a few steps, however, before she was halted by a stench so foul that she gagged.

Something was dead and rotting in that lightless passage. She could not see what it was. But maybe she was better off not seeing; the carcass might look worse than it smelled. A wild animal, sick and dying, must have crawled into the pipe for shelter, where it perished from its disease.

She backed hastily out of the drain, drawing deep breaths of the fresh night air.

From the north came intermingled, ululant walls that literally put the hair up on the back of her neck.

They were closing fast, almost on top of her.

She had no choice but to hide deep in the culvert and hope they could not catch her scent. She suddenly realized that the decaying animal might be to her benefit, for if those stalking her were able to smell her as though they were hounds, the stench of decomposition might mask her own odor.

Entering the pitch-black culvert again, she followed the convex floor, which sloped gradually upward beneath the meadow. Within ten yards she put her foot in something soft and slippery. The horrid odor of decay burst upon her with even greater strength, and she knew she had stepped in the dead thing.

“Oh, yuck.”

She gagged and felt her gorge rise, but she gritted her teeth and refused to throw up. When she was past the putrid mass, she paused to scrape her shoes on the concrete floor of the pipe.

Then she hurried farther into the drain. Scurrying with her knees bent, shoulders hunched, and head tucked down, she realized she must have looked like a troll scuttling into its secret burrow.

Fifty or sixty feet past the unidentified dead thing, Chrissie stopped, crouched, and turned to look back toward the mouth of the culvert. Through that circular aperture she had a view of the ditch in moonlight, and she could see more than she had expected because, by contrast with the darkness of the drain, the night beyond seemed brighter than when she had been out there.

All was silent.

A gentle breeze flowed down the pipe from drainage grilles in the highways above and to the east, pushing the odor of the decomposing animal away from her, so she could not detect even a trace of it. The air was tainted only by a mild dankness, a whiff of mildew.

Silence gripped the night.

She held her breath for a moment and listened intently.

Nothing.

Still crouching, she shifted her weight from foot to foot.

Silence.

She wondered if she should head deeper into the culvert. Then she wondered whether snakes were in the pipe. Wouldn’t that be a perfect place for snakes to nest when the oncoming night’s cool air drove them to shelter?

Silence.

Where were her parents? Tucker? A minute ago they had been close behind her, within striking distance.

Silence.

Rattlesnakes were common in the coastal hills, though not active at this time of year. If a nest of rattlers—

She was so unnerved by the continuing, unnatural silence that she had the urge to scream, just to break that eerie spell.

A shrill cry shattered the quietude outside. It echoed through the concrete tunnel, past Chrissie, and bounced from wall to wall along the passage behind her, as if the hunters were approaching her not only from outside but from the depths of the earth behind her.

Shadowy figures leaped into the arroyo beyond the culvert.