Mixed Magics: Four Tales of Chrestomanci (18 page)
Read Mixed Magics: Four Tales of Chrestomanci Online
Authors: Diana Wynne Jones
PBd:
What spell would you need if you were lost in one of the worlds of Chrestomanci?
DWJ:
That would depend upon which world you were lost in. If you were in the world of
Witch Week
, the very first spell you’d need was one that made everyone sure you were no kind of a witch. If you were lost in Chrestomanci’s own world, I would advise an enhancement spell, so that you could do more magic yourself — because everyone has a bit of magic in them and an enhancement spell will make it just a bit bigger. Then you could do a clothes spell, like Nan Pilgrim did, and give yourself the correct clothes. This would stop people staring at you or calling the police.
PBd:
You say that magic is as common as mathematics in the world of Chrestomanci. Yet it sometimes goes wrong — in
Witch Week
it is actually forbidden but still seems to appear everywhere. What is the best way to control this magic?
DWJ:
The best way to control magic on any world is to learn how to do it properly. Then you won’t make an accidental gesture and find your feet on backwards. As soon as you get to a magic world, find a wizard to teach you.
PBd:
Why do only some people possess the power of magic and not others? Is it a power that can be taught?
DWJ:
There are several kinds of magic. Most is inborn, and this can be of various strengths. Just as, in our world, certain people have a strong talent for music or painting, while others can’t sing or draw to save their lives, so in magical worlds you get people who can or can’t do a lot of magic. But there
is
magic you can learn, too. This is mostly the kind that needs patterns chalked on the floor, candles, and spells. That is usually called magicians’ magic.
PBd:
You are said to be a connoisseur of witchcraft yourself — when did this interest occur?
DWJ:
I have always found I sort of knew about witchcraft. It seemed innate. I understand how spells work and the ways that different kinds of magic are performed. It always seemed perfectly natural to write about these things.
PBd:
You’ve said that you had very few books as a child, and so instead you had to develop a vivid imagination. One assumes that this helped prepare you to be a writer.
DWJ:
My sisters and I suffered from book-starvation. After we had read everything in the local library and begged and borrowed others wherever we could, I started writing books myself in dozens of school exercise books, and reading each bit as I finished it aloud to my sisters. This was a great help, because they kept nagging me for more, more,
more
. I was forced to imagine all sorts of things. But the exercise books themselves were very odd. I don’t to this day know where I got them or why they were all music manuscript books. This meant that you had a clump of little lines, and had to write close and small, and then you had a huge space, where your writing sprawled. These days I
always
write on paper with no lines at all. That is much less distracting.
PBd:
You’ve also mentioned that you were dyslexic. How did this affect your development as a writer?
DWJ:
As a child, I was quite a fast reader, but a very, very slow writer. I kept mixing up
b
and
d
. I still do, but it doesn’t bother me. Then it did, not because I was slow — for some reason I knew I only had to practice to get quicker — but because my parents screamed with laughter when I told them I was going to be a writer. They said I would never make it. I suppose that made me defiant.
PBd:
We’re very glad you made it.
DWJ:
Thank you! I am, too.
Diana Wynne Jones
has been writing outstanding fantasy novels for more than twenty-five years and is one of the most distinguished writers in this field. With unlimited imagination, she combines dazzling plots, an effervescent sense of humor, and emotional truths in stories that delight readers of all ages. Her books, published in international acclaim, have earned a wide array of honors, including two Boston Globe/Horn Book Honor Awards and the British Fantasy Society’s Karl Edward Wagner Award for having made a significant impact on fantasy.
Ms. Jones says, “Each time I write a book, I try to say something new, with the results that each book turns out differently from the ones before—which surprises, puzzles, and pleases me in about equal proportions.” Her work spans from the epic novels of “The Dalemark Quartet” to the hilarious Chrestomanci books, which include
Witch Week
and
Charmed Life
, to the inventive
Dark Lord of Derkholm
and its sequel,
Year of the Griffin
, to individual gems like
Dogsbody
. Diana Wynne Jones lives in Bristol, England.
- Believing Is Seeing: Seven Stories
- Castle in the Air
- The Chronicles of Chrestomanci
- Charmed Life*
- The Lives of Christopher Chant*
- The Magicians of Caprona*
- Witch Week*
- Mixed Magics*
- Charmed Life*
- The Dalemark Quartet
- Book 1: Cart and Cwidder
- Book 2: Drowned Ammet
- Book 3: The Spellcoats
- Book 4: The Crown of Dalemark
- Book 1: Cart and Cwidder
- Dark Lord of Derkholm
- Hexwood
- Howl’s Moving Castle
- Stopping for a Spell
- The Time of the Ghost
- Year of the Griffin
*Available as a PerfectBound e-book
Cover art © 2001 by Dan Craig.
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This is a work of fiction. Names, characters, places and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.
M
IXED
M
AGICS
collection. Copyright © 2000 by Diana Wynne Jones. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
“Warlock at the Wheel” was first published in W
ARLOCK AT THE
W
HEEL AND
O
THER
S
TORIES
by Diana Wynne Jones, Macmillan Children’s Books. © 1984 Diana Wynne Jones.
“Stealer of Souls” was first published in M
IXED
M
AGICS
by Diana Wynne Jones, Collins.
© 2000 Diana Wynne Jones.
“Carol Oneir’s Hundredth Dream” was first published in D
RAGONS
& D
REAMS
, edited by Jane Yolen, Martin H. Greenberg, and Charles G. Waugh, Harper & Row. © 1986 by Diana Wynne Jones.
“The Sage of Theare” was first published in H
ECATE’S
C
AULDRON
, edited by Susan M. Schwartz, DAW Books. © 1982 Diana Wynne Jones.
HarperCollins e-books thanks Stella Paskins and Zoe Clarke for their work on this e-book’s special features.
Diana Wynne Jones has asserted her right to be identified as author of this work.
First published in Great Britain in 2000 by Collins, an imprint
of HarperCollins Publishers Ltd.
First published in the United States in 2001 by Greenwillow Books,
an imprint of HarperCollins Publishers.
ePub edition. February 2002 ISBN 9780061756894
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