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Authors: James Hadley Chase

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BOOK: More Deadly Than The Male
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"It's Sunday," he said, drawing away from her. "You can't buy anything today."
"Why do you think I came here?" she said impatiently. "They are all Jews down here. They closed yesterday."
His mind darted like a startled mouse for a way of escape. 
"I'm not buying it," he said obstinately. "If you want it, you'll have to get it yourself. I'm not having anything to do with it. I—I don't believe in that sort of thing."
She looked at his set, obstinate face and she suddenly smiled. "You're quite right, George," she said softly; "it's stupid to wait. When two people are in love . . ." She pushed the pound note again into his hand. "Get the whip and let's go hack. We've still time before he returns."
George stared at her, seeing in her eyes a fainting desire: an unmistakable invitation of receptive, expectant femininity.
"Cora!" he said, his fingers clutching the pound note, "you mean—now? You really mean
now?
"
"I said I'd be nice to you, didn't I? Well, why should we wait? . . . Only you'll have to hurry."
He went down the street with an unsteady, shambling gait, a feverish, incoherent puppet, without a will, without regard to danger, without a thought for anything except what she was offering him.
He blundered into the shop she had indicated. Saddles, rolls of leather, horse blankets, dog collars, trunks, bags and whips overflowed on the counter, the floor and the shelves behind the counter.
An elderly man with a great hooked nose came out of an office at the back of the shop. He looked curiously at George.
"Good afternoon," he said. "Is there something I can show you?"
George looked round the shop, his eyes bloodshot and wild. He saw a whip, a riding switch, whalebone bound in red leather, with an ivory handle. He picked it up with a shudder.
"I'll have it," he said, thrusting it at the Jew, and threw down the pound note.
The Jew shook his head. "I think it's a little more than a pound," he said, picking up the whip with long, caressing fingers. He turned the price ticket and glanced at it. "It's a fine piece of workmanship." He smiled. "It's fifty-five shillings."
George gulped. "Give me something for a 'pound, something like this, only for a pound."
"Certainly." The Jew did not move, but continued to touch the riding switch with caressing fingers. "I should like to point out, sir, that it would be more economical to buy a better whip while you are about it. Now, this is something that will last a lifetime. It is beautifully made and impossible to wear out. The extra money will be saved over and over again."
What was the matter with this fool? George thought, feverishly. Didn't he know he was wasting precious time?
"I don't want it," he said violently. "Give me what I want, and for God's sake stop talking!"
He was not aware of the sudden alarm that jumped into the Jew's eyes, nor his curious stare at George's congested face.
George was only aware of the passing time, and when the Jew offered him another whip, saying in a grieved voice that it was a guinea, George threw down a shilling on top of the pound note, snatched up the whip without looking at it, and rushed from the shop.
Cora was waiting at the corner, serene and arrogant. Her hands were thrust deep into her pockets and her eyes watchful. 
"I've got it," George said thickly, falling into step beside her. "Let's go back."
She allowed herself to be hurried through the streets. They did not speak. George was only conscious of a pounding in his ears and a suffocating desire for her. He almost pushed her up the stairs to the flat, and when she had to search through her pockets and purse for the key, he stood trembling, in an agony of suspense.
Finally she opened the door and they entered the flat. He threw the whip into the armchair and caught hold of her. "Hello, George," Sydney said from the door.
George didn't look round. His arms dropped to his sides, and he stood staring down at Cora with glazed eyes. The hateful sound of Sydney's voice crushed him.
Sydney wandered into the room and regarded him sharply.
"I say, what a state you're in!" he said in his sneering voice.
George turned away. He caught a cold, jeering look from Cora that sent a stab into his heart. He was sick with disappointment and frustration.
"What have you been up to, Cora?" Sydney went on, flopping into the armchair "What's this?" he continued, picking up the whip. "Oh, something for Crispin, eh? That's wonderful." A quick, cautious note crept into his voice. "Did George buy it?"
"He bought it," Cora said, wandering across the room and opening a cupboard. "He didn't want to at first, but I persuaded him; didn't I, George?" She took from the cupboard a bottle of whisky and two glasses. 
George sat down limply and wiped his face and hands on his handkerchief. He didn't say anything He had a feeling that they had, between them, tricked him in some way. He felt that ever since Sydney had telephoned him, asking him to take the message to Joe's Club, a series of carefully planned manoeuvres had taken place to trap him.
Cora came over to him with a glass half full of whisky.
"Have a drink, George," she said, putting the glass in his hand. "You look as if you needed it."
Then she sat on his lap and slipped an arm round his neck. His suspicions were immediately lulled, and in their place came an overwhelming tenderness and love for her.
She rested her head against his shoulder and gently swung her legs. She, too, had a stiff whisky in her hand.
Sydney was eyeing them with thoughtful interest.
"It seems I came hack a hit too early," he said, settling more comfortably in his armchair
"You did," Cora returned, tormenting George by rubbing her face against his. "George and I had made plans, hadn't we, George?"
He gripped her tightly, but didn't say anything. His hand trembled so that he slopped a little whisky on her slacks.
"Careful, George," she said, and suddenly laughed. "You know, our George is quite a lad," she went on to Sydney. "I believe he'd make one of the world's greatest lovers."
"Never mind about George," Sydney said. "We've got other things to think about."
Cora slipped off George's lap. She crossed the room and picked up the whip. 
George, feeling suddenly deflated, watched her. She swished the whip once or twice, her face spiteful. Then she laughed. "I'll bet he'll yell the place down," she said.
"It's all fixed," Sydney said. "He'll be alone. I've got a car. We leave at eight-thirty. It'll take us about an hour. By that time it'll be getting dark."
Cora raised her glass. "To our new member," she said, looking at George, and she tilted her head and emptied her glass.
George felt hot. Whisky burned in his stomach. He was a little light-headed, but uneasy, nervous.
The past hour had been difficult. As the hands of the clock crept forward, all of them showed signs of strain Even Sydney, for all his sneering coldness, began to fidget and look at the clock.
Cora drank steadily. She showed no sign that the whisky was affecting her, except that her face became paler and her eyes brightened.
When, at last, Sydney got to his feet, there was an immediate tightening of the tension. George looked from one to the other.
"Perhaps we ought not to go . . ." he began, facing them.
They stood side by side, brother and sister, their eyes cold and cautious, oddly alike. They stared at him as if he were a stranger.
"Don't talk wet," Sydney said.
"Go on," Cora said. "We're coming "
Sydney shrugged and moved to the door. He opened it and began to walk down the stairs.
Cora went to George. "You're coming hack here tonight," she said, putting her hand on his arm. "I don't cheat. I meant what I said, only I didn't think Sydney would be hack so soon." Her eyes were inviting. Then she added, "I'll be nice to you tonight—promise."
After that it didn't seem to matter. When he turned to pick up the gun, she was before him She took it up very carefully by the barrel.
"I'm your gun moll," she said, her mouth smiling "I want to carry it." She slipped it into a leather bag she had slung from her shoulder. Then she went up to him "Kiss me," she said.
They left the flat a few minutes before eight-thirty. It was a sultry night; the sky was cloudless, but there was the smell of rain in the air.
They Joined Sydney in the street a few moments later.
There was a smear of lipstick on George's mouth and he seemed bemused.
None of them spoke. Cora walked stiffly because of the whip she had thrust down the leg of her slacks. George was between the two of them, and it seemed to him that they were his jailers.
They turned down an alley and into a little courtyard. A dark green Ford coupe was standing round the corner, out of sight from the mouth of the alley.
Sydney unlocked the door and slid under the wheel. Cora got in at the hack.
"Come on," she said to George, who was hesitating.
He got into the car beside her and slammed the door.
"I didn't know you had a car," he said blankly
"He thinks this is our car," Cora called to Sydney.
Sydney laughed. It had a mirthless sound. He started the engine and drove the car slowly down the alley.
"Well, isn't it your car?" George asked.
"We borrowed it," Sydney said. "Now shut up. I want to think "
They drove out of London in silence. As Big Ben, coming over a wireless set, struck nine, they passed through Wimbledon. Later they got on to the Reigate road.
George sat hunched up, alone and lost. He thought of his room in the dull boarding-house and Leo. That part of his life seemed remote now: he wasn't even sure that it had ever happened. But Cora—he could feel her thigh against his—was real enough, so was the back of Sydney's head, and the swift passage of the car through the darkening streets: all frighteningly real.
He lost count of time He didn't want to think about it. He felt that the car was taking him towards a destiny from which there was no escape.
Sydney leaned forward and switched on the headlights. "We turn off just about here," he said shortly: there was a nervous hesitation in his voice.
They peered through the windows. They were overanxious, as if it were the most important thing in the world not to miss the turning.
They saw it at last, and they both exclaimed.
"All right," Sydney said, braking sharply. "I'm not blind." 
They turned into a country lane and stopped. The headlights made the grass banks and hedges on either side of the lane look startlingly fresh and green.
"It's just at the end of the lane," Sydney said, cutting the engine. "We'll leave the car here."
He twisted round in his seat so that he could look at them. The white moonlight lighted his face. It frightened George. The ghastly scar burned red, and there was a look of animal viciousness and hatred in Sydney's eyes.
"We'll go in together," Sydney went on. His voice trembled in a breathless kind of way. "If he shows fight, give George the gun. Now listen, George, this is important. Go up to him and ram the gun in his stomach. Do you understand? Wind him. Look tough. You don't have to say anything; I'll do the talking. When Cora gives you the gun, walk up to him and slam it in his guts. That'll take the starch out of the rat. You wait: it'll do you good to see the way he'll curl up. Then we'll go for him."
George licked his dry lips. "Listen, just a minute. . ."
Cora put her hand on his knee. Her touch sent the blood pounding in his head. Words of caution died in his mouth.
"What is it?" Sydney asked.
"Nothing," Cora said. "He's fine, aren't you, George?"
"Well, don't mess about," Sydney said. "This is serious. Now come on; let's get it over."
He got out of the car.
"We're coming," Cora said.
As Sydney moved away down the lane she fell against George, her hands pulling his head down to her open mouth. A suffocating desire engulfed him. They remained like that for some time, their mouths crushed together, and then Cora pushed him away and slid out of the car.
"Come," she said.
As if hypnotized, George followed her. His heart hammered against his ribs and blood sang in his ears. He couldn't think about Crispin. He couldn't think of anything.
Cora held his arm. She was pulling him along. He couldn't see, and his feet stumbled. Sweat dripped down his face. The air had gone dead. There was no movement in the trees; no wind, only a hot stillness that oppressed him. In the distance, thunder rumbled. A line of black clouds began to edge above the horizon.
"Quiet," she said softly, and he could feel her trembling.
Sydney moved towards them out of the darkness.
"It's all right," he whispered. "He's there, and alone."
He went on ahead. Cora followed, seemingly able to see in the dark. She steered George through a gateway and tip an overgrown path. Then suddenly they came on a small bungalow. One window was open, and light streamed from it into the garden.
The three of them stopped abruptly. Thunder crashed not far away, startling George, so that he clutched Cora's arm. Her muscles felt hard under his hand, as if she were keyed up, her nerves at breaking point.
They edged forward so that they could look into the room. Crispin, in a blue and white flowered dressing-gown, was sitting at a table. A cigarette dangled from his lips; he was writing on a pad of notepaper. A lawyer's briefcase lay half open at his elbow. It appeared to be bulging with pound notes. 
George shivered. The sight of all that money frightened him even more than the thought of bursting in and assaulting this strange-looking man. He glanced at Sydney. He could just make out his features in the light from the window. He was hissing between his teeth, a frightening look of pent-up hatred in his eyes.
BOOK: More Deadly Than The Male
4.99Mb size Format: txt, pdf, ePub
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