Read Musicophilia: Tales of Music and the Brain Online

Authors: Oliver W. Sacks

Tags: #General, #Science, #Neuropsychology, #Neurology, #Psychology, #Psychological aspects, #Life Sciences, #Creative Ability, #Music - Psychological aspects, #Medical, #Music - Physiological aspects, #Anatomy & Physiology, #Appreciation, #Instruction & Study, #Music, #Physiological aspects

Musicophilia: Tales of Music and the Brain (40 page)

BOOK: Musicophilia: Tales of Music and the Brain
11.97Mb size Format: txt, pdf, ePub
ads

Hallett,

Mark. 1998. The neurophysiology of dystonia.
Archives of Neurology
55: 601–03.

Halpern,

A. R., and R. J. Zatorre. 1999. When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies.
Cerebral Cortex
9: 697–704.

Hamilton,

R. H., A. Pascual-Leone, and G. Schlaug. 2004. Absolute pitch in blind musicians.
NeuroReport
15 (5): 803–06.

Hamzei,

F., J. Liepert, C. Dettmers, T. Adler, S. Kiebel, M. Rijntjes, and C. Weiller. 2001. Structural and functional cortical abnormalities after upper limb amputation during childhood.
NeuroReport
12 (5): 957–62.

Hannon,

Erin E., and Sandra E. Trehub. 2005. Tuning in to musical rhythms: Infants learn more readily than adults.
Proceedings of the National Academy of Sciences
102: 12639–43.

Harrison,

John E. 2001.
Synaesthesia: The Strangest Thing.
New York: Oxford University Press.

Hart,

Mickey, and Frederic Lieberman. 1991.
Planet Drum.
San Francisco: HarperCollins.

Hart,

Mickey, with Jay Stevens. 1990.
Drumming at the Edge of Magic.
San Francisco: HarperCollins.

Harvey,

William. 1627/1960.
De Motu Locali Animalium.
London: Cambridge University Press.

Hécaen,

Henri, and Martin L. Albert. 1978.
Human Neuropsychology.
New York: John Wiley & Sons.

Henahan,

Donal. 1983. Did Shostakovich have a secret?
New York Times,
July 10, section 2, page 21.

Hermelin,

Beate, N. O’Connor, and S. Lee. 1987. Musical inventiveness of five idiot savants.
Psychological Medicine
17: 685–94.

Hermesh,

H., S. Konas, R. Shiloh, R. Dar, S. Marom, A. Weizman, and R. Gross-Isseroff. 2004. Musical hallucinations: Prevalence in psychotic and nonpsy chotic outpatients.
Journal of Clinical Psychiatry
65 (2): 191–97.

Hull,

John. 1991.
Touching the Rock: An Experience of Blindness.
New York: Pantheon.

Hunter,

M. D., T. D. Griffiths, T. F. Farrow, Y. Zheng, I. D. Wilkinson, N. Hegde, W. Woods, S. A. Spence, and P. W. Woodruff. 2003. A neural basis for the perception of voices in external auditory space.
Brain
126 (1): 161–69.

Huron,

David. 2006.
Sweet Anticipation: Music and the Psychology of Expectation.
Cambridge: Bradford Books, MIT Press.

Hutchinson,

Siobhan, Leslie Hui-Lin Lee, Nadine Gaab, and Gottfried Schlaug. 2003. Cerebellar volume of musicians.
Cerebral Cortex
13: 943–49.

Huxley,

Aldous. 1932.
Brave New World.
London: Chatto and Windus.

Huysmans,

Joris-Karl. 1884/1926.
Against the Grain.
Paris: Librairie du Palais-Royal.

Hyde,

K., R. Zatorre, T. D. Griffiths, J. P. Lerch, and I. Peretz. 2006. Morphometry of the amusic brain: A two-site study.
Brain
129: 2562–70.

Iversen,

John R., Aniruddh D. Patel, and Kengo Ohgushi. 2004. Perception of non-

linguistic

rhythmic stimuli by American and Japanese listeners.
Proceedings of the International Congress of Acoustics, Kyoto.

Izumi,

Yukio, Takeshi Terao, Yoichi Ishino, and Jun Nakamura. 2002. Differences in regional cerebral blood flow during musical and verbal hallucinations.
Psychiatry Research Neuroimaging
116: 119–23.

Jackendorff,

Ray, and Fred Lerdahl. 2006. The capacity for music: what is it, and what’s special about it?
Cognition
100: 33–72.

Jackson,

John Hughlings. 1871. Singing by speechless (aphasic) children.
Lancet
2: 430–31.

— — — .

1888. On a particular variety of epilepsy (“Intellectual Aura”).
Brain
11: 179–207.

Jacome,

D. E. 1984. Aphasia with elation, hypermusia, musicophilia and compulsive whistling.
Journal of Neurology, Neurosurgery, and Psychiatry
47: 308–10.

James,

William. 1890.
The Principles of Psychology.
New York: Henry Holt.

Jourdain,

Robert. 1997.
Music, the Brain, and Ecstasy: How Music Captures Our Imagination.
New York: William Morrow.

Kapur,

Narinder. 1996. Paradoxical functional facilitation in brain-behaviour research: A critical review.
Brain
119: 1775–90.

Kawai,

Nobuyuki, and Tetsuro Matsuzawa. 2000. Numerical memory span in a chimpanzee.
Nature
403: 39–40.

Kertesz,

Andrew. 2006.
The Banana Lady and Other Stories of Curious Behavior and Speech.
Victoria: Trafford Publishing.

Kertesz,

Andrew, and David G. Munoz, ed. 1998.
Pick’s Disease and Pick Complex.
New York: Wiley-Liss.

Klawans,

Harold L. 1997. “Did I Remove That Gallbladder?” In
Injured Brains of Medical Minds: Views from Within,
ed. Narinder Kapur (pp. 21–30). Oxford: Oxford University Press.

Konorski,

Jerzy. 1967.
Integrative Activity of the Brain: An Interdisciplinary Approach.
Chicago: University of Chicago Press.

Kraemer,

David J. M., C. Neil Macrae, Adam E. Green, and William M. Kelley. 2005. Sound of silence activates auditory cortex.
Nature
434: 158.

Lederman,

Richard J. 1999. Robert Schumann.
Seminars in Neurology
19 suppl. 1: 17–24.

Lehrer,

Jonah. 2007. Blue Monday, green Thursday.
New Scientist
194 (2604): 48–51.

— — — .

2007.
Proust Was a Neuroscientist.
New York: Houghton Mifflin.

Lesser,

Wendy. 2007.
Room for Doubt.
New York: Pantheon.

Levitin,

Daniel J. 2006.
This Is Your Brain on Music.
New York: Dutton.

Levitin,

Daniel J., and Ursula Bellugi. 1998. Musical ability in individuals with Williams’ Syndrome.
Music Perception
15 (4): 357–89.

— — — .

2006. Rhythm, timbre and hyperacusis in Williams-Beuren syndrome. In
Williams-Beuren Syndrome: Research and Clinical Perspectives,
ed. C. Morris, H. Lenhoff, and P. Wang (pp. 343–58). Baltimore: Johns Hopkins University Press.

Levitin,

Daniel J., and Perry R. Cook. 1996. Memory for musical tempo: Additional evidence that auditory memory is absolute.
Perception and Psychophysics
58: 927–35.

Levitin,

Daniel J., and Susan E. Rogers. 2005. Absolute pitch: Perception, coding and controversies.
Trends in Cognitive Neurosciences
9 (1): 26–33.

Llinás,

Rodolfo. 2001.
I of the Vortex: From Neurons to Self.
Cambridge: MIT Press.

Luria,

A. R. 1932.
The Nature of Human Conflicts; or Emotion, Conflict and Will.
New York: Liveright.

— — — .

1947/1970.
Traumatic Aphasia.
Berlin: Mouton de Gruyter.

— — — .

1948/1963.
Restoration of Function After Brain Injury.
New York: Macmillan.

— — — .

1966.
Higher Cortical Functions in Man.
New York: Basic Books.

— — — .

1968.
The Mind of a Mnemonist.
Cambridge: Harvard University Press.

Luria,

A. R., L. S. Tsvetkova, and D. S. Futer. 1965. Aphasia in a composer.
Jour nal of Neurological Sciences
2: 288–92.

Lusseyran,

Jacques. 1963.
And There Was Light.
Boston: Little, Brown.

Machover,

Tod. 2004. Shaping minds musically.
BT Technology Journal
22 (4): 171–79.

Mailis-Gagnon,

Angela, and David Israelson. 2003.
Beyond Pain: Making the Mind-Body Connection.
Toronto: Viking Canada.

Martin,

Paula I., Margaret A. Naeser, Hugo Theoret, Jose Maria Tormos, Marjorie Nicholas, Jacquie Kurland, Felipe Fregni, Heidi Seekins, Karl Doron, and Alvaro Pascual-Leone. 2004. Transcranial magnetic stimulation as a com plementary treatment for aphasia.
Seminars in Speech and Language
25: 181–91.

Maugham,

Somerset. 1931/1992. “The Alien Corn.” In Maugham’s
Collected Short Stories,
vol. 2. New York: Penguin Classics.

Maurer,

Daphne. 1997. Neonatal synaesthesia: Implications for the processing of speech and faces. In
Synaesthesia: Classic and Contemporary Readings,
ed. Simon Baron-Cohen and John Harrison (pp. 224–42). Oxford, UK: Blackwell.

Meige,

Henri, and E. Feindel. 1902.
Les tics et leur traitement
(Tics and Their Treatment). Paris: Masson.

Micheyl,

Christophe, Stephanie Khalfa, Xavier Perrot, and Lionel Collet. 1997. Difference in cochlear efferent activity between musicians and non-musicians.
NeuroReport
8: 1047–50.

Mill,

John Stuart. 1924/1990.
Autobiography.
New York: Penguin Classics.

Miller,

B. L., K. Boone, J. Cummings, S. L. Read, and F. Mishkin. 2000. Functional correlates of musical and visual ability in frontotemporal dementia.
British Journal of Psychiatry
176: 458–63.

Miller,

B. L., J. Cummings, F. Mishkin, K. Boone, F. Prince, M. Ponton, and C. Cotman. 1998. Emergence of artistic talent in frontotemporal dementia.
Neurology
51: 978–82.

Miller,

Leon K. 1989.
Musical Savants: Exceptional Skill in the Mentally Retarded.
Hillsdale, NJ: Lawrence Erlbaum.

Miller,

Timothy C., and T. W. Crosby. 1979. Musical hallucinations in a deaf el derly patient.
Annals of Neurology
5: 301–02.

Minsky,

Marvin. 1982. Music, mind and meaning. In
Music, Mind and Brain,
ed.

Manfred

Clynes (pp. 1–20). New York: Plenum Press.

Mitchell,

Silas Weir. 1866. The case of George Dedlow.
Atlantic Monthly.

— — — .

1872/1965.
The Injuries of Nerves.
New York: Dover.

Mithen,

Steven. 2005.
The Singing Neanderthals: The Origins of Music, Lan guage, Mind and Body.
London: Weidenfeld & Nicolson.

Nabokov,

Vladimir. 1951/1999.
Speak, Memory.
New York: Everyman’s Library.

Nelson,

Kevin R., Michelle Mattingly, and Frederick A. Schmitt. 2007. Out-of-body experience and arousal.
Neurology
68: 794–95.

Nelson,

Kevin R., Michelle Mattingly, Sherman A. Lee, and Frederick A. Schmitt. 2006. Does the arousal system contribute to near death experience?
Neurology
66: 1003–09.

Nietzsche,

Friedrich. 1888/1977. “Nietzsche contra Wagner.” In Walter Kaufmann, trans.
The Portable Nietzsche.
New York: Penguin.

— — — .

1888/1968. The Will to Power as Art. In
The Will to Power
(pp. 419–57). Translated by Walter Kaufmann. New York: Vintage.

Nordoff,

Paul, and Clive Robbins. 1971.
Therapy in Music for Handicapped Chil dren.
London: Victor Gollancz.

Noreña,

A. J., and J. J. Eggermont. 2005. Enriched acoustic environment after noise trauma reduces hearing loss and prevents cortical map reorganization.
Journal of Neuroscience
25 (3): 699–705.

Ockelford,

Adam. 2007.
In the Key of Genius: The Extraordinary Life of Derek Paravicini.
London: Hutchinson.

Ockelford,

Adam, Linda Pring, Graham Welch, and Darold Treffert. 2006.
Focus on Music: Exploring the Musical Interests and Abilities of Blind and Partially-Sighted Children and Young People with Septo-Optic Dysplasia.
London: Institute of Education.

Oestereich,

James R. 2004. Music: The shushing of the symphony.
The New York Times,
January 11, 2004.

Ostwald,

Peter. 1985.
Schumann: Music and Madness.
London: Victor Gollancz.
The Oxford Companion to Music.
1955. 9th edition, ed. Percy A. Scholes. Oxford: Oxford University Press.

Pascual-Leone,

Alvaro. 2003. The brain that makes music and is changed by it. In
The Cognitive Neuroscience of Music,
ed. Isabelle Peretz and Robert Zatorre (pp. 396–409). Oxford: Oxford University Press.

Patel,

Aniruddh D. 2008.
Music, Language, and the Brain.
New York: Oxford University Press.

Patel,

Aniruddh. D. 2006. Musical rhythm, linguistic rhythm, and human evolution.
Music Perception
24 (1): 99–104.

Patel,

Aniruddh. D., J. M. Foxton, and T. D. Griffiths. 2005. Musically tone-deaf individuals have difficulty discriminating intonation contours extracted from speech.
Brain and Cognition
59: 310–13.

Patel,

Aniruddh, and John Iversen. 2006. A non-human animal can drum a steady beat on a musical instrument. In
Proceedings of the
9
th International Confer ence on Music Perception and Cognition,
ed. M. Baroni, A. R. Addessi, R. Caterina, and M. Costa. Bologna, Italy.

Patel,

Aniruddh D., John R. Iversen, Yanqing Chen, and Bruno H. Repp. 2005. The influence of metricality and modality on synchronization with a beat.
Experimental Brain Research
163: 226–38.
BOOK: Musicophilia: Tales of Music and the Brain
11.97Mb size Format: txt, pdf, ePub
ads

Other books

Constable & Toop by Gareth P. Jones
To Protect & Serve by Staci Stallings
Once Upon a Highland Autumn by Lecia Cornwall
Legacy of a Dreamer by Allie Jean
The Risen by Ron Rash
Deep Breath by Alison Kent
Hot Enough to Kill by Paula Boyd