Read "N" Is for Noose Online

Authors: Sue Grafton

Tags: #thriller, #Fiction, #General, #Mystery & Detective, #Suspense, #Police, #Private investigators, #Hard-Boiled, #Large type books, #Detective and mystery stories, #California, #Women Sleuths, #California - Fiction, #Women private investigators, #Private detectives, #Millhone; Kinsey (Fictitious character), #Women private investigators - California - Fiction, #Millhone; Kinsey (Fictitious character) - Fiction, #Women detectives

"N" Is for Noose (4 page)

BOOK: "N" Is for Noose
2.14Mb size Format: txt, pdf, ePub
ads

She stared at me blankly and for one heart-stopping moment I wondered if she was recently retired from some obscure branch of county government. She appeared to be mulling over all the rules and regulations, trying to decide which were in effect on the night in question. I was tempted to embellish, but decided I might be getting in too deep. With lies, it's best to skip across the surface like a dragonfly. The more said at the outset, the more there is to retract later if it turns out you really put your foot in it. She held the door open to admit me. "You better come on in. I don't mind telling you the subject's painful."

"I can imagine it is and I'm sorry to intrude. I met Macon earlier."

"He's useless," she remarked. "No love lost between us. Of course, I never thought of Selma as family either and I'm sure it's ditto from her perspective."

Cecilia Boden's apartment was on a par with my cabin, which is to say, drab, poorly lighted, and faintly shabby. The prime difference was that my place was icy cold where she seemed to keep her room temperature somewhere around "pre-heat." The floor cover was linoleum made to look like wood parquet. She had pine-paneled walls, overstuffed furniture covered with violent-colored crocheted throws. A large television set, dominated one corner, with all the furniture oriented in that direction. Cecilia's reading glasses were perched on the arm of the sofa nearest the set. I could see that she was in the process of filling out the crossword puzzle in the local paper. She did this in ballpoint pen without any visible corrections. I revised my estimate of her upwards. I couldn't perform such a feat with a gun to my head.

We took a few minutes to get settled in the living room. While my story sounded plausible, it didn't give me much room to inquire into Tom's character. In any event, why would I imagine Cecilia would have information about what he was doing the night he died? As it turned out, she didn't question my purpose and the longer we chatted, the clearer it became that she was perfectly comfortable discussing Tom and his wife, their marriage, and anything else I cared to ask about.

" Selma says Tom was preoccupied with something in the past few weeks. Do you have any idea what it might have been?"

Cecilia narrowed her eyes at the section of floor she was studying.

"What makes her think there was anything wrong with him?"

"Well, I'm not sure. She said he seemed tense, smoking more than usual, and she thought he was losing weight. She said he slept poorly and disappeared without explanation. I take it this wasn't typical. Did he say anything to you?"

"He didn't confide anything specific," she said, cautiously. "You'll have to talk to Macon about that. They were a lot closer to each other than either one of them was to me."

"But what was your impression? Did you feel he was under some kind of strain?"

"Possibly."

Too bad I wasn't taking notes, what with the wealth of data pouring out. "Did you ever ask him about it?"

"I didn't feel it was my place. That wasn't the nature of our relationship. He went about his business and I went about mine.

"Any hunches about what was going on?"

She hesitated for a moment. "I think Tom was unhappy. He never said as much to me, but that's my belief."

I made a sort of mmm sound, verbal filler accompanied by what I hoped was a sympathetic look.

She took this for encouragement and launched into her analysis. "Far be it from me to criticize Selma. He married her. I didn't. It's possible there was more to her than meets the eye. We'd certainly have to hope so. If you want my opinion, my brother could have done a lot better for himself. Selma 's a snob, if you want to know the truth."

This time I murmured, "Really."

Her gaze brushed my face and then drifted off again. "You look like a good judge of character, so I don't feel I'm telling tales out of school when I say this. She has no spiritual foundation even if she does go to church. She's a mite materialistic. She seems to think she can use acquisitions to fill the void in her life, but it won't do."

"For example," I said.

"You saw the new carpet in the living room?"

"Yes, I saw that."

Cecilia shot me a glance filled with satisfaction. "She had that installed about ten days ago. I thought it was in poor taste, doing it so soon, but Selma never asked me. Selma 's also confided she's considering having those two front teeth capped, which is not only vain, but completely trivial. Talk about a waste of money. I guess now she's a widder, she can do anything she likes."

What I thought was, what's wrong with vanity? Given the range of human failings, self-absorption is harmless compared to some I could name. Why not do whatever you deem relevant to feeling better about yourself-within reason, of course. If Selma wanted to get her teeth capped, why should Cecilia give a shit? What I said was, "I got the impression she was devoted to Tom."

"As well she should have been. And he to her, I might add. Tom spent his life trying to satisfy the woman. If it wasn't one thing, it was another. First, she had to have a house. Then she wanted something bigger in a better neighborhood. Then they had to join the country club. And on and on it went. Anytime she didn't get what she wanted? Well, she pouted and sulked until he broke down and got it for her. It was pitiful in my opinion. Tom did everything he could, but there wasn't any way to make her happy."

I said, "My goodness." This is the way I talk in situations like this. I could not, for the life of me, think where to go from here. "He was a nice-looking man. I saw a picture of him at the house," I said, vamping.

"He was downright handsome. Why he married Selma was a mystery to rne. And that son of hers?" Cecilia pulled her lips together like a drawstring purse. "Brant was a pain in the grits from the first time I ever laid eyes on the boy. He had a mouth on him like a trucker and he was bratty to boot. Back talk and sass? You never heard the like. Did poorly in school, too. Problems with his temper and what they call his impulse control. Of course, Selma thought he was a saint. She. wouldn't tolerate a word of criticism regardless of what' he did. Poor Tom nearly tore his hair out. I guess he finally managed to get the boy squared away, but it was no thanks to her."

"She mentioned Brant worked as a paramedic. That's a responsible job."

"Well, that's true enough," she conceded grudgingly. "About time he took hold. You can credit Tom for that. "

"Do you happen to know where Tom was going that night? I understand he was found somewhere on the outskirts of town."

"A mile north of here."

"He didn't drop in to see you?"

"I wish he had," she said. "I was visiting a friend down in Independence and didn't get back here until shortly after ten fifteen or so. I saw the ambulance pass, but I had no idea it was meant for him."

FOUR

Tuesday morning at nine, I stopped by the offices of the Nota County Coroner. I hadn't slept well the night before. The cabin was poorly insulated and the night air was frigid. I'd moved the thermostat up to 70, but all it did was click off and on ineffectually. I'd crawled into bed wearing my sweats, a turtleneck, and a pair of heavy socks. The mattress was as turgid as a trough of mud. I curled up under a comforter, a quilt, and a wool blanket, with my heavy leather jacket piled on top for the weight. just about the time I got warm, my bladder announced that it was filled to capacity and required my immediate attention or a bout of bedwetting would ensue. I tried to ignore the discomfort and then realized I'd never sleep a wink until I'd heeded the message. By the time I got back under the covers, all the ambient heat had been dispelled and I was forced to suffer through the cold again until I drifted off to sleep.

When I woke up at seven, my nose felt like a Popsicle and my breath was visible in puffs against the wan morning light. I showered in tepid water, dried myself shivering, and dressed in haste. Then I dog trotted down the road to the Rainbow Cafe where I stoked up on another breakfast, sucking down orange juice, coffee, sausages, and pancakes saturated with butter and syrup. I told myself I needed all the sugar and fat to refuel my depleted reserves, but the truth was I felt sorry for myself and the food was the simplest form of consolation.

The coroner's office was located on a side street in the heart of the downtown. In Nota County, the coroner is a four-year elected official, who in this case doubled as the funeral director for the county's only mortuary. Nota County is small, less than two thousand square miles, tucked like an afterthought between Inyo and Mono counties. The coroner, Wilton Kirchner III, generally referred to as Trey, had occupied the position for the past ten years. Since there was no requirement for formal training in forensic medicine, all coroner's cases were autopsied by a forensic pathologist under contract to the county.

In the event of a homicide in the county, the Nota County Coroner handles the on-scene investigation, in conjunction with the Sheriffs Department's investigator and an investigator from the Nota County District Attorney's office. The forensic autopsy is then conducted in the "big city" by a pathologist who does several homicide autopsies per month and is called to court numerous times during the year to testify. Since Nota County only has one homicide every two years or so, the coroner prefers that an outside agency provide its expertise, in both autopsy services and testimony.

Kirchner Sons Mortuary appeared to have been a private residence at one time, probably built in the early twenties with the town growing up around it. The architectural style was Tudor with a facade of pale red brick trimmed in dark-painted timbers. Thin cold sunlight glittered against the leaded glass windows. The surrounding lawns were dormant, the grass as drab and brittle as brown plastic. Only the holly bushes lent any color to the landscape. I could imagine a time when the house might have sat on a sizeable piece of land, but now the property had shrunk and the lots on either side sported commercial establishments: a real estate office and a modest medical complex.

Trey Kirchner came out to the reception area when he heard I was there, extending a hand in greeting as he introduced himself. "Trey Kirchner," he said. " Selma called and said you'd be in here today. Nice to meet you, Miss Millhone. Come on back to my office and let's find out what you need."

Kirchner was in his mid-fifties, tall, broadshouldered, with a waistline only slightly softer than it might have been ten years before. His hair was a clean gray, parted on the side and trimmed short around his ears. His smile was pleasant, creating concentric creases on either side of his mouth. He wore glasses with large lenses and thin metal frames. The corners of his eyes drooped slightly, somehow creating an expression of immense sympathy. His suit was close-fitting, well pressed, and the dress shirt he wore looked freshly starched. His tie was conservative, but not somber. Altogether, he presented an air of comforting competence. There was something solid about him; a man who, by nature, looked like he could absorb all the sorrow, confusion, and rage generated by death.

I followed him down a long corridor and into his office, which had served as the dining room when the house was first built. The carpet was pale, the wood floors pickled to the color of milk-washed pine. The drapes were beige, silk or shantung, some fabric with a touch of sheen. The mortuary decor leaned to wainscoting, topped with wallpaper murals showing soft mountain landscapes, forests of ever-greens with paths meandering through the woods. This was a watercolor world; pastel skies piled with clouds, the faintest suggestion of a breeze touching the tips of the wallpaper trees. On either side of the corridor at intervals, wide sliding doors had been pushed back to reveal the slumber rooms, empty of inhabitants, bare except for the ranks of gray metal folding chairs and a few potted ferns. The air was cool, underheated, spiced with the scent of carnations though none were in view. Perhaps it was some weird form of mortuary air freshener wafting through the vents. The entire environment seemed geared to somnambulistic calm.

The office we entered seemed designed for the public, not a book, a file, or a piece of paper in sight. I suspected somewhere in the building Trey Kirchner had an office where the real work was done. Somewhere out of sight, too, was the autopsy paraphernalia: cameras, X-ray equipment, stainless steel table, Stryker saw, scalpels, hanging scale. The room where we sat was as bland as a pudding-no smell of formalin, no murky Mason Jars filled with snippets of organs-giving no indication of the mechanics of the body's preparation for cremation or burial.

"Have a seat," he said, indicating two matching upholstered chairs arranged on either side of a small side table. His manner was relaxed, pleasant, friendly, curiously impersonal. "I take it you're here about Tom's death." He reached over and opened the drawer, pulling out a flat manila folder containing a five-page report. "I ran a copy of the autopsy report in case you're interested."

I took the folder. "Thanks. I thought I might have to talk you into this."

He smiled. "It's public record. I could have popped it in the mail and saved you a trip if Selma 'd asked for it sooner."

"Tom's death was classified as a coroner's case?"

"Of necessity," he said. "You know he died out on Highway 395 with no witnesses and probably not much warning. He hadn't seen his doctor in close to a year. We figured it was his heart, but you never really know about these things until the post. Could have been an aneurysm. Anyway, Calvin Burkey did the autopsy. He's the forensic pathologist for Nota and Mono counties. Couple of us in attendance. Nothing remarkable showed up. No surprises, nothing unexpected. Tom died of a massive acute myocardial infarction due to severe arteriosclerosis. You'll see it. It's all there. Sections of the coronary artery confirmed ninety-five percent to one hundred percent occlusion. Sixty-three years old. Really, it's amazing he lasted as long as he did."

"Nothing else came to light?"

"In the way of abnormalities? Nope. Liver, gallbladder, spleen, kidneys were all unremarkable. Lungs looked bad. He'd been smoking all his life, but there was no indication of invasive disease. He'd eaten recently.

According to our report, he'd stopped off at a cafe for a bite of supper. No pills or capsules in his digestive system and the toxin report was clear. What makes you ask?"

" Selma said he'd been losing weight. I wondered if he knew something he wasn't telling her."

"No ma'am. No cancer, if that's what you mean. No tumors, no blood clots, and no hemorrhaging, aside from the myocardium," he said. "Doc said there were signs of a minor heart attack sometime in the past."

I thought about it. "So maybe he knew his days were numbered. That would give him reason to brood."

"Could be," he said. "Tom wasn't in the peak of health, I can assure you of that. The absence of pathology doesn't necessarily mean you feel all that good. I knew him for years and never heard him complain, but he was sixty pounds overweight. Smoked like a chimney, drank like a fish, just to cover both clichés. He was a hell of an investigator, I can tell you that. What's Selma 's worry?"

"It's hard to say. I think she feels he was holding out on her, keeping secrets of some kind. She didn't press him for answers so now it's unfinished business and it bothers her a lot."

"And she has no idea what it was?"

"It might not be anything, which is where I come in. Do you have any theories?"

"I don't think you'll turn up anything scandalous. Tom was churchgoing, a good soul. Well liked, well thought-of in the community, generous with his time. If he had any faults, I'd have to say he was straitlaced, too rigid. He saw the world in terms of all black or all white with not a lot in between. I guess he could see the gray, but he never knew what to do with it. He didn't believe in bending the rules, though I've seen him do it from time to time. He was a real straight-ahead guy, but that's good in my opinion. We could use a few more like him. We're going to miss him around here."

"Did you spend any time with him in the past few weeks?"

"Nothing to speak of. Mostly, I saw him in the context of his job. Not surprisingly, the county sheriff's department and the coroner's office are just like that," he said, crossing his fingers. "I'd run into him around town. Played pool with him once. Sucked back a few beers. Bunch of us did a weekend fishing trip last fall, but it's not like we laid around at night baring our souls. Fellow you ought to talk to is his partner, Rafe."

" Selma mentioned him. What's his last name?"

"LaMott."

I sat in the rental car in the Kirchner Sons parking lot, leafing through Tom Newquist's autopsy report, his death certificate spelling out the particulars of his passing. Age, date of birth, Social Security number, and his usual address; the place and cause of his death and the disposition of his remains. He'd arrived at Nota County Hospital ER as a DOA, autopsied a day later, buried the day after that. On paper, his progression to the grave seemed all too swift, but in truth, once death occurs, the human body is just a big piece of meat quickly going sour. There was something flat and abrupt in the details… Tom Newquist deceased… his life neatly packaged; beginning, middle, and end. Under the death certificate was a copy of a hand-scrawled note that I gathered had been written by the CHP officer who found him in his truck.

At appx 21 50 2/3 Ambulance call to roadside 7.2 mi. out Hiway 395. Subj in pick-up, removed to side of road. CRP started @ 22 00. EMT from Nota Lake taking over @ appx. 22 15. Subj DOA on arrival at Nota Lake ER. Coroner notified.

The notation was signed "J. Tennyson." The autopsy report followed; three typewritten pages detailing the facts as Trey Kirchner had indicated.

I'd been hoping the explanation was obvious, that Tom Newquist was caught in the grip of some terminal disease, his preoccupation as simple as an intimation of his mortality. This was not the case. If Selma 's perceptions were correct and he was brooding about something, the subject wasn't an immediate threat to his health or well-being. It was always possible he'd been experiencing heart problems-angina pain, arrhythmia, shortness of breath on exertion. If so, he might have been weighing the severity of his symptoms against the consequences of consulting his physician. Tom Newquist might have seen enough death to view the process philosophically. He might have been more fearful of medical intervention than the possibility of dying.

I set the folder on the seat beside me and started the car. I wasn't sure where to go next, but I suspected the logical move would be to talk to Tom's partner, Rafer LaMott. I checked my map of Nota Lake and spotted the sheriff's substation, which was part of the Civic Center on Benoit about six blocks west. The sun had been climbing through a thin layer of clouds. The air was chilly, but there was something lovely about the light. Along the main thoroughfare, the buildings were constructed of stucco and wood with corrugated metal roofs: gas stations, a drugstore, a sporting goods shop, and hair salon. Rimming the town was the untouched beauty of distant mountains. The digital thermometer on the bank sign showed that it was 42 degrees.

I parked across the street from the Nota Lake Civic Center, which also included the police station, the county courthouse, and assorted community services. The complex of administrative offices was housed in a building that had once been an elementary school. I know this because the words " Nota Lake Grammar School " were carved in block letters on the architrave. I could have sworn I could still see the faint imprint of construction paper witches and pumpkins where they'd been affixed to the windows with cellophane tape, the ghosts of Halloweens past. Personally, I hated grade school, having been cursed with a curious combination of timidity and rebellion. School was a minefield of unwritten rules that everyone but me seemed to sense and accept. My parents had died in a car crash when I was five, so school felt like a continuation of the same villainy and betrayal. I was inclined to upchuck without provocation, which didn't endear me to the Janitor or classmates sitting in my vicinity. I can still remember the sensation of recently erupted hot juices collecting in my lap while students on either side of me flocked away in distaste. Far from experiencing shame, I felt a sly satisfaction, the power of the victim wreaking digestive revenge. I'd be sent down to the school nurse where I could lie on a cot until my Aunt Gin came to fetch me. Often at lunchtime… (before I learned to barf at will)… I'd beg to go home, swearing to look both ways when I was crossing the street, promising not to talk to strangers even if they offered sweets. My teachers rebuffed every plaintive request, so I was doomed to remain; fearful and anxious, undersized, fighting back tears. By the time I was eight, I learned to quit asking. I simply left when it suited me and suffered the consequences later. What were they going to do, shoot me down in cold blood?

BOOK: "N" Is for Noose
2.14Mb size Format: txt, pdf, ePub
ads

Other books

A Carra King by John Brady
The Eye of the Abyss by Marshall Browne
the maltese angel by Yelena Kopylova
Skin by Dale Mayer
Independence Day by Amy Frazier
Long Gone Man by Phyllis Smallman
Dawn in My Heart by Ruth Axtell Morren
Maggie MacKeever by The Tyburn Waltz
Agony by Yolanda Olson