New and Selected Poems (2 page)

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Authors: Ted Hughes

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BOOK: New and Selected Poems
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The Jaguar
 
 

The apes yawn and adore their fleas in the sun.

The parrots shriek as if they were on fire, or strut

Like cheap tarts to attract the stroller with the nut.

Fatigued with indolence, tiger and lion

 

Lie still as the sun. The boa-constrictor’s coil

Is a fossil. Cage after cage seems empty, or

Stinks of sleepers from the breathing straw.

It might be painted on a nursery wall.

 

But who runs like the rest past these arrives

At a cage where the crowd stands, stares, mesmerized,

As a child at a dream, at a jaguar hurrying enraged

Through prison darkness after the drills of his eyes

 

On a short fierce fuse. Not in boredom –

The eye satisfied to be blind in fire,

By the bang of blood in the brain deaf the ear –

He spins from the bars, but there’s no cage to him

 

More than to the visionary his cell:

His stride is wildernesses of freedom:

The world rolls under the long thrust of his heel.

Over the cage floor the horizons come.

 
Famous Poet
 
 

   Stare at the monster: remark

How difficult it is to define just what

Amounts to monstrosity in that

Very ordinary appearance. Neither thin nor fat,

   Hair between light and dark,

 

   And the general air

Of an apprentice – say, an apprentice house-

Painter amid an assembly of famous

Architects: the demeanour is of mouse,

   Yet is he monster.

 

   First scrutinize those eyes

For the spark, the effulgence: nothing. Nothing there

But the haggard stony exhaustion of a near-

Finished variety artist. He slumps in his chair

   Like a badly hurt man, half life-size.

 

   Is it his dreg-boozed inner demon

Still tankarding from tissue and follicle

The vital fire, the spirit electrical

That puts the gloss on a normal hearty male?

   Or is it women?

 

   The truth – bring it on

With black drapery, drums and funeral tread

Like a great man’s coffin – no, no, he is not dead

But in this truth surely half-buried:

   Once, the humiliation

 

   Of youth and obscurity,

The autoclave of heady ambition trapped,

The fermenting of the yeasty heart stopped –

Burst with such pyrotechnics the dull world gaped

   And ‘Repeat that!’ still they cry.

 

   But all his efforts to concoct

The old heroic bang from their money and praise

From the parent’s pointing finger and the child’s amaze,

Even from the burning of his wreathed bays,

   Have left him wrecked: wrecked,

 

   And monstrous, so,

As a Stegosaurus, a lumbering obsolete

Arsenal of gigantic horn and plate

From a time when half the world still burned, set

   To blink behind bars at the zoo.

 
Soliloquy
 
 

Whenever I am got under my gravestone

Sending my flowers up to stare at the church-tower,

Gritting my teeth in the chill from the church-floor,

I shall praise God heartily, to see gone,

 

As I look round at old acquaintance there,

Complacency from the smirk of every man,

And every attitude showing its bone,

And every mouth confessing its crude shire;

 

But I shall thank God thrice heartily

To be lying beside women who grimace

Under the commitments of their flesh,

And not out of spite or vanity.

 
The Horses
 
 

I climbed through woods in the hour-before-dawn dark.

Evil air, a frost-making stillness,

 

Not a leaf, not a bird, –

A world cast in frost. I came out above the wood

 

Where my breath left tortuous statues in the iron light.

But the valleys were draining the darkness

 

Till the moorline – blackening dregs of the brightening grey –

Halved the sky ahead. And I saw the horses:

 

Huge in the dense grey – ten together –

Megalith-still. They breathed, making no move,

 

With draped manes and tilted hind-hooves,

Making no sound.

 

I passed: not one snorted or jerked its head.

Grey silent fragments

 

Of a grey silent world.

 

I listened in emptiness on the moor-ridge.

The curlew’s tear turned its edge on the silence.

 

Slowly detail leafed from the darkness. Then the sun

Orange, red, red erupted.

 

Silently, and splitting to its core tore and flung cloud,

Shook the gulf open, showed blue,

 

And the big planets hanging –

I turned

 

Stumbling in the fever of a dream, down towards

The dark woods, from the kindling tops,

 

And came to the horses.

                                  There, still they stood,

But now steaming and glistening under the flow of light,

 

Their draped stone manes, their tilted hind-hooves

Stirring under a thaw while all around them

 

The frost showed its fires. But still they made no sound.

Not one snorted or stamped,

 

Their hung heads patient as the horizons

High over valleys, in the red levelling rays –

 

In din of the crowded streets, going among the years, the faces,

May I still meet my memory in so lonely a place

 

Between the streams and the red clouds, hearing curlews,

Hearing the horizons endure.

 
Fallgrief’s Girlfriends
 
 

Not that she had no equal, not that she was

His before flesh was his or the world was;

Not that she had the especial excellence

To make her cat-indolence and shrew-mouth

Index to its humanity. Her looks

Were what a good friend would not comment on.

If he made flattery too particular,

Admiring her cookery or lipstick,

Her eyes reflected painfully. Yet not that

He pitied her: he did not pity her.

 

‘Any woman born,’ he said, ‘having

What any woman born cannot but have,

Has as much of the world as is worth more

Than wit or lucky looks can make worth more;

And I, having what I have as a man

Got without choice, and what I have chosen,

City and neighbour and work, am poor enough

To be more than bettered by a worst woman.

Whilst I am this muck of man in this

Muck of existence, I shall not seek more

Than a muck of a woman: wit and lucky looks

Were a ring disabling this pig-snout,

And a tin clasp on this diamond.’

 

By this he meant to break out of the dream

Where admiration’s giddy mannequin

Leads every sense to motley; he meant to stand naked

Awake in the pitch dark where the animal runs,

Where the insects couple as they murder each other,

Where the fish outwait the water.

                                                The chance changed him:

He has found a woman of such wit and looks

He can brag of her in every company.

 
Egg-Head
 
 

   A leaf’s otherness,

The whaled monstered sea-bottom, eagled peaks

And stars that hang over hurtling endlessness,

   With manslaughtering shocks

 

   Are let in on his sense:

So many a one has dared to be struck dead

Peeping through his fingers at the world’s ends,

   Or at an ant’s head.

 

   But better defence

Than any militant pride are the freebooting crass

Veterans of survival and those champions

   Forgetfulness, madness.

 

   Brain in deft opacities,

Walled in translucencies, shuts out the world’s knocking

With a welcome, and to wide-eyed deafnesses

   Of prudence lets it speak.

 

   Long the eggshell head’s

Fragility rounds and resists receiving the flash

Of the sun, the bolt of the earth: and feeds

   On the yolk’s dark and hush

 

   Of a helplessness coming

By feats of torpor, by circumventing sleights

Of stupefaction, juggleries of benumbing,

   By lucid sophistries of sight

 

   To a staturing ‘I am’,

To the upthrust affirmative head of a man.

Braggart-browed complacency in most calm

   Collusion with his own

 

   Dewdrop frailty

Must stop the looming mouth of the earth with a pin-

Point cipher, with a blank-stare courtesy

   Confront it and preen,

 

   Spurn it muck under

His foot-clutch, and, opposing his eye’s flea-red

Fly-catching fervency to the whelm of the sun,

   Trumpet his own ear dead.

 
Vampire
 
 

You hosts are almost glad he gate-crashed: see,

How his eyes brighten on the whisky, how his wit

Tumbles the company like a lightning stroke –

You marvel where he gets his energy from … 

 

But that same instant, here, far underground,

This fusty carcase stirs its shroud and swells.

 

‘Stop, stop, oh for God’s sake, stop!’ you shriek

As your tears run down, but he goes on and on

Mercilessly till you think your ribs must crack …

 

While this carcase’s eyes grimace, stitched

In the cramp of an ordeal, and a squeeze of blood

Crawls like scorpions into its hair.

 

You plead, limp, dangling in his mad voice, till

With a sudden blood-spittling cough, he chokes: he leaves

Trembling, soon after. You slump back down in a chair

Cold as a leaf, your heart scarcely moving …

 

Deep under the city’s deepest stone

This grinning sack is bursting with your blood.

 
The Man Seeking Experience Enquires His Way of a Drop of Water
 
 

‘This water droplet, charity of the air,

Out of the watched blue immensity –

(Where, where are the angels?) out of the draught in the door,

The Tuscarora, the cloud, the cup of tea,

The sweating victor and the decaying dead bird –

This droplet has travelled far and studied hard.

 

‘Now clings on the cream paint of our kitchen wall.

Aged eye! This without heart-head-nerve lens

Which saw the first and earth-centering jewel

Spark upon darkness, behemoth bulk and lumber

Out of the instant flash, and man’s hand

Hoist him upright, still hangs clear and round.

 

‘Having studied a journey in the high

Cathedralled brain, the mole’s ear, the fish’s ice,

The abattoir of the tiger’s artery,

The slum of the dog’s bowel, and there is no place

His bright look has not bettered, and problem none

But he has brought it to solution.

 

‘Venerable elder! Let us learn of you.

Read us a lesson, a plain lesson how

Experience has worn or made you anew,

That on this humble kitchen wall hang now,

O dew that condensed of the breath of the Word

On the mirror of the syllable of the Word.’

 

So he spoke, aloud, grandly, then stood

For an answer, knowing his own nature all

Droplet-kin, sisters and brothers of lymph and blood,

Listened for himself to speak for the drop’s self.

This droplet was clear simple water still.

It no more responded than the hour-old child

 

Does to finger-toy or coy baby-talk,

But who lies long, long and frowningly

Unconscious under the shock of its own quick

After that first alone-in-creation cry

When into the mesh of sense, out of the dark,

Blundered the world-shouldering monstrous ‘I’.

 

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