Not Dead Yet (Roy Grace 8) (53 page)

‘So we can’t be sure of the time she was abducted, can we, Roy?’ Kille asked.

‘Any time between 4 p.m. and two minutes ago.’

‘Over three hours. She could be anywhere. I don’t think there’s much value in road blocks – they could be too far away by now.’

‘I think the perp’s in the Pavilion with her,’ Grace said. ‘I agree, no point in road blocks. Is Hotel 900 or Oscar Sierra 99 available?’ Hotel 900 and Oscar Sierra 99 were the call signs of the two helicopters of the South East Air Support Unit.

‘Yes.’

‘Get one up and over the Pavilion, in case he’s up on the roof somewhere. There are lots of spaces up there. They can also see if he tries to leave.’

‘I’ll have it overhead within ten minutes, tops.’

Please God let her be alive,
Grace prayed, silently. His mind was spinning, trying to get traction. He’d worked on child abductions and on kidnap cases, and was a qualified hostage negotiator. From his experience, he knew how badly the odds were stacked against them. In child abductions, forty-four per cent of the victims died within the first hour. Seventy-three per cent were dead within three hours. Just one per cent survived more than one day. And forty per cent were dead before they were even reported missing.

Those figures applied to children, but if the psychologist Dr Lester was right, inside Eric Whiteley’s warped mind, now that Gaia was no longer his lover, he might well be viewing her as a child who needed to be taught a lesson.

Every single second mattered right now.

‘We need a PNC broadcast, as well, Andy, just in case.’

‘Do we know Whiteley’s vehicle?’

‘He’s got a Nissan Micra, but it’s still in the garage. It’s possible he rented something bigger – he wouldn’t be able to conceal a person in a Micra very easily.’

He was staring at a small sign just by the rear window of the bedroom.
EMERGENCY EXIT.

He had to walk around the far side of the bed to reach it, and then he saw the handle in a raised, unlocked position, as if the door had recently been opened – and not properly closed from the outside.

He ended the call with Kille, pushed the door open and looked out and around the rear of the vehicle. Two other smaller motor-homes were parked directly behind, blocking the view of this exit from anyone more than a few yards away. No windows overlooked them. This seemed the likely route that Whiteley would have taken her, but they would have had to come into open view within ten yards or so, surely?

Then, looking down, he noticed the jagged, uneven dark rectangle in the grass, as if it had been made with a very thin trail of weed killer.

He knelt down, and the rectangle wobbled beneath him, just a fraction. He clambered back into the vehicle, checked that the two officers were making progress on freeing the victims, then rummaged in the kitchen drawers, and took out a heavy-duty knife and a metal spatula.

Then he got down on his hands and knees behind the motor-home, and using the two implements as a lever, prised open an ancient, heavy metal cover, the top of it turfed, which he lifted aside. He could see steep stone steps leading down into darkness. He’d often heard rumours of secret passages under the Pavilion, and wondered if this was one of them.

He went back into the motorhome and asked if either of the officers had a torch on them. One produced a small, sturdy-looking one and handed it to him. He switched it on, went out again, then began to descend the steps, breathing in dank air. After about twenty feet he found himself in a tunnel just high enough to stand in. It had faded whitewashed walls and a whitewashed brick floor, and stretched away into the distance toward the main building of the Pavilion. Lagged pipes, copper tubes and bare power cables, clipped to the top of the walls on both sides, appeared to run its full length, and every few yards there were unlit lights mounted on the walls.

He began walking along the tunnel, as quickly as he could, being careful not to trip on the uneven floor, shadows jigging ahead of him from the throw of the beam, his nerves jigging inside him. He passed an old wooden door lying on its side, then a large dusty pane of glass, and a short distance further along, a busted wicker chair. Two tiny pinpricks of red momentarily froze in the darkness, then vanished. A rat. He passed an orange and white traffic cone, incongruously placed on the floor, then reached an old, grimy white door, with a shiny new chrome handle on it. He hesitated for a moment and glanced down at his phone. There was no signal. Which meant no chance of calling back-up if he needed it. If Whiteley came at him, he would have to cope on his own.

He gripped the handle, switched the torch off, not wanting to make himself a target just in case. Then he jerked the door open and snapped on the beam again.

It shone on a fire hose attached to a brick wall. He stepped forward and swung the beam down another corridor, much wider and higher, angled off to the right, with some dim lights on further along it. All the cables and piping were bunched together in this section, running along the ceiling. The brick floor was uneven and unpainted, repaired in places with ugly concrete patches. He passed a row of plastic chemical drums, then saw a decrepit green door, sagging on its hinges, with a yellow and black
DANGER – HIGH VOLTAGE
sign on it, to his left. A broken cobweb across the top left corner of the door showed it had been opened recently. Bracing himself, and stepping aside as he did so, he pulled it open. The hinges shrieked, the bottom scraping noisily on the bricks. Then he stabbed the beam inside. It lit up a wall of fuses and electrical switchgear, and pipework lagged in asbestos, but otherwise it was bare.

He walked on and saw a pool of light ahead of him now. Then he heard voices, and froze.

They sounded directly above him. Then footsteps. Clumping down steps. Now his nerves were really jangling. He took several deep breaths, firmly gripped the torch – the only weapon he had – and eased himself forward, keeping as flat against the wall as he could. He saw a shadow, growing larger. Then suddenly the ex-Sergeant-Major security guard loomed into view. The old soldier jumped with shock when he saw him, shouted something, and dropped his torch, which hit the ground with a loud crack and went out.

‘Blimey, you gave me a fright, sir!’

‘That makes two of us,’ Grace said. ‘What’s happening? Has anyone found anything here?’

The guard knelt down, bending his stiff frame with some difficulty, and picked up his torch. ‘Nothing, sir, not so far. But it’s a bloody big place to search and you have to know your way around to do it. So many corridors – it was designed as a sort of a double skin, so that staff could move all around the ground floors without going into any of the main rooms unless needed. I’ve been here seven years and even I keep finding new spaces all the time. Be easy for someone who knows it well to avoid being seen.’

‘What’s up there?’ Grace pointed to the steps he had just come down.

‘Takes you up to the main hallway, just inside the front entrance, and the toilets.’

‘I’m certain Gaia’s abductor must have brought her along here, sometime in the past couple of hours. Where could he have taken her from here?’

‘Well, he couldn’t go any further along this passage. If you shine your beam along there you’ll see.’ He pointed along the continuation of the tunnel and it was bricked off a short distance along. ‘He’d either have to have taken her back the way he came or up these stairs.’

Grace suddenly recalled the smell of fresh chocolate. The abandoned Crunchie wrapper with a trace of lipstick on it.

Anna Galicia’s lipstick?

‘Follow me, will you?’ Grace said, and sprinted up the stairs, through the open half-gate, then across the hall to the half-concealed door on the far side, where he had been taken by the Curator yesterday. He pulled it open, then began to lope up the spiral stairs.

Some way behind him, he heard the panting voice of the elderly security guard. ‘Don’t touch the handrail, sir, it’s dangerously rickety!’

He reached the top and entered the old, abandoned apartment beneath the dome, with its unpleasant musty smell and dust sheets over the uneven, angular shapes. But he didn’t even notice the smell. Or the dust sheets. Or the Crunchie wrapper still lying on the ground.

He was staring, transfixed at the bizarre and horrific tableau facing him. It could have been two actors rehearsing a scene in a play. Except neither of them was acting. They were both standing on a dangerously rotten trapdoor, and one had a noose around her neck.

Gaia, in jeans and a sweat-darkened white T-shirt, her face glistening with the perspiration of fear, stood on tiptoe, a noose of razor wire around her neck pulled tight and looped around the pulley system high above the trapdoor. Blood trickled down parts of her neck where the wire had dug into her skin. A small strip of duct tape lay, curled, on the floor. The skin around her mouth looked red and raw, probably from that bit of tape that had been ripped away, Grace thought, feeling fury at what he saw, tinged with relief that she was still, at this moment, alive.

Her hands were tied behind her back. Inches from her sparkly trainers was the sign on the trapdoor that read in bold letters,
DANGER – STEEP DROP BELOW. DO NOT STAND ON DOOR.

Her eyes, filled with stark terror, locked on to his. He tried to flash back reassurance. His heart went out to her, she looked so vulnerable and helpless.

Crouched beside her was an apparition, caked in make-up, dressed in female Regency clothing and wearing a huge, lopsided wig, staring at him with a strangely triumphant smile. One hand was on each of the two rusty bolts that secured the trapdoor from opening downwards – and taking them both with it, plunging through the hatch, down the forty-foot drop straight to the store room above the kitchens. On the floor beside this creature was a vicious-looking open-bladed hunting knife and a mobile phone.

There was a sudden, sharp crack, like a gunshot.

Gaia yammered in terror. The apparition’s eyes darted momentarily down.

Grace realized what it was. The trapdoor was starting to give way. His mind was racing, spinning, trying to get traction and figure what to do. The two of them were about ten feet in front of him. Three fast paces, he assessed. The bolts could be slid long before he even got close. He couldn’t take the risk, not at this moment.

There was another crack. This time the trapdoor visibly sagged a fraction, tightening the razor wire even more. The door was going to cave in at any moment.

‘Detective Superintendent Roy Grace,’ the apparition smiled, speaking through gleaming white teeth in a seductive, gravelly voice that mimicked Gaia’s. ‘I recognize you from the
Argus
. How nice of you to join our little private party!’

Gaia was pleading with her eyes for him to do something.

His heart was hammering so hard he could feel pulsing in his ears. ‘Eric Whiteley?’ he said. ‘Or should I call you Anna Galicia?’

He heard footsteps behind him, then heavy panting.

‘Get rid of your fat friend with the tash, hon, he’s so ugly,’ the apparition continued in her Gaia voice. ‘I’ll talk to you, but I’m not talking to any bullying thug.’

Grace hesitated.

The creature slid the bolts back a good half inch. The panic in Gaia’s eyes deepened into wild terror. There was another, smaller crack, and the apparition jolted, but seemed not to care. ‘Get rid of your fat friend or the bitch and I go. You have five seconds, Detective Superintendent.’ He tightened his grip on the bolts.

Grace turned and said urgently to the security guard, ‘Do what she said!’

The guard gave him a look, as if questioning his sanity.

‘GET OUT OF HERE! GO!’ Grace yelled at him.

It had the desired effect. The security guard turned in shock and lumbered out of the room. Grace turned back to the transvestite, thinking fast. He was trying to remember all he had been told by the indexer Annalise Vineer, who’d had researchers delving back as far as they could into Whiteley’s past. As well as all the insights he’d had from the psychologist Dr Tara Lester. But the first stage was to get a rapport going, to try to bond with Whiteley. And at the same time to make his Plan B.

‘Tell me what you would like me to call you,’ he said. ‘Anna Galicia or Eric Whiteley?’ He looked up at the wire above Gaia for an instant.

‘Very funny,’ Whiteley snapped back. It came out as a male snarl. ‘I’m not afraid to kill her.’

‘You’ve killed before haven’t you, Anna? Shall we stick with Anna?’

‘Anna will be very happy with that.’ Now she sounded like Gaia again.

A chill wave swept through Grace. It felt as if he were dealing with two totally different people in one. ‘And how about Eric? Will he be happy?’

‘Eric will do what Anna tells him,’ Whiteley said in his Anna voice.

‘You killed Myles Royce, didn’t you. Why did you kill him?’

‘Because he was richer than me. He kept outbidding me on things I really wanted. I couldn’t let that go on. I invited him round to see my collection and then I killed him. I collected him! He was a nice trophy to have. Eric approved!’

Grace was conscious of Gaia desperately staring at him, but at this moment he didn’t want to break eye contact with Whiteley. He needed to try to find some common ground, some way to start to bond with him. And he knew he didn’t have much time. Maybe only seconds.