One Last Thing Before I Go

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Authors: Jonathan Tropper

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ONE LAST THING

BEFORE I GO

JONATHAN TROPPER

DUTTON

DUTTON

Published by Penguin Group (USA) Inc.

375 Hudson Street, New York, New York 10014, U.S.A.

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.);
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England; Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd); Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd); Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India; Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd); Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

Published by Dutton, a member of Penguin Group (USA) Inc.

Copyright © 2012 by Jonathan Tropper

All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

REGISTERED TRADEMARK—MARCA REGISTRADA

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Tropper, Jonathan.

One last thing before I go / Jonathan Tropper.

p. cm.

ISBN 978-1-101-59357-8

1. Men—Fiction. 2. Domestic fiction. 3. Psychological fiction. I. Title.

PS3570.R5885O54 2012

813’.54—dc23

2012019370

 

PUBLISHER’S NOTE

This book is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

 

For Spencer, Emma, and Alexa,

who make all of my work a labor of love

 

BOOK ONE

CHAPTER 1

T
his is Tuesday, just under three weeks before his wife will be getting married, and a few days before Silver will tentatively decide that life isn’t necessarily worth living when you’ve been doing it as poorly as he has. It is seven years and four months or so since Denise divorced him for a host of valid reasons, and roughly eight years since his band, the Bent Daisies, released its only album and became rock stars overnight on the strength of their solitary hit, “Rest in Pieces.” For one blessed summer it seemed as if the entire world was singing that song. And then they weren’t, and then he couldn’t get arrested—although, actually, Silver did get arrested twice; one DUI and once for solicitation, and he would tell you about it if he could, but he was, at best, fuzzy about the details back then, and now it’s like an oral history long forgotten. Then, with a little back-channel manipulation from the record label, Pat McReedy, their lead singer, quit the band to launch his now epic solo career, dropping Danny (bass), Ray (lead guitar), and Silver (drums) back home in Elmsbrook to stare down the barrel of the rest of their painfully unglamorous lives. With nowhere else to go, Silver went back home to discover that Denise had already changed the locks and retained counsel.

But that was then, and this is Tuesday, eight years and countless mistakes later. Silver is forty-four years old, if you can believe it, out of shape, and depressed—although he doesn’t know if you call it depression when you have good reason to be; maybe then you’re simply sad, or lonely, or just painfully aware, on a daily basis, of all the things you can never get back.

And, this being Tuesday, Silver and Jack are on their way to jerk off.

“Is that a wedding ring?”

They are speeding down the highway in Jack’s ten-year-old BMW convertible when Jack notices the band on Silver’s finger. Jack is blasting hip-hop music and pretending to know the words, while Silver absently taps along on his knees to the automated beat. They are the same age, seasoned veterans of epically bad decisions and poor follow-through.

He forgot to take off the ring. God only knows how long he’s been wearing it. Hours? Days, maybe. His finger still bears the groove from when he was married, and whenever he slips it on, it slides into place like a machined part, and he forgets about it. Chagrined, he pulls it off his finger and sticks it into his pocket, to jingle around with his other loose change.

“What the fuck, Silver?” Jack says. He has to shout to be heard above the din of the interstate, the hip-hop, and the incessant ringing in Silver’s ears. Silver suffers from a moderate to severe case of tinnitus. There is no cure and, as far as he knows, no one is running any triathlons to raise awareness or fund research. He suffers alone.

“I was just playing with it.”

“Is that your actual wedding band?”

“As opposed to what?”

“I don’t know, I thought maybe you went out and bought one.”

“Why the hell would I buy a wedding ring?”

“Why would you wear your old one, ten years after your divorce?”

“Seven years.”

“Sorry. Seven years. I stand corrected.”

Jack flashes him a sly little smile, the one that says
I know you better than you know yourself
, the one that generally makes Silver want to plunge his index finger through Jack’s eye socket, around the back of his nose, and out the other eye, creating an effective handle with which to rip his face off.

“Something wrong there, Silver?”

“What could be wrong? I’m a forty-four-year-old man on my way to masturbate into a cup for seventy-five dollars. Living the dream.”

Jack grins. “Easiest money you’ll ever make.”

A good amount of his time with Jack is spent wondering whether Jack actually believes his own particular brand of bullshit. They are two middle-aged divorced men, their friendship born of mutual inconvenience, because they happened to live on the same floor of the Versailles. Jack thinks Silver is depressed and Silver thinks Jack is an idiot and, at any given moment, both of them are generally right.

They are on their way to a satellite office of the Blecher-Royal Medical Research Facility, where they will check in, submit to the prick of a blood test, then submit their own pricks to a quick, sterile flurry of self-abuse and gracelessly come into specimen jars. They will accomplish this without the aid of any chemical lubricants, in the name of science, and for the weekly seventy-five-dollar stipend.

The drug trial in which they are enrolled—Jack found it online—is purported to be a new nonhormonal treatment for low sperm motility. Possible side effects include mood swings; dizziness; and, strangely, decreased libido, a fact the test administrator told them during the twenty-minute orientation without the slightest hint of irony.

You don’t want to hear about his deposit, about the small room overwhelmed by the liberal spraying of industrial-strength disinfectant, about the weathered porn magazines he won’t touch because of all the sticky hands that have already handled them. About the depressing little television on its teetering IKEA stand, and the small stack of DVDs, each case marked with either an
H
(etero) or a
G
(ay). Or about how he doesn’t sit in the chair or watch the discs, but just kind of stands in the center of the room with his pants around his ankles, calling up the images of girls he slept with back when he was young enough to be wholly consumed by a deep, passionate kiss, the sight of a freshly unsheathed breast, the smoky half-closed eyes of a girl in heat, looking up at you as she hungrily takes you in below.

But as always, just before his ejaculate hits the bottom of the specimen cup with a soft plastic burp, no matter how determined he is to avoid it, he sees Denise, frowning at him with her customary scorn, depleting the moment of whatever lingering molecular pleasure it may have retained.

A last sad grunt and squeeze, the cold damp of the baby wipe, and then the warmth of his semen against his fingertips through the thin plastic walls of the cup, more alive than anything coming out of him has any right to feel.

CHAPTER 2

O
ut in the lobby, Jack, already finished, is chatting up the receptionist. She isn’t his type—mousy-looking with a light smattering of adult acne across the edge of her jaw—but Jack likes to stay sharp. You never know who might be in the market for a house.

Jack is a real-estate agent, always with a business card tucked between two fingers, slipping it into your hand like a reverse pickpocket before you even realize he’s done it. He carries himself with the cocky swagger of someone who is always closing, whether he’s trying to talk someone into bed or a center-hall colonial. In fact, he is somewhat famous for often accomplishing both simultaneously. This went on back when he was still married, so it was only a matter of time, really. There was a Puerto Rican bartender. She showed up to his house at dinnertime, cursing at him in Spanish. His wife went after him, first with a meat tenderizer, and then with a team of lawyers from her father’s white-shoe law firm.

“There he is!” Jack says, announcing Silver’s presence to the entire office. “What, did you have to buy yourself dinner first? I was about to send Vicki here in to expedite things.”

Vicki smiles, embarrassed, maybe even offended, but somehow flattered too. That is Jack’s gift.

“I’m fine.” He hands Vicki his deposit without making eye contact, she hands him his check, and just like that, he has sold his seed. The cup is opaque, but still, the act of handing your sperm to a woman is one of those things that will never stop feeling creepy.

“Good job,” Jack says, slapping his back as they step out of the office into the afternoon sun.

This is my life, Silver thinks to himself, and, as always, tries like hell not to panic.

* * *

Mistakes have been made.

It’s hard to know where to start. Things have been a mess for so many years that trying to pin down a starting point is like trying to figure out where your skin starts. All you can ever really know is that it’s wrapped around you, sometimes a little tighter than you’d like.

But clearly there have been some mistakes. Bad ones. You can tell that just by looking at him.

For one thing, he has gotten fat. Not obese, not
People
magazine fat, but still. He has been on an extended hiatus from any kind of physical fitness. Do they even say “physical fitness” anymore? He isn’t sure. He hasn’t quite fallen apart yet, but the cracks are fast becoming fissures: an increasingly pronounced gut, incipient jowls, and the strategic application of baby powder in the warmer seasons to avoid chafing.

So as not to smell like baby powder, he uses excessive amounts of deodorant and generous helpings of Eternity, by Calvin Klein. He applies the cologne by spraying it into the air and then walking through the vapor, like he saw his mother do when he was a boy. So, yeah, now he’s the fat guy who smells like baby powder and too much cologne, who sits alone in Manny’s Famous Pizza leaving greasy fingerprints all over the book he isn’t actually reading while blotting the oil off his poorly shaved chin with a napkin, keeping an eye on all the pretty girls who come in.

You could be excused for thinking he is somewhat pathetic. Or maybe a pedophile.

Which is why lately he has gotten into the habit of wearing his old wedding band. Not because he misses Denise—he doesn’t at all, which is maybe a sad confirmation of what she always suspected about his overall emotional wherewithal—but because that gold band around his finger alters the whole picture, confers upon him some faint glimmer of respectability. It implies that he goes home to someone who finds redeeming qualities in him, who is ostensibly not averse to at least occasional physical contact with him, and that makes all of his obvious flaws seem more superficial, less ingrained. It could complicate things if he happens to strike up a conversation with an attractive woman, but the women he tends to engage these days are not, generally speaking, the sort who are going to blanch at a wedding band.

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