Authors: Jodi Ellen Malpas
One Night: Denied (42 page)
I throw the bag into the lift and turn, taking Miller’s other hand so we’re joined by both. Then I start to take slow steps back, aware our time is ticking, but more acutely aware that this is not something I can rush. He’s staring past me into the enclosed box, his whole body heaving violently, and it’s in the intensity of this moment that I wonder how I could have been so cruel those times I used this fear against him. I fight off the tears that the guilt spikes and continue with my backward steps until our arms are at full length and the space between our bodies is wide.
‘Miller,’ I say quietly, desperate for him to focus on me instead of the monster he sees behind me. ‘Look at me,’ I plead. ‘Just look at me.’ My voice quivers, no matter how greatly I’m trying to keep it together. Relief swamps me when he takes a tentative step forward, but then he starts shaking his head furiously and takes two steps back. He’s swallowing repeatedly and his hands are becoming increasingly hot. The waves of his lovely hair are becoming heavy under the weight of the sweat pouring from his scalp, his forehead, just about everywhere.
‘I can’t,’ he pants, gulping. ‘I can’t do it.’
I look across to William and see concern as he constantly checks his phone and looks to the stairwell, and when I look to Gregory, I see something that I’ve never seen from my best friend when Miller is in the picture. Compassion. I bite my lip as the tears begin to fall, choking on a sob when he looks at me and gives me eyes full of encouragement. Then he nods. It’s only just detectable, but I see it and I understand it. I feel hopeless. I need to get Miller out of this building.
‘You go,’ Miller says, pushing me into the elevator. ‘I’ll be fine, you go.’
‘No!’ I yell. ‘No, you are not giving up!’ I throw myself onto him, snaking my arms around him and silently vowing never to let go. I don’t miss the let-up in tension from his body under my hold.
My
thing
.
His
thing
.
Our
thing
.
I squeeze him, my lips on his neck and his face in my hair. Then I let go and pull more forcefully on his hand, begging with my eyes for him to come to me. And he does. He takes one slow step forward. Then another. Then another. Then another. He’s on the threshold. I’m in the lift. He’s trembling, still gulping, and the sweat is relentless.
And then I hear a loud sound from the stairwell, followed by William’s colourful curse, and I do what instinct tells me and yank Miller into the lift before smashing the button for the second floor and throwing my arms around his gasping body, immersing him in our
thing
.
The frantic pace of his heart beating in his chest must be verging on dangerous. I’m looking over his shoulders to the hallway as it slowly disappears with the closing of the doors, and the last thing I see before we’re alone in the terrifying box is William and Gregory stepping into sight, both watching quietly as Miller and I vanish from view. I smile at them through my sadness.
It wouldn’t be a surprise if the ferocity of his heartbeat hitting my chest leaves bruises. It’s relentless, no matter how hard I squeeze him. My attempts to calm him are fruitless. All I need to do is concentrate on keeping him upright until we reach the second floor, which right now is easy. He’s rigid as I watch the digital monitor tick down through the floors, each number seeming to take aeons to appear. We’re in slow motion. Everything seems to be in slow motion.
Everything except Miller’s breathing and heart rate.
I feel him jerk under my hold, and I attempt to pull away but get nowhere. I can’t let go of him, not for anything, and I’m suddenly panicked by the potential difficulty of getting him out of the lift once it stops. ‘Miller?’ I whisper, low and calm. It’s a vain attempt to fool him into believing that I’m composed. I’m far from it. He doesn’t respond and I take another glimpse at the floor indicator.
‘Miller, we’re nearly out,’ I say, pushing into him to force him to step away until his back is at the doors. The judder of the lift when it stops makes me jump, and Miller lets out a weak whimper as he pushes against me. ‘Miller, we’re here.’ I struggle against his fierce resistance, hearing the doors begin to open. It’s only now I consider the possibility of
them
waiting for us on the other side of the doors, and panic flares, my body stiffening as the doors begin to open. What if they are? What will I do? What will
they
do? My breathing pattern changes, catching up with Miller’s as I peek over his shoulders, my feet beginning to ache from staying on my tiptoes.
The doors open fully, revealing nothing but an empty hallway, and I try to listen for any signs of life.
Nothing.
Pushing against Miller’s dead weight, I get nowhere in my urgent need to shift him. How will he be once we’re out of this box? I haven’t got time to coax him out of this lift, let alone the building.
‘Miller, please,’ I beg, swallowing down the lump of desperation in my throat. ‘The doors are open.’ He remains frozen, stuck to me, and tears of panic begin to overwhelm my eyes. ‘Miller,’ I whisper, my shaky voice tarnished with defeat. They’ll be on their way back down soon.
She’s holding him. A chime sounds and the doors begin to close again. I don’t have time to shout for Miller to get out. He seems to jump to life, the sound of the doors closing undoubtedly the cause, and his body flies back as if someone has launched him from a cannon. I hold my breath as I watch him. He’s drenched, his hair stuck to his head and his eyes wide with fear. And he’s still shaking.
Not knowing what else to do, I reach down to retrieve the bag and move to the threshold of the lift, all the while keeping my worried eyes on him as he looks around him, familiarising himself with his surroundings. And it’s like the shattered pieces of my world suddenly fuse, bringing hope crashing back into our reality, as the mask falls, wiping away every shred of fear, and Miller Hart is back.
He flicks empty eyes up and down my body, catching sight of the bag, and it’s gone from my grasp in the blink of an eye. Then my hand is claimed and I’m out of the lift just as quickly. He breaks into a run, forcing my little legs to sprint in order to keep up with him, and he glances back every few seconds to check on me and for anything behind us.
‘You okay?’ he asks, no signs of exertion showing.
I, however, have misplaced the adrenalin that was fuelling me. Maybe my conscience has registered Miller’s resurrection and wants to relieve me of the pressure to hold things together. I don’t know, but exhaustion is taking hold and my emotions are screaming for release. But not here. I can’t lose it here. I nod, keeping up my pace so I don’t hinder our escape. Showing mild concern on his perfect face, he throws the bag up to his shoulder as we near the fire exit and releases my hand, his body charging at full speed into the door. It crashes open loudly, and the daylight beyond attacks my eyes, making me wince.
‘Take my hand, Olivia,’ he demands urgently.
I seize it, allowing him to pull me down the fire escape and onto the side street. A car horn blares immediately, and I spot William’s driver holding the back door open. We dodge cars, trucks and taxis, most honking their horn in annoyance, as we weave through the busy London traffic, charging to William’s car.
‘In.’ He gives a curt nod to the driver and takes over his hold of the door as he barks his order at me and throws the bag in. I waste no time, flinging myself onto the back seat, Miller following behind. The driver is up front before I know it and screeching off down the road, his madcap driving skills alarming me. He’s an expert, dipping and weaving through the traffic with ease and coolness.
And then the enormity of what has just happened hits me like the wickedest of tornados and I cry. I bury my face in my palms and break down, so many thoughts whirling through my poor, overwrought mind – some reasonable, like I need to call Nan. What about Nan? And some unreasonable thoughts like where did this man learn to drive so capably? And does William need these types of driving skills?
‘My gorgeous girl.’ His strong palm wraps around my nape and tugs me over to him, pulling me onto his lap and securing me in his arms so my soggy cheek is buried in his chest. I cry relentlessly, jerking in his hold, unable and unwilling to even try and avert it any longer. The last half-hour has taken everything out of me. ‘Don’t cry,’ he whispers. ‘Please don’t cry.’
My fists clutch the material of his T-shirt at his pecs until my hands ache and I’ve cried rivers of confused, gut-twisting tears. ‘Where are we going?’
‘Somewhere,’ he answers, wrestling me from his chest to find my eyes. ‘Someplace where we can lose ourselves in each other with no interruptions or interference.’
I can barely see him through the pools of tears blurring my vision, but I can feel him and hear him. It’s good enough. ‘Nan.’
‘She’ll be taken care of. You don’t need to worry yourself with that.’
‘By William?’ I blurt, thinking all kinds of shit will hit the fan if William rocks up to Nan’s. Jesus, she’ll go mental!
‘She’ll be taken care of,’ he repeats, short and sharp.
‘But I’ll miss her.’
Reaching up, he slides his fingers into my hair, cupping the back of my head. ‘It’s not for long, I promise. Just long enough to let the dust settle.’
‘How long will that be? And what if they don’t let the dust settle? Will William be involved? Does he know them? Who are they?’ I pause to draw breath, wanting to spit out all of these questions before my tired mind shuts down and I forget them. ‘They won’t hurt Nan, will they?’ I gasp as something slams into my racing mind. ‘Gregory!’
‘Shhhh,’ he soothes, like I haven’t just abandoned my best friend in Miller’s apartment when God only knows who are on their way up. ‘He’s with Anderson. Trust me, he’ll be fine. And so will your grandmother.’
Relief swamps me. I
do
trust him, but he hasn’t answered any of my questions. ‘Talk to me,’ I plead, not having to elaborate on that gentle demand. His lovely blue eyes are trying desperately to reassure me, to eliminate my unease. It’s working in a strange sense.
He nods and pulls me back into his embrace. ‘Until there is no breath left in my lungs, Olivia Taylor.’
Heathrow is chaotic. My mind races, my heart pounds, my eyes dart all the way to the departure gate. While I fidgeted through check-in and security, Miller looked completely composed, holding me close, probably in an attempt to conceal my shakes. I haven’t paid much attention to what’s happened since we were dropped off at Terminal 5. I don’t know where we’re going or for how long. I called Nan, armed with a story of a surprise trip from Miller, only to have William answer the call. My heart stopped in my chest, and then restarted when Nan came on the line, cool as a cucumber. I didn’t understand, still don’t, but she told me persistently how much she loved me before making me promise I’d call when we arrived wherever we are going.
And all of that brings us to now.
I’m standing at the gate, gazing up at the monitor, open-mouthed. ‘New York?’ I breathe, resisting the urge to rub at my eyes, just in case I’m seeing things.
Miller doesn’t humour my awe, instead gently guiding me to the lady who’ll let us pass once she’s checked our passports and boarding passes . . . again. I stiffen. Again. But she smiles and ushers us on.
‘You would make a terrible crook, Olivia,’ Miller says seriously.
I allow my muscles to relax as he leads me down the tunnel towards the plane. ‘I don’t
want
to be a crook.’
He smiles down at me, his eyes twinkling. All signs of the terrified creature have disappeared, restoring my finicky, refined Miller to his former glory. And he really is glorious. I sigh on a long, sated exhale and rest my head on his arm, looking up to see an overly happy stewardess smiling brightly at us. I could growl in exasperation when she asks for our passports and boarding passes. You would think I’d be used to it after the millions of other times they have been requested since we arrived at Heathrow. But no. I’m beginning to tremble again as she flicks through before glancing at each of us to check we match the photograph. I force a nervous smile, convinced she’s going to scream
fake
and then call for security. But she doesn’t.
She checks the boarding passes and smiles as she hands them back to Miller. ‘First class is this way, sir.’ She gestures to the left. ‘You’ve just made it on time. The captain has ordered us to secure the doors.’
Miller gives a brisk nod, and I turn to see another stewardess pulling the doors shut.
And every drop of blood drains from my head as I glance down the tunnel, towards the departure gate. It’s an illusion; it has to be. My curiosity gets the better of me and I creep forward as the closing door begins to hamper my view, wanting to get as close as I can, blinking the whole time, convinced I’m seeing things.
Then I stop.
I’m rooted to the spot, my mind empty, my blood freezing in my veins.
And I’m staring at me.
It’s definitely me . . . just nineteen years from now.
An Orion ebook
First published in Great Britain in 2014 by Jodi Ellen Malpas
This edition first published in 2014 by Orion Books
Copyright © Jodi Ellen Malpas 2014
The right of Jodi Ellen Malpas to be identified as the author
of this work has been asserted in accordance with the
Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, without the prior permission in writing of the publisher, nor to be otherwise circulated in any form of binding or cover other than that in which it is published without a similar condition, including this condition, being imposed on the subsequent purchaser.
All the characters in this book are fictitious, and any resemblance to
actual persons living or dead is purely coincidental.
A CIP catalogue record for this book
is available from the British Library.
ISBN: 978 1 4091 5569 0
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