Peep Show

A NOVEL BY

JOSHUA BRAFF

Algonquin Books of Chapel Hill

Jill

PART I: SPRING 1975
David
|
Martin
|
Brandi Lady
|
Verboten
|
Mickey
|
Apartment W
|
It's a Boy
|
Strap-a-Long
|
Kallah

PART II: SUMMER 1975
Uncle Bobo
|
Monday
|
Hojo's
|
Just for Fun
|
Atlantic City
|
Get Me Home
|
Adenomatous
|
Ya Fe Na Ne

PART III: 1977, TWO YEARS LATER
The Peep Show Express
, July 1977
|
Sarah
|
Your Child
|
Sheitelmacher
|
Lieberman and Wise
|
Oliver Twist
|
Debra

David Arbus Photographs, 1975-1984

Acknowledgments

I 
KNOW
I'
M IN HERE
. Sleeping but not really. A movie with extras, so vivid and involved. I'm in my father's theater in the dream, a room off the lobby. Two dancers want their picture taken, arm in arm. I lift a camera from the floor but it's heavy and has a sash strap that tangles. They laugh as I struggle and when I see them through the lens they both have their tops off. I try to shoot but there's no click, no sound or flash. The girls are annoyed and restless and one of them points at me.

“You need to lift it from the back. From the
back
!” I watch them approach me and one of them kneels on the floor at my feet. I hear a crash, a heavy thudding or a tumbling of great weight and glass that's smashing downward outside my door and I am sitting up before I think to do so.

I run to the hallway. My mother and sister are both staring down the staircase. Debra looks at me.

“It slipped,” she says.

“What slipped?”

“The TV,” she says. “It was heavy.”

I walk closer to them and look over the banister. It's my dad's. Upside down on the landing with the screen smashed, a brick to a windshield. There are four crude puncture holes in the wall, which curves around the circular staircase. Two of the pegs in the railing are gone. My mother's goal was to move it while I slept, to bury it in the garage with all the hefty bags and boxes marked
SECULAR
. Nice job. It is so rare that Miss Hasid USA is the idiot, the one to blame. I feel vindicated standing here next to my sister, so I laugh a little but it's not meant to be mean. My mother stares at me, pondering how to distribute this mess to someone other than herself. Instead, she heads for her room.

“Why throw it down, Ma?” I say.

“We didn't throw it,” says Debra.

“You didn't? Look at it.”

My mother reverses and walks quickly toward me. “Today is the most important day of my life. If you want me to feel bad just . . .
don't
.”

“I was sleeping. All I asked is—”

“Okay, David?”

“Why it was tossed down.”

“It slipped,” says Debra.

My mother heads to her room but stops again. “I have twenty-five people coming here in a half hour. Let me tell you what I need from you. There is a poster over your bed of a man wearing lipstick. I need you to take it down. Please go do it now.”

We stare at each other. I turn to face what she sees. A portrait of Ziggy Stardust bending over a microphone stand. When I look back at her she is already in her room.

“Look at the holes in the wall,” Debra says softly, still on the staircase.

“Get dressed!” my mother says. “He'll be here in fifteen minutes.”

“You said a half hour,” Debra says.

“Just hurry.”

I follow my sister into her room and stand by her dresser. “That belonged to Dad.”

“It was an accident,” she says. “Leave her alone.”

“It didn't roll down, Deb.”

“You really think she'd do that on purpose?”

“To him, yes.”

“On
this
day, of all days? Let me get dressed. The rabbi's coming.”

“Maybe
he
can fix the wall.”

My sister doesn't laugh. She doesn't even smile. She looks frazzled, searching for a hairbrush, the dress she'll wear. I sit on her bed and look up at her light yellow walls. Three portraits of the grand rabbi, blessed be he, hang in this bedroom. By the window he's got the beard of Santa Claus
and he's trying to smile. A melancholy grin. The bags under his eyes look like twenty-pound teardrops. Maybe they're filled with two thousand years of oppression and pogroms. Sean Cassidy, a
Teen Beat
poster, hung there just two years ago. Parker Stevenson was above the bed and Leif Garrett and that kid from
James at Fifteen
were on the closet door. She had a stuffed Big Bird that used to sit on the bed and an
H.R. Pufnstuf
doll that played the theme song when you pulled the string. They're all gone now. Bagged and tagged and piled into the garage. I watch her lay out her dress, black, long sleeved, and nearly to the floor.

“Did you do the prayer?” my mother yells from her room.

“I'm trying!” my sister says, looking at me.

“I saw Dad the other night,” I tell her.

She freezes then. “In New York?”

“He said he might drop by. To congratulate you.”

“Here?”

“Yes.”

“Tonight?”

“That's what he said but—”

“Does Mom know?”

I stand from her bed and make my way to the door. “I thought I'd let you tell her.”

“Dena!” my mother yells, which is what she now calls Debra. My sister reaches under her bedside table and slides a pitcher of water and a basin out into view. She pours the water over her right hand and then over the left. She repeats this three times and says a blessing in Hebrew under
her breath. When she finishes she dries her hands and glances my way.

“Let me get dressed.”

“Are you ready for this?” I say.

She pushes the pitcher underneath the table. “You asked me that last night.”

“I forget what you said.”

She shrugs and looks down at her fingernails. “It's not a funeral, you know?”

“It isn't?”

“No.”

“Feels like it. Like someone's about to get buried.”

“You mean me?” she says, and her eyes meet mine.

Maybe I do. Maybe that's what it is. I look at my sister and it feels like she's leaving. As if I need to miss her. Before our father moved to New York, we'd sit on the top step of the staircase together and listen to the parties, the people he'd bring home from work. They were loud and they'd cackle as they drank and I remember laughing on purpose so Debra wouldn't be scared.

“Why are you staring at me?” she says.

“Am I?”

“David,” my mother says from the hall, and I wait for her to say more.

“Mom called you,” Debra says.

I nod and head back into the hallway, then into my room. I don't see her. I lift my Instamatic from the bedside table and take a picture of the wreckage on the stairs. The disfigured
wall.
Click
. The snapped railing.
Click
. The TV is wrapped in its own cord and there's broken glass beneath it.
Click
. The second I return to my bedroom I see what's missing. Un-fucking-believable. I find her in the garage, in one of her potato-sack dresses, rolling up Bowie as quickly as she can.

“Give it back to me.”

“Just for the ceremony.”

“It belongs to me, Ma!”

“I'll give it back to you tonight.”

“It's mine!”

She hands it to me. “Then keep your door closed.”

“I said I would.”

“And help me with the television.”

“Is that a joke?”

“No.”

“Oh, you need a favor . . . from me. Just bend your knees and pick it up,” I say, and start to walk inside.

“Please!”

I run past her and into the house. I grab the TV from the sides, hoist it onto my shoulder.

“Be careful of the glass,” she yells, and I'm flying with it through the living room and into the kitchen, the laundry room, and out to the garage, where I get some momentum, and fling the thing into a silent arc that just
exploooodes
when it hits the concrete floor. The screen turns to dust and the pieces scatter everywhere and slide in shards within seconds. My mother's face is all I see from the laundry
room. It's the one I'd expect she'd have. “Great,” she says, softly, shutting the door.

I shouldn't have done that. The idea swirled in my mind and it felt like it would be satisfying but it broke into bits instead of just landing in a chunk. It'll take days for her to get over it. But of course she wants me to let her down. I'm the dissident, just giving her what she expects. I pick up a piece of the carnage, a hunk of cabinet, and throw it like a Frisbee at the pyramid of boxes. It sticks in one marked
BOOKS AND PICS
before dropping to the floor. I walk over to the box and tear it open.
Disenfranchised Grief; Trapped inside the Mirror; The Picture of Dorian Gray; Goodbye, Columbus; Sunshine; Mr. and Mrs. Bo Jo Jones
. The photographs and postcards are stacked in yellow folders. Some of them are pinned to each other, from water I guess, and some completely ruined. Sunsets, lots of them, Long Beach Island . . .

“David!” my mother yells from inside.

My parents in white cable-knit sweaters. Her head is tilted, almost touching his shoulder. He has the cigar. Another one of my dad, a thin mustache, waving from the driver's seat of a Cadillac. Debra as a baby. Some lady on the couch. An orange tree. Our neighbor Mrs. Shapiro with Heather Ewing. Me and Heather Ewing on the driveway. A couple of years ago, in the tenth grade, she showed me and Bobby Finkelstein her vagina. We never asked her to. She just volunteered. I remember it being hairy and forbidden and Bobby reached to touch it and Heather punched his ear
and it bled. Here's a picture of Heather, Debra, and my dad. He's probably fifteen years younger than he is now—no goatee or double chin—and he's blowing into the tip of his thumb like a bugler, his cheeks filled with air. I open another box right next to it. Record albums and books on top of more pictures.
Brain Salad Surgery, Rubber Soul, Live from Folsom Prison. Violence in America. Business and Finance. Hitler's Lair. Helmut Newton
. On the cover of the Helmut Newton is a woman on her knees on the floor with a horse-riding bit in her mouth. Her nipples have paint on them but it might be food, like smeared blueberries.

“He's here,” my mother screams. “He's
here
, Dena!”

Through the small garage-door window I see him. A holy man from Brooklyn. Tiny and slump shouldered in an oversized fedora. I remember him from the
baal teshuva
compound in Maine. Rabbi Liebersohn. He has a long white beard that ends above the paunch in his stomach and kind wrinkled eyes. He glances down at the wet grass below his shoes and lifts his foot. Two young men, in the same black clothes and hat, are at his side. They hold his elbows, moving him slowly toward our porch, as if he might slip from their hands. When my mother comes out to greet him, she smiles and sort of bows, her fingers clasped behind her back. He says something and then cranes his neck from one end of the house to the other.

I grab as many pictures as I can from both boxes and run inside and up to my room. I spill them on the carpet, separating the good from the destroyed. My father in a top hat looks
like the character from Monopoly. My mother and sister on a sled on a hilltop. My mother, smiling in this one, the way she just smiled at the holy man. I hear a baby scream downstairs, then a woman's voice in Yiddish. When I open my door I see them. The Levitzes, the Sandbergs, the Hymans—all synagogue people she met at the compound—plus the Tartaskys and the Greenbaums, the Mitklins and Debra's new best friend, Sarah, wearing the same exact black dress as all the girls. The married women wear
sheitels
, which are bad brown wigs, and the men have long beards and yarmulkes or hats. Big families arrive together but separate into different sides of the
mechitzah
, a dividing wall for those with penises and those without. The Levitzes are typical with their five or six kids. A rising slope of heads, the oldest a teen. Their mother, Chaya, is the missionary. She got my mom to turn
frum.
I remember because I'd just had my ninth birthday, Debra was seven, and my mom lost a baby, a miscarriage. It was October 1967. Chaya was always with Becca when they came to the house. These ladies in wigs in our kitchen, talking to my mother in whispers. My father was there and I knew he wasn't happy. He especially despised the records they gave my mom, the sermons she played all day long. The grand rabbi in his early thirties. Deb and I knew every beat of them, every word, the rising applause, the funny curls in his accent. But we never knew how far it would go. The level she'd take it. Becca's husband, a man named Pinchus, is a “learner,” a guy who studies Torah all day and night. He's the man who introduced
her to Yiddish and Talmud and the Shulchan Aruch. I see him talking to his wife right now. She's the head of the “snoods” as I call them, my mother's new clique. Debra says they keep lists of who did and didn't do what in the remarkably stringent and uneventful world of Hasidic Judaism. So-and-so was seen touching the hand of a yeshiva boy on Gilman Street at 5:50 p.m. Blah-blah was seen eating a Snickers bar behind the synagogue and Dumb Fuck didn't wear a yarmulke in the presence of a rabbi.