Possession (78 page)

Maud arrived first, looking severe and preoccupied, her green silk scarf again wound round her head and pinned with the jet mermaid. She stood in one corner, considering the silver-framed photograph of Randolph Henry Ash that stood, where those of father or lover might have stood, on Beatrice’s little secretaire. It was not a photograph of the late silvered sage, but an early one, with a mass of dark hair and an almost piratical look. Maud automatically began to analyse it semiotically; the solid silver arabesques of the frame, the choice of image, the fact that the sitter apparently met the onlooker’s eye, the still nineteenth-century pre-snapshot stare. The fact that the photograph was of the poet, not of his wife.

Maud was followed by Val and Euan MacIntyre. Beatrice did not quite understand this grouping. She had met Val from time to time, sullenly staring from the edge of the working group in the Ash Factory. She noted Val’s new, slightly defiant radiance, but with scholarly single-mindedness did not attempt to account for it. Euan complimented her on her presence of mind in overhearing and reporting Mortimer Cropper’s intentions, and pronounced the whole business to be very exciting, which, combined with the success of the tart and mousse, further changed Beatrice’s mood, which had initially been alarm and a sense of oppression.

Val and Euan were followed by Roland, who said nothing to Maud and began a long conversation with Val about the arrangements
for feeding a horde of savage cats and the making of telephone calls to the Animal Welfare. Beatrice did not hear the silence between Roland and Maud, and was of course not aware that Roland was not telling anyone at all about Hong Kong, Barcelona and Amsterdam.

Beatrice herself had telephoned Blackadder, saying in a matter-of-fact way that she had made contact with Dr Bailey and Roland Michell and that they wanted to meet to discuss the Ash–LaMotte correspondence and something she had overheard Professor Cropper saying. When she opened the door to this final member of the group, he presented her, with a look of mingled embarrassment and amusement, to Professor Leonora Stern. Leonora was resplendent in a purple hooded woollen cape, fringed with black silk braid, which covered a kind of scarlet Russian tunic, in heavy silk, over wide black Chinese trousers. Leonora said to Beatrice, “I hope you don’t mind me coming. I promise not to harass anyone, but I have my own scholarly interest in all this.” Beatrice could feel her own round face failing to achieve a welcoming smile. Leonora said, “Oh, please. I’ll keep as quiet as a mouse. I can swear in advance I’m not out to snatch any manuscript, covertly or openly. I only want to
read
the damn things.”

Blackadder said, “I think Professor Stern may be of material help to us.”

Beatrice held open the door and they climbed the narrow stairs to the little first-floor drawing-room. Beatrice naturally noticed a certain complicated silence surrounding Blackadder’s nod of recognition directed at Roland, but she failed altogether to read the omissions of information or accusation in the long dramatic embrace between Leonora and Maud.

They sat around the edges of the room in armchairs and kitchen chairs with plates on their knees. Euan MacIntyre opened the discussion by saying that he thought he should explain his own presence, which was that of a kind of legal adviser to Maud, who was in his opinion certainly the heir to the ownership of the LaMotte letters,
and almost certainly of the manuscripts of the Ash letters, though not of the copyright in these, which was vested in the heirs of Randolph Ash.

“Letters are the property of the recipient—as physical entities—but the copyright remains with the sender. In the case of these letters, it is clear that Christabel LaMotte requested the return of her letters to her possession, and that Randolph Ash willingly complied. Roland and Maud, who have seen the whole correspondence, are quite clear on this. I have legal proof—a Will, signed and witnessed, of Christabel LaMotte, leaving
all
her manuscripts to Maia Thomasine Bailey, who was Maud’s great-great-great-grandmother. The true heir would, I suppose, be Maud’s father, who is still living, but he has already made a gift of what manuscripts came to his ancestress, at the time of this bequest, to Maud, who has deposited them in the Women’s Resource Centre at Lincoln. Maud has not told him yet of my discovery, and does not think he has taken any interest in the press reports of Professor Cropper’s large offers of money to Sir George Bailey, who believes himself to be the owner of the letters. Maud thinks, however, that there is almost no likelihood that her father would want to sell to the Stant Foundation, given her interest in the retention of the documents in this country.

“I should perhaps add, in case any of you are thinking about the copyright law, that the ownership of copyright is protected
from the moment of publication
for the author’s lifetime plus fifty years, or in the case of posthumous publication, for fifty years from the date of publication. This correspondence is unpublished, and therefore the copyright remains the property of the heirs of the original writers of the letters. As I have said, manuscripts belong to recipients, copyright to the senders of letters. It is not clear what Lord Ash would wish to happen, but from what Dr Nest has to tell us, it appears that Cropper has induced Hildebrand Ash to promise him both letters and copyright.”

Blackadder said, “He is an infuriating person and an unscrupulous operator, but his edition is thorough and scrupulously researched, and it would be churlish in my view not to permit publication of these letters in the standard edition. I suppose if the letters remained
in this country it would be theoretically possible to refuse him access to them, and theoretically possible for Hildebrand Ash to refuse anyone else permission to edit them, thus producing an impasse. There is, of course, Lord Ash himself. He might allow an early British edition which would protect the copyright, before allowing access to Cropper. Do you foresee protracted legal disputes with Sir George Bailey, Mr MacIntyre?”

“Given his pugnacity, and his actual,
de facto possession
of the letters, yes, I do.”

“Lord Ash is very ill.”

“So I understand.”

“May I ask, Dr Bailey—if you do find yourself in possession of the manuscripts of the whole correspondence—what you would intend doing with them?”

“I think it’s premature to say where they should be, and I also feel a kind of superstitious fear of it—the letters aren’t mine, and may never be.
If
they were—if they are—I should want them to stay in this country. I should naturally like LaMotte’s letters to be in the Women’s Resource Centre—which isn’t very secure, but the rest of her things—that came from my family—are already there. On the other hand I don’t want—I feel, having read them—the letters should stay together. They belong together. It’s not only that they need to be read consecutively to make any sense—they—they are part of each other.”

She looked quickly at Roland, on this, and away, fixing her eye on the photograph of Ash, which was beyond him, between him and Val.

“If you sold them to the British Library,” said Blackadder, “you could benefit the Resource Centre in other ways.”

Leonora said, “If scholars came from all over the world to the Centre,
that
would benefit it.”

Roland said, “I wish Lady Bailey
could
have a new electric wheelchair.”

Everyone suddenly turned their attention to him.

“She was good to us. And she’s ill.”

Maud flushed to her hairline.

“I had thought of that myself,” she said, with a touch of anger. “If the letters
are
mine—if I sell half or all to the British Library—we could help with the wheelchair.”

“He’d probably throw it back at you,” said Roland.

“Do you want me to
give
him the manuscripts?”

“No. Just to find a way—”

Blackadder looked at the developing quarrel between the two original researchers.

“I should like to know,” he said, “how you came across the correspondence in the first place.”

Everyone looked at Maud, who looked at Roland.

This was the moment of truth. Also the moment of dispossession, or perhaps the word was exorcism.

“I was reading Vico,” he said. “Ash’s copy of Michelet’s translation of Vico. In the London Library. And all these papers sprang out. Stationery bills, Latin notes, letters, invitations. I told Professor Blackadder, of course. But I didn’t tell him I found—I found two drafts of a beginning of a letter to a woman—it didn’t say who—but it was after he went to breakfast with Crabb Robinson—so I did some research—and found Christabel LaMotte. So I went to see Maud, who was suggested to me—oh yes, by Fergus Wolff—I didn’t know of the family connection, or anything—and she showed me Blanche Glover’s journal—and then we began to wonder about whether there was anything at Seal Court—we went past just to
look
at it—and met Lady Bailey—and were shown Christabel’s turret—and Maud remembered a poem about dolls keeping a secret, and investigated a doll’s bed—it was still in her room—and there it was—there
they
were, the letters—hidden in a cavity under the mattress.…”

“And Lady Bailey took to Roland, who saved her life, he forgot to tell you, and said he might come back and
look
at the letters and advise—so we went at Christmas—”

“And we read them first and took notes—”

“And Roland worked out that LaMotte might have gone to Yorkshire with Ash on his zoological expedition in 1859—”

“So we went up there and found—a lot of
textual
evidence in
both poets that perhaps both were there—Yorkshire phrases and landscapes in
Melusina
—the same line in both poets—we think she was certainly there—”

“And then we found out that LaMotte had been in Brittany in the lost year before the suicide of Blanche Glover—”

“Ah yes, so you did,” said Leonora.

Maud said, “I was very wrong, Leonora. I took your letter from Ariane Le Minier and went without telling you—because the secret wasn’t mine but also Ash’s—and Roland’s—or so it felt at the time. Anyway, Dr Le Minier gave us a copy of Sabine de Kercoz’s journal, and it became clear that a child had been born there—which can’t be traced—”

“And then you came, and Professor Cropper, and we came home,” said Roland briefly.

“And Euan appeared as if by magic with the Will—”

“I know Sir George’s lawyer, we share a horse,” said Euan to the great puzzlement of Beatrice.

“It seems clear,” said Blackadder, “that
Mummy Possest
is directed at
LaMotte’s
association with Hella Lees, and that
LaMotte
was present at the seance which Ash infamously interrupted, and I would
conjecture
that Ash believed that LaMotte was trying to speak to her dead child in the seance, which if it was
his
child, would have angered him immensely.”

“And I know,” said Leonora, “because I have a good friend and sister-feminist who works in the offices of the Stant Collection, that Cropper has been reading faxes of letters containing great guilt from LaMotte to his spiritualist-socialist-feminist-mesmerist great-great-grandma, Priscilla Penn Cropper.”

“Which brings us,” said Blackadder, “to two, or three, final questions.

“One: what became of the child, alive or dead?

“Two: what is Cropper trying to find out? On what basis of knowledge?

“And three: what became of the original letters?”

Everyone looked at Roland again. He brought out his wallet and unfolded the letters from their safe place inside it.

He said, “I took them. I don’t know why. I never meant to—to
keep
them forever. I don’t know what possessed me to do it—it seemed so easy, and they seemed to be my find—I mean, as no one else had touched them, since he put them away in Vico, as bookmarks or whatever. I’ll have to give them back. Whose are they?”

Euan said, “If the book was a gift or bequest to the London Library, they probably belong to it. The copyright belongs to Lord Ash.”

Blackadder said, “If you give them to me, I guarantee they can go back to the Library with no questions asked, of you, anyway.”

Roland stood up and walked across the room, and handed the letters to Blackadder, who could be seen to be unable to resist reading them then and there, to turn the paper lovingly, possessively, recognising the writing.

“You have been very resourceful,” he said drily, to Roland.

“One thing led to another.”

“Indeed.”

“And all’s well that ends well,” said Euan. “This feels like the ending of a Shakespearean comedy—who’s the chappie that comes down on a swing at the end of
As You Like It?”

“Hymen,” said Blackadder, smiling slightly.

“Or like the unmasking at the end of a detective story. I’ve always wanted to be Albert Campion, myself. We still haven’t tackled our villain. I suggest Dr Nest tell us what she overheard.”

“Well,” said Beatrice, “they came to look at the end of Ellen’s journal, that is, not the
end
, but her description of
his
end, and the mention of that box that Professor Cropper has always been so interested in, the one that was seen to be intact when Ellen herself was buried, you know the one. And I went out to the ladies’ room—it was a day when no one else was there, Professor Blackadder, no one was in your part of the office
at all
—and as you know, it’s a terribly long walk, to the cloakrooms and back—so when I came, they weren’t expecting me, and I heard Professor Cropper say—this isn’t verbatim but I do have a good verbal memory and I was very shocked—he said, ‘It could remain quite secret for several years, a secret between the two of us, and then when you have
inherited it would
appear
, we could come upon it—you could
find
it—and I would purchase it from you—all above board.’ And Hildebrand Ash said, ‘Morally it’s mine, isn’t it, whatever the Vicar says?’ And Cropper said, ‘Yes, but the Vicar’s a most obstructive person, and there are all sorts of silly English laws about disturbing burials and needing a Faculty from the Bishop and I don’t think we can afford to risk all that.’ And Hildebrand Ash said again, “It’s my own property.” And Professor Cropper said it belonged both to Hildebrand and to the world, and that he himself would be a ‘discreet custodian.’ And Hildebrand said it would be a Hallowe’en adventure, and Professor Cropper said severely that it would have to be a very serious professional undertaking, and soon, as he was due back in New Mexico …