Postcards From Berlin (6 page)

In front of me the women shift and move. I see Fergal just ahead of me, the unruly fair hair at the back of his head, the
dark wet gleam of his jacket. He has a large umbrella that says “Assisted Evolution.”

I edge forward. He turns and sees me, eyes widening with recognition. I admit to myself that this is what I meant to happen.
He makes a slight beckoning gesture with his head. With a huge sense of inchoate relief, I move in under his umbrella.

“Catriona.” He smiles. I feel that something in me amuses him.

We have to stand close to stay out of the wet. He’s chewing gum; I can smell peppermint, and the smells of his wet hair and
skin. I’m suddenly aware of how pink my face must be, of my hair all plastered down, that I’m wearing my oldest coat and the
cuffs are fraying.

“I don’t often see you here,” he says.

Maybe, I think, he has been looking for me. I remember that fantasy I had, of moving my hands across his face and his head.
My skin is suddenly hot.

“I’m not here very often,” I tell him. “Daisy’s ill.”

“What’s wrong?”

“I don’t know. Nobody seems to know.”

He’s listening, waiting.

“Richard tells me not to worry — he thinks it’s just flu — you know, some kind of virus.”

He looks me up and down, taking me in.

“It makes it harder, really,” I tell him. “I know this must sound stupid — but the more he says I mustn’t worry, the worse
I seem to feel.”

“Poor kid,” he says. “Poor you.”

He puts his hand on my arm, leaves it there perhaps a second too long. A hunger opens out in me. I would like to peel back
my wet sleeve and feel his hand warm on my skin.

We stand there for a moment, watching the children, while the rain beats down like a drumming of many fingers.

“By the way,” he says then, “I know why I know you.”

“Oh.” I feel that I am falling.

“Aimee Graves,” he says. His tone is easy, like it’s the most natural thing.

He hears my quick intake of breath.

“I’m right, then,” he says. “I’m sorry — perhaps I shouldn’t have talked about it here.”

He turns toward me; he has a frown like a question.

For a moment, I don’t answer; I don’t know what I think. There are two things at once: this fear that makes my pulse so thin
and fast and jagged, and a strange, voluptuous sense of relief, of wanting to open myself up to him completely.

“You know her?” I say.

“I met her once,” he says. “It was a story I was researching.”

“She’s alive, then? She’s OK?”

“She’s OK,” he says.

“So you know all about me,” I say quite lightly.

“I didn’t say that,” he says.

I can see Daisy coming; it’s the end of the conversation. Daisy is with Megan, who has her arm around her. She looks so pale,
so different from the other girls. She says good-bye to Megan and comes to me. I hug her; she sinks her face into me. Fergal
pulls away a little but holds his umbrella above us.

“OK?” I say, my mouth in her hair.

“Mmm.” She’s trembling a little.

I take her bag, as you might for a much younger child. She doesn’t protest at this indignity.

“Catriona, if you want to talk sometime,” says Fergal. “I mean, I could explain.”

I nod. He moves off to find Jamie.

The rain is easing up now; there’s a gleam of sunlight between the patchy clouds and a rainbow flung across the sky behind
us. I point out the rainbow to Daisy, but she doesn’t turn.

We walk to the car. I feel shaken.

I open the car door for her. “Look, I brought Hannibal for you. He’s missed you,” I tell her.

“Honestly, Mum, he’s a
cuddly toy
,” she says. “And what if somebody sees?”

“Nobody can see,” I tell her.

She tucks him under her arm.

I watch her in the mirror.

“So was it OK today?” I ask her.

“My stomach hurt,” she says. “I wanted to come home, but Mrs. Griffiths wouldn’t let me. She said, Well, what should I do?
I can’t send you home when you’re hardly ever here.”

We drive to the doctor’s through the white shine of the puddles.

“Did anything interesting happen?” I ask.

“We had to do our New Year wishes,” she says.

“So what did you put?”

“I put world peace and a cat. We all put world peace, and Kieran put, For my dad to get his new kidney. Mrs. Griffiths said
if we put world peace we should put it first, but when we came to Kieran she said, Well, which do you think is the more important?”

There’s a lump in my throat, but I don’t know why. There are so many things to cry for.

I
HAVE NEVER SEEN DR. CAREY BEFORE
; she must be new, or a locum. She’s wearing a crisp red jacket with shiny buttons, and she has short elfin hair and upward-tilting
eyebrows. She seems earnest, conscientious, pretty in a wholesome, schoolgirl way: someone who’d always be top of the class
and make lots of neat notes.

She greets Daisy as well as me. She has an open smile. I immediately like her.

We sit by the desk, Daisy in an armchair, clutching Hannibal. It’s pleasant in here, for a surgery: The walls are blue, and
there are toys on the windowsill, and on the doctor’s desk a jug of marbled lollipops in cellophane, bright-colored as balloons.

Dr. Carey looks at me expectantly.

“Daisy’s been ill for four weeks,” I tell her. “She went to school today, but that’s only the second time this term. It started
with flu; she never really recovered.”

“Oh, dear. How horrid for you,” says Dr. Carey to Daisy.

Daisy shrugs, embarrassed.

I breathe out a little: I feel that we are cared for. This doctor is kind, gentle, warm to Daisy. This time at least we will
be understood.

“Well, Daisy,” she says, “we’d better have a look at you.”

Daisy lies on the couch and Dr. Carey feels her lymph glands and her stomach.

“Well done,” she says. “That’s excellent. That’s absolutely fine.”

Then Daisy stands on the scales and is measured and weighed.

Dr. Carey sits back at her desk, gets out a weight chart. A little frown pinches the skin between her eyes. I suddenly imagine
how she’ll look when she is older, with stern lines round her mouth and glasses on a chain.

“Daisy’s really rather underweight,” she says. “She’s on the lowest percentile.”

“I don’t know what that means.”

“I’ll show you.” She turns the chart toward me, points at it with her pen. “The average is here,” she says, “and Daisy’s right
at the bottom.”

“She must have lost lots of weight since she’s been ill,” I tell her. “She isn’t eating; she feels too sick to eat.”

Dr. Carey leans toward me. Her immaculate hands are tightly clasped together.

“What does she eat, exactly?”

“Today, she had a piece of toast for breakfast and she didn’t have any lunch.” I know, I’ve looked in her lunch box. “Yesterday
was better. She had a bit of rice and some gravy for tea.”

I want to make it clear I’m not a worrier, that I know that children are tougher than we think, as the other GP told me, that
rice and gravy really isn’t too terrible.

Still the pinched little frown.

“Just rice?” she says. “She should be eating meat. She needs her protein.”

“Of course she does. But rice and gravy was better than before.”

“We’re fortunate to have a nutritionist working in this practice,” she says. “I think I should refer you to her for advice
about what Daisy should be eating.”

“But I know what she should be eating. Of course I do.” I think of all the books I’ve bought on bringing up children, books
with cheerful covers and energizing titles —
Bright Ideas for Moveable Feasts, Creating Kids Who Can
. “It’s just that she won’t, she can’t. She feels too sick to eat. She hasn’t eaten properly since Christmas.”

She shakes her head a little. I feel this conversation slipping away from me.

She turns to Daisy, looks at her: There’s something she’s working out. She fiddles with a wisp of hair that grows in front
of her ear.

“Daisy, I wonder if you could tell me a bit about school?” she says then. “Is it all right? D’you like it?”

“It’s OK,” says Daisy.

“Is anything worrying you?”

Daisy shakes her head.

“You’re sure?” says Dr. Carey. “Sometimes it’s hard to talk about these things.”

Daisy frowns. I see how she’d like to help, to give the answer that Dr. Carey wants, but she can’t think of anything. She
twists her fingers in Hannibal’s graying wool. He’s dirty; she’ll never let me wash him in case he loses his smell. Here in
this blue sterile place, I find his grayness embarrassing: I worry that Dr. Carey will think that I never wash things properly,
that I am messy, sluttish, not a proper mother. Daisy doesn’t say anything.

Dr. Carey turns to me. “You know, Mrs. Lydgate, I’m wondering whether we should treat all this as psychological.” She says
this with a kind of finality, as though it is an achievement.

Panic seizes me.

“But nothing traumatic has happened to Daisy. It started when she had flu.”

“But, you see, she looks so miserable,” she says. “She looks all pale and hunched up.”

“She’s unhappy because she’s ill,” I tell her.

Dr. Carey ignores this, leans a little toward me. “Tell me, Mrs. Lydgate, is everything all right at home?” Her voice is hushed,
confiding, as though she thinks that Daisy won’t be able to hear.

“Everything’s fine,” I tell her.

“You’re living with your husband?”

“Yes.”

“And how do you both get on?”

“We get on fine,” I tell her.

My coat is damp from the rain. I am chilled through.

“You’re sure? You don’t have awful shouting matches in front of Daisy?”

“No, we don’t. We don’t have awful shouting matches at all.”

I’m trying not to get angry. I know that if I get angry she won’t believe what I say.

“Because if you do,” she says, “Daisy’s sure to react.”

“Really,” I say again, “we get on fine. It’s nothing like that. I just know Daisy’s ill.” I take a deep breath, try to keep
my voice level. “I want her to be referred to the hospital.”

There’s a pause, as though this is entirely unexpected. She looks unsure; I see how young she is.

“Please,”
I say, “She isn’t eating; she always feels so tired. I think we should see a pediatrician.”

“Right then,” she says, but with reluctance, as though she’s been constrained.

She’s writing in her notes now. “I’ll refer you to Dr. McGuire at the General,” she says. “They’ll write to you with the appointment.
I’m afraid there’s quite a waiting list. In the meantime, we’ll get all the blood tests done. You can come in on Thursday
and the nurse will take the blood.”

As we go, she gives Daisy a lollipop from the jug on her desk.

We walk back toward the car, which is parked down the end of the road. There are green fresh smells of spring, but the rainbow
has faded.

“She was really nice, wasn’t she, Mum?” says Daisy.

“I’m glad you liked her.”

“I did,” she says. “She was kind.”

She starts to unwrap the lollipop; I have to take Hannibal. We stop for a moment because it’s hard to do, the paper is firmly
stuck to the sugary surface. The lollipop is veined with purple and red, the color intense as nail varnish. I think of additives
but don’t say anything.

She rips off the last scrap of cellophane.

“There,” she says with satisfaction.

She takes one careful lick. We walk on for a bit, the lollipop held in front of her like some precious thing.

“Is it ok if I leave this, Mum?” she says then.

“Of course.”

As we pass the bus stop, she drops it in a bin.

D
AISY CAN’T GET TO SLEEP
; she says she feels too sick. I sit her up, and prop her against the pillows and smoothe her hair.

“We’ll crack this,” I tell her. “We’ll get you better. I promise. Soon it’ll be over.”

I read to her from the fairy-tale book, the tale of the twelve princesses who went dancing at midnight under the hill and
wore out their satin slippers. Sometimes she spits into a tissue.

Sinead comes to the door. She needs me to test her on her homework.

“It’s false friends. For crying out loud. How can any word of French your friend?”

“I’ll come when Daisy’s asleep,” I tell her.

I read till Daisy’s head is drooping, as you might with a very young child. Her eyelids are shut but flickery, tense: She
could so easily wake. Sinead looks round the door again. I put a warning finger to my lips. She mouths melodramatically, “My
vocab, my vocab.” I whisper she’ll have to wait. Eventually Daisy’s breathing slows and she sinks down into the pillows. I
slip off my shoes and creep out like a thief. I sit with Sinead and test her on the words. She isn’t very confident, but it’s
nearly ten; she’ll never learn them now. I tell her to go to bed.

Richard has his meeting; he won’t be back till late. I pour myself some wine and try to imagine him there. When I think of
it, this world of his that’s so mysterious to me, I always see men in suits all sitting round a shiny mahogany table, and
heaps of papers in front of them covered in cryptic figures, and the coffee brought in by Francine, Richard’s glamorous PA.
I met Francine once at a party at Richard’s office. She was wearing a rather impressive dress, demure in front, right up to
her neck, but almost completely backless.

I take my wine into the living room. It’s cold in here tonight: The heating’s been off for most of the day, and the house
won’t seem to warm up. I pull the curtains, shutting out the night, but chill air seeps up through the gaps in the floorboards.

I don’t turn on the main light, just the lamps on the little tables on either side of the fireplace. There is darkness in
the corners of the room. The masks we brought back from Venice are lit from below, so the lines of the pottery are etched
in shadow. I chose them because they charmed me, with their hints of a seductive world of carnival and disguise. But when
Daisy was little, and mothers and children were always coming for coffee, I had to take them down; children seem to be often
afraid of heads apart from bodies — it’s probably something primal — and there were toddlers who’d burst into tears if they
saw them. The black one is a little macabre, sinister in an obvious way — it’s a fairy-tale crone, Baba Yaga perhaps, the
glossy surface recreating the sagging folds of old flesh — but tonight I see it’s the white one that is more frightening:
It’s simpler, almost featureless, a face that is an absence.