Postmortem (9 page)

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Authors: Patricia Cornwell

Tags: #Mystery & Detective, #Medical, #Political, #Crime, #Fiction, #General

BOOK: Postmortem
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Marino reached for the recorder, turned it off and retrieved his tapes.

He concluded, "After that we took him down to Richmond General and got the suspect kit. Betty's examining his blood even as we speak to see how it compares."

I nodded, glancing at the wall clock. It was noon. I felt sick.

"Something, huh?"

Marino stifled a yawn. "You see it, don't you? I'm telling you, the guy's off. I mean there's something off about any guy who can sit there after finding his wife like that and talk the way he does. Most of 'em, they don't talk much. He would have rattled on till Christmas if I'd let 'im. A lot of pretty words and poetry, you ask me. He's slick. You want my opinion, that's it. He's so slick it gives me the willies."

I slipped off my glasses and kneaded my temples. My brain was heated up, the muscles in my neck on fire. The silk blouse beneath my lab coat was damp. My circuits were so overloaded that what I wanted to do was place my head on my arms and sleep.

"His world is words, Marino," I heard myself say. "An artist would have painted the picture for you. Matt painted it with words. This is how he exists, how he expresses himself, through words and more words. To think a thought is to express it verbally for people like him."

I put my glasses back on and looked at Marino. He was perplexed, his meaty, shopworn face flushed.

"Well, take the bit about the knife, Doc. It's got his prints on it, even though he says his wife's the one who's been using it for months. It's got that sparkle crap on the handle, just like he had on his hands. And the knife was in his dresser drawer, like maybe someone was hiding it. Now that gives you a pause, don't you think?"

"I think it is possible the knife was on top of Lori's desk just as it had been, that she rarely used it and had no reason to touch the blade when she did if she simply opened letters with it, occasionally."

I was seeing this in my head, so vividly I almost believed the images were memories of an event that had actually occurred. "I think it's possible the killer saw the knife too. Perhaps he took it out of the sheath to look at it. Perhaps he used it-"

"Why?"

"Why not?" I asked.

A shrug.

"To jerk everyone around, perhaps," I suggested. "Perversity, if nothing else. We have no idea what went on, for God's sake.

He may have asked her about the knife, tormented her with her own-or her husband's own-weapon. And if she talked with him as I suspect she did, then he may have learned the knife belongs to her husband. He thinks, 'I'll use it. I'll put it in a drawer where the cops are sure to find it.'

Or maybe he doesn't think much about it at all. Maybe his reason was utilitarian. In other words, maybe it was a bigger knife than the one he'd brought in with him, it caught his eye, appealed to him, he used it, didn't want to take it out with him, stuck it in a drawer hoping we wouldn't know he'd used it and it was that simple."

"Or maybe Matt did it all," Marino flatly said.

"Matt? Think about it. Could a husband rape and bind his wife? Could he fracture her ribs and break her fingers? Could he slowly strangle her to death? This is someone he loves or once loved. Someone he sleeps with, eats with, talks to, lives with. A person, Sergeant. Not a stranger or depersonalized object of lust and violence. How are you going to connect a husband murdering his wife with the first three stranglings?"

Clearly, he'd already thought about this. "They occurred after midnight, on early Saturday mornings. Right about the time Matt was getting home from Charlottesville. Maybe his wife got suspicious about him for some reason and he decides he's got to whack her. Maybe he does her like the others to make us think the serial killer did her. Or maybe the wife's who he was after all along, and he does the other three first to make it look like his wife was done by this anonymous and same killer."

"A wonderful plot for Agatha Christie."

I was pushing back my chair and getting up. "But as you know in real life murder is usually depressingly simple. I think these murders are simple. They are exactly what they appear to be, impersonal random murders committed by someone who stalks his victims long enough to figure out when to strike."

Marino got up, too. "Yeah, well in real life, Doctor Scarpetta, bodies don't have freaky little sparkles all over 'em that match the same freaky sparkles found on the hands of the husband who discovers the body and leaves his prints all over the damn place. And the victims don't have pretty-boy actors for husbands, squirrels writing dissertations on sex and violence and cannibals and faggots."

I calmly asked him, "The odor Petersen mentioned. Did you smell anything like that when you arrived on the scene?"

"Naw. Didn't smell a damn thing. So maybe he was smelling seminal fluid, if he's telling the truth."

"I should think he would know what that smells like."

"But he wouldn't be expecting to smell it. No reason it should come to mind at first. Now me, when I went in the bedroom, I didn't smell nothing like he was describing."

"Do you recall smelling anything peculiar at the other strangling scenes?"

"No, ma'am. Which just further corroborates my suspicion that either Matt imagined it or is making it up, to throw us off track."

Then it came to me. "In the three previous cases, the women weren't found until the next day, after they'd been dead at least twelve hours."

Marino paused in the doorway, his face incredulous. "You suggesting Matt got home just after the killer left, that the killer's got some weird case of B. O.?"

"I'm suggesting it's possible."

His face tightened with anger, and as he stalked down the hall I heard him mutter, "Goddam women . . ."

Chapter
5

The Sixth Street Marketplace is a Bayside without the water, one of these open, sunny malls built of steel and glass, on the north edge of the banking district in the heart of downtown. It wasn't often I went out for lunch, and I certainly didn't have time for the luxury this afternoon. I had an appointment in less than an hour, and there were two sudden deaths and one suicide in transport, but I needed to unwind.

Marino bothered me. His attitude toward me reminded me of medical school.

I was one of four women in my class at Hopkins. I was too naive in the beginning to realize what was happening. The sudden creaking of chairs and loud shuffling of paper when a professor would call on me were not coincidence. It was not chance when old tests made the rounds but were never available to me. The excuses - "You wouldn't be able to read my writing" or "Someone else is borrowing them right now" - were too universal when I went from student to student on the few occasions I missed a lecture and needed to copy someone else's notes. I was a small insect faced with a formidable male network web in which I might be ensnared but never a part.

Isolation is the cruelest of punishments, and it had never occurred to me that I was something less than human because I wasn't a man. One of my female classmates eventually quit, another suffered a complete nervous breakdown. Survival was my only hope, success my only revenge.

I'd thought those days were behind me, but Marino brought all of it back. I was more vulnerable now because these murders were affecting me in a way others had not. I did not want to be alone in this, but Marino seemed to have his mind made up, not only about Matt Petersen, but also about me.

The midday stroll was soothing, the sun bright and winking on windshields of the passing traffic. The double glass doors leading inside the Marketplace were open to let the spring breeze in, and the food court was as crowded as I knew it would be. Waiting my turn at the carry-out salad counter, I watched people go by, young couples laughing and talking and lounging at small tables. I was aware of women who seemed alone, preoccupied professional women wearing expensive suits and sipping diet colas or nibbling on pita bread sandwiches.

It could have been in a place like this he first spotted his victims, some large public place where the only thing the four women had in common was that he took their orders at one of the counters.

But the overwhelming and seemingly enigmatic problem was that the murdered women did not work or live in the same areas of the city. It was unlikely they shopped or dined out or did their banking or anything else in the same places. Richmond has a large land area with thriving malls and business areas in the four major quadrants. People who live Northside are catered to by the Northside merchants, the people south of the river patronize the Southside businesses, and the same is true in the eastern part of the city. I mainly restricted myself to the malls and restaurants in the West End, for example, except when I was at work.

The woman at the counter who took my order for a Greek salad paused for a moment, her eyes lingering on my face as if I looked familiar to her. I uncomfortably wondered if she'd seen my picture in the Saturday evening paper. Or she could have seen me in the television footage and court sketches the local television stations were constantly pulling out of their files whenever murder was big news in central Virginia.

It has always been my wish to be unnoticed, to blend. But I was at a disadvantage for several reasons. There were few women chief medical examiners in the country, and this prompted reporters to be unduly tenacious when it came to pointing cameras in my direction or excavating for quotes. I was easily recognized because I am "distinctive" in appearance, "blond" and "handsome" and Lord knows what else I've been called in print. My ancestors are from northern Italy where there is a segment of blue-eyed, fair natives who share blood with the people of Savoy, Switzerland and Austria.

The Scarpettas are a traditionally ethnocentric group, Italians who have married other Italians in this country to keep the bloodline pure. My mother's greatest failure, so she has told me numerous times, is that she bore no son and her two-daughters have turned out to be genetic dead ends. Dorothy sullied the lineage with Lucy, who is half Latin, and at my age and marital status it wasn't likely I would be sullying anything.

My mother is prone to weeping as she bemoans the fact that her immediate family is at the end of its line. "All that good blood," she would sob, especially during the holidays, when she should have been surrounded by a bevy of adorable and adoring grandchildren. "Such a shame. All that good blood! Our ancestors! Architects, painters! Kay, Kay, to let that go to waste, like fine grapes on the vine."

We are traced back to Verona, the province of Romeo of Montague and Juliet Capulet, of Dante, Pisano, Titian, Bellini and Paolo Cagliari, according to my mother. She persists in believing we are somehow related to these luminaries, despite my reminders that Bellini, Pisano and Titian, at any rate, influenced the Veronese School but were really native to Venice, and the poet Dante was Florentine, exiled after the Black, Guelf triumph and relegated to wandering from city to city, his stay in Verona but a pit stop along the way to Ravenna. Our direct ancestors, in truth, were with the railways or were farmers, a humble people who immigrated to this country two generations ago.

A white bag in hand, I eagerly embraced the warm afternoon again. Sidewalks were crowded with people wandering to and from lunch, and as I waited on a corner for the light to change, I instinctively turned toward the two figures emerging from the Chinese restaurant across the street. The familiar blond hair had caught my eye. Bill Boltz, the Commonwealth's attorney for Richmond City, was slipping on a pair of sunglasses and seemed in the midst of an intense discussion with Norman Tanner, the director of public safety. For a moment, Boltz was staring straight at me, but he didn't return my wave. Maybe he really didn't see me. I didn't wave again. Then the two men were gone, swept up in the congested flow of anonymous faces and scuffling feet.

When the light turned green after an interminably long time, I crossed the street, and Lucy came to mind as I approached a computer software store. Ducking in, I found something she was sure to like, not a video game but a history tutorial complete with art, music and quizzes. Yesterday we had rented a paddleboat in the park and drifted around the small lake. She ran us into the fountain to give me a tepid shower, and I found myself childishly paying her back. We fed bread to the geese and sucked on grape snow cones until our tongues turned blue. Thursday morning she would fly home to Miami, and I would not see her again until Christmas, if I saw her again at all this year.

It was quarter of one when I walked into the lobby of the Office of the Chief Medical Examiner, or OCME, as it was called. Benton Wesley was fifteen minutes early and sitting on the couch reading the Wall Street Journal.

"Hope you got something to drink in that bag," he said drolly, folding the newspaper and reaching for his briefcase.

"Wine vinegar. You'll love it."

"Hell. Ripple - I don't care. Some days I'm so desperate I fantasize the water cooler outside my door's full of gin."

"Sounds like a waste of imagination to me."

"Nawwww. Just the only fantasy I'm going to talk about in front of a lady."

Wesley was a suspect profiler for the FBI and located in Richmond's field office, where he actually spent very little time. When he wasn't on the road, he was usually at the National Academy in Quantico teaching death-investigation classes and doing what he could to coax VICAP through its rocky adolescence. VICAP is an acronym for Violent Criminal Apprehension Program. One of VICAP's most innovative concepts was regional teams, which yoke a Bureau profiler with an experienced homicide detective. Richmond P. D. called in VICAP after the second strangling. Marino, in addition to being a detective sergeant for the city, was Wesley's regional team partner.

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