Quest for Anna Klein, The (5 page)

They reached the eastern edge of the park just as the snow began to increase, falling in large, silent flakes that quickly outlined their coats and hats.

After a long silence, Clayton turned and looked squarely into Danforth's eyes. “There's going to be a war, Tom. It will start in Europe, of course, but we'll be drawn into it eventually. And we're not ready, that's the point. We're weak and disorganized. Everything the Germans aren't. We're going to need time to build up our war machine.” He paused, and Danforth understood that he was choosing his words very carefully. “There may be a way to get that time. Something no one has thought of. The woman in the bar can be of great help in this . . . project. But
she will need to be trained in various skills. She'll need a place for that. I was thinking of your house in Connecticut. It's very remote. As you know, my own country property isn't.”

They had reached the other side of the park. The snow was now falling in great curtains of white, covering sedans and settling like powdered wigs on the tops of traffi c lights.

“This woman is willing to risk her life,” Clayton said emphatically. “I'm only asking for a place where she can be trained.”

They walked on for a time, then stopped again. Clayton nodded toward the lighted windows of Pete's Tavern. “O. Henry wrote ‘The Gift of the Magi' in that bar,” he said. He exhaled a long breath that seemed extraordinarily weary for so young a man. “What will be your gift of the magi, Tom?” he asked. “Another rug from Tangier, or a project that could help keep your country safe?”

“That's an odd reference,” I said. “O. Henry. ‘The Gift of the Magi.' Are you religious?”

“Not then or now,” Danforth answered. “But we lived in a culturally coherent world, Clayton and I, a world of shared symbols and references. Old Testament. New Testament.”

“A coherence our current enemies now have in abundance,” I added coldly. “But which we have somewhat lost.”

Danforth shrugged. “True enough, but would you want it back if you got the Duke of Alva with it too?”

I had no idea who the Duke of Alva was but saw no need to demonstrate that lack of familiarity, and so I said, “Meaning what?”

“That it's easy to become what you once abhorred,” Danforth answered.

This struck me as rather windy, and probably a quote. I returned to the more relevant subject at hand. “So, Clayton had made his proposal,” I said. “What did you do then?”

“Despite the snow, I started walking uptown,” Danforth answered. “On the way, I thought about the young woman, about what she was willing to do. And I thought about myself. I even thought about O. Henry. I was still turning all that over in my mind when I got to the Plaza.”

Danforth paused briefly at the fountain in front of the Plaza and thought over his conversation with Clayton. Something had changed and he knew it. A small door had been pried open in him. Perhaps that was Clayton's gift, that he could sense the locked door inside you and find a key to it.

He fixed his attention on the horse-drawn carriages that slowly made their way in and out of the park. The rhythmic beat of the hooves was muffled, and yet the sound was compelling, a soft, romantic dirge. Most of the passengers were young, and Danforth supposed a good many of them were on their honeymoons. He believed the world was indeed hurtling toward cataclysm, just as Clayton had said, but it would not occur tonight, not for these well-heeled newlyweds in their romantic haze. Soon he would be among them, he thought, newly married and in a carriage with Cecilia, a settled man in a profoundly unsettled world.

He'd walked the entire distance from Gramercy Park, and as he'd walked, a little seed grew in his mind, its roots sinking down and down until he could feel its feathery tendrils wrapping around him.

Abruptly he recalled Razumov, Conrad's dazed and fumbling revolutionary, how he'd been drawn into a deadly intrigue acci-dentally,
his fate entering his room, he said, because his landlady turned her head. Danforth knew that he was not at all like Razumov. If he chose to be an actor in Clayton's project, it would be his choice, not one that the blind play of circumstance had thrust upon him.

His mind shifted again, and he imagined the young woman at the Old Town in quite a different bar, a little Bleecker Street dugout with sawdust on the floor, the woman surrounded by what he assumed must be her type of friends: would-be writers, painters, musicians, all of them young revolutionaries, probably Communists, the entire lot wriggling in the fist of hard times, talking life and art and politics, quoting Marx, Engels, Lenin while they sipped cheap beer and ate whatever the bar provided. He wondered if she was in any way different from such starry-eyed idealists, if she had remotely glimpsed the executioner's wall through the fog of their windy dialectics, sensed, whether she'd read Saint-Just or not, that revolutions devour their children.

There could be no answer to this, of course. He'd seen only the crazy show of this young woman, and now he doubted if even the curls of her hair were real. Perhaps she was all performance, enjoying the night's little vignette but in the end lacking the stuff needed to carry out the mission — whatever it was — that Clayton had in mind.

As if he were pushed by an anxious hand, he stepped away from the fountain, crossed Fifth Avenue, and headed toward his apartment on Park.

His father lived in the same building, and as had become his custom, Danforth looked in on him before going to his own apartment.

His father answered the door immediately.

“You shouldn't have bothered coming here tonight,” he said when he saw Danforth. “You need your rest. You have a meeting with Akmet tomorrow at seven.”

Although the elder Danforth had increasingly removed himself from the daily affairs of the business, he kept a close eye on how it was run, especially any dealings with Akmet, whom he considered little more than a Bedouin trader with a knife up his sleeve.

“The appointment was changed to ten,” Danforth told him.

“So Akmet is feeling his years at last,” the senior Danforth said with a small laugh. “Would you like a drink?”

Danforth nodded.

His father stepped out of the doorway and motioned him inside.

They walked into the front room of the apartment. A large window opened onto the night-bound city. The twinkling lights of its distant buildings looked like a rain of stars halted in their fall.

Danforth's father poured two scotches, handed one to his son. He was a tall man, lean and fit. It was easy to imagine him as a figure in ages past, the captain of a great vessel, standing on the bridge and plotting his course by the stars; this was precisely what the first Danforth men had been, and by their intrepid scouring of the world, the family fortune had originated. They had sailed the roughest seas, hacked their way through jungle depths, staggered across desert wastes, been shot by muskets and arrows and even poison darts, and suffered all manner of tropical fevers. Compared to these intrepid forebears, Danforth had lived a pampered life, as he well knew, safe and secure in his Manhattan apartment, a student of languages, for God's sake, with no claim to being different from a thousand other rich boys. A line from Pope crossed his mind, something about how much son from sire degenerates.

“You seem a bit tired,” his father said. “Long day?”

Danforth turned to face the window. Below, the sweep of Central Park gave off an eerie glow in the streetlights. “I was
thinking of the Balkans,” he said. “Those thieves who stopped our train.”

His father took a sip of scotch. “Why would you think of that?”

Danforth recalled the young woman at the Old Town Bar, the peril she would be in should she really go to Europe. “Maybe it's because I haven't made any memories in a long time,” he said. “You know what I mean? Real memories. Something searing, that you'll never forget.”

His father laughed. “Count yourself lucky,” he said. “Most lasting memories are bad.”

Count yourself lucky,
Danforth repeated in his mind, and he knew he should do precisely that, but he also knew that in some strange, inexpressible way, he couldn't consider his good fortune entirely good.

He left his father's apartment a few minutes later, slept uneasily, went to work the next morning. Outside his offi ce, the file clerks and secretaries busied themselves as usual. Dear old Mrs. O'Rourke was as attentive to him as ever, filling out his itinerary, screening his calls, making the appointments she deemed necessary, handing off various salesmen and solicitors to Mr. Fellows, the offi ce manager, or Mr. Stans, the chief shipping clerk, doling out Danforth's time frugally, as she knew he wanted.

In that way, the week went by, the weekend arrived, and he met Cecilia at a restaurant across from Gramercy Park, not far from the corner where he'd spoken to Clayton the week before and then been left to ponder his friend's final question.

“Snowing again,” he said almost to himself as he glanced out the window toward the park.

Cecilia unfolded the menu and peered at it closely. “I think I'll have a Waldorf salad,” she said. “What about you?”

“Caesar salad,” he told her.

The waiter stepped up, and they selected their entrées, Cecilia her fish, Danforth his chicken.

“And to drink?” the waiter asked.

Danforth chose a pouilly-fuissé, then handed the wine list back to the waiter.

“Very good, sir,” the waiter said as he stepped away.

Cecilia reached behind her head.

Danforth knew she was checking for errant strands of hair.

“You look perfect,” he assured her.

She dropped her hand into her lap. “The Vassar reunion is on Saturday. Do you want to come?”

“Of course.”

“It'll be the first time I introduce you as my fiancé.”

She seemed pleased and happy, and her happiness made Dan-forth happy too. For a moment, they smiled at each other, as happy couples do, and in that instant Danforth reaffi rmed to himself his love for her, his commitment to the life they would share.

The wine came and they toasted their future together, and everything seemed perfect until Danforth glanced out the window, where he saw a young girl fling a handful of snow at a passing stranger; at that instant, he thought of the woman in the bar and found himself imagining her somewhere in the dark grove beyond the window, a lone figure moving away from him until she disappeared . . .

“. . . into the snow,” Danforth said softly.

He paused and looked toward the window, the snow now
falling a little heavier than before. “When is your flight back to Washington, Paul?”

“Not for a few hours,” I answered, though I feared that even this generous stretch of time wouldn't be enough to finish what was turning into a much more leisurely interview than I'd planned.

“So,” I said crisply. “You were at Gramercy Park again. In a restaurant with your fiancée. You were looking out the window of the restaurant, out into the park, thinking about —”

“Thinking about myself, actually,” Danforth interrupted. He took a sip from his glass. “Have you ever read
The Riddle of the Sands
?”

“Yes,” I answered.

“I suppose I was a bit like Carruthers in that book,” Danforth told me. “Youth can be a cruel lash, you know. Sometimes a lash you suffer. Sometimes a lash you wield.” He looked for some response to this, but when I gave none, he continued. “Anyway, I called Clayton later that night, after that dinner with Cecilia. I told him that I was interested in the Project. He didn't seem surprised. But I wasn't entirely convinced, I told him. I wanted to meet with Lingua. He arranged for us to get together at one of those dimly lit grog houses they still have down on Fourth Avenue.”

“And when you met her,” I asked with a sly smile, “was she . . . Mata Hari?”

“She was pretty, if that's what you mean,” Danforth said with perfect seriousness. “But that wasn't what I most noticed about her.”

“What did you notice?”

Danforth paused, then said, “How shall I put it?” Once again he appeared to retreat to that earlier time. “That she already seemed to be looking back at life from the bottom of her grave.”

Danforth arrived first and proceeded to a booth at the far corner of the bar. He'd come to have serious reservations about the meeting, along with even greater ones about getting involved with Clayton's no-doubt-inflated idea of influencing history. What scheme could possibly do that?

But for all that, he couldn't deny that he felt a certain anticipation with regard to this meeting; when he saw her come through the front door of the bar, he felt a quickening.

“Hello,” she said when she reached him.

She sat, drew her arms out of her coat, and let it fall behind her back, then she folded her scarf and laid it beside her on the bench, all of this done as if she thought herself alone in the booth. Her gaze was still cast down when she said, “No snow this time.”

There was an olive undertone to her skin that made her look faintly Sicilian; her features were at once delicate and inexpressibly strong, and there was a penetrating sharpness to her gaze.

“My name is Thomas Danforth,” he told her.

“Anna Klein.”

Klein,
Danforth thought. It meant “small” in German, and therefore seemed quite appropriate to the woman who sat across from him. He recalled that Clayton had said she was a genius with languages, and he decided to test the waters.
“Konnen wir sprechen Deutsch?”
he asked.

“Wie sie wunschen.”

For the next few minutes they spoke only German, Danforth's considerable fluency matched by hers.