Quiet as a Nun (14 page)

I decided that it was time to talk to Beatrice O'Dowd. In the interests of my programme, as I put it to Sister Lucy: who received the request with an impassivity which entirely failed to conceal her violent disapproval.

I did not exactly relish the idea of that flaunting purple in the white calm of my little cubicle. But Beatrice O'Dowd proved a pleasant surprise. Close to, detached from the black procession, the purple did not look so garish. Her hair was naturally sandy rather than blonde. She had the long upper lip and slightly prominent front teeth of her younger sister. It was true that the hair-style was over bouffant and the lipstick an unbecoming bright pink. Years in television had given me an automatic eye for such things. For the same reason, I could see through to the homely woman in her late thirties visible within the slightly old-fashioned trappings of glamour.

After all, fifteen years of sombre black under Mother Ancilla's eagle eye was enough to send anyone towards all colours of the rainbow. Under her coat Beatrice O'Dowd wore a tight purple polo-necked sweater (she really did like the colour). Whether nuns wore bras or not - and what a perfect opportunity to find out, from an ex-nun - Miss O'Dowd was certainly wearing one now.

Clothes apart, Beatrice O'Dowd seemed to be a straight-forward, even down-to-earth sort of woman. It was interesting how completely she lacked the demeanour of a nun: there were no cast-down eyes here a la Sister Agnes, no evidence of hysteria a la Sister Edward. She crossed her legs - rather stocky legs in their black boots - as though to the manner born, twitching down a skirt which was once again just slightly too short for the current fashion. Yet you never saw a nun crossing her legs. Rosa once told me that it was a mortal sin for a nun to cross her legs. It was more likely that nuns sat with their knees together because to cross them under the thick folds of the habit would be a difficult manoeuvre.

How odd it must have been for Beatrice O'Dowd to learn such necessary feminine accomplishments as sitting in short skirts after fifteen years' freedom from these cares. Whatever it had cost her, how completely this woman had thrown off the trappings of a nun. Of course it could have been the other way around: perhaps Sister John had never properly adapted herself to them. Hence her desire to leave.

'I wanted to talk to you anyway, Jemima,' said Beatrice O'Dowd conversationally. I did not know that we were on Christian name terms. Still, television intimacy is a phenomenon which all successful performers have to endure. 'So I was glad when you sent for me. In a way it does make more sense seeing you in here.'

'In here?' I thought she meant: sick, in the infirmary.

'Here at the convent. We had discussed contacting you in London. I said: yes. The others said: wait a bit. And then lo and behold you turn up here. As young Ronnie told us. And of course that made absolute sense to us all. We realised that you were one jump ahead of us in your thinking—'

'You're going much too fast. I've been ill you know,' I said desperately. 'Why did you want to talk to me? Please begin at the beginning.'

Beatrice looked momentarily nonplussed. Then she leant forward again and said in her conversational style:

'But of course I wanted to talk to you, Jemima. Seeing that Rosabelle Powerstock was such a particular friend of mine.'

It was not, I feared, a phrase that a former nun of the
O.T.I
.
could use by accident.

11

Will

My first reaction to the words of Beatrice O'Dowd was a sudden sharp pang. Irrational annoyance - jealousy would really be too strong a word - seized me. What had this rather plain women with her fat legs - she
was
plain and her legs were bulging over the tops of her boots - to do with my Rosa? The ridiculousness of my reaction struck me almost immediately. My Rosa was long since gone to her Tower of Ivory. Many years later a middle-aged nun called Sister Miriam had formed a particular friendship with another woman, then a nun:

'Particular friendships can cause scandal to other godly women in the community' - Sister Lucy's observation. I quoted it aloud.

'Particular friendships! Absurd phrase—'

'But you just used it.' Beatrice O'Dowd paid no attention.

'Did you know,' she enquired warmly, 'that this convent was founded on a particular friendship? Do you think that an upper-class woman like Princess Eleanor would have stuck around in this dump without the particular friendship of Dame Ghislaine le Tourel to cheer her up? And yet we were denied even the simplest of human relationships, and taught to consider them wrong. With your understanding of people, how society really works, you must know what I mean.'

I ignored the compliment.

Dame Ghislaine. She had certainly featured in the life story of the Blessed Eleanor. A devoted
Dame d'Honneur.
One of the six black nuns who carried her in her coffin to the tower. The nun who was chosen as the next Reverend Mother by the dying wish of the foundress (no nonsense about democratic election in this community). Eleanor and Ghislaine. As Mother Ancilla would say - royalty, that's different.

It was all a very long time ago. Rosabelle and Jemima. Like Eleanor and Ghislaine that too was a very long time ago. Ancient history. Not so Sister Miriam and ex-Sister John. Beatrice's language of denunciation had a strictly contemporary ring. As contemporary for example as the passionate phrases of Dodo Sheehy on the subject of the poor. And not altogether unlike them.

'From the first moment I saw your programme,' continued Beatrice as though giving me a prepared lecture, 'I was with Rosa all the way. I like to think I may even have suggested the handover. Be that as it may.' Poor Rosa, was she not even to have the credit of her own generous idea? 'Certainly Mother Ancilla always thought so.'

She managed to get a great deal of dislike into the name of Mother Ancilla. I recalled Sister Lucy's venom in pronouncing the name of Beatrice O'Dowd.

'That's when she decided to get me out at all costs. Nothing and no-one stands in the way of Mother Ancilla when she decides to have her own way.'

'But surely you went of your own accord? You didn't want to stay - I mean, listening to you—' I really wanted to say: looking at you. In your boots with your make-up and your crossed legs and your bouffant hair.

Beatrice O'Dowd sighed.

'Oh in a sense, yes, of course. I was in a state of crisis about the whole thing for years. My vows, I mean. I would have gone sooner or later. I was way ahead of Rosa in
that
way. Although of course she would have left in the end. If she had lived.'

She sighed again.

'Poor Rosa. No, I wanted to stay here to see the thing through. Go in my own time. The handover of the land - well, you know all about that. I could have supported Rosa through it all, the lawyers, Mother Ancilla, the lot. I was so much stronger than her. She
needed
my strength. And then they took me away from her.'

A voice from the past. A letter still remembered:

'How strong you are, Jemima. Not needing any props to support you. No religion or belief or anything like that. I need so many props. That's one of the reasons I had to become a nun. To be propped up by God.'

Even in the convent Rosa had still needed strength.

'There wouldn't have been that ghastly upset,' Beatrice went on, 'that nervous breakdown - that's what it was of course, but the nuns would never admit it. Even her terrible plan to shut herself up in the tower. That would never have happened if they hadn't sent me away, using the excuse of a particular friendship. It was deliberate victimisation.' Another phrase from the modern world.

'Mother Ancilla told me Rosa had been very ill,' I put in mildly.

'Oh she told you that. Too late. And wrapped you round her little finger, I'll be bound. The charm of that woman when she wants to use it. But she didn't fool little Ronnie, my sister Veronica, she knew the truth about Mother Ancilla.'

Beatrice O'Dowd's tone changed abruptly.

'There was another will, you know.'

'Ah.'

'You knew?'

'No. But - a hint was dropped.' 'Who by?' Sharply.

'The girls: nothing specific, just gossiping.' I did not intend to be more explicit until Beatrice O'Dowd showed me a few of her own cards.

'Which girls?' Even more sharply. 'There are over eighty girls here. Counting the junior school.'

'I haven't met anyone from the junior school,' I replied pleasantly. Which was true - except for a brief glimpse of a weeping Tessa Justin, in St Joseph's sitting room. 'Some of the girls who were friendly with Rosa. They seemed to know all about her plans - your plans - to give away the lands. And they as good as indicated to me that there was a second will. Leaving it to the poor and away from the convent, after all.'

'Oh, them. Margaret and Dodo and Co. Oh yes, Blanche and Imogen even witnessed the will. That's how we knew about it in the first place. They didn't read it, but Rosa told them quite frankly what it was. But I hoped—' She stopped. 'You see, there is a girl here who knows where Rosa
hid
the will, and Mother Ancilla knows that too—'

It was at this point that Beatrice O'Dowd and myself became aware that Mother Ancilla was standing there at the entrance to the cubicle, watching us. She had appeared with a silence worthy of Sister Agnes herself. One of the reasons for this silence might well be the fact that she was holding her black rosary crushed in her hand. So that it would not chink. So that it had not chinked.

'Speak of the devil,' was all I could think of saying in a bright voice. It was, under the circumstances, a singularly inappropriate remark. Mother Ancilla showed no signs of having heard it.

'Dear Beatrice,' she cried. What an actress the woman was. I honestly could not have told the difference between the affection with which she clasped the former nun's hand and the love with which she mantled, say, a princess. 'We're all so pleased you came down to see us, even on this sad occasion. The community are longing to see you.'

I really believed her. I turned towards Beatrice to see how she was taking all this. After fifteen years of Mother Ancilla's sway, I wondered how easy she found it to face her.

The answer was: not easy at all. Beatrice O'Dowd was gazing at Mother Ancilla, fascinated, as a rabbit gazes hopelessly at a snake. Gone was the forceful downright woman who had been instructing me only minutes before. Beatrice O'Dowd, purple jersey, black boots and all, looked frankly terrified. The resemblance to the late Sister Edward was suddenly marked. I remembered that fateful encounter in the school corridor.

'Thank you, Mother,' she mumbled. 'I'll be glad to see them all again.' She picked up the purple coat.

'And how is your work going, my child?' enquired Mother Ancilla, even more tenderly.

'Splendidly, Mother, thank you,' replied Beatrice with an increase of spirit. 'In spite of recent setbacks we think we have found a way round our problems.' She actually gave the Reverend Mother a challenging look. Mother Ancilla tucked in the corners of her mouth. If Beatrice could look like a rabbit, Mother Ancilla could certainly resemble a snake. Her gaze was watchful, cold. But her next words still sounded benign:

'I'm very pleased to hear it, dear Beatrice.. And I mean that most sincerely. Just because your - er - plans did not work out one way, it does not mean they are displeasing to God in every way.'

'Thank you, Mother.' Beatrice sounded sardonic.

'Often Our Blessed Lord comes to our aid in the most unexpected ways.'

'I will bear in mind what you say.'

'I take it that although your project cannot go ahead in its original form, it will nevertheless go ahead in a different way?'

'You can take it that our project will go ahead, Mother Ancilla,' returned Beatrice with something of the older nun's bland sweetness. 'Rosabelle Powerstock's will shall prevail.' That sounded like a text. 'And now if you'll excuse me, I'll go and look up some of my particular friends in the community. Miss Shore, we'll be in touch.' There was no doubt of the deliberate provocation of her last remarks. And she went, I noticed, in the direction of the school wing, not the nuns'. I waited till the purple coat had disappeared from view.

'What is her project, Mother Ancilla?' But I had already guessed the answer to my own question. It was really no surprise to me to learn that

Beatrice O'Dowd now worked for the Powers Estate Projectors. Directly under Alexander Skarbek: his aide.

Alexander Skarbek. I suspected strongly that there had been some contact between Skarbek and that little Sixth Form group. Possibly through Rosa, certainly through Beatrice. How many others? And what orders had he given Beatrice O'Dowd? I might have to swallow my pride, ring up Tom, and make a few more enquiries about Alexander Skarbek.

‘I wonder just what Beatrice O'Dowd intends to do now?' said Mother Ancilla meditatively. 'Poor Mrs O'Dowd was telling me that she's still completely under the influence of that dreadful man. She was always so easily led. And oh
dear
that coat and that jersey! Nuns never have any taste in ordinary clothes, you know. That's why it's so disastrous when they put themselves into short skirts.'

How strange to think that at her age in the world Mother Ancilla would now be dressed as an old lady. In her black habit on the other hand she still appeared as a dominating and formidable figure. A woman of iron will.

Will. It all seemed to come down to a question of will. Will and the will.

Will. There was a great deal of it about. Not only the will of God but a great deal of other wills including the last will and testament of Rosabelle Powerstock. The will of Mother Ancilla to preserve the convent and its work at all costs. The will of a good many other people - including Beatrice O'Dowd, the outsider Alexander Skarbek, the girls of the Sixth Form - to bring that work in effect to a halt by installing a housing project at the convent walls. The will of the Black Nun, or the sinister forces represented by that phantasmagoric figure. The will of the Black Nun was the clearest of the lot: that Jemima Shore, Investigator, should drop her investigations and get out. Her note in my overcoat pocket had made that amply clear.