Authors: Danielle Steel
It was the third day of cops and FBI agents in the house, when Fernanda called Jack Waterman early that morning and said that she and Sam had the flu and couldn't go to Napa for the day. She still wanted to talk to him about what was happening, but things were too crazy, and it still seemed too unreal. How could she explain the men camping out in her living room, sitting around the table with holsters in her kitchen? It almost made her feel foolish. Particularly if it turned out to be unnecessary. She was hoping that she'd never have to tell him about it. Jack said he was sorry they both had the flu, and offered to come by on his way to Napa, but she said they still felt too lousy, and she didn't want him to catch it.
After that, she tucked Sam into bed with her, and put on a movie. She had fed the four men breakfast by then, and she and Sam were cuddling, with his head on her shoulder, when she heard an unfamiliar sound downstairs. The alarm wasn't on, and didn't need to be with two policemen and two FBI agents protecting her. With all that trained protection and armed firepower at hand, the alarm seemed redundant, so she hadn't put it on the night before, or in fact since they'd been there. Ted had told her they could set it off accidentally with the movements of the men going in and out of the back door from time to time to check on things. It sounded as though something had fallen in the kitchen, a chair or something comparable. She didn't worry about it with four men downstairs, and lay there with Sam dozing on her shoulder. Neither of them was sleeping well at night, and sometimes it was easier dozing in the daytime, as Sam did now, in his mother's arms.
She heard muffled voices then, and footsteps on the stairs. She was just beginning to wonder what was going on and assumed they were coming upstairs to check on them, but didn't want to get up and disturb Sam, when three men in ski masks exploded through her bedroom door and stood at the foot of her bed, pointing M16 machine guns with silencers at them. As Sam saw them, his eyes flew open wide, and he stiffened in his mother's arms, as one of the men came toward them. Sam's eyes were huge with terror, as were Fernanda's, who was praying the men wouldn't shoot them. Even to her untrained eye, she knew they were carrying machine guns.
“It's okay, Sam… it's okay…” she said softly in a shaking voice, not even knowing what she'd said. She had no idea where the men protecting her were, but there was no evidence of them, and no sound from downstairs. She clutched Sam to her and backed up in the bed, as though it would save her and Sam from the men, as one of them wrenched Sam out of her hands without a sound, and she screamed as he took him from her. “Don't take him,” she pleaded pitifully. The moment they had feared had come, and all she could do was beg him. She was sobbing uncontrollably, as one man held a machine gun on her, and another tied Sam's hands with rope, and put a piece of tape over his mouth, as her son looked wild-eyed at her in helpless terror. “Oh my God!” she screamed as two of them forced Sam into a canvas bag, with hands and feet tied, like so much laundry. There were terrified grunts from Sam, and screams from her, as the man closest to her yanked her hair back so hard with one hand, it felt like he had torn it from her scalp.
“If you make another sound, we'll kill him, and you don't want that, do you?” She could tell that he was powerfully built, in a rough jacket and jeans and work-men's boots. There was a wisp of blond hair peeking from the ski mask. One of the other men was stockier, but powerful as he slung the canvas bag over his shoulder. Fernanda didn't dare move for fear that they would kill Sam.
“Take me with him,” she said in a shaking voice, and the two men said nothing. They were following orders and had been told clearly not to. She had to stay back to pay the ransom. There was no one else who could do it. “Please… please… don't hurt him,” she begged them, falling to her knees, as all three ran out of the room and down the stairs carrying him, and then she got up and ran down the stairs after them, and on the stairs she suddenly saw footprints in blood everywhere.
“If you tell the cops or anyone about this, we'll kill him.” She nodded her understanding to the man who had spoken in a voice muffled by the mask.
“Where's the door to the garage?” one of the men asked her, and she saw blood splashed on his pants leg and his hands. She hadn't heard a single shot ring out. All she could think about was Sam, as she pointed to the door to the garage. One of the men was pointing his machine gun at her, and another tossed Sam to the third one. He slung the bag with Sam in it over his shoulder, and there was no sound and no movement, but she knew that nothing they had done to him so far could have killed him. The heavy-set man spoke to her again then. They had been in Will's and Ashley's bedrooms before they got to her, and hadn't found them.
“Where are the others?”
“Away,” she said, and they nodded and ran down the back stairs, while she wondered where the cops were.
The kidnappers had backed up their van to the garage, and no one had seen them do it. They had looked innocuous when they arrived, looking like workmen, went around to the back, broke a window using a towel, unlocked it, and climbed in. They had disabled the alarm and cut the wires before they broke the window pane. It was a skill they had developed over the years and knew well. No one had seen anything. And no one did now, as they opened the garage door to access their van, and she watched them open the back door to throw Sam in. If she had had a gun, she would have shot them, but as things were, there was nothing she could do to stop them, and she knew it. She was afraid to even scream for her protectors, for fear that the kidnappers would kill Sam.
The man carrying the bag with Sam in it climbed in and dragged him in, bumping Sam across the back bumper. The others threw their weapons in, ran around to the front, as the back door slammed. And seconds later they drove away, as Fernanda stood sobbing on the sidewalk. And much to her horror, no one heard or saw her. The windows of the van had been heavily tinted, and by the time the men took their ski masks off, they had turned the corner, and she saw nothing. She hadn't even seen their license plate and only thought of it afterward. All she could do was watch them drive her son away and pray that they wouldn't kill him.
She ran back inside, still sobbing then, flew up the back stairs and into the kitchen, across the bloodstained hall carpet, to find the policemen. And what she found there was a scene of total carnage. One with his head bashed in, another with the back of his head blown off by an M16. His brains were splattered all over her kitchen wall. She had never seen anything so horrible, and was too terrified to even cry. They could have done this to her or Sam, and still could. The two FBI agents had been shot in the chest and heart, one of them was sprawled across the table with a hole in his back the size of a dinner plate, the other was lying on his back on the kitchen floor. The two FBI men were holding their Sig Sauer .40 calibers, and the two policemen held semiautomatic .40-caliber Glocks, but none of them had had time to fire off a round before the kidnappers shot them. They had been distracted for just a moment, talking and drinking coffee, and had been taken completely unaware. All of them were dead. And she ran out of the room to use the phone and call someone. She found the card with Ted's phone number, and dialed his cell phone. She was so panicked she didn't think to call 911, and she remembered the kidnappers' warning “not to tell anyone.” That seemed impossible now with four officers dead at their hands.
Ted answered on the first ring, and was at home, doing some paperwork and cleaning his .40-caliber Glock, which he'd been meaning to do all week. All he heard were strange guttural moaning sounds, like some wild wounded beast. She could not find the words to tell him, and sobbed pathetically into the phone.
“Who is this?” he said sharply. But he was afraid to know. Something deep in his soul told him instantly it was Fernanda. “Speak to me,” he said, sounding powerful, as she clamped her teeth shut and fought for air, sucking the air through them. “Talk to me. Where are you?”
“They… toooookkkkk…himmmm …” she finally managed to say, shaking violently from head to foot, barely able to breathe or speak.
“Fernanda …” He knew it. Even in extremis, he knew her voice. “Where are the others?” She knew he meant his men, and couldn't tell him.
She sobbed uncontrollably again then. All she wanted now was her son back. And this was only the beginning. “Dead… all dead,” she managed to say. He didn't dare ask her if Sam was too, but he couldn't be. It would do them no good if they had killed him in front of his mother. “They said they'd kill him if I told …” Ted and she both believed them. “I'll be right there.” He cut her off without asking more questions, called central dispatch, and gave them her address and a warning to keep it off the radio to keep the press out of it. They did the dispatch in code. His next call was to Rick, and he told him rapidly to get their media rep to Fernanda's house. They had to control what was said, if anything, so as not to risk Sam. Rick sounded as upset as Ted was, and was running out the door with his cell phone as they talked, and both hung up within seconds.
Ted ran out his front door, having just reassembled his gun, and shoved it in the holster. He didn't even bother to turn his lights off. He put a red light on top of his car, turned it on, and drove as fast as he could to where she was. But long before he got there, her street was filled with police cars, flashing lights, and sirens. They had sent three ambulances. And there were nine police cars up and down her street, and another blocking the entrance to her block when he got there, only minutes after they did. Two more ambulances arrived as he got out, and Rick was just behind him.
“What the hell happened?” Rick ran alongside him as they reached the front steps. There were police already in the house, and Ted could see no sign of Fernanda, the agents, or policemen who had been protecting her and Sam.
“I don't know yet… they have Sam… that's all I know… she said ‘all dead,’ and then I cut her off, called dispatch, and you.” As they rushed into the house, Ted saw the blood on the steps and the hall carpet, and as though drawn to it, they walked into the kitchen, and saw all that Fernanda had. And as much horror as they had both seen in their careers, what they saw there hit them hard.
“Oh my God,” Rick said in a whisper, as Ted stared in silence. All four of their men were dead, and their deaths had been brutal and ugly. Animals had done it. That was what these men were. Ted felt rage overcome him as he turned to look for her, and ran back into the hallway. There were twenty policemen in the house by then, all shouting and running, and checking for suspects. Ted had to fight his way past them as the FBI media rep was giving orders to keep the press out. Ted was about to run up the stairs, when he saw Fernanda on her knees in the living room, just lying there and sobbing, with her head on the carpet. She was hysterical when he knelt beside her and took her in his arms, stroked her hair, and knelt there with her and held her. Ted just held her and rocked her and said nothing. Her eyes were wild and terrified as she looked at him and then leaned against him.
“They took my baby …oh my God…they took my baby …” She had never fully believed they would do it. Nor had he. It was too bold and too outrageous and too crazy. But now they'd done it. And killed four men when they took him.
“We'll get him back. I promise.” He had no idea if he could live up to it, but he would have told her anything to calm her. Two paramedics walked in then, and looked at him. He didn't think she was injured but she was in bad shape, and one of them knelt beside her and talked to her. She was suffering from extreme trauma.
Ted helped them lay her down on the couch, and took off her shoes before he did it. There was blood on them, and she had tracked it all over the room. There was no point getting it on the couch too. There were police photographers everywhere by then, taking photographs and videos of the crime scene. It was beyond gruesome. Policemen were crowding in everywhere, some were crying, all were talking, as FBI agents began to arrive by the carful. Within half an hour, there were forensic experts everywhere, collecting fibers, glass, fabrics, fingerprints, and DNA evidence for FBI and SFPD crime labs. And there were already two kidnap negotiators standing by the phones, waiting for a call. The general mood was one of outrage.
It was late afternoon before they left, and Fernanda was in her room by then. They had put yellow caution tape on the kitchen doorway, indicating that it was a crime scene and had to be left intact, or “sterile” as they called it. Most of the police cars had left. There were four more men assigned to her. The captain had come to survey the damage, and left again looking shaken and grim. They had explained nothing to the neighbors. And barred all access to the press. The official statement was that an accident had happened. And they took the bodies out the back door, after the press left. The police knew without question that there could be no public statement until they had the boy back. Anything said publicly would jeopardize him further. Nothing more could be said.
“For a while there,” the captain said to Ted before he left, “I thought you were crazy. It turns out they are.” He hadn't seen anything as grisly in years, and he had asked Ted immediately if Fernanda had heard or seen anything that could help them, like the license plate, or their destination. But she hadn't. They had all been wearing ski masks, and said little or nothing. She had been too frantic to even notice details about the van. All they knew was what they'd known before it happened. Who it might be, and who might be behind it. There was nothing new, except that two policemen and two FBI agents had died, and a six-year-old boy had been kidnapped. Detectives had gone to Peter's Tenderloin hotel within minutes of Fernanda's call to Ted, but the desk clerk said he'd gone out that morning and not come back. Peter's guests of the night before had gone out a service entrance and never been seen or linked to him. The police were staking out his room, but there was no sign of him, and Ted knew there wouldn't be. He was gone for good, although what seemed like all his belongings were still in the room. And there were coded all points bulletins out for Peter and Carlton Waters, and Peter's car. Everyone knew they had to act with extreme caution so as not to alert the kidnappers or jeopardize the boy.