Rome’s Fallen Eagle

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Authors: Robert Fabbri

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ROME’S FALLEN EAGLE

Robert Fabbri
read Drama and Theatre at London University and worked in film and TV for 25 years. He was an assistant director and worked on productions such as
Hornblower, Hellraiser, Patriot Games
and
Billy Elliot
. His life-long passion for ancient history inspired him to write the
Vespasian
series. He lives in London and Berlin.

Also by Robert Fabbri

THE VESPASIAN SERIES

TRIBUNE OF ROME

ROME’S EXECUTIONER

FALSE GOD OF ROME

Coming soon

MASTERS OF ROME

SHORT STORIES

THE CROSSROADS BROTHERHOOD

THE RACING FACTIONS

First published in trade paperback in 2013 by Corvus, an imprint of Atlantic Books Ltd.

Copyright © Robert Fabbri, 2013

The moral right of Robert Fabbri to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act of 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of both the copyright owner and the above publisher of this book.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities, is entirely coincidental.

10 9 8 7 6 5 4 3 2 1

A CIP catalogue record for this book is available from the British Library.

Hardback ISBN: 978 0 85789 744 2
Trade paperback ISBN: 978 0 85789 745 9
E-book ISBN: 978 1 78239 033 6

Printed in Great Britain

Corvus
An imprint of Atlantic Books Ltd
Ormond House
26–27 Boswell Street
London
WC1N 3JZ

www.corvus-books.co.uk

For my sister, Tanya Potter, and her husband, James, and their three lovely daughers, Alice, Clara and Lucy.

P.S. For those who wondered what resulted from my dedication in the last book, you’ll be pleased to know that Anja said yes!

CONTENTS

PROLOGUE

PART I ROME THE SAME DAY

CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IIII

PART II GERMANIA, SPRING AD 41

CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER VIIII
CHAPTER X
CHAPTER XI
CHAPTER XII

PART III THE INVASION OF BRITANNIA, SPRING AD 43

CHAPTER XIII
CHAPTER XIIII
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XVIIII
CHAPTER XX
CHAPTER XXI

AUTHOR’S NOTE

PROLOGUE

R
OME, 24TH
J
ANUARY
AD 41

 

 

 

 

 

T
HE RIGID, WIDE-EYED
grin of a gaudily painted, comicactor’s mask leered out at the audience; its wearer skipped a short jig, the back of his left hand pressed to his chin and his right arm outstretched. ‘The wicked deed that causes you
all this
distress
was
my doing; I confess it.’

The audience roared with laughter at this well-delivered, purposely ambiguous line, slapping their knees and clapping their hands. The actor, playing the young lover, inclined his mask-obscured head in acknowledgement of the appreciation before turning to his partner on the stage, who wore the more grotesque, gurning mask of the villain of the piece.

Before the players could continue the scene, Caligula jumped to his feet. ‘Wait!’

The ten thousand-strong audience in the temporary theatre clinging to the northern slope of the Palatine Hill turned towards the imperial box, jutting out on supporting wooden columns at the exact centre of the new construction.

Caligula copied the actor’s pose. ‘Plautus would have wanted the line delivered like this.’ He skipped the jig perfectly whilst imitating the mask’s broad grin, opening his sunken eyes wide so that the whites contrasted markedly with the dark, insomniac’s bags beneath them. ‘The wicked deed that causes
you all
this distress was
my
doing;
I
confess it.’ As he finished the last syllable he brought his left hand up from his chin to rest on his forehead and melodramatically threw back his head.

The audience’s mirth was even more vigorous than at the first rendition, loud and raucous – but forced. The two actors held their bellies and doubled up in unrestrained hilarity. Caligula
came out of the pose, a sneer on his face, and, throwing his arms wide, turned slowly to the left, then to the right to encompass the whole audience in the semi-circular construction, bathing in their adulation.

Standing at the very rear of the theatre, within the shade of one of the many awnings rigged over the precipitous seating, Titus Flavius Sabinus looked down at his Emperor with disgust from beneath a deep hood.

Caligula swept up an arm, palm towards the audience; they quietened almost instantaneously. He sat down. ‘Continue!’

As the actors obeyed his command a middle-aged man wearing a senatorial toga, seated at Caligula’s feet, began to shower kisses on the young Emperor’s red slippers, caressing them as if they were the most beautiful objects that he had ever seen.

Sabinus turned to his companion, a pale, thin-faced, auburnhaired man in his thirties. ‘Who’s the unashamed sycophant, Clemens?’

‘That, my dear brother-in-law, is Quintus Pomponius Secundus, this year’s Senior Consul, and that’s as close as he’ll come to expressing an independent opinion whilst he’s in office.’

Sabinus spat and gripped the hilt of his sword, concealed beneath his cloak. The palm of his hand felt clammy. ‘This hasn’t come a moment too soon.’

‘On the contrary, this is long overdue. My sister has been living with the shame of being raped by Caligula for over two years now; far longer than honour dictates.’

Down on the stage a hearty kick by the young lover up the backside of his newly arrived slave sent him tumbling to the ground and the audience into a fresh fit of laughter that grew as the players then proceeded to chase each other around, with many trips, turns and near misses. In the imperial box Caligula gave his own demonstration of comedy running, chasing his lame uncle, Claudius, up and down, this time to the genuine amusement of the crowd, who never failed to appreciate a cripple being mocked. Even the Emperor’s sixteen full-bearded German Bodyguards, lined up across the rear of the box, shared in the enjoyment of the hapless man’s degradation. The two Praetorian
tribunes standing to either side of the enclosure made no effort to reprimand their subordinates.

‘Are you really going to make that buffoon emperor?’ Sabinus asked, raising his voice against the escalating mirth as Claudius’ weak legs gave out and he sprawled onto the floor.

‘What choice do we have? He’s the last of the adult Julio-Claudians. My men in the Praetorian Guard won’t accept the restoration of the Republic; they know that’ll lead to their disbandment. They’ll mutiny, kill me and any other of my officers who stand in their way; then they’ll make Claudius emperor anyway.’

‘Not if we assassinate him as well.’

Clemens shook his head. ‘I can’t in honour order his death, I’m his client.’ He indicated the two Praetorian tribunes in the box and lowered his voice as Caligula, tired of humiliating his uncle, retook his seat and the audience settled back down to watching the scheduled entertainment. ‘Cassius Chaerea, Cornelius Sabinus and I have agreed that Claudius must become emperor: it’s our best hope of surviving this. We’ve had discreet negotiations with his freedmen Narcissus and Pallas – as well as Caligula’s freedman, Callistus. He’s seen the way things are going and has thrown his lot in with the Claudius faction; they’ve promised to try and protect us from any vengeance that Claudius would be honour bound to exact for killing a member of his family, even though he’ll be the beneficiary – a very surprised one.’

‘Claudius doesn’t know yet?’

Clemens raised an eyebrow. ‘Would you trust that garrulous idiot with such a secret?’

‘And yet you would trust him with the Empire?’

Clemens shrugged.

‘I say he should die.’

‘No, Sabinus, and I demand your oath to Mithras on that. We could have done this a couple of months ago but we delayed so that you could get back to Rome to strike the blow and satisfy your honour. Jupiter’s tight sack, I’ve already exposed another conspiracy to the Emperor in order to ensure that it will be us who will have the pleasure of killing him.’

Sabinus grunted his assent, well aware that he was in no position to argue. For the two years since the rape of his wife, Clementina, and his appointment as legate of the VIIII Hispana by the perpetrator of that outrage, he had been stationed with his legion on the northern frontier in the province of Pannonia, cut off from Rome. He had been forced to wait until Clementina’s brother, Clemens, one of the two prefects of the Praetorian Guard, had identified a group of his officers disaffected enough with Caligula’s deranged behaviour to risk their lives in an assassination attempt. This had proved to be a lengthy process – as Clemens’ coded letters had informed him – owing to his men’s understandable reluctance to share treasonable thoughts; if they misjudged their confidant they would have been immediately executed.

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