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Authors: Edgar Wallace

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Room 13 (22 page)

BOOK: Room 13
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In ten minutes they were through the city and traversing the main western road. And now, for the first time, Jeffrey Legge became communicative.

“You’ve never been in ‘boob’, have you, angel?” he asked.

She did not answer.

“Never been inside the little bird-house with the other canaries, eh? Well, that’s an experience ahead of you. I am going to put you in jail, kid. Peter’s never been in jail either, but he nearly had the experience tonight.”

“I don’t believe you,” she said. “My father has not broken the law.”

“Not for a long time, at any rate,” agreed Jeffrey, dexterously lighting a cigarette with one hand. “But there’s a little ‘boob’ waiting for him all right now.”

“A prison?” she said incredulously. “I don’t believe you.”

“You’ve said that twice, and you’re the only person living that’s called me a liar that number of times.”

He turned off into a side road, and for a quarter of an hour gave her opportunity for thought.

“It might interest you to know that Johnny is there,” he said. “Dear little Johnny! The easiest crook that ever fell – and this time he’s got a lifer.”

The car began to move down a sharp declivity, and, looking through the rain-spattered wind-screen, she saw a squat, dark building ahead.

“Here we are,” he said, as the car stopped.

Looking through the window she saw, with a gasp of astonishment, that he had spoken the truth. They were at the door of a prison. The great, black, iron-studded gates were opening as she looked, and the car passed through under the deep archway and stopped.

“Get down,” said Jeff, and she obeyed.

A narrow black door led from the archway, and, following her, he caught her by the arm and pushed her through. She was in a narrow room, the walls of which were covered with stained and discoloured whitewash. A large fireplace, overflowing with ashes, a rickety chair and a faded board screwed to the wall were the only furniture. In the dim light of a carbon lamp she saw the almost indistinguishable words: ‘His Majesty’s Prison, Keytown’, and beneath, row after row of closely set regulations. A rough-looking, powerfully built man had followed her into the room, which was obviously the gate-keeper’s lodge.

“Have you got the cell ready?”

“Yes, I have,” said the man. “Does she want anything to eat?”

“If she does, she’ll want,” said Jeff curtly.

He took off his greatcoat and hung it on a nail, and then, with Jeffrey’s hand gripping her arm, she was led again into the archway and across a small courtyard, through an iron grille gate and a further door. A solitary light that burnt in a bracket near the door, showed her that she was in a small hall. Around this, at the height of about nine feet from the ground, ran a gallery, which was reached by a flight of iron stairs. There was no need to ask what was the meaning of those two rows of black doors that punctured the wall. They were cells. She was in a prison!

While she was wondering what it all meant, a door near at hand was unlocked, and she was pushed in. The cell was a small one, the floor of worn stone, but a new bedstead had been fitted up in one corner. There was a washstand; and, as she was to discover, the cell communicated with another containing a stone bath and washplace.

“The condemned cell,” explained Jeffrey Legge with relish. “You’ll have plenty of ghosts to keep you company tonight, Marney.”

In her heart she was panic-stricken, but she showed none of her fear as she faced him.

“A ghost would be much less repulsive to me than you, Jeffrey Legge,” she said, and he seemed taken aback by the spirit she displayed.

“You will have both,” he said, as he slammed the door on her and locked it.

The cell was illuminated by a feeble light that came through an opaque pane of glass by the side of the door. Presently, when her eyes grew accustomed to the semi-darkness, she was able to take stock of her surroundings. The prison must have been a very old one, for the walls were at one place worn smooth, probably by the back of some condemned unfortunate who had waited day after day for the hour of doom. She shuddered, as her imagination called to her the agony of soul which these four walls had held.

By standing on the bed she could reach a window. That also was of toughened glass, set in small, rusty frames. Some of the panes were missing, but she guessed that the outlook from the window would not be particularly promising, even supposing she could force the window.

The night had been unusually cold and raw for the time of year, and, pulling a blanket from the bed, she wrapped it about her and sat down on the stool, waiting for the light to grow.

And so sitting, her weary eyes closing involuntarily, she heard a stealthy tapping. It came from above, and her heart fluttered at the thought that possibly, in the cell above her, her father was held… or Johnny.

Climbing on to the bed, she rapped with her knuckles on the stone ceiling. Somebody answered. They were tapping a message in Morse, which she could not understand. Presently the tapping ceased. She heard footsteps above. And then, looking by chance at the broken pane of the window, she saw something come slowly downward and out of view. She leapt up, gripping the window pane, and saw a piece of black silk. With difficulty two fingers touched it at last and drew it gently in through the window pane. She pulled it up, and, as she suspected, found a piece of paper tied to the end.

It was a banknote. Bewildered, she gazed at it until it occurred to her that there might be a message written on the other side. The pencil marks were faint, and she carried the note as near to the light as she could get.

Who is there? Is it you, Peter? I am up above. Johnny.

She suppressed the cry that rose to her lips. Both Johnny and her father were there. Then Jeffrey had not lied.

How could she answer? She had no pencil. Then she saw that the end of the cotton was weighted by a small piece of pencil, the kind that is found attached to a dance programme. With this unsatisfactory medium she wrote a reply and pushed it through the window, and after a while she saw it drawn up. Johnny was there – and Johnny knew. She felt strangely comforted by his presence, impotent though he was.

For half an hour she waited at the window, but now the daylight had come, and evidently Johnny thought it was too dangerous to make any further communications.

Exhausted, she lay down on the bed, intending to remain awake, but within five minutes she was sleeping heavily. The sound of a key in the lock made her spring to her feet. It was the man she had seen in the early morning; he was carrying a big tray, set with a clumsy cup and saucer, six slices of bread and butter, and an enormous teapot. He put it down on the bed, for want of a table, and without a word went out. She looked at the little platinum watch on her wrist: it was ten o’clock. Half an hour later the man came and took away the tray.

“Where am I?” she asked.

“You’re in ‘boob’,” he said with quiet amusement. “But it is better than any other ‘boob’ you’ve ever been in, young lady. And don’t try to ask me questions, because you’ll not get a civil answer if you do.”

At two
o’clock came another meal, a little more tastily served this time. It seemed, from the appearance of the plate, that Jeffrey had sent into Oxford for a new service specially for her benefit. Again she attempted to discover what had happened to her father, but with no more satisfactory result.

The weary day dragged through; every minute seemed an hour, every hour interminable. Darkness had fallen again when the last of the visits was made, and this time it was Jeffrey Legge. At the sight of his face, all her terror turned to wonder, He was ghostly pale, his eyes burnt strangely, and the hand that came up to his lips was trembling as though he were suffering from a fever.

“What do you want?” she asked.

“I want you,” he said brokenly. “I want you for the life of my father!”

“What do you mean?” she gasped.

“Peter Kane killed my father last night,” he said.

“You’re mad,” she gasped. “My father is here – you told me.”

“I told you a lie. What does it matter what I told you anyway? Peter Kane escaped on the way to Keytown, and he went back to the club and killed my father!”

 

30

The girl looked at him, speechless.

“It isn’t true!” she cried.

“It’s not true, isn’t it?” Jeffrey almost howled the words. He was mad with hate, with grief, with desire for cruel vengeance. “I’ll show you whether it’s not true, my lady. You’re my wife – do you understand that? If you don’t, you’re going to.”

He flung out of the cell, turning to voice his foul mind, and then the door clanged on her, and he strode out of the hall into the little house that was once the Governor’s residence, and which was now the general headquarters of the Big Printer.

He poured himself out a stiff dose of whisky and drank it undiluted, and the man who had accompanied him watched him curiously.

“Jeff, it looks to me as if it’s time to make a get-away. We can’t keep these people here very long. The men are scared, too.”

“Scared, are they?” sneered Jeffrey Legge. “I guess they’d be more scared if they were in front of a judge and jury.”

“That’s the kind of scare they’re anxious to avoid,” said his lieutenant calmly. “Anyway, Jeff, we’re getting near the end, and it seems to me that it’s the time for all sensible men to find a little home on the other side of the water.”

Legge thought for a long time, and when be spoke his voice was more calm.

“Perhaps you’re right,” he said. “Tell them they can clear tonight.”

The other man was taken aback by the answer.

“Tonight?” he said. “Well, I don’t know that there’s that hurry.”

“Tell ’em to clear tonight. They’ve got all the money they want. I’m shutting this down.”

“Who killed your father?”

“Peter Kane,” snarled Legge. “I’ve got the full strength of it. The police are hiding him up, but he did the killing all right. They found him on the premises in the morning.”

He sat awhile, staring moodily at the glass in his hand.

“Let them go tonight,” he said, “every one of them. I’ll tell them myself.”

“Do you want me to go?” asked the other.

Legge nodded.

“Yes; I want to be alone. I’m going to fix two people tonight,” he said, between his teeth, “and I’m fixing them good.”

“Some of the men like Johnny Gray; they were in boob with him,” suggested his assistant, but Jeffrey stopped him with an oath.

“That’s another reason they can get out,” he said, “and they can’t know too soon.”

He jumped to his feet and strode out of the room, the man following at a distance.

There were two halls to the prison, and it was into the second that he turned. This was brilliantly illuminated. The doors had been removed from most of the cells and several of them were obviously sleeping-rooms for the half-a-dozen men who sat about a table playing cards. At only four places were the cell doors intact, for behind these were the delicate printing presses which from morning till night were turning out and numbering French, American and English paper currency. There was not one of the men at the table, or who came to the doors of their cubicles attracted by the unusual appearance of Legge, who had not served long terms of imprisonment on forgery charges. Jeffrey had recruited them as carefully as a theatrical producer recruits his beauty chorus. They were men without homes, without people, mainly without hope; men inured to the prison system, and who found, in this novel method of living, a delightful variation of the life to which they were most accustomed.

It was believed by the authorities that Keytown Jail was in the hands of a syndicate engaged in experimental work of a highly complicated character, and no obstacle had been placed in the way of laying power cables to the ‘laboratories’. Jeff had found the safest asylum in the land, and one which was more strongly guarded than any he could have built.

His speech was short and to the point.

“Boys, I guess that the time has come when we’ve got to make the best of our way home. You’ve all enough money to live comfortably on for the rest of your lives, and I advise you to get out of the country as soon as you can. You have your passports; you know the way; and there’s no time like the present.”

“Do you mean that we’ve got to go tonight, Jeff?” asked a voice.

“I mean tonight. I’ll have a car run you into London; but you’ll have to leave your kit behind, but you can afford that.”

“What are you going to do with the factory?”

“That’s my business,” said Jeff.

The proposal did not find universal favour, but they stood in such awe of the Big Printer that, though they demurred, they obeyed. By ten o’clock that night the prison was empty, except for Jeffrey and his assistant.

“I didn’t see Bill Holliss go,” said the latter; but Jeffrey Legge was too intent upon his plans to give the matter a moment’s thought.

“Maybe you’ll see yourself go now, Jenkins,” he said. “You can take your two-seater and run anywhere you like.”

“Let me stay till the morning,” asked the man.

“You’ll go tonight. Otherwise, what’s the use of sending the other fellows away?”

He closed the big gate upon the car. He was alone with his wife and with the man he hated. He could think calmly now. The madness of rage had passed. He made a search of a little store-room and found what he was looking for. It was a stout rope. With this over his arm, and a storm-lamp in his hand, he went out into the yard and came to a little shed built against the wall. Unlocking the rusty padlock, he pulled the doors apart. The shed was empty; the floor was inches thick with litter, and, going back, he found a broom and swept it clean. With the aid of a ladder he mounted to a beam that ran transversely across the roof, and fastened one end of the rope securely. Coming down, he spent half an hour in making a noose.

He was in the death house. Under his feet was the fatal trap that a pull of the rusty lever would spring. He wanted to make the experiment, but the trap would take a lot of time to pull up. His face was pouring with perspiration when he had finished. The night was close, and a flicker of lightning illuminated for a second the gloomy recess of the prison yard.

BOOK: Room 13
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