Sammy Keyes and the Kiss Goodbye

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Authors: Wendelin Van Draanen

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THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Text copyright © 2014 by Wendelin Van Draanen
Jacket art and illustrations copyright © 2014 by Dan Yaccarino

All rights reserved. Published in the United States by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Random House LLC, a Penguin Random House Company, New York.

Knopf, Borzoi Books, and the colophon are registered trademarks of Random House LLC.

Visit us on the Web!
randomhouse.com/kids
Educators and librarians, for a variety of teaching tools, visit us at
RHTeachersLibrarians.com

Grateful acknowledgment is made to the following for permission to reprint previously published material: Alfred Publishing: Excerpt from “The Teddy Bears’ Picnic,” words by Jimmy Kennedy, music by John W. Bratton, copyright © 1947 (Renewed) by WB Music Corp. and EMI Music Publishing LTD. All rights administered by WB Music Corp. Reprinted by permission of Alfred Publishing.

Library of Congress Cataloging-in-Publication Data
Van Draanen, Wendelin.
Sammy Keyes and the kiss goodbye / Wendelin Van Draanen.
p. cm.
Summary: Sammy Keyes has spent the last few years solving other people’s mysteries; now her friends (and some foes) come together to unmask the fiend who has put Sammy in a coma.
ISBN 978-0-375-87055-2 (trade) — ISBN 978-0-375-97055-9 (lib. bdg.)
ISBN 978-0-307-97410-5 (ebook) — ISBN 978-0-307-93063-7 (pbk.)
[1. Mystery and detective stories. 2. Friendship—Fiction. 3. Coma—Fiction.
4. Conduct of life—Fiction.] I. Title.
PZ7.V2857Safq 2014
[Fic]—dc23
2013039890

Random House Children’s Books supports the First Amendment and celebrates the right to read.

v3.1

A WARNING FROM WENDELIN

Let me start by saying I’m sorry.

I know you were expecting Sammy.

I know you were looking forward to her telling you all about some madcap escapade that had her braving shortcuts or snooping through basements or ditching bad guys.

Or cops.

I know you’re here to laugh and race along with her as she gets into scrapes and trouble and finally finds her way back home.

She would be here if she could, but … she can’t. And since everyone else is either too busy trying to help or having too much trouble dealing to let you know what’s going on, you’re stuck with me.

I’m
having a lot of trouble, too, believe me. But I thought you should know. As hard as it is to hear, as much as it hurts to tell, you deserve to know what’s happened to Sammy Keyes.

1—WEDNESDAY NIGHT

Holly is the one who found her.

There was a lot of screaming.

And crying.

And as we all know, Holly is not a screamer. Or a crier. But afterward people said that her wails surely woke the dead.

Unfortunately, they did not wake Sammy Keyes.

Holly saw the whole thing—or, at least, parts of the whole thing—and when Sergeant Borsch found
that
out, he became relentless. (Or, as Sammy would have said, like a dog with a bone.)

“From the beginning,” he commanded Holly as he pulled her into a chair in the emergency room. “Every detail.”

Despite his tough-cop exterior, Sergeant Gilbert Borsch was, at the moment, a gun-slinging puddle of misery, his face etched deep with a single burning question:

Who did this?

(Well, there were other questions forming lines among those already present from years on the force—questions
like Why? and When? and Where? and How? But the deepest, most painful crease was caused by the fiery rage of Who?)

Holly wasn’t focused on Sergeant Borsch or his topographic face. She stared instead at the door through which Sammy’s stretcher had been wheeled, and whimpered, “Is she going to be all right?”

Sergeant Borsch sucked on a tooth (an infamous habit cultivated before his doctor had suggested he quit with the pastrami and take up with turkey). Then he gruffed, “I’m not a doctor,” which was cop code for No, or Probably not, or Don’t get your hopes up—the latter being something Sergeant Borsch had learned was safer for his heart than optimism.

Or, regrettably, pastrami.

But suddenly Holly’s adoptive mother, Meg Talbrook, was blasting through the door, wrapping Holly in her arms as she panted out incoherent phrases and fragmented clauses and hopelessly dangling modifiers.

And since Meg was a dog groomer, which was just
thiiiis
far away from being a veterinarian, which (as everyone suspects but won’t actually say) is just
thiiiis
far away from being a doctor, and since there were, at that time, no doctors in attendance, Holly looked at her mother with desperate puppy-dog eyes and begged, “Tell me she’s going to be all right.”

The fragmented clauses suddenly ceased, Meg’s shoulders squared back, and her solid frame jelled into a protective barrier between her daughter and reality. Then she held her daughter’s face in her hands and lied with the
unwavering conviction only a parent in crisis can muster. “She’s going to be fine.”

“It’s bad, Mom. There was a lot of blood. She wouldn’t wake up. She wouldn’t … she was just …”

“Who are we dealing with here,
hmm
?” Meg asked, sitting beside her. “Have you ever known anyone to get the better of Sammy?” She lifted Holly’s chin. “She was breathing, right? Her heart was beating, right?”

“I don’t know! They put a mask on her and stuck tubes in her and told me to stay back.”

Meg cast a wary eye on Sergeant Borsch, silently asking what he might know of the situation, but the best the Borschman could seem to do was, “She wasn’t under a white sheet. That’s all I know.”

“Don’t you have connections?” Meg whispered. “Can’t you find out?”

“They’ll come out when they know something,” the lawman stated. “That’s how this works. Me demanding information is gonna get us nothin’ but stonewalled. What I need to find out, ma’am, is who did this. That’s
my
job, and I really need your daughter’s cooperation.”

Meg turned to Holly, who looked down to collect her thoughts, but instead got caught up thinking about her shoes.

They were high-tops, just like Sammy’s.

It used to be just Sammy who wore high-tops, but now a lot of kids at William Rose Junior High did. Even (to the administration’s chagrin) some of the teachers. It was just one of those
things
. Something Sammy had started, not by trying, but by just standing up and
being
.

“Holly?” Sergeant Borsch rasped. “Holly, please.”

But instead of coming out with who, what, where, when, or why, what Holly said was, “She saved my life, you know. That time at the riverbed? When that creep was coming after me? She took him down with her umbrella.”

“That big black thing?” Meg asked. “You never told me that!”

“Please,”
Sergeant Borsch said again, desperate for them to discuss the past in the
future
, not now, when he was trying to deal with the present.

Holly took a deep, choppy breath, held it for a moment, then said, “She was on her way home—”

“Home?” Sergeant Borsch asked. “But that makes no sense! This happened at the Highrise!”

As you’re probably aware, Sergeant Borsch is not known for his tact or his patience. And although he
is
a more tactful and patient man now than he was as a streetbeat officer when Sammy first met him, these characteristics would need major work should he ever aspire to reach the rank of lieutenant. Or captain. Or (pray for the City of Santa Martina) chief.

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