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Authors: Wendelin Van Draanen

Sammy Keyes and the Runaway Elf

BOOK: Sammy Keyes and the Runaway Elf
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A
LSO BY
W
ENDELIN
V
AN
D
RAANEN

Sammy Keyes and the Hotel Thief
Sammy Keyes and the Skeleton Man
Sammy Keyes and the Sisters of Mercy
Sammy Keyes and the Curse of Moustache Mary
Sammy Keyes and the Hollywood Mummy
Sammy Keyes and the Search for Snake Eyes
Sammy Keyes and the Art of Deception
Sammy Keyes and the Psycho Kitty Queen

How I Survived Being a Girl
Flipped
Swear to Howdy

Shredderman: Secret Identity
Shredderman: Attack of the Tagger
Shredderman: Meet the Gecko
Shredderman: Enemy Spy

Published by Dell Yearling
an imprint of Random House Children’s Books
a division of Random House, Inc.
New York

Text copyright © 1999 by Wendelin Van Draanen Parsons
Interior illustrations copyright © 1999 by Dan Yaccarino

The jumping horse design is a registered trademark of Random House, Inc.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without the written permission of the publisher, except where permitted by law.
For information address Alfred A. Knopf Books for Young Readers.

The trademarks Yearling and Dell are registered in the U.S. Patent and Trademark Office and in other countries.

Visit us on the Web!
www.randomhouse.com/kids

Educators and librarians, for a variety of teaching tools,
visit us at
www.randomhouse.com/teachers

eISBN: 978-0-307-54519-0

v3.1_r1

In loving memory of my father, Peter Van Draanen,
and my brother, Mark. You’re in my heart, always.

Contents
PROLOGUE
I should have
    just said
           forget it!

I mean, cruising the streets of Santa Martina on a float with a dozen dogs dressed up like reindeer isn’t exactly something I woke up that morning wanting to do. But there I was. Again. In the wrong place at the right time.

And by the time the float turned down Broadway, well, there was no jumping off. Not when I was in charge of a dog worth more than a sleighful of cash.

Of course, if I’d known what was waiting for me just down the street, I’d have jumped, all right.

Jumped and hightailed it
out
of there!

ONE

Grams says Santa Martina is a town just like any other town, but I don’t believe it. Sure, it’s got a mall downtown and railroad tracks that kind of cut the city into halves, and the two big streets are called Broadway and Main, but after you’ve lived there a little while you start to realize that Santa Martina is kind of strange. I mean, in the foyer of our city hall there’s a statue, and it’s not of one of the city’s founders or anything historic like a covered wagon or a war hero. No, it’s a statue of a group of people down on one knee, hailing a softball.

That’s right, a softball.

And even though I’m into softball and I’m really hoping that our team wins the Junior Sluggers’ Cup in February, I’m not so far gone that I’d erect a bronze statue like that in City Hall. Mayor Hibbs is. I’ve heard he dips to one knee as he passes the statue on his way to work, and some people say he even makes the sign of the cross. I’ve never actually seen him do it, but
someone
put that statue there, and it sure wasn’t Father Mayhew.

Aside from the statue there’s our calendar. Now, Santa Luisa and other towns around here put out their own calendars too, but theirs are of normal stuff—trees, birds, broken barns—things you expect to see in a calendar.

Santa Martina’s calendar has mutts. Mangy, misshapen mutts. The weirder looking, the better. The owners dress them up in crazy outfits and take pictures of them at different landmarks around town. Last year, the July dog had on goggles and a scarf, and was parachuting from the roof of the mall. And for October they had a dog chewing on a bone, right outside the cemetery gate. I’m telling you, Santa Martina is not a town like any other town, no matter what Grams says.

Having a cat, I never understood what a big deal the calendar was to dog owners. But then my friend Holly started working for Vera and Meg over at the Pup Parlor and now I know—it’s a
huge
deal. Holly says people come in to pick up their dogs and all they talk about is what they’re going to do to get chosen for the calendar. Then they go off and launch their pets from rooftops or strap them to motorcycles or get them to scratch up their piano keys, all so they can point to a little brass prize tag and pretend they’re a celebrity, riding with their dog in the Christmas parade.

Now I have to admit, the Christmas parade is a great parade—strange, but in a good way. For one thing, it’s at night. Everyone puts Christmas lights on their float—big ones, tiny ones, icicle ones—and when all those lights come riding down Broadway, well, it
feels
like Christmas.

People go all out, too, and I don’t think it’s because the first-place float gets a candy cane the size and shape of a softball bat. I think it’s because everybody wants to outdo the guy who outdid them the year before. There are flatbed trucks with forests of pine trees, and carolers
standing on snow that’s been hauled down from the mountains. There are floats on wagons with lots of hay and people and real animals making up Nativity scenes. There are even motorcycle floats. Last year the Harley club entered, and when Grams saw them growling down the street on their hogs, decked out as rebel Santas, she called them “Biker Santas from You-Know-Where” and plugged her ears.

So it’s a fun parade to watch, but Marissa’s actually been
in
it a couple of times, and she says that’s boring. You have to wait forever in line, and then it’s stop-and-go, stop-and-go down Broadway for almost two hours. On top of that, you don’t actually get to
see
the parade.

So I’ve always been happy to sit on the curb, waving and clapping for wagons of sheep and “Biker Santas from You-Know-Where.” And this year I was planning to meet Grams at our usual spot, right after I got done helping Holly and Vera get the Canine Calendar float ready. The problem was, I couldn’t find the float. I ran down Wesler Street, where everyone lines up before the parade, but I couldn’t remember if their float was number sixty-eight or eighty-six.

When I got to the sixties, I stopped and asked a lady dressed up like the Virgin Mary, “Have you seen the Canine Calendar float?”

She blinked at me and asked, “What?”

“You know, the float with all the dogs?”

Mary shook her head and went back to arranging straw around Baby Jesus. “You got me.”

So I figured it had to be eighty-six. I kept on running,
past the firemen’s float, past a couple of Santa’s workshop floats and a bunch of horses munching on hay through the slats of a wagon. Finally I stopped and asked a clarinet player in the Santa Martina High School marching band, “Have you seen the Canine Calendar float?”

She straightened her hat. “The what?”

“You know—the float with all the dogs?”

She shook her head. “What number is it?”

“Eighty-six, I think.”

“It would have to be back that way. We’re one-oh-two.”

So I turned around and ran back the way I’d come. And I’m running along, dodging Santas and elves and horses and wagons, when all of a sudden I hear, “Sammy! Over here!”

Well, sure enough, it’s Holly, calling me from down a side street. I run over, and she says, “You’re not going to believe what a mess things are!”

“What’s wrong?”

“The bracket to hold up the wreath snapped, they can’t get the lights to work, and Mr. Petersen keeps yelling at everybody. He’s making the dogs so nervous that they’re snapping at each other and they won’t wear their antlers.” She picked up Vera’s little dog and said, “And Hero keeps trying to lift his leg on Lucy!”

BOOK: Sammy Keyes and the Runaway Elf
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