Savage Grace - Natalie Robins (43 page)

BOOK: Savage Grace - Natalie Robins
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John Sargent

It went on and on and on. We couldn’t get it to stop.

After she was killed, I used to send Tony things in the loony bin. Not books—they wouldn’t let me send books. I could only send noncontroversial items, such as shirts and clothing. He wrote me little thank-you notes.

Letter from Antony Baekeland to James Reeve, November 20, 1979

Broadmoor

Dear James,

I think I will start writing seriously when I get out of here and get myself settled, whenever and wherever that is. I have the material for several interesting books, I think, and I will enjoy working on them.

I am afraid I am very disillusioned with most of the people here: now that I am clear in myself I no longer see them as amusing characters but as the moral derelicts which they really are—too stupid to learn from their pain and unhappiness, they will continue forever to batter their heads against the wall, ignoring the door.

I long for some interesting talk and company: the routine here is very dull and always the same old chitchat. Even the most beguiling of companions begin to bore one after so many years: I am not talking about true friends. It seems ridiculous to me that I must undergo more of this psychiatric mumbo jumbo in the U.S. My troubles were purely spiritual and stemmed from a mistake I made a long time ago; it wasn’t a mistake at all, as I now realize: much good will come from it. But I do feel that the ideas held by the “doctors” about the mind, soul, and body are primitive, ugly, and pathetic in the extreme.

Mind you, all this world of doctors, businessmen, workers, actors, etc., are just robots controlled by the Mind of a very few Ladies and

Gentlemen. I don’t think of the mass of people as degraded or pathetic or anything like that, it is just that they are not “real” people and although they control my life at the moment,
grace à la Reine,
I don’t let them bother me nor do I take them at all seriously.

One of my books will be about the human termite-colony as it really is, I think. Or perhaps I won’t write it at all—I shall have to wait and see. Anyway, James, my fondest wishes and you must please give my regards to your mother.

Love always,
Tony

Letter from Antony Baekeland to Barbara Baekeland, January 8, 1971

Miramar
Valldemosa
Mallorca

Dearest Mum,

Telegram from you four days ago inviting me to New York. I replied today saying that I will come if necessary but would rather not as I am really happy here. If sometimes I write despairing letters it is only that I am disappointed and frustrated at not being able to come more quickly: the other night playing chess I had such a clear vision of my blinding greed to win, to cheat with myself, and saw the calm detachment of my higher self arranging it (the game, like a droplet of quicksilver) so that I could only make the right move if I felt the right feeling. In regard to what you say about intellects I doubt if I could find many of such a caliber and quality as those of Maria and Sebastian, my family here at Miramar. And anyway, intellection is exactly that which I am trying to get away from: these relative truths and falsehoods of our time, of all times, of art, of science, and of literature have no value for me; for the present at least, they are a poison to me and to my pure mind. Perhaps one day soon I will be able and willing to venture into that bog, but by then, perhaps, things will have ceased to be relative to one another and will become relative to One. I don’t think you realize how closely I live with my family here.

What you say about Physical Love is no doubt true, but as our bodies are reflections of our souls’ desire towards life, everything in me impels me to touch and love another person. Anyway I know the difference between love and lust so I suppose I mustn’t worry. Don’t get too caught up with visions of the past or other things like this. I have been having this very strongly on and off for two years and I find it imposes a great strain on the mind (intellect, that stray sheep) which tries in its futile way to fit together the apparent parts of a fluid that extends through itself in all directions. All the years you scolded me for smoking I was only taking it for one reason. I have never experienced what you call “mere pleasure,” what Shakespeare, I believe, called “a waste of folly,” lust. I have experienced it but could not call it pleasure but only the hopeless groan of agony of abandoned oceans.

I am glad you saw what I told you last year about suicide is true. Everything we have told in love is true.

Tony

Miwa Svinka-Zielinski

Barbara invited me for dinner in New York to celebrate because Tony had come home from Spain, and she also invited Teenie Duchamp and Elizabeth Fondaras. And during this dinner, Barbara had some words with Tony, she told him some remark which was not pleasant, so Tony left the table, and we finished dinner. And then he came and took ice from the bucket and put it down her dress. She started to laugh. Then he went to his room, and a few minutes later came out undressed—totally. He was naked.

Elizabeth Weicker Fondaras

He just streaked from one end of the apartment to the other—I think it was a diagonal run he made. He must have just wanted to get his mother’s attention. Barbara thought it was sort of funny.

Brendan Gill

I didn’t have much of an impression of Tony; he was always very dim to me, almost nonspeaking. I don’t think I exchanged ten words with him. He was just like a walk-on, a zombie.

Eleanor Ward

To me, Tony was a complete zero. Now whether this was because his mother was there…I never saw him when she wasn’t around, so what he was like without her I don’t know—he might have been a very different person.

Katharine Gardner Coleman

He was really quite peculiar, but you know, we’d seen so many disturbed young people in the sixties.
They
snapped back, though.

Sara Duffy Chermayeff

He showed up at my house one afternoon—I hadn’t seen him for, like, nine years—and he read me a story he had written and I will just never forget it. Because
he
was the artist.
Not
Brooks.
Not
Barbara.
Tony
was.

It was a story about one day in his life in Barbara’s penthouse. He told the day in that place and he described everything about it—the little room next to the hall where you came in, that rotunda with the marble floor that Barbara had fixed up with the candelabra, her bed with the leopard skin. He described her frying liver in a pan for lunch and how at the end of the day she went out to dinner, all dressed up—he described her furs and everything—and the last line of the story, after she went out the door, said, “And I felt no bigger than a lima bean.”

Elizabeth Blow

That spring Barbara put Tony in the National Academy School of Fine Arts on Fifth Avenue way up in the nineties. She invited me for dinner and the first thing she said to him was, “I want you to show Betty your drawings from class.” He almost froze, he refused to move, and so
she
went and got this large portfolio and started showing them to me. The drawings were very strange—there were figures of people who didn’t look like people. I mean, there was a sort of nonhuman quality to these drawings, and there was also a kind of infantile quality. As she laid them out, she would say, “Aren’t they marvelous!” and so forth. And I looked up at Tony and he was just…stone, he was turned to stone.

Sylvia Lochan

I was the registrar at the National Academy, and a couple of the students came down to my office. They were a little disturbed because Antony Baekeland wasn’t responding to anybody or anything, he just seemed to be in a world of his own. They said the class was painting a still life—flowers and fruit I think it was—and that
his
canvas had figures on it with blood dripping down the side.

I went up to the classroom and I went over to talk to him. He was seated and I kind of bent down next to him and I said, “That’s very interesting.” He didn’t respond to my being there, my presence—he was staring off into space. And then he turned around and I saw that he had painted his nose red. I walked out of the room and went down and called his mother and said I thought she should come right over and get him. And she did—she was a very good-looking woman, I remember. And that was the last I saw of him. It was obvious to me that he was very troubled at the time, and certainly, looking back, I think it’s very surprising that he wasn’t in some sort of hospital.

Elizabeth Blow

Barbara called me to say there had been what she described as—by this time she was using these little French phrases all the time—a
fracas.
“There was a little
fracas
at the National Academy,” she said. “Nothing at all, darling, really nothing at all—all I had to do was take him out.”

Patient Abstract, Antony Baekeland, Private Psychiatric Clinic, New York City, 1971

Patient:
BAEKELAND, Antony

Admitted:
May 21, 1971

Age:
25 (Born: Aug. 28, 1946)

Civil Status:
Single

Occupation:
Student

Chief Complaint:
Mr. Baekeland enters the hospital fearful, delusional, hallucinating, with a heavy history of drug usage and inability to function.

Present Illness:
Mr. Baekeland’s history at no time has been a stable one and it is difficult to date the onset of his present illness. He dates the onset of the use of drugs (LSD, pot, amphetamines) to approximately seven years ago when he was living with his mother (although the patient’s parents were together until three years ago, they often lived apart in various parts of Europe for years prior to their separation). Patient, himself, dates the onset of his increasing disorganization in living to three years ago at the time of his parents’ separation. At that time, patient’s father left the patient’s mother to live with a former lady friend of the patient’s. At this point, patient’s mother allegedly made a suicide attempt. Since this time, the patient has been tormented with alternating periods of fury at his parents and spells of depression and guilt in which he has felt he is responsible for his parents’ no longer living together. Although the patient’s father is financially well off, subsisting on family fortune, he has provided no more than minimal financial assistance to his wife and son. Both the patient and his mother seemed to have lived a “pillar-to-post” existence in the past three months, globetrotting in a helter-skelter fashion and finding themselves unable to adjust to the realistic changes required because of the new financial situation. Patient, himself, has become increasingly involved in the use of drugs and has surrounded himself with a coterie of radical, artistic, would-be jetsetters. His mother, determined that her son is something of a “misunderstood genius” who was never meant to “work and toil in this sick society,” has found it impossible to curb his disorganization and to set limits on his unrealistic style of living and flights of fancy. An emphasis upon social appearance despite the reality of circumstances is a paramount idea in Mrs. Baekeland’s thinking also. At the time of the patient’s admission, he was living alternately with some hippie friends in Greenwich Village and spending time with his mother at her apartment. He found that he had difficulty separating his spheres of influence and responsibility from those of his friends. Accordingly, he had become more withdrawn and sought to limit his involvements so that he could maintain a sense of his own self-limits. The event precipitating his admission to the Clinic consisted in his allegedly being chased and assaulted two days prior to admission while he was walking through Central Park at night. He recalls a nightmarish memory in which he was pursued with clubs by police, finally arriving, fearful and disorganized, at his mother’s apartment. Although the patient was able to sleep for more than 24 hours after his arrival there, upon awakening, his mother states that he was still extremely disorganized, delusional, fearful and hallucinated. Moreover, he seemed very agitated and mother was fearful of the possibility of his assaulting her. Accordingly, she arranged for his admission to the Clinic.
Psychiatric Examination:
The patient is a tall young man with longish red hair dressed in modish clothes. He had an air of frenzied disorganization. His choice of vocabulary and his accent had a finishing-school quality. Patient spoke a great deal about his mother and his father and expounded in a grandiose fashion on his intentions to reunite his parents. He spoke of himself and his mother as though they were a team and his first and most persistent inquiries had to do with when he would be able to phone her. In view of the patient’s present and past environments, both of which might be characterized as unstable, it was felt that his reconstitution from his state of agitated disorganization would be all that could be accomplished in Clinic.
Course in Clinic
(May 21, 1971, to July 2, 1971): From the outset, the patient’s course in Clinic was stormy. Mrs. Baekeland seemed to align herself with the most bizarre and eccentric statements of her son against what she perceived as narrow-minded arbitrariness on the part of the staff. She spoke of the phones at the Clinic having been bugged and sought desperately to justify her son’s assertion that he was God. Patient related in either a clinging, dependent manner or a supercilious, haughty fashion to other patients and ward personnel. For the most part he remained in his room and listened to Indian music by the hour. Any attempts to set limits on his unconventional behavior were met with fearful and angry resentment. Throughout the patient’s hospitalization there were many angry, demanding phone calls from his mother. Ultimately, in spite of strong counsel on the part of the hospital staff not to do so, the patient’s mother signed the patient out of the Clinic.

Date of Discharge:
July 2, 1971.

Condition of Discharge:
Improved slightly.

Prognosis:
Poor.

BOOK: Savage Grace - Natalie Robins
5.67Mb size Format: txt, pdf, ePub
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