Shake Loose My Skin (4 page)

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Authors: Sonia Sanchez

BOOK: Shake Loose My Skin
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i’ve just left your house where you and rebecca served a dinner of peace to me and my sons. the ride home is not as long as the way i came, two centuries of hunger brought me along many detours before i recognized your house. it is raining and as i watch the raindrops spin like colored beads on the windshield, i hear your voice calling out to your ancestors to prepare a place for you, for you were returning home leaving the skeleton rites of twenty years behind.

you and rebecca have been walking a long time. your feet have crossed the african continent to this western one where you moved amid leaden eyes and laughter that froze you in snow/capped memories. your journey began in 1957, when the ruling class could not understand your yawns of freedom, the motion of a million eyes to see for themselves what life was/is and could be, and you cut across the burial grounds of south africa where many of your comrades slept and you cut across those black africans smiling their long smiles from diplomatic teeth. now you are returning home. now your mother’s womb cries out to you. now your history demands your heartbeat. and you turn your body toward the whirlwind of change, toward young black voices calling for a dignity speeding beyond control, on the right side of the road. but this nite full of whispering summer trees, this nite nodding with south african faces, heard you say, sonia. i must be buried in my country in my own homeland, my bones must replenish the black earth from whence they came, our bones must fertilize the ground on which we walk or we shall never walk as men and women in the 21st century.

i talked to my sons as the car chased the longlegged rain running before us. i told them that men and women are measured by their acts not by their swaggering speech or walk, or the money they have stashed between their legs. i talked to my sons about bravery outside of bruce lee grunts and jabs, outside of star wars’ knights fertilizing america’s green youth into continued fantasies while reality explodes in neutron boldness. i said you have just sat and eaten amid bravery. relish the taste. stir it around and around in your mouth until the quick sweetness of it becomes bitter, then swallow it slowly, letting this new astringent taste burn the throat. bravery is no easy taste to swallow. i said this man and woman we have just left this nite have decided to walk like panthers in their country, to breathe again their own breath suspended by twenty years of exile, to settle in the maternal space of their birth where there are men who “shake hands without hearts” waiting for them. they are a fixed portrait of courage.

it is 2 a.m., my children stretch themselves in dreams, kicking away the room’s shadows. i stare at the nite piling in little heaps near my bed. zeke. maybe you are a madman. i a madwoman to want to walk across the sea, to saddle time while singing a future note. we follow the new day’s breath, we answer old bruises waiting to descend upon our heads, we answer screams creeping out of holes and shells buried by memories waiting to be cleansed. you invoking the ghosts lurking inside this child/woman. you breaking my curtain of silence. i love the tom-tom days you are marching, your feet rooted in the sea. save a space for me and mine zeke and rebecca. this lost woman, who walks her own shadow for peace.

Under a Soprano Sky

1.

once i lived on pillars in a green house

boarded by lilacs that rocked voices into weeds.

i bled an owl’s blood

shredding the grass until i

rocked in a choir of worms.

obscene with hands, i wooed the world

with thumbs

     while yo-yos hummed.
was it an unborn lacquer i peeled?
the woods, tall as waves, sang in mixed
tongues that loosened the scalp
and my bones wrapped in white dust
returned to echo in my thighs.

i heard a pulse wandering somewhere
on vague embankments.

O are my hands breathing? I cannot smell the nerves.

i saw the sun

ripening green stones for fields.

O have my eyes run down? i cannot taste my birth.

2.

now as i move, mouth quivering with silks
my skin runs soft with eyes.
descending into my legs, i follow obscure birds
purchasing orthopedic wings.
the air is late this summer.

i peel the spine and flood
the earth with adolescence.
O who will pump these breasts? I cannot waltz my tongue.

under a soprano sky, a woman sings,
lovely as chandeliers.

Philadelphia: Spring, 1985

1.

/a phila. fireman reflects after
seeing a decapitated body in the MOVE ruins/

to see those eyes
orange like butterflies
over the walls.

i must move away
from this little-ease
where the pulse
shrinks into itself
and carve myself in white.

O to press the seasons
and taste the quiet juice
of their veins.

2.
/memory/

a.

Thus in the varicose town
where eyes splintered the night with glass
the children touched at random
sat in places where legions rode.

And O we watched the young birds
stretch the sky
until it streamed white ashes
and O we saw mountains lean on seas
to drink the blood of whales
then wander dumb with their wet bowels.

b.

Everywhere young
faces breathing in crusts.
breakfast of dreams.
The city, lit by a single fire,
followed the air into disorder.
And the sabbath stones singed our eyes
with each morning’s coin.

c.

Praise of a cureless death they heard
without confessor;
Praise of cathedrals
pressing their genesis from priests;
Praise of wild gulls who came and drank
their summer’s milk,
then led them toward the parish snow.

How still the spiderless city.
The earth is immemorial in death.

Haiku

(for the police on Osage Ave.)

they came eating their
own mouths orgiastic teeth
smiling crucifixions

Dear Mama,

It is Christmas eve and the year is passing away with calloused feet. My father, your son and I decorate the night with words. Sit ceremoniously in human song. Watch our blue sapphire words eclipse the night. We have come to this simplicity from afar.

He stirs, pulls from his pocket a faded picture of you. Blackwoman. Sitting in frigid peace. All of your biography preserved in your face. And my eyes draw up short as he says, “Her name was Elizabeth but we used to call her Lizzie.” And I hold your picture in my hands. But I know your name by heart. It’s Mama. I hold you in my hands and let time pass over my face: “Let my baby be. She ain’t like the others. She rough. She’ll stumble on gentleness later on.”

Ah Mama. Gentleness ain’t never been no stranger to my genes. But I did like the roughness of running and swallowing the wind, diving in rivers I could barely swim, jumping from second story windows into a saving backyard bush. I did love you for loving me so hard until I slid inside your veins and sailed your blood to an uncrucified shore.

And I remember Saturday afternoons at our house. The old sister deaconesses sitting in sacred pain. Black cadavers burning with lost aromas. And I crawled behind the couch and listened to breaths I had never breathed. Tasted their enormous martyrdom. Lives spent on so many things. Heard their laughter at Sister Smith’s latest performance in church—her purse sailing toward Brother Thomas’s head again. And I hugged the laughter round my knees. Draped it round my shoulder like a Spanish shawl.

And history began once again. I received it and let it circulate in my blood. I learned on those Saturday afternoons about women rooted in themselves, raising themselves in dark America, discharging their pain without ever stopping. I learned about women fighting men back when they hit them: “Don’t never let no mens hit you mo than once girl.” I learned about “womens waking up they mens” in the nite with pans of hot grease and the compromises reached after the smell of hot grease had penetrated their sleepy brains. I learned about loose women walking their abandoned walk down front in church, crossing their legs instead of their hands to God. And I crept into my eyes. Alone with my daydreams of being woman. Adult. Powerful. Loving. Like them. Allowing nobody to rule me if I didn’t want to be.

And when they left. When those old bodies had gathered up their sovereign smells. After they had kissed and packed up beans snapped and cakes cooked and laughter bagged. After they had called out their last goodbyes, I crawled out of my place. Surveyed the room. Then walked over to the couch where some had sat for hours and bent my head and smelled their evening smells. I screamed out loud, “Oooweeee! Ain’t that stinky!” and I laughed laughter from a thousand corridors. And you turned Mama, closed the door, chased me round the room until I crawled into a corner where your large body could not reach me. But your laughter pierced the little alcove where I sat laughing at the night. And your humming sprinkled my small space. Your humming about your Jesus and how one day he was gonna take you home . . .

Because you died when I was six Mama, I never laughed like that again. Because you died without warning Mama, my sister and I moved from family to stepmother to friend of the family. I never felt your warmth again.

But I knew corners and alcoves and closets where I was pushed when some mad woman went out of control. Where I sat for days while some woman raved in rhymes about unwanted children. And work. And not enough money. Or love. And I sat out my childhood with stutters and poems gathered in my head like some winter storm. And the poems erased the stutters and pain. And the words loved me and I loved them in return.

My first real poem was about you Mama and death. My first real poem recited an alphabet of spit splattering a white bus driver’s face after he tried to push cousin Lucille off a bus and she left Birmingham under the cover of darkness. Forever. My first real poem was about your Charles-white arms holding me up against death.

My life flows from you Mama. My style comes from a long line of Louises who picked me up in the nite to keep me from wetting the bed. A long line of Sarahs who fed me and my sister and fourteen other children from watery soups and beans and a lot of imagination. A long line of Lizzies who made me understand love. Sharing. Holding a child up to the stars. Holding your tribe in a grip of love. A long line of Black people holding each other up against silence.

I still hear your humming Mama. The color of your song calls me home. The color of your words saying, “Let her be. She got a right to be different. She gonna stumble on herself one of these days. Just let the child be.”

And I be Mama.

Fall

i have been drunk since
summer, sure you would
come to sift the waves
until they flaked like
diamonds over our flanks.
i have not moved
even when wild
horses, with snouts like pigs
came to violate me,
i squatted in
my baptism.
O hear the sea
galloping like stallions
toward spring.

Fragment 1

alone
deranged by loitering
i hear the bricks pacing my window.
my pores know how to come.
what survives in me
i still suspect.

how still this savior.
white suit in singing hand.
spitting mildew air.
who shapes the shade
is.

i am a reluctant ache
authenticating my bones.
i shall spread out my veins
and beat the dust into noise.

Fragment 2

I am reciting the rain
caught in my scream.
these lips cannot swim
only by breasts wild as
black waves.

I met a collector of rain once
who went to sleep in my sleeve.
is his alibi still under
my arm?

I keep coughing up butterflies
my entrails trail albino tunes
his voice comes in my hair.
is the flesh tender where the knees weep?

Haiku

man. you write me so
much you bad as the loanhouse
asking fo they money

Towhomitmayconcern

watch out fo the full moon of sonia
shinin down on ya.
git yo/self fattened up man
you gon be doing battle with me
ima gonna stake you out
grind you down
leave greasy spots all over yo/soul
till you bone dry. man.
you gon know you done been touched by me
this time.
ima gonna tattoo me on you fo ever
leave my creases all inside yo creases
i done warned ya boy
watch out
for the full moon of sonia
shinin down on ya.

Blues

will you love me baby when the sun goes down
i say will you love me baby when the sun goes down
or you just a summertime man leaving fo winter comes round.

will you keep me baby when i’m feeling down ’n’ out
i say will you hold me baby when i’m feeling down ’n’ out
or will you just stop & spit while i lives from hand to mouth.

done drunk so much of you i staggers in my sleep
i say done drunk so much of you man, i staggers in my sleep
when i wakes up baby, gonna start me on a brand new week.

will you love me baby when the sun goes down
i say will you love me baby when the sun goes down
or you just a summertime man leaving fo winter comes round.

Song No. 2

(1)

i say. all you young girls waiting to live
i say. all you young girls taking yo pill
i say. all you sisters tired of standing still
i say. all you sisters thinkin you won’t, but you will.

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