Shatter Me Complete Collection (24 page)

BOOK: Shatter Me Complete Collection
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Epilogue

I’m still tingling when Kenji and Winston burst back into the room.

“So how is this suit supposed to make my life easier?” I ask anyone who’ll answer.

But Kenji is frozen in place, staring without apology. Opens his mouth. Closes it. Shoves his hands into his pockets.

Winston steps in. “It’s supposed to help with the touching issue,” he tells me. “You don’t have to worry about being covered from head to toe in this unpredictable weather. The material is designed to keep you cool or keep you warm based on the temperature. It’s light and breathable so your skin doesn’t suffocate. It will keep you safe from hurting someone unintentionally, but offers you the flexibility of touching someone . . . intentionally, too. If you ever needed to.”

“That’s amazing.”

He smiles. Big. “You’re welcome.”

I study the suit more closely. Realize something. “But my hands and feet are totally exposed. How’s that supposed to—”

“Oh—shoot,” Winston interrupts. “I almost forgot.” He runs over to the closet and pulls out a pair of flat-heeled black ankle boots and a pair of black gloves that stop right before the elbow. He hands them to me. I study the soft leather of the accessories and marvel at the springy, flexible build of the boots. I could do ballet and run a mile in these shoes. “These should fit you,” he says. “They complete the outfit.”

I slip them on and tip up on my toes, luxuriate in the feeling of my new outfit. I feel invincible. I really wish I had a mirror for once in my life. I look from Kenji to Adam to Winston. “What do you think? Is it . . . okay?”

Kenji makes a strange noise.

Winston looks at his watch.

Adam can’t stop smiling.

He and I follow Kenji and Winston out of the room, but Adam pauses to slip off my left glove. He takes my hand. Intertwines our fingers. Offers me a smile that manages to kiss my heart.

And I look around.

Flex my fist.

Touch the material hugging my skin.

I feel incredible. My bones feel rejuvenated; my skin feels vibrant, healthy. I take big lungfuls of air and savor the taste.

Things are changing, but this time I’m not afraid. This time I know who I am. This time I’ve made the right choice and I’m fighting for the right team. I feel safe. Confident.

Excited, even.

Because this time?

I’m ready.

Acknowledgments

My infinite thanks go to:

My husband, my best friend, my biggest fan, and the only man in the world who understands the inside of my brain. You are the brightest star in my universe.

My parents, who’ve been cheering for me every minute of my life, never once doubting me, never once discouraging me. You inspire me every single day.

My brothers, because no one knows our stories like we do. Because we stick together. Because you’ve always believed in me and I will forever believe in you.

Tana & Randa, for everything. For every moment, every word of encouragement, every laugh, every cherished memory. You’ve been there from the very beginning.

Sarah, who gave me the strength to be brave. You held my hand in the moments I needed it most and I will never forget that.

Jodi Reamer, the most incredible superhuman I’ve ever known. You’ve filled my days with shooting stars, and one day I will pluck the moon from the sky and fit it in your mailbox.

Alec Shane, who gave me the one chance that changed my world.

Tara Weikum, the best editor a girl could ask for. It’s been such a privilege working with someone who so absolutely understands my story. My characters are safe with you in a way they wouldn’t have been anywhere else and I still can’t believe I got so lucky. You are unbelievable and I adore you.

A big thank-you to everyone at HarperCollins and Writers House who work tirelessly behind the scenes to make my dreams come true: Melissa Miller, for being nothing less than fabulous; Christina Colangelo, Diane Naughton, and Lauren Flower, for their endless enthusiasm and marketing genius; and Allison Verost, my fearless publicist! Thanks also to Alison Donalty, art director and purse carrier and coffee savior—you are an absolute gem; Ray Shappell, the brilliant man behind the cover design; Brenna Franzitta, whose copyediting skills are worth millions; Cecilia de la Campa, for her indefatigable efforts in acquiring foreign rights; and Beth Miller, for being one of my first cheerleaders.

To all of my first readers, including Sumayyah, Bahareh, and Saba, as well as my brilliant blog and Twitter friends who make my days so much brighter and infinitely more beautiful: Thank you for sharing my journey and honoring me with your friendship—I hope you know I’m always cheering for you!

And for every reader who picks up this book: Well. Without you, where would we be?

Thank you, thank you, thank you!

Cover art © 2012 by Colin Anderson
Cover art inspired by a photograph by Sharee Davenport
Cover design by Cara E. Petrus

Copyright

SHATTER ME
Copyright © 2011 by Tahereh Mafi
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
www.epicreads.com

Library of Congress Cataloging-in-Publication Data

Mafi, Tahereh.
Shatter me / Tahereh Mafi. — 1st ed.
       p. cm.
       Summary: Ostracized or incarcerated her whole life,
seventeen-year-old Juliette is freed on the condition that she use her horrific abilities in support
of The Reestablishment, a postapocalyptic dictatorship, but Adam, the only person ever to show her
affection, offers hope of a better future.
       ISBN
978-0-06-208548-1 (trade bdg.)
       ISBN
978-0-06-211420-4 (international edition)
       [1.
Science fiction. 2. Ability—Fiction. 3. Love—Fiction. 4. Soldiers—Fiction. 5.
Dictatorship—Fiction.]
I. Title.
PZ7.M2695Sh   2011
[Fic]—dc23

2011019370
CIP
AC

11  12  13  14  15  
CG
/
BV
  10  9  8  7  6  5  4  3  2  1

FIRST EDITION

EPub Edition © 2011 ISBN 9780062085511
Version
10172012

Prologue

I’ve been shot.

And, as it turns out, a bullet wound is even more uncomfortable than I had imagined.

My skin is cold and clammy; I’m making a herculean effort to breathe. Torture is roaring through my right arm and making it difficult for me to focus. I have to squeeze my eyes shut, grit my teeth, and force myself to pay attention.

The chaos is unbearable.

Several people are shouting and too many of them are touching me, and I want their hands surgically removed. They keep shouting “Sir!” as if they’re still waiting for me to give them orders, as if they have no idea what to do without my instruction. The realization exhausts me.

“Sir, can you hear me?” Another cry. But this time, a voice I don’t detest.

“Sir, please, can you hear me—”

“I’ve been shot, Delalieu,” I manage to say. I open my eyes. Look into his watery ones. “I haven’t gone deaf.”

All at once the noise disappears. The soldiers shut up. Delalieu looks at me. Worried.

I sigh.

“Take me back,” I tell him, shifting, just a little. The world tilts and steadies all at once. “Alert the medics and have my bed prepared for our arrival. In the meantime, elevate my arm and continue applying direct pressure to the wound. The bullet has broken or fractured something, and this will require surgery.”

Delalieu says nothing for just a moment too long.

“Good to see you’re all right, sir.” His voice is a nervous, shaky thing. “Good to see you’re all right.”

“That was an order, Lieutenant.”

“Of course,” he says quickly, head bowed. “Certainly, sir. How should I direct the soldiers?”

“Find her,” I tell him. It’s getting harder for me to speak. I take a small breath and run a shaky hand across my forehead. I’m sweating in an excessive way that isn’t lost on me.

“Yes, sir.” He moves to help me up, but I grab his arm.

“One last thing.”

“Sir?”

“Kent,” I say, my voice uneven now. “Make sure they keep him alive for me.”

Delalieu looks up, his eyes wide. “Private Adam Kent, sir?”

“Yes.” I hold his gaze. “I want to deal with him myself.”

One

Delalieu is standing at the foot of my bed, clipboard in hand.

His is my second visit this morning. The first was from my medics, who confirmed that the surgery went well. They said that as long as I stay in bed this week, the new drugs they’ve given me should accelerate my healing process. They also said that I should be fit to resume daily activities fairly soon, but I’ll be required to wear a sling for at least a month.

I told them it was an interesting theory.

“My slacks, Delalieu.” I’m sitting up, trying to steady my head against the nausea of these new drugs. My right arm is essentially useless to me now.

I look up. Delalieu is staring at me, unblinking, Adam’s apple bobbing in his throat.

I stifle a sigh.

“What is it?” I use my left arm to steady myself against the mattress and force myself upright. It takes every ounce of energy I have left, and I’m clinging to the bed frame. I wave away Delalieu’s effort to help; I close my eyes against the pain and dizziness. “Tell me what’s happened,” I say to him. “There’s no point in prolonging bad news.”

His voice breaks twice when he says, “Private Adam Kent has escaped, sir.”

My eyes flash a bright, dizzying white behind my eyelids.

I take a deep breath and attempt to run my good hand through my hair. It’s thick and dry and caked with what must be dirt mixed with my own blood. I’m tempted to punch my remaining fist through the wall.

Instead I take a moment to collect myself.

I’m suddenly too aware of everything in the air around me, the scents and small noises and footsteps outside my door. I hate these rough cotton pants they’ve put me in. I hate that I’m not wearing socks. I want to shower. I want to change.

I want to put a bullet through Adam Kent’s spine.

“Leads,” I demand. I move toward my bathroom and wince against the cold air as it hits my skin; I’m still without a shirt. Trying to remain calm. “Tell me you have not brought me this information without leads.”

My mind is a warehouse of carefully organized human emotions. I can almost see my brain as it functions, filing thoughts and images away. I lock away the things that do not serve me. I focus only on what needs to be done: the basic components of survival and the myriad things I must manage throughout the day.

“Of course,” Delalieu says. The fear in his voice stings me a little; I dismiss it. “Yes, sir,” he says, “we do think we know where he might’ve gone—and we have reason to believe that Private Kent and the—and the girl—well, with Private Kishimoto having run off as well—we have reason to believe that they are all together, sir.”

The drawers in my mind are rattling to break open. Memories. Theories. Whispers and sensations.

I shove them off a cliff.

“Of course you do.” I shake my head. Regret it. Close my eyes against the sudden unsteadiness. “Do not give me information I’ve already deduced for myself,” I manage to say. “I want something concrete. Give me a solid lead, Lieutenant, or leave me until you have one.”

“A car,” he says quickly. “A car was reported stolen, sir, and we were able to track it to an unidentified location, but then it disappeared off the map. It’s as if it ceased to exist, sir.”

I look up. Give him my full attention.

“We followed the tracks it left in our radar,” he says, speaking more calmly now, “and they led us to a stretch of isolated, barren land. But we’ve scoured the area and found nothing.”

“This is something, at least.” I rub the back of my neck, fighting the weakness I feel deep in my bones. “I will meet you in the L Room in one hour.”

“But sir,” he says, eyes trained on my arm, “you’ll need assistance—there’s a process—you’ll require a convalescent aide—”

“You are dismissed.”

He hesitates.

Then, “Yes, sir.”

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