Simon vs. the Homo Sapiens Agenda (10 page)

I HAVE TO MEET HIM
.

I don't think I can keep this up. I don't care if it ruins everything. I'm this close to making out with my laptop screen.

Blue Blue Blue Blue Blue Blue Blue.

Seriously, I feel like I'm about to combust.

I spend the entire school day with my stomach in knots, and it's completely pointless, because it's not attached to anything real. Because, really, it's just words on a screen. I don't even know his freaking name.

I think I'm a little bit in love with him.

All through rehearsal, I stare at Cal Price, hoping he'll fuck it up somehow and give me some sort of clue. Something. Anything. He pulls out a book, and my eyes go straight to the author's name on the cover. Because maybe the book is by
freaking Casanova, and I only know one person who owns a book by freaking Casanova.

But it's
Fahrenheit 451
. Probably something for English class.

I mean, how does a person look when his walls are coming down?

Really, a lot of people are having trouble focusing today, because everyone's obsessed with this sophomore who snuck into the chem lab and got his junk stuck in a beaker. I don't even know. Apparently it was on the Tumblr. But I guess Ms. Albright is sick of hearing about it, so she lets us out early.

Which means it's actually still light out when I pull into the driveway. Bieber pretty much explodes with joy when he sees me. It looks like I'm the first one home. I sort of want to know where Nora is. The fact that she's out is highly freaking unusual, to be honest.

I'm feeling so restless. I don't even want a snack. Not even Oreos. I can't just sit around. I text Nick to see what he's up to, even though I know he's playing video games in the basement, because that's what he always does in the afternoons until soccer season starts. He says Leah is on her way over. So I hook Bieber onto his leash and lock the door behind us.

Leah is pulling into the driveway when we get there. She slides her window down and calls to Bieber, who naturally breaks away from me to jump up against her car. “Hello, sweet one,” she says. His paws rest on the frame of her car door, and he gives her a single polite lick.

“Are you just getting off rehearsal?” she asks as we walk around the path to Nick's basement door.

“Yeah.” I turn the doorknob and push the door open. “Bieber. NO. Come on.”

Like he's never seen a squirrel before. Good freaking lord.

“Geez. So, what, it's two hours a day, three days a week?”

“Four days a week now,” I say. “Every day but Friday. And we have an all-day rehearsal this Saturday.”

“Wow,” she says.

Nick shuts off the TV when we enter.

“
Assassin's Creed
?” asks Leah, nodding toward the blank screen.

“Yup,” says Nick.

“Awesome,” she says. And I just kind of shrug. I give precisely zero shits about video games.

I lie on the carpet next to Bieber, who is on his back looking absurd with his lips flapped up over his gums. Nick and Leah end up talking about
Doctor Who
, and Leah tucks into the video game chair, tugging the frayed hem of her jeans. Her cheeks are sort of pink behind her freckles, and she's making some point and getting really animated about it. They're both totally absorbed in the philosophy of time travel. So I let my eyes slide closed. And I think about Blue.

Okay. I have a crush. But it's not like having a crush on some random musician or actor or Harry freaking Potter. This is the real deal. It has to be. It's almost debilitating.

I mean, I'm lying here on Nick's basement carpet, the site of so many Power Rangers transformations and lightsaber battles and spilled cups of juice—and all I want in the entire world is for Blue's next email to arrive. And Nick and Leah are still talking about the freaking TARDIS. They don't have a clue. They don't even know I'm gay.

And I don't know how to do this. Ever since I told Abby on Friday, I kind of thought it would be easy to tell Leah and Nick. Easier, anyway, now that my mouth is used to saying the words.

It's not easier. It's impossible. Because even though it feels like I've known Abby forever, I really only met her four months ago. And I guess there hasn't been time for her to have any set ideas about me yet. But I've known Leah since sixth grade, and Nick since we were four. And this gay thing. It feels so big. It's almost insurmountable. I don't know how to tell them something like this and still come out of it feeling like Simon. Because if Leah and Nick don't recognize me, I don't even recognize myself anymore.

My phone buzzes. Text from Monkey's Asshole:
hey maybe another Waffle House thing soon?

I ignore it.

I hate feeling so distant from Nick and Leah. It's not like keeping a normal crush a secret, because we never talk about our crushes anyway, and it works out fine. Even Leah's crush on Nick. I see it, and I'm sure Nick sees it, but there's this unspoken agreement that we never talk about it.

I don't know why the gay thing isn't like that. I don't know why keeping it from them makes me feel like I'm living a secret life.

My phone starts vibrating, and it's my dad calling. Which probably means dinner is on the table.

I hate that I feel so relieved.

I really am going to tell Nick and Leah eventually.

I spend the first Saturday of Christmas break at school. Everyone sits in a circle on the stage in pajamas, eating donut holes and drinking coffee out of Styrofoam cups. Except I'm next to Abby at the edge of the stage. My feet dangle over the orchestra pit, and her legs are in my lap.

My fingers are sticky with powdered sugar. I feel so far away. I stare at the bricks. Some of the bricks on the back wall of the auditorium are a darker shade, almost brown, and they form this double helix design. It's just so random. But so weirdly deliberate.

Double helixes are interesting. Deoxyribonucleic acid. I'll think about that.

Trying not to think about something is like playing freaking Whac-a-Mole. Every time you push one thought down, another one nudges its way to the surface.

I guess there are two moles. One is the fact that I've hung out with Nick and Leah after rehearsal three days this week, which means three chances to tell them about the gay thing,
and three times wussing out. And then there's Blue, with his perfect grammar, who has no freaking clue how many times I proofread every email I send to him. Blue, who is so guarded and yet so surprisingly flirtatious sometimes. Who thinks about sex, and thinks about it with me.

But, you know: double helixes. Twisty, loopy, double helixes.

Martin walks in through the doors in the back of the auditorium. He's wearing a long, old-fashioned nightgown and curlers.

“Oh. Wow. He really—okay.” Abby nods, grinning up at Martin, who does a pirouette and immediately gets tangled in his nightgown. But he catches himself on the armrest of a chair, and gives this triumphant smile. That's Martin. Everything's part of the show with him.

Ms. Albright joins the circle onstage and calls us to order. Abby and I scoot in closer to the group. I end up next to Martin, and flash him a smile. He punches my arm lightly but keeps his eyes locked forward, like a T-ball dad. A T-ball dad who dresses like my grandma.

“So, here's the plan, pajama gang,” says Ms. Albright. “We're going to fine-tune the musical numbers this morning. Big ensemble numbers first, and then we'll split into smaller groups. We break for pizza at noon, and after that, we run through the whole caboodle.”

Over her shoulder, I see Cal sitting on a platform, writing
something in the margin of his script.

“Any questions?” she asks.

“For those of us who are already off book, should we still carry our scripts to take notes?” asks Taylor. Just making sure we know she's memorized her lines.

“This morning, yes. This afternoon, no. We'll go through the notes after we're done. I'd like to run both acts once without stopping. Obviously, it will be messy, and that's okay.” She yawns. “All right, so. Let's take five, and then we'll jump into ‘Food, Glorious Food.'”

I pull myself up, and before I can talk myself out of it, I walk over and sit beside Cal on his platform. I nudge him in the knee.

“Nice polka dots,” I say.

He smiles. “Nice Labradors.”

I mean, he's cute, so I'll let it slide, but the dogs on my pants are clearly golden retrievers.

I sneak a look at his script. “What are you drawing?”

“Oh, this? I don't know,” he says. He pushes his bangs back and blushes, and good God, he's adorable.

“I didn't know you could draw.”

“Sort of.” He shrugs and tilts the binder toward me.

He has this style of drawing that's all movement and sharp angles and bold pencil lines. It's not bad. Leah's drawings are better. But it hardly matters at all, because the important thing is that Cal's drawing is of a superhero.

I mean,
a superhero
. My heart almost squeezes to a stop. Blue loves superheroes.

Blue.

I slide an inch closer, so our legs are touching, just barely.

I'm not sure if he notices.

I don't know why I'm so brave today.

I'm 99.9 percent sure that Cal is Blue. But there's that fraction of a percent chance that he's not. For some reason, I can't seem to come out and ask him.

So, instead, I ask, “How's the coffee?”

“Pretty good, Simon. Pretty good.”

I look up and realize that Abby is watching me with great interest. I flash her the stink-eye, and she looks away, but she has this tiny knowing smile that just kills me.

Ms. Albright sends a bunch of us to the music room and puts Cal in charge. All things considered, it's a perfect situation.

To get there, we have to walk all the way past the math and science classrooms and down the back stairway. Everything is dark and spooky and awesome on a Saturday. The school is totally empty. The music room is tucked into its own alcove at the end of the hall downstairs. I used to do choir, so I've spent some time here. It hasn't changed. I get the impression that it hasn't changed in about twenty years.

There are three rows of chairs on built-in platforms that edge around the sides of the classroom in a split hexagon shape.
In the center of the room is a big wooden upright piano. There's a laminated sign taped to the front reminding us to have outstanding posture. Cal sits on the edge of the piano bench, stretching his arm back behind his head.

“So. Um, maybe we could start with ‘Consider Yourself' or ‘Pick a Pocket or Two,'” he says, shuffling his foot against the leg of the piano bench. He looks so lost. Martin attempts to transfer one of his curlers onto Abby's ponytail, and Abby stabs him in the gut with a wooden drumstick, and a couple of people have taken out the guitars and started plucking out random pop songs.

No one is really listening to Cal except me. Well, and Taylor.

“Do you want us to clear away these music stands?” I ask.

“Uh, yeah. That would be awesome,” he says. “Thanks, y'all.”

There's a piece of paper on one of the stands that catches my eye—neon orange, with the words “SET LIST” written in black Sharpie. Underneath that is a list of songs—classic, awesome songs, like “Somebody to Love” and “Billie Jean.”

“What's that?” asks Taylor. I shrug, handing it to her.

“I don't think this is supposed to be here,” she says, throwing it away. Of course she doesn't. Taylor is the enemy of everything awesome.

Cal has Ms. Albright's laptop, which has piano recordings of the accompaniment to all the songs. Everyone's a pretty
good sport about running through everything once, and it's not a total disaster. As much as I hate to admit it, Taylor probably has the best voice out of anyone in the school other than Nick, and Abby is such a good dancer that she can seriously carry the whole ensemble. And anything Martin touches is strange and absurd and hilarious. Especially when he's wearing a nightie.

There's still almost an hour before we're supposed to reconvene in the auditorium, and we're probably supposed to run through everything again, but I mean, really. It's Saturday, we're in an empty, dark school, and we're a bunch of theater kids wearing pajamas and jacked up on donuts.

We end up singing Disney songs in the stairwell. Abby weirdly knows every word to every song in
Pocahontas
, and everyone knows
The Lion King
and
Aladdin
and
Beauty and the Beast
. Taylor can improvise harmonies, and I guess we're all warmed up from singing the
Oliver!
songs, because it just sounds really amazing. And the acoustics in the stairwell are freaking awesome.

And then we go back upstairs, and Mila Odom and Eve Miller pull a bunch of rolling chairs out of the computer lab. It's pretty convenient that Creekwood has such long, straight hallways.

Perfect happiness is: gripping the bottom of a rolling chair with both hands, while Cal Price pushes me down the hall in a full-on run. We race against two of the sophomore girls
from the ensemble. Cal is kind of a slow-moving person, so they totally dominate, but I don't even care. His hands grip my shoulders, and we're both laughing, and the rows of lockers are a toothpaste-blue blur. I let down my legs, and we skid to a stop. And I guess I have to get up. I raise my hand to give Cal a high five, but instead, he threads his fingers through mine for just a second. Then he looks down and smiles, and his eyes are hidden by his bangs. We untangle our hands, and my heart is thudding. I have to look away from him.

Then Taylor, of all people, mounts one of the chairs. Her blond hair flies backward as Abby pushes her, and they're the indisputable champions. Abby and her leg muscles, I guess. I had no idea she was so freaking fast.