Slippage (4 page)

LEVENDIS:
On Sunday the 6th of October, he placed the exhumed remains of Noah's ark near the eastern summit of a nameless mountain in Kurdistan, where the next infrared surveillance of a random satellite flyby would reveal them. He was careful to seed the area with a plethora of bones, here and there around the site, as well as within the identifiable hull of the vessel. He made sure to place them two-by-two: every beast after his kind, and all the cattle after their kind, and every creeping thing that creepeth upon the earth after his kind, and every fowl after his kind, and every bird of every sort. Two-by-two. Also the bones of pairs of gryphons, unicorns, stegosaurs, tengus, dragons, orthodontists, and the carbon-dateable 5o,ooo-year old bones of a relief pitcher for the Boston Red Sox.

LEVENDIS:
On Monday the 7th of October, he kicked a cat. He kicked it a far distance. To the passersby who watched, there on Galena Street in Aurora, Colorado, he said: "I am an unlimited person, sadly living in a limited world." When the housewife who planned to call the police yelled at him from her kitchen window, "Who are you? What is your name!?!" he cupped his hands around his mouth so she would hear him, and he yelled back, "Levendis! It's a Greek word." They found the cat imbarked halfway through a tree. The tree was cut down, and the section with the cat was cut in two, the animal tended by a talented taxidermist who tried to quell the poor beast's terrified mewling and vomiting. The cat was later sold as bookends.

LEVENDIS:
On Tuesday the 8th of October, he called the office of the District Attorney in Cadillac, Michigan, and reported that the blue 1988 Mercedes that had struck and killed two children playing in a residential street in Hamtramck just after sundown the night before, belonged to a pastry chef whose sole client was a Cosa Nostra
pezzonovante.
He gave detailed information as to the location of the chop shop where the Mercedes had been taken to be banged out, bondo'd, and repainted. He gave the license number. He indicated where, in the left front wheel-well, could be found a piece of the skull of the younger of the two little girls. Not only did the piece fit, like the missing section of a modular woodblock puzzle, but pathologists were able to conduct an accurate test that provided irrefutable evidence that would hold up under any attack in court: the medical examiner got past the basic ABO groups, narrowed the scope of identification with, the five Rh tests, the M and N tests (also cap-S and small-s variations), the Duffy blood groups, and the Kidd types, both A and B; and finally he was able to validate the rare absence of Jr a, present in most blood-groups but missing in some Japanese-Hawaiians and Samoans. The little girl's name was Sherry Tualaulelei. When the homicide investigators learned that the pastry chef, his wife, and their three children had gone to New York City on vacation four days before the hit-and-run, and were able to produce ticket stubs that placed them seventh row center of the Martin Beck Theater, enjoying the revival of
Guys and Dolls,
at the precise moment the Mercedes struck the children, the Organized Crime Unit was called in, and the scope of the investigation was broadened. Sherry Tualaulelei was instrumental in the conviction and thirty-three-year imprisonment of the pastry chefs boss, Sinio "Sally Comfort" Conforte, who had "borrowed" a car to sneak out for a visit to his mistress.

LEVENDIS:
On Wednesday the 9th of October, he sent a fruit basket to Patricia and Faustino Evangelista, a middle-aged couple in Norwalk, Connecticut, who had given to the surviving son, the gun his beloved older brother had used to kill himself. The accompanying note read:
Way to go, sensitive Mom and Dad!

LEVENDIS:
On Thursday the 10th of October, he created a cure for bone-marrow cancer. Anyone could make it: the juice of fresh lemons, spider-webs, the scrapings of raw carrots, the opaque and whitish portion of the toenail called the
lunula,
and carbonated water. The pharmaceutical cartel quickly hired a prestigious Philadelphia PR firm to throw its efficacy into question, but the AMA and FDA ran accelerated tests, found it to be potent, with no deleterious effects, and recommended its immediate use. It had no effect on AIDS, however. Nor did it work on the common cold. Remarkably, physicians praised the easing of their workload.

LEVENDIS:
On Friday the 11th of October, he lay in his own filth on the sidewalk outside the British Embassy in Rangoon, holding a begging bowl. He was just to the left of the gate, half-hidden by the angle of the high wall from sight of the military guards on post. A woman in her fifties, who had been let out of a jitney just up the street, having paid her fare and having tipped as few rupees as necessary to escape a strident rebuke by the driver, smoothed the peplum of her shantung jacket over her hips, and marched imperially toward the Embassy gates. As she came abaft the derelict, he rose on one elbow and shouted at her ankles, "Hey, lady! I write these pomes, and I sell 'em for a buck inna street, an' it keeps juvenile delinquents offa the streets so's they don't spit on ya! So whaddaya think, y'wanna buy one?" The matron did not pause, striding toward the gates, but she said snappishly, "You're a businessman. Don't talk art."

This is a story titled

The Route of Odysseus

"You will find the scene of Odysseus's wanderings when you find

the cobbler who sewed up the bag of the winds."

Eratosthenes, late 3rd century, B.C.E.

LEVENDIS:
On Saturday the 12th of October, having taken the sidestep, he came to a place near Weimar in southwest Germany. He did not see the photographer snapping pictures of the scene. He stood among the cordwood bodies. It was cold for the spring; and even though he was heavily clothed, he shivered. He walked down the rows of bony corpses, looking into the black holes that had been eye sockets, seeing an endless chicken dinner, the bones gnawed clean, tossed like jackstraws in heaps. The stretched-taut groins of men and women, flesh tarpaulins where passion had once smoothed the transport from sleep to wakefulness. Entwined so cavalierly that here a woman with three arms, and there a child with the legs of a sprinter three times his age. A woman's face, looking up at him with soot for sight, remarkable cheekbones, high and lovely, she might have been an actress. Xylophones for chests and torsos, violin bows that had waved goodbye and hugged grandchildren and lifted in toasts to the passing of traditions, gourd whistles between eyes and mouths. He stood among the cordwood bodies and could not remain merely an instrument himself. He sank to his haunches, crouched and wept, burying his head in his hands, as the photographer took shot after shot, an opportunity like a gift from the editor. Then he tried to stop crying, and stood, and the cold cut him, and he removed his heavy topcoat and placed it gently over the bodies of two women and a man lying so close and intermixed that it easily served as coverlet for them. He stood among the cordwood bodies, 24 April 1945, Buchenwald, and the photograph would appear in a book published forty-six years later, on Saturday the 12th of October. The photographer's roll ran out just an instant before the slim young man without a topcoat took the sidestep. Nor did he hear the tearful young man say, "Sertsa." In Russian,
sertsa
means soul.

LEVENDIS:
On Sunday the 13th of October, he did nothing. He rested. When he thought about it, he grew annoyed. "Time does not become sacred until we have lived it," he said. But he thought:
to hell with it; even God knocked off for a day.

LEVENDIS:
On Monday the 14th of October, he climbed up through the stinking stairwell shaft of a Baltimore tenement, clutching his notebook, breathing through his mouth to block the smell of mildew, garbage, and urine, focusing his mind on the apartment number he was seeking, straining through the evening dimness in the wan light of one bulb hanging high above, barely illuminating the vertical tunnel, as he climbed and climbed, straining to see the numbers on the doors, going up, realizing the tenants had pulled the numbers
off
the doors to foil him and welfare investigators like him, stumbling over something oily and sobbing jammed into a corner of the last step, losing his grip on the rotting bannister and finding it just in time, trapped for a moment in the hopeless beam of washed-out light falling from above, poised in mid-tumble and then regaining his grip, hoping the welfare recipient under scrutiny would not be home, so he could knock off for the day, hurry back downtown and crosstown and take a shower, going up till he had reached the topmost landing, and finding the number scratched on the doorframe, and knocking, getting no answer, knocking again, hearing first the scream, then the sound of someone beating against a wall, or the floor, with a heavy stick, and then the scream again, and then another scream so closely following the first that it might have been one scream only, and he threw himself against the door, and it was old but never had been well built, and it came away, off its hinges, in one rotten crack, and he was inside, and the most beautiful young black woman he had ever seen was tearing the rats off her baby. He left the check on the kitchen table, he did not have ah affair with her, he did not see her fall from the apartment window, six storeys into a courtyard, and never knew if she came back from the grave to escape the rats that gnawed at her cheap wooden casket. He never loved her, and so was not there when what she became flowed back up through the walls of the tenement to absorb him and meld with him and become one with him as he lay sleeping penitently on the filthy floor of the topmost apartment. He left the check, and none of that happened.

LEVENDIS:
On Tuesday the 15th of October, he stood in the Greek theatre at Aspendos, Turkey, a structure built two thousand years earlier, so acoustically perfect that every word spoken on its stage could be heard with clarity in any of its thirteen thousand seats, and he spoke to a little boy sitting high above him. He uttered Count Von Manfred's dying words, Schumann's overture, Byron's poem: "Old man, 'tis not so difficult to die." The child smiled and waved. He waved back, then shrugged. They became friends at a distance. It was the first time someone other than his mother, who was dead, had been kind to the boy. In years to come it would be a reminder that there was a smile out there on the wind. The little boy looked down the rows and concentric rows of seats: the man 'way down there was motioning for him to come to him. The child, whose name was Orhon, hopped and hopped, descending to the center of the ring as quickly as he could. As he came to the core, and walked out across the orchestra ring, he studied the man. This person was very tall, and he needed a shave, and his hat had an extremely wide brim like the hat of Kül, the man who made weekly trips to Ankara, and he wore a long overcoat far too hot for this day. Orhon could not see the man's eyes because he wore dark glasses that reflected the sky. Orhon thought this man looked like a mountain bandit, only dressed more impressively. Not wisely for a day as torpid as this, but more impressively than Bilge and his men, who raided the farming villages. When he reached the tall man, and they smiled at each other, this person said to Orhon, "I am an unlimited person living in a limited world." The child did not know what to say to that. But he liked the man. "Why do you wear such heavy wool today? I am barefoot." He raised his dusty foot to show the man, and was embarrassed at the dirty cloth tied around his big toe. And the man said, "Because I need a safe place to keep the limited world." And he unbuttoned his overcoat, and held open one side, and showed Orhon what he would inherit one day, if he tried very hard not to be a despot. Pinned to the fabric, each with the face of the planet, were a million and more timepieces, each one the Earth at a different moment, and all of them purring erratically like dozing sphinxes. And Orhon stood there, in the heat, for quite a long while, and listened to the ticking of the limited world.

LEVENDIS:
On Wednesday the 16th of October, he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had emerged from the late show at the La Salle Theater in Chicago. He stood quietly and watched. For a long while.

LEVENDIS:
On Thursday the 17th of October he chanced upon three skinheads in Doc Martens and cheap black leatherette, beating the crap out of an interracial couple who had stopped for a bite to eat at a Howard Johnson's near King of Prussia on the Pennsylvania Turnpike. He removed the inch-and-a-half-thick ironwood dowel he always carried beside his driver's seat and, holding the 2½' long rod at its centerpoint, laid alongside his pants leg so it could not be seen in the semi-darkness of the parking lot, he came up behind the three as they kicked the black woman and the white man lying between parked cars. He tapped the tallest of the trio on his shoulder, and when the boy turned around—he couldn't have been more than seventeen—he dropped back a step, slid the dowel up with his right hand, gripped it tightly with his left, and drove the end of the rod into the eye of the skinhead, punching through behind the socket and pulping the brain. The boy flailed backward, already dead, and struck his partners. As they turned, he was spinning the dowel like a baton, faster and faster, and as the stouter of the two attackers charged him, he whipped it around his head and slashed straight across the boy's throat. The snapping sound ricocheted off the dark hillside beyond the restaurant. He kicked the third boy in the groin, and when he dropped, and fell on his back, he kicked him under the chin, opening the skinhead's mouth; and then he stood over him, and with both hands locked around the pole, as hard as he could, he piledrove the wooden rod into the kid's mouth, shattering his teeth, and turning the back of his skull to flinders. The dowel scraped concrete through the ruined face. Then he helped the man and his wife to their feet, and bullied the manager of the Howard Johnson's into actually letting them lie down in his office till the State Police arrived. He ordered a plate of fried clams and sat there eating pleasurably until the cops had taken his statement.