SNAP: The World Unfolds (2 page)

“Yes. It’s over here.” She walked around Sasha’s desk and headed toward a back corner. We passed several dark offices with blinds and curtains drawn, a move I supposed saved on the electric bill. Even an international media conglomerate like SNAP probably felt the need to be cost-conscious.

I sure didn’t feel any cost cutting as I walked into my new office, though. Recessed lighting in the ceiling, a gianormous glass desk, leather chairs and a white leather sofa with a smaller glass coffee table. Mounted on the wall over the sofa was a large flat-screen television. Bookshelves lined one wall and a black granite-topped credenza lined up with a computer desk holding a monitor, personal printer and copier.

Jazz walked over and pulled out a drawer from one of the desk’s pedestals.

“Here are the controls for the drapes and blinds,” she said. “And the universal remote is here, too. The chargers for all your phones are here. Would you rather have a handset, headpiece, Bluetooth?”

“Anything that’s wireless,” I said. I walked behind the desk, sank into the chair and swiveled to look at the window. Jazz hit the remote for the blinds and I watched as a view of buildings stretching almost to the blue smear of the Pacific filled the window.

“Wow, it’s clear today,” Jazz said. “During the summer the smog is so bad you can’t see the ocean. Sometimes you can’t see three streets over.”

Welcome back to L.A.

While earning my chops as a good editor who could spot and fashion high-impact stories, I’d had a lot of views out of a lot of windows—and in a couple of cases no view, no window. Starting with regional magazines, I’d worked my way through weddings, food and women’s publications. It was a short stint at
Hello!
(no window) that brought me to celeb gossip. And in the firmament of celebs, SNAP is the lodestar.

My new employer produces a five-day-a-week cable “news” show—the 7 p.m. version is new every night, the 10 p.m. show takes the top stories from the earlier one and updates—a print weekly magazine, a daily blog and updates on Facebook and Twitter. Actually, there are five editions of the magazine; English, French, German, Portuguese and American. American is the main edition with stories, photos and features on world celebs in aristo land, sports, films, politics and the jetset. Within the magazine, a center section is devoted to strictly American trendies. Like zoned editions of national magazines, this center section changes for each language so I’m responsible for offices and staffers in London, Paris, Munich and Rio.

The Brazilian edition sells well but the German edition is second in circulation to the American. It covers German-speaking countries like Austria, Switzerland and the edges of what used to be the Eastern Bloc, primarily Hungary, Poland, Slovakia and the Czech Republic, countries with emerging popular cultures and a growing flood of money.

Even with electronic communications, it seems like a lot of trees are still dying. “I use yellow legal tablets and fine point black pens. A good fountain pen with blue ink for legal documents, copy and printer paper, be sure and have a supply of heavy cotton blend bond for letters. And make sure that the printer and copier are always full of paper and toner. If either runs out, it won’t be pleasant.”

Her eyes rounded. “Yes, of course.”

I meant what I said earlier about being called Maxie around the office. That didn’t mean I was thinking we were one big happy kumbaya family and I wanted to make sure the rules were laid down at the beginning. This devil didn’t wear Prada, but with my new salary, I was angling for Jimmy Choos.

I do my job. I do it well. One reason I do it well is that I’ve done everybody else’s job on the way up. I expect that everyone will do their job as well as I did. For some people, that’s a big burden. I have no time for people who whine about their feelings being hurt or expect decisions be made through some kind of consensus. I don’t have the time or the inclination to spend hours listening to staff dismember and discuss the minutia of things.

I’d worked hard and long to get to the top. Now here, I was planning to savor all of it.

I turned to Jazz. “Where’s your desk and how do I call you?”

“I’m in the cubicle right outside your door. That pod has my assistant and four senior editors. The assistants for the other executives have cubicles outside their doors. The junior editors who handle freelancers are further back and the staff writers, researchers and fact-checkers work in the room we came through.

“If you need me, just hit this button,” she pointed to the top right of the embedded phone console. “I’ll go get the supplies you asked for. Can I get you coffee or anything?”

She was showing initiative so I had hopes for our relationship.

Another woman rounded the pod and stopped when she saw me. She was thin, her lean torso accented by a wide belt slung at an angle across her hips. She wore a layered tank top over a short flouncy skirt and pointed flats that looked elfin.

Carola paused. “I do. I wanted to be involved with something now and hot. The whole of Europe freed up when the Wall came down is moving so fast. There are people making a lot, I mean a LOT of money who are setting a new style and it’s just cool to be able to watch them.”

Her enthusiasm was catching. Someone I definitely wanted on my team. I just hoped the other senior editors were as interested and vibrant.

“Whitsun?” I asked. “That doesn’t sound much like a German name.”.

“It’s not. My folks picked it when we came. Right after the war, German names weren’t very popular even though ours was Austro-Hungarian. I was also told we were part of the Esterhazy family, from right on the Austrian border.” She laughed. “I’ve wondered about being a long-lost countess or something. That’s another reason I work for SNAP. I may be meeting my relatives!”

Jazz showed up with an armful of supplies and a large coffee. In my office I got acquainted with the various equipment while she was stashing things. A knock on the doorframe made me jump and I looked up to see several people.

Jazz turned. “Oh! It’s the executive committee!”

The door people sorted themselves out on my sofa and chairs and I saw that it was two men and two women. They were all dressed in LA business; men in designer jeans and black t-shirts, the women in short, tight skirts and four inch heels—maybe Jimmy Choos? I could see I needed to take a serious look at my wardrobe, as soon as the movers delivered it.

“You may not be seeing it too much. I’m planning that you’ll be on the road a lot. We ran into Carola on the way over so I know you met her. These are the other senior editors, Gordon Townsley handles the U.K., Francois Sartou is the French and Mira Jorges is Brazil.”

I knew the different editions slightly because I followed their coverage areas. The U.K. leaned heavily on sports and members of the aristocracy; Brazil was a lot of samba and visiting jet set as well as polo and soccer; French was film (including the Americans who’d moved there like Johnny Depp and the Brad Pitt ménage), and all of them filled in with the minor ranks of local aristocracy, the beautiful and the rich. These senior editors directly supervised the foreign offices and had worked their way up to the Mother Ship.

We shook hands all around, mumbled pleasantries and Chaz herded us toward the back of the room talking about lunch. I was disoriented but followed the crowd until, at the back of a corridor, Mira waved her badge, pushed a button and another set of elevator doors opened.

“After lunch,” Chaz looked at me, “Jazz will take you to HR. Get all your paperwork finished, get your badge and get a layout. This is the elevator you’ll use. It’s in an ‘Employees Only’ room in the garage. Secure and private for any of our subjects coming to visit. Your badge will get you in everywhere.”

Off the elevator, we pushed through the “employees” door and were on the second floor of the underground garage, with a limo waiting.

Lunch was Spago. “It’s trite,” Chaz acknowledged, “but it’s still a ‘be seen’ place. You’ll need to know the staff and the freelancers who hang around.”

Lunch was also tablehopping and several languages with Chaz as the ringmaster. He and Carola ordered steak tartare, which they pushed around on their plates while the rest of us picked at salads.

HR took up a chunk of the afternoon. Jazz stuck her head in at 5 and told me I was expected on the 19
^th
floor for the daily content meeting.

“I can’t work without a plan,” I snapped. “By the time I get back, I better have a daily and weekly schedule compiled. I need a copy on an e-calendar, my PDA, and my paper desk calendar.”

Jazz’ lips thinned, but she murmured, “Yes, Maxie, uhhh, Boss.”

The 5 o’clock content meeting consisted of several producers and two anchors from the
SNAP Show
, the senior editors of the print magazine, two blog editors, both the print and the TV art directors and the show’s director. Chaz chaired it “because you’re new, Maxie,” leading me to fear that this would be my job as well. After introductions, the TV people opened their schedule for tonight’s show. The print editors went through the plans for the next issues and the art directors threw digital prints on the screen.

It seemed like an awkward group—larger than I was used to working with—but one of the things that set SNAP apart was the seamless flow between the print, broadcast and blog personas. There was one identity. The consumer knew stories on the nightly show would be reported in more depth in the magazine that hit the newsstands on Saturday. Conversely, the magazine acted as a teaser for the next week’s shows, a symbiotic relationship not lost on advertisers.

After the meeting broke up, I stayed on the broadcast floor to watch Jazz’ madhouse for an hour. There was a sense of controlled pandemonium as the story producers and tape editors carved things into split second segues and I was glad I only had to deal with space, not time.

Waiting in my office when I came back down were my badge, a desk calendar with schedules of regular meetings and a note from Jazz. “Boss, I’ll be right back. Ran out to grab a coffee. If you want anything, call my cell and I’ll pick it up for you.”

I walked out into the large room. Muted voices, clacking keyboards and phones with ringtones that sounded almost like rushing water replaced the silence. Even individual cell phones didn’t ring. I’d have to ask Jazz about that.

I flew to Rio before my clothes arrived from the movers.

“Don’t worry, you’re only going to be there one night,” Mira told me. “Pack two changes, make-up and prescriptions. The office there will have everything else.”