Stephen King's the Dark Tower: The Complete Concordance Revised and Updated (7 page)

BOOK: Stephen King's the Dark Tower: The Complete Concordance Revised and Updated
9.76Mb size Format: txt, pdf, ePub

The Affiliation—which played such a large part in
Wizard and Glass
—does not figure directly in the following three books of the Dark Tower series. However, we can guess that the gunslingers who fought beside Roland in the final battle of JERICHO HILL were all that remained of the Affiliation’s forces.
See also
DEMULLET’S COLUMN.

IV:148–49, IV:150, IV:151
(in trouble because of Farson),
IV:163
(gunslingers’ attitude toward it),
IV:174–78
(general info),
IV:180
(and Mejis’s loyalty),
IV:181, IV:182, IV:189, IV:191, IV:199, IV:201, IV:204, IV:206, IV:211
(hint something is wrong in Hambry),
IV:219
(when Gilead falls, the Affiliation ends),
IV:221, IV:224, IV:225, IV:228, IV:229, IV:231–32, IV:250–51
(Roland asks Susan if she supports it),
IV:255, IV:260
(“Affiliation brats”),
IV:277, IV:302, IV:344, IV:350–51
(implied—Inner Crescent),
IV:359, IV:378, IV:381, IV:411, IV:417
(and the power of the White),
IV:423, IV:430, IV:433, IV:438, IV:501
(Roland’s
ka-tet
accused of being traitors)

**AGELESS STRANGER (LEGION, MAERLYN)

In the original version of
The Gunslinger,
we learned that the Ageless Stranger was actually just another name for the great sorcerer MAERLYN. Like WALTER, he was a minion of the TOWER, only a more powerful one. As Walter said in the GOLGOTHA, the Ageless Stranger
darkled
and
tincted
—in other words, he could live simultaneously in all times. According to Walter, if Roland wanted to reach the Tower, he would have to slay this formidable enemy.

In the new version of
The Gunslinger,
we learn something quite different about this strange being. According to Walter the true name of the Ageless
Stranger is not Maerlyn but Legion, and he is a creature of END-WORLD. Roland must slay him in order to meet the Tower’s present controller—the CRIMSON KING. Like Roland, we don’t yet know whether slippery Walter is telling the truth or is spreading lies for his own ends.

See also
MAERLYN
and
CRIMSON KING
.

I:211–12, III:261, III:387

AIDAN

See
TET CORPORATION
: FOUNDING FATHERS: CULLUM, JOHN

**AILEEN OF GILEAD (AILEEN RITTER)

In the original version of
The Gunslinger,
we learned that Aileen was Roland’s second important lover. He became intimate with her after his return from MEJIS but before GILEAD’s fall. However, Aileen plays a smaller role in the 2003 version of
The Gunslinger.
Instead of remembering his love for beautiful, bright-eyed Aileen, Roland longingly recalls SUSAN DELGADO of HAMBRY. In the updated
Gunslinger,
Aileen becomes Roland’s dancing companion, not his beloved, and the woman his parents want him to marry, not the girl he chooses to be his lover.

I:86, I:88, I:131, I:137, I:140

ALAIN JOHNS

See
JOHNS, ALAIN

**ALAN

See
ALLEN.
See also
DESCHAIN, GABRIELLE

ALBINO BEES

See
MUTANTS

ALBRECHT

See
VAMPIRES
: TYPE THREE

ALEXANDER, BEN

See
CAN-TOI

ALEXANDER, TRUMAN

See
ENRICO, BALAZAR
: BALAZAR’S MEN

ALIA (NURSE)

See
TAHEEN
: RAT-HEADED TAHEEN

**ALICE OF TULL (ALLIE)

In both versions of
The Gunslinger,
Roland meets Alice when she serves him from behind the plank bar of SHEB’S honky-tonk in TULL. Although she may once have been beautiful, by the time we see her she is straw-haired and scarred. Like so many people in MID-WORLD, Alice has been sucked dry—both physically and emotionally—by the sterile hardpan of the desert. The overall impression she gives is of a woman who has been worn down into an early
menopause. Her dirty blue dress is held at the strap by a safety pin and the livid scar corkscrewing across her forehead is emphasized, rather than hidden, by her face powder.

Although she initially reacts to him with hostility, Alice soon becomes Roland’s lover. Unfortunately, she also becomes his victim. During the battle between Roland and SYLVIA PITTSTON’s followers, Allie’s former lover SHEB uses Alice as a human shield. Like so many of Roland’s other friends and confidants, Alice dies under Roland’s guns.

In the 2003 version of
The Gunslinger,
Allie still dies under Roland’s guns, but before that she is the psychological victim of the MAN IN BLACK, also known as WALTER O’DIM. After he brings the weed-eater NORT back to life, Walter gives Nort a note for Allie. The note confides that Walter has planted a magical word in Nort’s mind. The word is NINETEEN. If Allie says this word to him, the weed-eater will blurt out all that he saw in the world beyond.

But this message is a cruel trick, a Catch-22. Alice has always wanted to know what comes after this life, but attaining such forbidden knowledge will drive her mad. However, knowing the word, and not being able to speak it, is also guaranteed to drive her mad. In the end, Alice cannot control her curiosity and she says “Nineteen” to Nort, forcing him to spill forth all of his terrible, repressed secrets. Hence, when Roland aims his gun at her, a distressed Allie does not beg to be spared but begs to be killed so that her psychic torture will come to an end. Unfortunately for Alice, she ends up in the very place she wanted her imagination to escape—the LAND OF NINETEEN.

I:26–43
(Nort’s story 33–41),
I:45–47, I:52–54, I:58–59
(dies),
I:60, I:64, I:77, I:78, I:79, I:118, I:131, I:143, I:156, II:231, III:42, III:44, III:127, VI:288

**ALLEN

In the original version of
The Gunslinger,
Allen was part of Roland’s
ka-tel,
or class of apprentice gunslingers, and was one of the boys who witnessed Roland’s battle with CORT. In the 2003 version of
The Gunslinger,
Allen’s name is replaced with that of ALAIN JOHNS.

I:162, I:167–73
(witnesses Roland’s coming of age)

SPELLED
ALAN:
II:121

**ALLGOOD, CUTHBERT (ARTHUR HEATH, LAUGHING BOY)

Talkative, brown-haired Cuthbert Allgood was Roland’s beloved but restless childhood friend. Under the name Arthur Heath, he accompanied Roland and ALAIN JOHNS on Roland’s dangerous MEJIS adventure, which figured so prominently in
Wizard and Glass.
Despite the comma of brown hair always falling over his forehead and his anarchic sense of humor, tall, narrow-hipped Bert was quite handsome. His dark, beautiful eyes made SUSAN DELGADO wonder whether—under different circumstances—she would have fallen in love with Cuthbert rather than with Roland.

Cuthbert had a kind nature but a complex and at times unpredictable character. Despite his constant stream of jokes and his deep-seated belief in human dignity (after all, it was Cuthbert who saved vulnerable SHEEMIE from the deadly bullying of the BIG COFFIN HUNTERS), Cuthbert’s vision often took a dark turn. Like other apprentice gunslingers, Cuthbert was bred to be a killer,
an instinct which showed itself when he secretly raged against CORT’s chastisement in
The Gunslinger.
It also arose when, at age eleven, he and Roland informed upon the traitorous cook HAX and then watched him hang upon the gallows tree. (Cuthbert said he liked watching the dead man’s jig.) Although our gunslinger Roland was Cuthbert’s best friend, on occasion Cuthbert even felt a jealous rage rise up against his more ambitious companion.

Although Roland loved Cuthbert more than any of his other old friends, he also found Bert’s constant humor irritating. Long before EDDIE DEAN took the job of being Roland Deschain’s wisecracking mouthpiece, thin, dark-haired Cuthbert held that position. In fact, in
Song of Susannah
we find out that Eddie and Bert—both considered by Roland to be
ka-mais,
or
ka
’s fools—are actually twins. The two of them appeared to seven-year-old STEPHEN KING, who was on punishment duty in his uncle’s barn. They saved him from the CRIMSON KING (who appeared in the form of tiny red spiders) and won him over to the cause of the WHITE.

Roland once predicted that Bert would die laughing, and so he did, on the battlefield of JERICHO HILL. Still holding the HORN OF ELD, the horn of Roland’s fathers, a laughing but badly wounded Bert accompanied his friend in a final, suicidal charge against the legions of GRISSOM’S MEN. Unlucky Cuthbert was shot through the eye by RUDIN FILARO (another manifestation of Roland’s longtime nemesis, WALTER) and entered the clearing at the end of the path at the much too young age of twenty-four. The Horn of Eld tumbled into the dust and Roland, perhaps out of grief, did not bother to retrieve it, a decision which he regrets greatly by the time he reaches the TOWER.

I:86, I:95, I:96–111, I:113, I:119, I:140, I:149
(flashback),
I:150–51
(flashback: Cuthbert on Great Hall balcony with Roland),
I:160, I:162, I:167–74
(Roland’s coming of age),
I:197, II:52, II:121, II:176–77, II:207, II:231, II:355, II:394, III:33, III:41, III:60, III:124, III:242, III:268, III:270, III:278, III:346, III:377, III:417, IV:7, IV:57, IV:58, IV:59, IV:65, IV:119, IV:148
(“Mr. Arthur Heath”),
IV:151–53
(Roland mentions him to Susan),
IV:160–63
(Rook skull prank and analysis of character. Physical description),
IV:164, IV:174, IV:179–80
(Mayor Thorin’s party),
IV:181–89
(flashback to Sheriff Avery visit and false papers),
IV:190–91, IV:191–210
(Mayor Thorin’s party cont., 192, raises eyebrow instead of nodding),
IV:211, IV:218
(physical description),
IV:218–221
(Travellers’ Rest standoff),
IV:224–30
(Travellers’ Rest standoff, 226–30 Sheriff Avery’s office),
IV:241, IV:245, IV:248, IV:255, IV:259–60
(“Little Coffin Hunters”),
IV:261–64
(pigeons and message),
IV:266–71
(Depape learns true identity of Roland’s
ka-tet
),
IV:271–77, IV:282–89, IV:291
(indirect reference),
IV:336, IV:344–46, IV:347, IV:357–64
(tension with Roland),
IV:367, IV:368–69, IV:371, IV:380, IV:388–89, IV:392–93, IV:398–403, IV:408–19, IV:420, IV:426–42
(428 described, 432 Roland’s plan of attack; 436–39 flashback to Steven Deschain and Maerlyn’s Grapefruit, 439 father, Robert Allgood),
IV:450, IV:454–56, IV:463
(indirect reference),
IV:465, IV:473
(Rook’s skull left by Thorin’s body),
IV:474–80
(taken for murder),
IV:483, IV:487, IV:500, IV:503, IV:504
(as Sheemie’s savior),
IV:505, IV:506, IV:508–13, IV:514–19, IV:523–24, IV:525
(mentioned),
IV:526, IV:529–32, IV:533–35
(Jonas discovers part of plan),
IV:535–36, IV:539, IV:540, IV:547–48, IV:549
(indirect),
IV:552–60
(attacking Jonas’s company),
IV:561
(indirect),
IV:573–75, IV:579–81, IV:583–84, IV:588–602
(driving Farson’s men into thinny),
IV:608–11
(Roland unconscious because of Maerlyn’s ball),
IV:620, IV:649, IV:658, IV:663, IV:664, E:150, E:187, V:59, V:78, V:79, V:84, V:85, V:164, V:170–72, V:182, V:218, V:240, V:347
(Jericho Hill),
V:400
(indirect),
V:410, V:590, VI:16
(experienced a beamquake),
VI:132
(and Eddie),
VI:292, VI:293, VII:118, VII:174
(killed by an arrow through his eye, shot by Rudin Filaro),
VII:219
(Arthur Heath),
VII:220, VII:270, VII:404, VII:465, VII:497, VII:552, VII:585, VII:695, VII:758, VII:762, VII:801, VII:819, VII:825, VII:829, W:38, W:39, W:41, W:42, W:65, W:269, W:276
(knows that Roland doesn’t joke)

CUTHBERT’S FAMILY AND ASSOCIATES:

ALLGOOD, ROBERT (CUTHBERT’S FATHER):
I:104, IV:225
(fathers in general),
IV:286, IV:399
(fathers in general),
IV:430
(fathers in general),
IV:435
(fathers in general),
IV:436–39, IV:547
(fathers in general),
IV:580
(fathers in general),
IV:620, V:85
(father),
V:590
(indirect)

CUTHBERT’S MOTHER:
IV:282, IV:391
(general)

GLUEBOY:
Glueboy was the horse Cuthbert rode during his MEJIS adventures.
For page references, see entries for
ALLGOOD, CUTHBERT,
Volume IV.

HEATH, GEORGE:
“Arthur Heath’s” father. IV:152

THE LOOKOUT (ROOK’S SKULL):
While in HAMBRY, Bert keeps this skull perched on the horn of his saddle. He also occasionally wears it as a comical pendant. Unfortunately, the BIG COFFIN HUNTERS use the Lookout to frame Cuthbert and the others for MAYOR HART THORIN’s murder. IV:119, IV:160–61, IV:163
(lookout),
IV:180, IV:189, IV:190, IV:191, IV:218
(as pendant),
IV:224, IV:227, IV:233, IV:245, IV:259, IV:261, IV:273, IV:276, IV:344–45
(lost),
IV:380
(Jonas finds),
IV:409, IV:473, V:170

ALLGOOD, ROBERT

See
ALLGOOD, CUTHBERT,
above

ALORA FARM CHARACTERS

See
SKIN-MAN
: SKIN-MAN’S VICTIMS

AM

See
PRIM

Other books

Up to No Good by Carl Weber
Case of Lucy Bending by Lawrence Sanders
Mustang Annie by Rachelle Morgan
Intersection by Healy, Nancy Ann
Something Good by Fiona Gibson
The Grandmothers by Doris Lessing
Missing Reels by Farran S Nehme
Amanda Scott by Reivers Bride