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Authors: Jessica Fechtor

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BOOK: Stir
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Pan-Roasted Salmon

This is the simplest and best salmon preparation I know. I love how the skin crisps and the pink meat browns along the surface. It's the closest thing to grilled salmon, without the grill. When you purchase your fish, ask for center-cut fillets that are more or less the same thickness from end to end. And make sure to dry the salmon well before you brush the fillets with oil.

1 tablespoon flaked sea salt, like Maldon

2 pieces of salmon fillet with skin on, ⅓ pound each

Olive oil

Freshly ground black pepper and lemon wedges, for serving

Scatter the salt evenly over a dry, well-seasoned 10-inch cast-iron pan. A stainless steel pan will also work. If you're using a stainless steel pan instead of cast iron, brush the pan lightly with oil before adding the salt. Place the pan over medium-high heat for 3 minutes.

While the pan heats, dry the fish fillets well with paper towels and lay them flat on a large plate. Brush with olive oil on both sides.

Place the fish into the hot pan, skin side down. Turn the heat down slightly if the crackle sounds too loud and sputtery. Cover with a lid. If you don't have a lid that fits your pan, a metal baking sheet will do the job. Cook without moving the fillets for 3 to 5 minutes, until the skin is brown and crisp, and releases easily from the pan. Flip the fillets and cook them uncovered for another 2 to 4 minutes, depending on their thickness. The fish is done when the flesh deep inside is still faintly translucent and the internal temperature reads 125 degrees.

Serve with freshly ground black pepper and lemon wedges.

Serves 2.

CHAPTER 8
Just in Case

T
he summer before my junior year of college, I got a job as a resident adviser on campus so that I could afford to stay in the city (free housing!) and worked at a literary agency down in SoHo during the day. The money I made would have to stretch for course books and food that year, so to cut costs, I'd buy a head of celery and a jar of peanut butter and eat it for as many meals as I could stomach. Totally worth it for a summer on my own in New York.

On Sunday mornings, I'd strap on my Rollerblades and take off. I'd weave through street fairs, get lost in Central Park, loop around the reservoir, and pop out on the East Side. I'd stop at Fairway on my way back up to school and treat myself to a single soft-ripe peach and a couple of firmer ones for later in the week. In the evenings, I'd work on musical arrangements for the coming year. I was taking over as music director of my choir. The incoming business director was Eli.

He was in the city that summer, too, living down on Mercer Street and working as a software engineer, but for whatever reason, we didn't hang out, not once. Until one night in late August, when he met me outside my dorm to discuss choir stuff. He was sitting on the stone banister of the entryway, reading a section of the paper as I approached, and hopped down to give me a quick hug. Then he swung himself back up there, skinny legs dangling, folded the paper under his arm, and we talked.

We were pumped. He had big plans: a new website, more gigs than ever, an international tour, an album. As for me, I wanted to really push that year, get us sounding better than ever. I told him about the new music arrangements I was working on, and what I had in mind for auditions. This thing mattered to us a lot. We wanted to kill it. We were total psycho choir dorks—and we thought that was awesome. It was an amazing feeling, our mutual intensity, our desire to make something great. I climbed the stairs to my room later that night, surprisingly giddy. All I could think was,
This is going to be so good.

It was. Eli had said right off the bat that it was his job to think of everything that needed thinking of so that I could focus on the music. He responded to e-mails, booked performance spaces, organized travel to and from gigs, and arranged for hotel rooms and home stays. We did a lot of weekends away, performing and doing music workshops with school kids, and I admired the warm, professional way he communicated with our hosts. He was so competent. So smart. I loved how much he cared. He did things exactly as I would have hoped to do them had I been running the entire show myself. No, scratch that. He did them better. Whatever I said—whatever I didn't say—Eli knew exactly what I meant, and vice versa. Someone in the group once told us that we operated like two sides of a single brain. It was true.

For two years we led the group, working hard to make music and put it out into the world, signing e-mails to each other, “your partner in crime.” We'd sit next to each other on the bus rides to gigs, reviewing itineraries and set lists, then again on the way home, talking late into the night while the others dozed. “You know,” his girlfriend Rebecca once said to me, “he thinks you're amazing. Beautiful, smart, fun. I mean, it's totally platonic. You never need to worry about things getting weird.” I know what you're thinking.
She was his girlfriend. Of course she'd say that
. But Rebecca, she's kind of an oracle. Rebecca knows. I thought Eli was nuts when he broke things off with her.

By April of senior year, Eli had been single for a while. Things with my relationship were, well, what they'd always been. Justin felt certain that I was “it.” I felt certain only that he was terrific, and after three and a half years together, it was beginning to dawn on me that terrific was maybe not enough. He was shipping off to medical school in the fall, and I was moving to England for graduate school, so I said those famous last words: “Let's take a break.” And, you know, stay in touch. Visit each other on our respective continents, date some other people, see where things stand in a year.

He asked if we could carry on for the remaining few weeks of school as though we were entirely together, do all that fun senior stuff as the couple we'd always been, and I didn't see any harm, so no one knew. Except for my roommate Rachel, who also happened to sing in our choir. I'd had to tell someone.

When I explained about the sort-of split, she got quiet. She didn't mean to complicate things, she said, but had I ever thought about Eli? Was there maybe something there? I laughed until I realized she was serious. “I think he's in love with you,” she said. Eli had just accepted a job in Seattle, and that's a very long way from England, Rachel pointed out. She felt she had to say something. Just in case.

Just in case what? No, I hadn't thought of it; no, there was nothing there; and no,
please no
, he couldn't be in love with me. Things would get complicated, and strained, and eventually, telling ourselves it was for the best, we'd lose touch. This was not okay. If Eli felt as Rachel suspected, we'd have to talk about it. That, or our friendship would self-destruct. I just had to get him to say it out loud. Then we could fix it.

It was a horrible plan. Not to mention cruel. Lure a friend into confessing his love for you, a friend who seems to be doing just fine keeping quiet about it, with the express purpose of rejecting him on the spot? And then what? Somehow convince him that whatever he thinks he feels, he doesn't? Yep, horrible. But never mind. Rachel was wrong. I'd confirm with Eli what I already knew—we were buds!—and we'd have a good laugh. That was what was going to happen.

I asked Eli to meet me for dinner that night at Café Pertutti on Broadway. He'd been working on a new photo project and sketched out the idea for me on a napkin while we waited for our pasta. He sucked down his water, chomped on the ice. And then slowly, casually, I started in on my search and destroy. I waited for moments when I could steer the conversation toward talk of our friendship. I tossed out line after line, setting him up to make a move. He didn't bite.

Finally, after we'd asked for the check, I told him about the thing Rebecca had said way back when, how he and I would never be more than friends. He closed his eyes for a moment, and I thought his expression half crumpled, but no, I must have imagined it, because then he looked at me straight-on and said, “Yes. That's right.”

Okay, then. It was settled. We were just good friends, exactly as I suspected. Nothing would change. Perfect. A win.

Then why wasn't I relieved?

I loved him.
I'd never once considered it, but there it was. I felt insane. I felt sure. I felt devastated that he didn't feel it, too, but only for a moment, because I was suddenly quite certain that he did. We paid the bill. I mumbled something about needing to pick up some sheet music from his room, and we started walking.

“Who do you think is braver?” I asked, as we approached his apartment. His cheeks flushed, and I knew he understood what I'd been asking all night long. After a pause, he said, “Maybe. With different timing, if there were no Justin,
maybe
there might have been something between us.”

“And what if I told you that Justin and I are no longer together?” I spoke carefully. We were sitting on his front stoop by now. He took off his glasses and folded them in his hand. I watched him close his eyes, squeeze the bridge of his nose, and flush redder still. It was a minute or two before he spoke.

“Then I'd say I want to do my life with you,” he said.

And there it was, the relief I'd been hoping for, just in a different package from the one I'd expected.

I swallowed. “Me, too.”

Everything I've just said about that night, I don't believe any of it. I don't believe in feelings that sweep you away in a flash, or love without doubt, or destiny. We humans have agency. We think, and we decide, and we act. Yet that night—and I know this sounds crazy—it felt as though we had nothing to do with it. Our conversation on the steps, my words, his, they seemed to happen
to
us. It was as though we'd been setting up invisible dominoes for years without realizing it. The slightest tap, and here we were.

We stumbled around campus wide-eyed, smiling. He walked me home. The next morning, I found an e-mail from him with a single line:

“1, 2, 3, GO . . .”

And we went.

Kale and Pomegranate Salad

My mom still pokes fun at me for a phone call she received one night that week, after Eli and I made a salad together for dinner. “Mom,” I said, “he cut the mushrooms just right.” I had found a guy who shared my salad aesthetic, and while I admit that salad compatibility does not necessarily correlate with romantic compatibility, there is something to be said for standing at the counter together, rinsing, drying, slicing, talking about whatever, and ending up with a big bowl of salad that suits you both to a T.

Here's a salad we make as often as we can each fall while pomegranates are in season. The dressing gets its zing from pomegranate molasses, something I first tried at a Seattle restaurant called Sitka and Spruce, where they drizzle the sweet-tart syrup over yogurt and sautéed dates. The dish was genius, and I was hooked. I bought a bottle of pomegranate molasses when I got home—you can find it at Middle Eastern markets and a lot of mainstream grocery stores—and I've kept some on hand ever since. I brush it with oil over carrots and beets before roasting, add it by the tablespoon to glasses of sparkling water, spoon it over hot oatmeal, swirl it into yogurt, and whisk it into dressings like the one here.

I like my dressing on the sharp side, especially in a salad with such strong, sturdy ingredients. If you want to tone it down, add more olive oil by the teaspoon, whisking and tasting between each addition, until the balance is right for you.

One more quick note: This salad calls for dinosaur kale, the flat, dark green kind also known as lacinato or Tuscan kale. I prefer it in its raw form over curly kale, which can be tougher and harder to chew.

For the salad:

12 leaves dinosaur kale, stripped of their stems and thinly sliced

½ head of radicchio, thinly sliced

4 radishes, thinly sliced

Seeds from half a large pomegranate (about ½ cup)

A handful or two of roasted and salted pistachios, shelled

For the dressing:

5 tablespoons extra-virgin olive oil (plus more to taste; see headnote)

2 tablespoons red wine vinegar

1 tablespoon pomegranate molasses

½ teaspoon Dijon mustard

Put all the salad ingredients in a large bowl. Shake or whisk together the dressing ingredients in a jar or mixing bowl. Depending on how heavily dressed you like your salad, you may end up with more dressing than you need. Start with half, toss, taste, then add more, as needed.

Serves 4.

BOOK: Stir
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