Authors: Lynn Biederman
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Copyright © 2010 by Lynn Biederman & Lisa Pazer
All rights reserved. Published in the United States by Delacorte Press, an imprint of Random House Children’s Books, a division of Random House, Inc., New York.
Delacorte Press is a registered trademark and the colophon is a trademark of Random House, Inc.
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Library of Congress Cataloging-in-Publication Data
Biederman, Lynn.
Teenage Waistland / by Lynn Biederman and Lisa Pazer.—1st ed.
p. cm.
Summary: In their separate voices, three morbidly obese New York City teens relate their experiences participating in a clinical trial testing lap-band surgery for teenagers which involves a year of weekly meetings and learning to live healthier lives.
eISBN: 978-0-375-89722-1
[1. Obesity—Fiction. 2. Clinical trials—Fiction. 3. Self-esteem—Fiction. 4. Family problems—Fiction. 5. New York (State)—New York—Fiction.] I. Pazer, Lisa. II. Title.
PZ7.B4743Tee 2010
[Fic]—dc22
2009049672
Random House Children’s Books supports the First Amendment and celebrates the right to read.
v3.1
F
OR
E
RIC
—
FOR EVERYTHING
—L.B.
F
OR
M
UMSY
, S
HELLEY
P
AZER
,
WHO NEVER STOPPED BELIEVING
—L.P.
Lisa is grateful to:
Stephanie Lane Elliott, our long-suffering editor at Delacorte Press, whose wisdom and insight pushed us deeper into our characters and lifted our story to creative heights we had no clue we were capable of. How does
anyone
write without you?
Ginger Knowlton, our agent at Curtis Brown, for her tireless efforts and enthusiasm on behalf of
Teenage Waistland
.
My
scrumptious
sons, Jake Sherman and Alex Sherman; Shelley Pazer; Doug Sherman; Sari Sunshine; Sam Sherman; Beth Bradford; Josh and Jamie Bradford; and the rest of my family and friends. You’re the best cheering section anyone could ever hope for!
David Bradford, for being my sounding board and impact attenuator throughout the writing process, but mostly for never letting me go without a cooked meal during crunch time.
My sister Dina Bassen; Todd Bassen; James Bassen; Alana Bassen; and Gregory Bassen, for that transformative holiday dinner where your love, support, and brilliant suggestions (go, Alana!) renewed my inspiration and energy for the book, just when I needed it most.
Early readers Chelsea Baken, Gaby Biederman, Lori Snow, Deanne Conrad, and Tami Yellin, for their sage advice and enthusiasm.
And most of all, Lynn “Non-Lynnear” Biederman, my co-author and friend, for one of the best adventures of my life!
Lynn is grateful to:
Superbly talented Stephanie Lane Elliott, senior editor at Delacorte Press, fellow foodie, and friend, for guiding us in your articulate and patient way. Like
Unraveling, Teenage Waistland
has benefited from the fine editorial hand that shaped it.
Ginger Knowlton, for her enthusiasm for
Teenage Waistland
right from the start. Years ago, when I heard you say agents and authors are like doubles partners, I knew you were for me.
Brilliant, beautiful daughter, Gabrielle, for her book advice, boundless encouragement, and energy—I mean
really
. Wonderful, special, second-to-none son, Brad; husband and best friend, Eric; brother; parents; aunts, uncles, niece, nephew, cousins, etc.
Rob Newborn, superb friend and Doc, for always coming through, and Dr. Jeff Zitsman for his incredible generosity and expertise.
All my friends, old and new, local and not, Union buds, Ladybugs, and tennis pals for the happiness and true awesomeness they bring to my life. If there was ever a competition for who has the most fabulous circle of friends, I would snap that trophy up easy as pie.
Last, but not in any way least, my coauthor, Lisa Pazer, for relentlessly insisting on making
TW
great, for her relentlessness in general, and yes, for her insistence too, but above all, for her sheer greatness.
Contains an afterword by Jeffrey L. Zitsman, MD, director of the Center for Adolescent Bariatric Surgery at Morgan Stanley Children’s Hospital
Marcie Mandlebaum here: sixteen years old and sporting the collective girth of the Tenafly High cheerleading squad—this according to their captain, my twitorexic stepsister, Liselle. She’s too much of a dimwit to master the intricacies of a tape measure, but there’s no denying it. Her guesstimate is in the ballpark.
We’re crammed into a crummy conference room in the Midtown Sheraton, waiting for some Park Avenue doctor to pitch his clinical trial for Lap-Band weight loss surgery for teens. By we, I mean me; my mother, Abby; and every fat chick within a fifty-mile radius of New York City who could stand to drop
at least
one hundred pounds. A couple of fathers and maybe six fat guys are here, but it’s more a female thang—sixty or so heifers being herded around, for the most part, by tiny fat-o-phobic, lipo-sucked mothers like mine. This is
nothing
like SeaWorld, where every baby whale can count on having a bigger mama.
I haven’t seen so many fatties together in one place since
our nightmarish visit to Graceland in Memphis last summer. We spent four sweltering hours waiting in a stampede of bulging polyester just to get in. “Ground zero for the world’s obesity epidemic.” “Welcome home, Moosie,” Liselle had snickered. But rather than injecting her usual diplomacy to avert a brawl, Abby seized the reins of Liselle’s bandwagon and said, “Of course you’re not anywhere near the size of these people, darling, but your weight has been moving in the wrong direction and you need to turn it around.” But that was more than sixty pounds ago, so now Abby’s dragged me here.
Five rows of metal folding chairs have been halfheartedly arranged in front of the stage, as if the bozos setting up for the event weren’t certain this particular audience should sit in them—for me and my tubby brethren, there’s a fine line between a chair and a catastrophe. I blow past whatever few empty death traps are left and park myself in one of the open spots against the wall. Abby, hot on my trail, wiggles her way into the three centimeters of breathing space beside me by shoving one blubbery mass into another with an apologetic smile. “Standing room only,” she whispers into my ear, ignoring their glares. To Abby, who won’t eat in a restaurant that doesn’t have a waiting list for an open table, crowds—excluding the one at Graceland—provide indisputable evidence that we’re in the right place. The thing is,
we’re not
.
Finally, while the groans of stressed metal die down, Dr. Hal Weinstein, the head of the Lap-Band program at Park Avenue Bariatrics, steps to the podium and tests the microphone. This is my signal to pull out my iPod—what
don’t
I already know about this surgery? I’ve been hearing about it blow by blow for over a year. But Abby whacks my hand and flashes her eyes at me—her
behave yourself
glare. “Just listen
for a change. You might learn something,” Abby hisspers—her standard hiss/whisper combo—and I resign myself to a slow and painful death.
Weinstein leans forward, pauses, and then booms into the mike: “The Lap-Band is
not
the solution to weight loss.” My eyes fly open.
WTF?
Has the seminar been hijacked by some fanatical “fat power” fringe group and the real doctor is lying gutted in some back room? My hopes are dashed as he finishes his thought. “The Lap-Band is merely a tool, albeit an effective one if employed in a comprehensive supervised program that addresses the behavioral, nutritional, physiological, and psychological aspects of obesity.
“But as a
long-term
weight loss tool, the band is only effective if accompanied by behavioral changes. So while nutritional support and exercise are key aspects of our program, we place special emphasis on addressing the emotional issues underlying teen obesity. That’s why participation in weekly group support sessions is mandatory for the first year after the surgery.” I groan and shake my head and Abby nudges me with her elbow.
“The requirements for admission into our clinical trial are documented in your …” And then I can stand it no longer, and tune out completely.
To understand the magnitude of this disaster, you have to understand what a clinical trial is—and why, unless you have a terminal illness and nothing better to do with your time left on earth than get poked like a lab rat, it’s best to stay away from them. There’s a federal agency called the Food and Drug Administration—or FDA, to the literate few—whose job is to ensure that all food, drugs, and medical devices (like pacemakers, artificial limbs, and Liselle’s future
breast implants) sold in the United States are safe and effective. To prove “safety and effectiveness” to the FDA, companies experiment on small groups of carefully selected volunteers in tightly controlled settings.