Tell Me a Riddle (20 page)

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Authors: Tillie Olsen

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BOOK: Tell Me a Riddle
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Page 79
Deuce, ten, five. Dauntlessly she began a song of their youth of belief:
These things shall be, a loftier race
than e'er the world hath known shall rise
with flame of freedom in their souls
and light of knowledge in their eyes
King, four, jack ''In the twentieth century, hah!"
They shall be gentle, brave and strong
to spill no drop of blood, but dare
all . . .
on earth and fire and sea and air
"To spill no drop of blood, hah! So, cadaver, and you too, cadaver Hugo, 'in the twentieth century ignorance will be dead, dogma will be dead, war will be dead, and for all mankind one countryof fulfilment?' Hah!"
And every life
(long strangling cough)
shall be a song
*
The cards fell from his fingers. Without warning, the bereavement and betrayal he had sheltered compounded through the yearshidden even from himselfrevealed itself,
uncoiled,
released,
sprung
*The italicized passages are all fragments from Hugo's "These Things Shall Be." The last verse is: "New arts shall bloom of loftier mould,/ And mightier music thrill the skies,/ And every life shall be a song/ When all the earth is paradise."
 
Page 80
and with it the monstrous shapes of what had actually happened in the century.
A ravening hunger or thirst seized him. He groped into the kitchenette, switched on all three lights, piled a tray-''you have finished your night snack, Mrs. Cadaver, now I will have mine." And he was shocked at the tears that splashed on the tray.
"Salt tears. For free. I forgot to shake on salt?"
Whispered: "Lost, how much I lost."
Escaped to the grandchildren whose childhoods were childish, who had never hungered, who lived unravaged by disease in warm houses of many rooms, had all the school for which they cared, could walk on any street, stood a head taller than their grandparents, towered abovebeautiful skins, straight backs, clear straightforward eyes. "Yes, you in Olshana," he said to the town of sixty years ago, "they would seem nobility to you."
And was this not the dream then, come true in ways undreamed? he asked.
And are there no other children in the world?
he answered, as if in her harsh voice.
And the flame of freedom, the light of knowledge?
And the drop, to spill no drop of blood?
And he thought that at six Jeannie would get up and it would be his turn to go to her room and sleep, that he could press the buzzer and she would come now; that in the afternoon Ellen Mays was coming, and this time they would play cards and he could marvel at how rouge can stand half an inch on the cheek; that in the evening the doctor would come, and he could beg him to be merciful, to stop the feeding solutions, to let her die.
 
Page 81
To let her die, and with her their youth of belief out of which her bright, betrayed words foamed; stained words, that on her working lips came stainless.
Hours yet before Jeannie's turn. He could press the buzzer and wake her to come now; he could take a pill, and with it sleep; he could pour more brandy into his milk glass, though what he had poured was not yet touched.
Instead he went back, checked her pulse, gently tended with his knotty fingers as Jeannie had taught.
She was whimpering; her hand crawled across the covers for his. Compassionately he enfolded it, and with his free hand gathered up the cards again. Still was there thirst or hunger ravening in him.
That world of their youthdark, ignorant, terrible with hate and diseasehow was it that living in it, in the midst of corruption, filth, treachery, degradation, they had not mistrusted man nor themselves; had believed so beautifully, so . . . falsely?
''Aaah, children," he said out loud, "how we believed, how we belonged." And he yearned to package for each of the children, the grandchildren, for everyone,
that joyous certainty, that sense of mattering, of moving and being moved, of being one and indivisible with the great of the past, with all that freed, ennobled.
Package it, stand on corners, in front of stadiums and on crowded beaches, knock on doors, give it as a fabled gift.
"And why not in cereal boxes, in soap packages?" he mocked himself. "Aah. You have taken my senses, cadaver."
Words foamed, died unsounded. Her body writhed; she made kissing motions with her mouth. (Her lips moving as she read, pouring over the Book
 
Page 82
of Martyrs, the magnifying glass superimposed over the heavy eyeglasses.)
Still she believed?
''Eva!" he whispered. "Still you believed? You lived by it? These Things Shall Be?"
"One pound soup meat," she answered distinctly, "one soup bone."
"My ears heard you. Ellen Mays was witness: 'Humankind ... one has to believe.'" Imploringly: "Eva!"
"Bread, day-old." She was mumbling. "Please, in a wooden box ... for kindling. The thread, hah, the thread breaks. Cheap thread"and a gurgling, enormously loud, began in her throat.
"I ask for stone; she gives me breadday-old." He pulled his hand away, shouted: "Who wanted questions? Everything you have to wake?" Then dully, "Ah, let me help you turn, poor creature."
Words jumbled, cleared. In a voice of crowded terror:
"Paul, Sammy, don't fight.
"Hannah, have I ten hands?
"How can I give it, Clara, how can I give it if I don't have?"
"You lie," he said sturdily, "there was joy too." Bitterly: "Ah how cheap you speak of us at the last."
As if to rebuke him, as if her voice had no relationship with her flaring body, she sang clearly, beautifully, a school song the children had taught her when they were little; begged:
"Not look my hair where they cut...."
(The crown of braids shorn.)
*
And instantly he
* Reference to the Orthodox Jewish custom of cutting off the bride's hair and replacing it with a wig, and to the cutting off of prisoners' hair in Siberia.

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