The Ballad of the Sad Cafe And Other Stories (9 page)

BOOK: The Ballad of the Sad Cafe And Other Stories
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Cousin Lymon had a restless day, and his little face was drawn and tightened with excitement. He put himself up a lunch, and set out to find the ground hog – within an hour he returned, the lunch eaten, and said that the ground hog had seen his shadow and there was to be bad weather ahead. Then, as Miss Amelia and Marvin Macy were both resting to gather strength, and he was left to himself, it occurred to him that he might as well paint the front porch. The house had not been painted for years – in fact, God knows if it had ever been painted at all. Cousin Lymon scrambled around, and soon he had painted half the floor of the porch a gay bright green. It was a loblolly job, and he smeared himself all over. Typically enough he did not even finish the floor, but changed over to the walls, painting as high as he could reach and then standing on a crate to get up a foot higher. When the paint ran out, the right side of the floor was bright green and there was a jagged portion of wall that had been painted. Cousin Lymon left it at that.

There was something childish about his satisfaction with his painting. And in this respect a curious fact should be mentioned. No one in the town, not even Miss Amelia, had any idea how old the hunchback was. Some maintained that when he came to town he was about twelve years old, still a child – others were certain that he was well past forty. His eyes were blue and steady as a child's but there were lavender crepy shadows beneath these blue eyes that hinted of age. It was impossible to guess his age by his hunched queer body. And even his teeth gave no clue – they were all still in his head (two were broken from cracking a pecan), but he had stained them with so much sweet snuff that it was impossible to decide whether they were old teeth or young teeth. When questioned directly about his age the hunchback professed to know absolutely nothing – he had no idea how long he had been on the earth, whether for ten years or a hundred! So his age remained a puzzle.

Cousin Lymon finished his painting at five-thirty o'clock in the afternoon. The day had turned colder and there was a wet taste in the air. The wind came up from the pinewoods, rattling windows, blowing an old newspaper down the road until at last it caught upon a thorn tree. People began to come in from the country; packed automobiles that bristled with the poked-out heads of children, wagons drawn by old mules who seemed to smile in a weary, sour way and plodded along with their tired eyes half-closed. Three young boys came from Society City. All three of them wore yellow rayon shirts and caps put on backward – they were as much alike as triplets, and could always be seen at cock fights and camp meetings. At six o'clock the mill whistle sounded the end of the day's shift and the crowd was complete. Naturally, among the newcomers there were some riffraff, unknown characters, and so forth – but even so the gathering was quiet. A hush was on the town and the faces of people were strange in the fading light. Darkness hovered softly; for a moment the sky was a pale clear yellow against which the gables of the church stood out in dark and bare outline, then the sky died slowly and the darkness gathered into night.

Seven is a popular number, and especially it was a favorite with Miss Amelia. Seven swallows of water for hiccups, seven runs around the millpond for cricks in the neck, seven doses of Amelia Miracle Mover as a worm cure – her treatment nearly always hinged on this number. It is a number of mingled possibilities, and all who love mystery and charms set store by it. So the fight was to take place at seven o'clock. This was known to everyone, not by announcement or words, but understood in the unquestioning way that rain is understood, or an evil odor from the swamp. So before seven o'clock everyone gathered gravely around the property of Miss Amelia. The cleverest got into the café itself and stood lining the walls of the room. Others crowded onto the front porch, or took a stand in the yard.

Miss Amelia and Marvin Macy had not yet shown themselves. Miss Amelia, after resting all afternoon on the office bench, had gone upstairs. On the other hand Cousin Lymon was at your elbow every minute, threading his way through the crowd, snapping his fingers nervously, and batting his eyes. At one minute to seven o'clock he squirmed his way into the café and climbed up on the counter. All was very quiet.

It must have been arranged in some manner beforehand. For just at the stroke of seven Miss Amelia showed herself at the head of the stairs. At the same instant Marvin Macy appeared in front of the café and the crowd made way for him silently. They walked toward each other with no haste, their fists already gripped, and their eyes like the eyes of dreamers. Miss Amelia had changed her red dress for her old overalls, and they were rolled up to the kness. She was barefooted and she had an iron strengthband around her right wrist. Marvin Macy had also rolled his trouser legs – he was naked to the waist and heavily greased; he wore the heavy shoes that had been issued him when he left the penitentiary. Stumpy MacPhail stepped forward from the crowd and slapped their hip pockets with the palm of his right hand to make sure there would be no sudden knives. Then they were alone in the cleared center of the bright café.

There was no signal, but they both struck out simultaneously. Both blows landed on the chin, so that the heads of Miss Amelia and Marvin Macy bobbed back and they were left a little groggy. For a few seconds after the first blows they merely shuffled their feet around on the bare floor, experimenting with various positions, and making mock fists. Then, like wildcats, they were suddenly on each other. There was the sound of knocks, panting, and thumpings on the floor. They were so fast that it was hard to take in what was going on – but once Miss Amelia was hurled backward so that she staggered and almost fell, and another time Marvin Macy caught a knock on the shoulder that spun him around like a top. So the fight went on in this wild violent way with no sign of weakening on either side.

During a struggle like this, when the enemies are as quick and strong as these two, it is worth-while to turn from the confusion of the fight itself and observe the spectators. The people had flattened back as close as possible against the walls. Stumpy MacPhail was in a corner, crouched over and with his fists tight in sympathy, making strange noises. Poor Merlie Ryan had his mouth so wide open that a fly buzzed into it, and was swallowed before Merlie realized what had happened. And Cousin Lymon – he was worth watching. The hunchback still stood on the counter, so that he was raised up above everyone else in the café. He had his hands on his hips, his big head thrust forward, and his little legs bent so that the knees jutted outward. The excitement had made him break out in a rash, and his pale mouth shivered.

Perhaps it was half an hour before the course of the fight shifted. Hundreds of blows had been exchanged, and there was still a deadlock. Then suddenly Marvin Macy managed to catch hold of Miss Amelia's left arm and pinion it behind her back. She struggled and got a grasp around his waist; the real fight was now begun. Wrestling is the natural way of fighting in this county – as boxing is too quick and requires much thinking and concentration. And now that Miss Amelia and Marvin were locked in a hold together the crowd came out of its daze and pressed in closer. For a while the fighters grappled muscle to muscle, their hipbones braced against each other. Backward and forward, from side to side, they swayed in this way. Marvin Macy still had not sweated, but Miss Amelia's overalls were drenched and so much sweat had trickled down her legs that she left wet footprints on the floor. Now the test had come, and in these moments of terrible effort, it was Miss Amelia who was the stronger. Marvin Macy was greased and slippery, tricky to grasp, but she was stronger. Gradually she bent him over backward, and inch by inch she forced him to the floor. It was a terrible thing to watch and their deep hoarse breaths were the only sound in the café. At last she had him down, and straddled; her strong big hands were on his throat

But at that instant, just as the fight was won, a cry sounded in the café that caused a shrill bright shiver to run down the spine. And what took place has been a mystery ever since. The whole town was there to testify what happened, but there were those who doubted their own eyesight. For the counter on which Cousin Lymon stood was at least twelve feet from the fighters in the center of the café. Yet at the instant Miss Amelia grasped the throat of Marvin Macy the hunchback sprang forward and sailed through the air as though he had grown hawk wings. He landed on the broad strong back of Miss Amelia and clutched at her neck with his clawed little fingers.

The rest is confusion. Miss Amelia was beaten before the crowd could come to their senses. Because of the hunchback the fight was won by Marvin Macy, and at the end Miss Amelia lay sprawled on the floor, her arms flung outward and motionless. Marvin Macy stood over her, his face somewhat popeyed, but smiling his old half-mouthed smile. And the hunchback, he had suddenly disappeared. Perhaps he was frightened about what he had done, or maybe he was so delighted that he wanted to glory with himself alone – at any rate he slipped out of the café and crawled under the back steps. Someone poured water on Miss Amelia, and after a time she got up slowly and dragged herself into her office. Through the open door the crowd could see her sitting at her desk, her head in the crook of her arm, and she was sobbing with the last of her grating, winded breath. Once she gathered her right fist together and knock it three times on the top of her office desk, then her hand opened feebly and lay palm upward and still. Stumpy MacPhail stepped forward and closed the door.

The crowd was quiet, and one by one the people left the café. Mules were waked up and untied, automobiles cranked, and the three boys from Society City roamed off down the road on foot. This was not a fight to hash over and talk about afterward; people went home and pulled the covers up over their heads. The town was dark, except for the premises of Miss Amelia, but every room was lighted there the whole night long.

Marvin Macy and the hunchback must have left the town an hour or so before daylight. And before they went away this is what they did:

They unlocked the private cabinet of curios and took everything in it.

They broke the mechanical piano.

They carved terrible words on the café tables.

They found the watch that opened in the back to show a picture of a waterfall and took that also.

They poured a gallon of sorghum syrup all over the kitchen floor and smashed the jars of preserves.

They went out in the swamp and completely wrecked the still, ruining the big new condenser and the cooler, and setting fire to the shack itself.

They fixed a dish of Miss Amelia's favorite food, grits with sausage, seasoned it with enough poison to kill off the county, and placed this dish temptingly on the café counter.

They did everything ruinous they could think of without actually breaking into the office where Miss Amelia stayed the night. Then they went off together, the two of them.

That was how Miss Amelia was left alone in the town. The people would have helped her if they had known how, as people in this town will as often as not be kindly if they have a chance. Several housewives nosed around with brooms and offered to clear up the wreck. But Miss Amelia only looked at them with lost crossed eyes and shook her head. Stumpy MacPhail came in on the third day to buy a plug of Queenie tobacco, and Miss Amelia said the price was one dollar. Everything in the café had suddenly risen in price to be worth one dollar. And what sort of a café is that? Also, she changed very queerly as a doctor. In all the years before she had been much more popular than the Cheehaw doctor. She had never monkeyed with a patient's soul, taking away from him such real necessities as liquor, tobacco, and so forth. Once in a great while she might carefully warn a patient never to eat fried watermelon or some such dish it had never occurred to a person to want in the first place. Now all this wise doctoring was over. She told one-half of her patients that they were going to die outright, and to the remaining half she recommended cures so far-fetched and agonizing that no one in his right mind would consider them for a moment.

Miss Amelia let her hair grow ragged, and it was turning gray. Her face lengthened, and the great muscles of her body shrank until she was thin as old maids are thin when they go crazy. And those gray eyes – slowly day by day they were more crossed, and it was as though they sought each other out to exchange a little glance of grief and lonely recognition. She was not pleasant to listen to; her tongue had sharpened terribly.

When anyone mentioned the hunchback she would say only this: "Ho! if I could lay hand to him I would rip out his gizzard and throw it to the cat!" But it was not so much the words that were terrible, but the voice in which they were said. Her voice had lost its old vigor; there was none of the ring of vengeance it used to have when she would mention "that loom-fixer I was married to," or some other enemy. Her voice was broken, soft, and sad as the wheezy whine of the church pump-organ.

For three years she sat out on the front steps every night, alone and silent, looking down the road and waiting. But the hunchback never returned. There were rumors that Marvin Macy used him to climb into windows and steal, and other rumors that Marvin Macy had sold him into a side show. But both these reports were traced back to Merlie Ryan. Nothing true was ever heard of him. It was in the fourth year that Miss Amelia hired a Cheehaw carpenter and had him board up the premises, and there in those closed rooms she has remained ever since.

Yes, the town is dreary. On August afternoons the road is empty, white with dust, and the sky above is bright as glass. Nothing moves – there are no children's voices, only the hum of the mill. The peach trees seem to grow more crooked every summer, and the leaves are dull gray and of a sickly delicacy. The house of Miss Amelia leans so much to the right that it is now only a question of time when it will collapse completely, and people are careful not to walk around the yard. There is no good liquor to be bought in the town; the nearest still is eight miles away, and the liquor is such that those who drink it grow warts on their livers the size of goobers, and dream themselves into a dangerous inward world. There is absolutely nothing to do in the town. Walk around the millpond, stand kicking at a rotten stump, figure out what you can do with the old wagon wheel by the side of the road near the church. The soul rots with boredom. You might as well go down to the Forks Falls highway and listen to the chain gang.

BOOK: The Ballad of the Sad Cafe And Other Stories
10.67Mb size Format: txt, pdf, ePub
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