The Best Paranormal Crime Stories Ever Told (12 page)

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Authors: Martin H. Greenberg

Tags: #Fiction, #General, #Fantasy, #Detective and mystery stories; English, #Mystery & Detective, #Parapsychology in Criminal Investigation, #Paranormal, #Paranormal Fiction; American, #Science Fiction, #Fantasy Fiction; American, #Crime, #Short Stories, #Fantasy Fiction; English, #Detective and mystery stories; American

BOOK: The Best Paranormal Crime Stories Ever Told
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Rich people live in some damned oddball houses. The Weisinger place started out with Frank Lloyd Wright on the ground floor, lots of glass and native stone, then the rest looked like a Tudor mansion straight from
The Private Life of Henry VIII
. I could almost see Charles Laughton waving cheerily from an upper window, framed by dark wood cross pieces set into the plaster.

“It’s awful, but roomy,” said Abby as I parked across the street to indulge in a good long stare.

“You okay for going back without getting caught?”

“Yes, but aren’t you coming in?”

“This is the part where I do some sneaking around.”

“They’ll catch you, they’ll think you’re a burglar!”

“You hired an expert. Look, we can’t go through the front so you can introduce me to everyone. It’ll put Bradford on his guard, and your sister will be within her rights to kick me out.”

“What will you do?”

“Exactly what’s needed to get rid of him—and for that
you
need an alibi so they’ll know you aren’t involved. This means you can’t hide behind that screen as usual. You said there’re servants? Do they eavesdrop? Perfect. Think you can eavesdrop with them?”

“It wouldn’t be the first time.”

“Good for you. Whatever happens I want them to truthfully vouch that you were with them the whole time. This keeps you off the hook with Flora. I’m going to do my best to make Bradford look bad, so you have to be completely clear. Can you look innocent? Never mind, you’re a natural.” I checked my watch: twenty to nine. “I need a sketch of the floor plan.”

I pulled a shorthand pad from the glove compartment and gave her a pencil. A street lamp on the corner bled just enough light to work by as she plotted out an irregular shape, dividing it into squares and rectangles, putting a big
X
in to mark the parlor.

“That’s the ground floor.” She handed the pad over. “Kitchen, dining room, card room, music room, small parlor, large parlor, that’s where they have the séances. How will you—”

“Trade secret. You’ll get your money’s worth and then some, now beat it. Shuck those weeds and keep some witnesses around you. Don’t be alone for a minute.” She got out of the car quickly, coming around to the driver’s side. I rolled the window down. “One more thing . . . ”

She bent to be at eye-level. “Yes?”

“When the dust settles, don’t give your sister any ‘I told you so’s,’ okay?”

Abby got a funny look, and I thought she’d ask one more time about what I’d be doing, and I’d have to put her off, not being sure myself. Instead, she pecked me a solid one right on the mouth, and honest to God, I did
not
see it coming.

“Good luck!” she whispered, then scampered off.

No point in wiping away the lip color, she wasn’t wearing any. Dangerous girl. I felt old.

I took the car around the block once and found a likely place to leave it, close behind another that had just parked along the curb. A line of vehicles of various makes and vintages led to the Weisinger house. Partygoers, I thought. A well-bundled couple emerged and stalked carefully along the damp sidewalk toward the lights. Slouching down, I waited until five to nine, then got out and followed.

Not as many lights showed around the curtains now, but I could hear the noise of a sizable gathering within the walls. The possibility of sneaking in to blend with the crowd occurred, but I decided against it. Groups like the Psychical Society tended to be close-knit and notice outsiders. With his membership card Escott could get away with bluffing himself in (his English accent didn’t hurt, either), but I was a ready-made sore thumb. Better that they never see my face at all.

I took the long way around the house to compare it to Abby’s sketch. She’d not marked the windows, not that I needed to open any to get inside; they were just easier to go through than lath and plaster. Picking a likely one above the larger parlor, I vanished, floated up the wall, and seeped through by way of the cracks.

Bumbling around in the space on the other side I regretted not getting a sketch of the second story as well. The room was big and I sensed furniture shapes filling it. Though my hearing was muffled I determined no one else was there, and cautiously reformed, taking it slow. An empty, dark bedroom, and laid out on the bed was a man’s dressing gown. Neatly together on the floor were his slippers. The rest of the room was in perfect order, personal items set out on a bureau, no dust anywhere, and yet it didn’t feel lived-in. No one is ever this tidy when they’re actually using such things.

The hair went up on the back of my neck.

This stuff was too high quality to belong to the butler. The
J. W.
engraved into the back of a heavy silver hairbrush confirmed it—the room was a shrine. I concluded that Flora Weisinger was in sore need of real help to deal with her grief and guilt, not wellmeaning morons with Ouija boards.

The upstairs seemed to be deserted, but I crept softly along the hall, ready to vanish again if company came. The downstairs noise was loud from several conversations going at once, the same as for any party, but no music, no laughter.

Nosy, I opened doors. The one nearest Weisinger’s room led to Flora’s, to judge by the furnishings and metaphysical reading matter. I never understood why it was that rich couples sometimes went in for separate bedrooms, even when they really liked each other.

Her closet was stuffed with dark clothing, all the cheerful print dresses and light colors shoved far to either side. Women wore dark things in the winter, but this was too much. There was an out of place-looking portable record player on a table by the bed. The only record on the spindle was Kemp’s “Gloomy Sunday.”

Enough already, I got out before I had another damn twinge.

One of the hall doors opened to a sizable linen cupboard. I stepped in and put on the light. With my vision the night is like day to me if there’s any kind of illumination, but not so much in interior rooms with no windows. This place reminded me of the hidden room under Escott’s kitchen where I slept while the sun was up. It seemed safe enough, so I took off my overcoat and hat, putting them out of sight in the back on an upper shelf. I wanted to be able to move around quick, if required.

Sheets and towels filled other shelves, along with some white, filmy material that I figured out were spare curtains. When I was a kid my mom drafted me twice a year to help change the winter to summer curtains and back again. No matter that it was women’s work, I was the youngest and available.

I held the fabric up and it was just like what Mom used. In a lighted room you could see through it, but in a dark place with only a candle burning and imaginations at a fever pitch—yeah, I could make good use of it. The widest, longest piece folded up small, and I easily pushed it into the gap between my belt and shirt in the back.

But I wanted something more spectacular than a fun house spook. The items in Weisinger’s room would do it.

From his bureau I pocketed the hairbrush, a pipe, comb, some keys, and checked out a bottle of aftershave cologne. Aqua Velva was good enough for me, but rich guys had to be different. I shook some into my hands and gave myself a thorough slapping down, face, neck, hands, and lapels. Fortunately, it smelled pretty nice.

Downstairs, things suddenly went quiet. The séance must be starting.

No time for further refinements, I vanished and sank straight through the floor until I’d cleared its barrier and was sure it was now a ceiling. I hovered high, listening.

They sang “Happy Birthday.”

I could have done without that.

The mostly in-key singing ended, then a man gently urged, “Blow them out and make a wish for him, Flora.”

The soft applause that followed indicated success, then there was a general shuffling and scraping as they took seats. No one spoke, which was odd. People talked at parties.

Silence now, a long stretch of silence. I took the pause as an opportunity to explore the edges of the room. Certainly I bumped and brushed into people, and they’d shiver in reaction, because in this form I’d feel like a cold draft to them, but the silence held. Without too much trouble I found a corner and determined this was where Abby hid herself. She was absent, so I gradually re-formed.

The Chinese screen—and I didn’t have much experience with them—was seven feet tall and wide enough to conceal a sizable serving area. When holding formal receptions you didn’t have to see the servants messing with the dishes. There were spaces between the painted panels that I could peer through, though. Each sliver of space provided a different angle on things.

The large parlor was much bigger than I expected. A long table was set up in the middle and seated eight to a side. Each chair had an occupant, and they were a motley group: some wore formal clothes, others were artistically Bohemian.

An older, more polished, more somber version of Abby sat at one end on the side opposite me: Flora Weisinger. Behind her was a framed portrait of a young man in his prime: her late husband. In front of her was a large birthday cake, its candles dead. She clutched a wadded handkerchief in one hand, in the other, pinched between thumb and forefinger and held up like an offering, was a gold ring. I could guess whose. Her posture was tense, expectant, her big dark gaze fixed on the tall man next to her.

At the head of the table, clearly in charge, stood Alistair Bradford. Having seen a few mediums in the course of my checkered life I knew they ran to all types, from self-effacing, lace-clad ladies, to suave young lounge lizards with Vaseline-slicked hair. Bradford was lofty and distinguished, his own too-long hair swept back like that of an orchestra maestro. It suited his serious features. He was handsome, if you liked that brand of it, and his slate-blue eyes did look piercing as they took in the disciples at the table.

“Now, dear friends,” he said in startlingly soft, clear, beautiful voice, “please let us bow our heads in sincere prayer for a safe and enlightening spiritual journey on this very,
very
special night.”

Such was the influence of that surprising voice that I actually followed through with the rest of them. I had to shake myself and remember he’d been happy to dig up a grave to get to that ring in Flora Weisinger’s fingers. The wave of disgust snapped me out of it. The next time he spoke, saying
Amen,
I had my guard up.

Down the whole length of that big, bare table there were only two candles burning, leaving the rest of the room—to their eyes—dark. It was as good as daylight to me.

“And now I ask that everyone remain utterly quiet, and I will attempt to make contact,” he said, smiling warmly.

I expected them to hold hands, touch fingers, or something like that. So much for how things were done in the movies.

Bradford sat, composed himself with his palms flat on the table, and shut his eyes. He drew in a deep breath, audibly releasing it. In contrast, no one else seemed able to move. Flora looked at him with an intense and heartbreaking hope that was terrible to see.

His stertorous breathing gradually got louder. The man knew how to play things to raise the suspense.

And I knew how to bust it.

His noises got thicker with more throat behind them, so I could guess he was ready to turn it into a good long groan so
Frère
Lèon could make his entrance.

I went invisible, floated until I was exactly behind his chair, went solid while crouched down, and drew a big breath of my own. During the brief silence between his puffings I cut loose with loudest, juiciest Bronx cheer I could manage, then vanished.

In a tense, emotion-charged room it had a predictable effect. I slipped behind the screen to watch.

His rhythm abruptly shattered, Bradford looked around in confusion, as did the others. Some seemed scandalized, a couple were amused, and one guy suggested that perhaps there was a playful spirit in the room already. A more practical man got up to check my corner, which was the only hiding place, and announced it to be empty.

A few of them noticed the cologne and mentioned it. Much to their delight, Flora finally confirmed that it was James’ scent hanging in the air. She sounded awful. Bradford made no comment.

After some excited discussion that didn’t go anywhere, they settled down, and Bradford started his breathing routine again. I watched and waited.

Frère
Lèon eventually began to speak through Bradford, and to give him credit, it was a damned well-done French accent. His voice was rougher, deeper in pitch, very effective in the dark.

I ventured forth again, keeping low while he gave them a weather report for the Other Side, and went solid just long enough to call out a handy bit of French I’d learned while on leave in Paris. The loose translation was
How much for an hour of love, my little cabbage?

Or something like that, it had usually been enough to get my face slapped.

Then I clocked him sharp on the back of the noggin with the hairbrush, dropped it, and vanished.

I was back to the screen, going solid in time to see things fall apart. A few in the room had understood what I’d said and were either flabbergasted or trying not to laugh. Bradford’s trance was thoroughly broken; he launched from his chair to look behind it, startled as the rest. He remembered himself, though, and flopped down again, apparently in a state of collapse. They fussed over him, and the electric chandelier was switched on.

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