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Authors: Katherine Hall Page

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Although the cottage was only about eighteen years old, it looked as if it had stood there for centuries. The clapboard was weathered gray, and Pix had planted delphinium, bleeding heart, phlox, and other old-fashioned flowers around the sides. There was a large vegetable garden in back and a substantial boathouse near the shore. This had recently been converted into a guest house, with a smaller shed nearby for Mark's sailboat and the dinghy the rest of them used to fish for mackerel, mostly in vain. Two potters, Roger Barnett and Eric Ashley, were currently renting the guest house, which the Millers still called the boathouse out of habit. Roger and Eric's own house, next to their studio and kiln, had burned down in May, and they had turned to Sam and Pix when they couldn't find a rental in the summer for love nor money.
As Tom and Faith approached, a giggling two-year-old traveling roughly at the speed of light zoomed around the corner, followed by two teenaged girls with outstretched arms, calling, “Benjamin! Stop!”
Faith could afford to look fondly on the scene. After all, she wasn't chasing him. His pudgy little legs were pumping away and his blond curls were plastered onto his forehead with the sweat of his exertion. He was laughing hysterically.
Samantha called out in explanation as she streaked past, “He thinks everything's a game!”
Faith and Tom nodded wisely, then went to find Pix.
She was in the kitchen making gin and tonics.
Tom gave her a big hug. “What a woman! You must be psychic. Even though I don't believe in all that, or at least not until Faith takes up table turning or Ouija boards.”
Pix put everything on a tray and headed for the deck. Faith noticed that almost no one on the island ever stayed indoors
when it was possible to be sitting out on a deck or in a field or on a rock. It probably had to do with the unpredictableness of the weather. It had been known to fog in for weeks on end, but Faith had a suspicion that Pix would go out anyway—in her sou'wester with a hot toddy.
Pix stretched out in an ancient canvas sling chair. That was another thing that made the house look old. It had been furnished with castoffs and permanent loans from Pix's relations, so everything looked as if it had been there forever. The wicker needed repainting and the Bar Harbor rockers new seats. All of which Pix and Sam planned to do as soon as they did everything else that needed doing. This was the only sure time of day to see Pix sitting. Usually she was picking berries, or making bread, or instructing the children in the flora and fauna of the area, or walking the dogs, or weeding the garden, or …
She had started off life as a wee mite, and her whimsical parents had nicknamed her Pixie, which was abruptly shortened to Pix when she reached almost six feet at age fifteen. Faith had been trying to wean her away from the ubiquitous denim and khaki wraparound skirts and white blouses she favored, at least in the direction of Liz Claiborne and then who knows where? Today's outfit was one of the new ones, a bright blue-and-white-striped top with white shorts. Pix had fantastic legs, and heretofore Sam was probably the only one to know it. She stretched her long arms above her head and reached for the local paper from the table behind her chair.
“So who's having tea with whom this week?” Faith asked. She knew the first thing Pix read in
The Island Crier
was the social notes, “From The Crow's Nest.”
Sanpere Island—the name was a corruption of the original French name bestowed by Champlain, St. Pierre—consisted of several towns, some of them no larger than a good-sized family. Each had a local correspondent who dutifully reported the news each week. Most of these ladies stuck straight to the facts. “The Weirs are at their cottage and entertained friends from Portsmouth, NH, over the weekend” and “Ruth Graham is out of the hospital and thanks all her friends for their cards and good
wishes.” However, the correspondent from Granville, the largest town on the island, kept not only her ear to the ground but her eye on the horizon. She always started her section with a brief weather report from her end of the island, then mentioned what birds were around, animals she had noted in her yard, and what she was planting or harvesting, before getting to the more mundane activities of human beings.
“Well, let's see,” said Pix, who had the paper sent to her in the winter so she wouldn't miss anything.
She approached the paper the same way she ate a boiled lobster, with meticulous dedication and an unvarying routine. First she'd suck out the sweet tender meat in the long thin legs most people threw away, then crack open the claws, and then the tail. Finally, she would open the body, spreading the tomalley inside on a saltine cracker and eating any roe before taking a pick to get every last morsel out of the cavity. Faith had never seen one person get so much meat from a lobster—or take so long to do it.
Settling down with
The Crier
on Friday when it came out, Pix had been known to make it last through Tuesday and once in a while longer if it was a special issue with a supplement—as for the Fourth of July, which increased the usual eight pages to ten. After “From the Crow's Nest” she turned, like most other people, to “Real Estate Transfers.” The Fairchilds figured Pix could tell you the owner of every square foot of shore frontage and on back and how much the person had paid for it. At the moment the seller was usually the local Donald Trump, a man named Paul Edson, who had purchased land when it was relatively cheap in the Fifties and was now selling dear to the increasing number of Bostonians and New Yorkers willing to travel this far. Edson was an off-islander too. He'd married a local woman, a Hamilton, but that didn't change the way people felt about him, or now her. To say someone was “worse than Edson” on Sanpere was about as bad as you could get, not excluding mass murder, rape, and pillage. It was a rare day in town when he would return to his parked car and find air in all his tires. Although usually his wife sat guard, and nobody ever messed with Edith Edson.
“Come on, Pix, stop reading to yourself and share the goodies,” Tom protested.
“I was just looking for Granville. Here she is:
“‘Perfect weather this week. Lots of sunshine during the day and rain for the gardens at night. Three great blue heron were spotted in the cove near Weed's Hill and we can be sure that they are beginning to return to this part of the island. Tomatoes are so good, we can't put them up fast enough and have been giving them away, but the carrots have not amounted to much. Old seed? I don't want to point a finger, but the packet was pretty dusty. A very big turtle stopped traffic outside Alice Goodhue's house last week. Fortunately the fella didn't grab onto anyone's finger or toe! Come out some night and watch the Fish Hawks play at the Old High School. You won't see a better team and they are 4-0 in the county softball league.' Oh, terrific!”
“What is it?” Faith asked. From the tone of Pix's voice, it was not old carrot seeds or the Fish Hawks' winning streak.
“There's a Baked Bean and Casserole Supper at the Odd Fellows Hall next Tuesday night. Too bad you'll miss it, Tom,” she said with real regret in her voice. “I know you'd love it.”
Faith rightly assumed that Pix intended her to attend—and what was worse, eat. The baked beans might be okay, but she knew what a casserole was—string beans (probably not from the garden, those had already been canned for next winter), mixed with cream of mushroom soup, water chestnuts if the chef was adventurous and had been to the big supermarket off island in Bangor lately, topped with canned onion rings for crunch.
“The desserts alone are worth the price of admission. Now, Faith”—Pix leveled an admonitory glance at her—“don't turn up your pretty little gourmet nose. These ladies know how to cook.”
Could the woman who sometimes served her family Kraft macaroni and cheese dinners and Dinty Moore stew be right? Faith doubted it, but she'd go. Blueberries were ripe, and that meant pie or maybe shortcake, the real kind of shortcake, on a biscuit, not store-bought sponge. New England was pretty reliable in the
shortcake and other baked goods department, she had discovered. She cheered up about the dinner. Maybe there was a diamond in the rough out there who would do something delectable with lobster. Pix had given her a recipe for fiddlehead ferns clipped from The Crier last spring that had been delicious. Perhaps she was getting too critical. The thought was vetoed as quickly as it had come. The evening had tuna noodle written all over it.
“So what else is new?” If you had told her a week ago that she would be listening with not just pleasure but interest to a local gossip column, she would have shaken what was left of her locks in disbelief. Yet it was true. “And don't forget ‘The Fisheries Log'—I want to know what those poor fishermen are getting compared to what Sonny Prescott is charging.”
Pix continued, “Let's see, babies, birthdays, and family reunions. Gracious! Someone came all the way from Newfoundland for the Sanford gathering last weekend. They had a clam bake in Little Harbor. Oh, here's the card of thanks from Matilda Prescott's relatives: ‘We would like to thank everyone for their kindness in this time of our bereavement.' I guess they couldn't really put in what they thought, namely: ‘She was a cranky old lady, it was about time, and now we can finally get the house.'”
“What do you mean, Pix? Who was she? Any relation to Sonny?” Tom was as interested in gossip as Faith, though a fraction of a hair slower to admit it.
“All the Prescotts in the universe and especially on this island are related. Matilda was his aunt, or great-aunt. The house they all want is that beautiful Victorian in Sanpere Village you can see from the causeway. The question on everybody's mind is which one of the thirty thousand Prescotts will inherit. Matilda never married, so there are no children. The way I always heard it was she went away to the normal school, and when she got back all her brothers and sisters were married, so she had to stay at home and take care of her parents. And they lived a long time. When her father died, he was the oldest resident on the island and had the
Boston Post
gold-headed cane. But she did teach, in the old schoolhouse by the crossroads, and I guess she didn't spare the rod much.”
Faith had stopped listening after “beautiful Victorian.”
“You mean the house with the gazebo?!” she exclaimed. A lifelong apartment dweller with an instinctive distrust of only two or three stories, she had been surprised to discover that she occasionally fell instantly in love with a certain house—a butter-yellow rambling Colonial in Aleford, a Bauhaus gem in nearby Lincoln; houses that seemed to be as rooted in the setting as the trees and bushes surrounding them. She'd seen the Prescott house the first morning they'd arrived when she'd gone to the IGA for supplies. A causeway separated a large mill pond from the small harbor, and the house was set back in the woods across from the old mill with a spit of land projecting into the pond. The gazebo was at the tip of it, surrounded by slender white birches like girls in their summer dresses. The house, keeping watch a discreet distance away, was tall and stately, with the gingerbread, gables, and furbelows of the period kept firmly in check. Both the house and gazebo looked squarely out toward the western part of Penobscot Bay. Sunsets could be spectacular, streaks of deep rose and violet stretching across the sky, randomly broken by the dark shapes of islands that pushed up into the horizon line—islands with names like Crabapple, Little Hogg (and Big Hogg, which was smaller now), and Ragged Top.
“Yes, that's it.” Faith was dazed for a moment by the sound of Pix's voice. She had been mentally dressed in voile and a picture hat, sipping some chilled chablis with Tom as they gazed at the setting sun and each other. Invisible hands were meanwhile feeding and putting her suddenly docile child to bed.
“That's one of the most beautiful houses I've ever seen.” Faith spoke enviously. “I don't suppose you have any Prescott blood mixed up with all those New England strains, Tom?”
“Sorry to disappoint you, love, and I agree. It is a jewel. I wonder why houses like that never seem to end up as parsonages.” He sounded a bit wistful. “Probably whoever inherits it will make it into condominiums or something.”
Pix answered, “Oh, I doubt it. That's only farther down the coast so far. I think anyone who tried to introduce the idea of condominiums here would get quite a cold shoulder. Or worse.
I'm not sure everyone here even understands what they are, but they sound bad—like Yuppies, and years ago Hippiea.”
“Which reminds me,” said Tom, “I saw a flower child on the clam flats yesterday morning, quite early. Youngish with all the accoutrements—long hair, bandanna, granny sunglasses, tie-dyed mini dress around three inches long. And she had a baby or something in a pouch strapped to her back. Was I dreaming or is she a neighbor?”
“I saw her too, Tom, later. She was coming over the rocks, spied me, and fled instantly—before I had a chance to say anything.”
“That's Bird, not her real name,” Pix replied. “Although come to think of it there must be quite a few adults with similar names bequeathed to them by their letting-it-all-hang-out parents—I actually knew someone who named her daughter Emma Goldman Moonflower. Anyway, Bird lives with her significant other in that tiny shack you can see from your beach, directly across the water from the lobster pound. I don't think it even has indoor plumbing. They're into macrobiotics and she was probably gathering seaweed. The guy she lives with, Andy, is a rock musician and seems to spend most of his time in Camden playing with a group down there. I don't really know them, although they've been here all winter and I can't imagine how they survived in that house, especially with a baby.” Pix paused for breath. There was nothing like fresh Maine air and a gin and tonic to loosen her tongue.
BOOK: The Body in the Kelp
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