The Bostonians (24 page)

I must add, however, that there was a moment when she came near being happy—or, at any rate, reflected that it was a pity she could not be so. Mrs. Burrage asked her son to play “some little thing,” and he sat down to his piano and revealed a talent that might well have gratified that lady’s pride. Olive was extremely susceptible to music, and it was impossible to her not to be soothed and beguiled by the young man’s charming art. One “little thing” succeeded another; his selections were all very happy. His guests sat scattered in the red firelight, listening, silent, in comfortable attitudes ; there was a faint fragrance from the burning logs, which mingled with the perfume of Schubert and Mendelssohn;
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the covered lamps made a glow here and there, and the cabinets and brackets produced brown shadows, out of which some precious object gleamed—some ivory carving or cinque-cento
^al
cup. It was given to Olive, under these circumstances, for half an hour, to surrender herself, to enjoy the music, to admit that Mr. Burrage played with exquisite taste, to feel as if the situation were a kind of truce. Her nerves were calmed, her problems—for the time—subsided. Civilisation, under such an influence, in such a setting, appeared to have done its work; harmony ruled the scene; human life ceased to be a battle. She went so far as to ask herself why one should have a quarrel with it; the relations of men and women, in that picturesque grouping, had not the air of being internecine. In short, she had an interval of unexpected rest, during which she kept her eyes mainly on Verena, who sat near Mrs. Burrage, letting herself go, evidently, more completely than Olive. To her, too, music was a delight, and her listening face turned itself to different parts of the room, unconsciously, while her eyes vaguely rested on the
bibelots
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that emerged into the firelight. At moments Mrs. Burrage bent her countenance upon her and smiled, at random, kindly; and then Verena smiled back, while her expression seemed to say that, oh yes, she was giving up everything, all principles, all projects. Even before it was time to go, Olive felt that they were both (Verena and she) quite demoralised, and she only summoned energy to take her companion away when she heard Mrs. Burrage propose to her to come and spend a fortnight in New York. Then Olive exclaimed to herself, “Is it a plot? Why in the world can’t they let her alone?” and prepared to throw a fold of her mantle, as she had done before, over her young friend. Verena answered, somewhat impetuously, that she should be delighted to visit Mrs. Burrage; then checked her impetuosity, after a glance from Olive, by adding that perhaps this lady wouldn’t ask her if she knew what strong ground she took on the emancipation of women. Mrs. Burrage looked at her son and laughed; she said she was perfectly aware of Verena’s views, and that it was impossible to be more in sympathy with them than she herself. She took the greatest interest in the emancipation of women; she thought there was so much to be done. These were the only remarks that passed in reference to the great subject; and nothing more was said to Verena, either by Henry Burrage or by his friend Gracie, about her addressing the Harvard students. Verena had told her father that Olive had put her veto upon that, and Tarrant had said to the young men that it seemed as if Miss Chancellor was going to put the thing through in her own way. We know that he thought this way very circuitous; but Miss Chancellor made him feel that she was in earnest, and that idea frightened the resistance out of him—it had such terrible associations. The people he had ever seen who were most in earnest were a committee of gentlemen who had investigated the phenomena of the “materialisation” of spirits, some ten years before, and had bent the fierce light of the scientific method upon him. To Olive it appeared that Mr. Burrage and Mr. Gracie had ceased to be jocular; but that did not make them any less cynical. Henry Burrage said to Verena, as she was going, that he hoped she would think seriously of his mother’s invitation; and she replied that she didn’t know whether she should have much time in the future to give to people who already approved of her views: she expected to have her hands full with the others, who didn’t.

“Does your scheme of work exclude all distraction, all recreation, then?” the young man inquired; and his look expressed real suspense.

Verena referred the matter, as usual, with her air of bright, ungrudging deference, to her companion. “Does it, should you say—our scheme of work?”

“I am afraid the distraction we have had this afternoon must last us for a long time,” Olive said, without harshness, but with considerable majesty.

“Well, now, is he to be respected?” Verena demanded, as the two young women took their way through the early darkness, pacing quietly side by side, in their winter-robes, like women consecrated to some holy office.

Olive turned it over a moment. “Yes, very much—as a pianist!”

Verena went into town with her in the horse-car—she was staying in Charles Street for a few days—and that evening she startled Olive by breaking out into a reflection very similar to the whimsical falterings of which she herself had been conscious while they sat in Mr. Burrage’s pretty rooms, but against which she had now violently reacted.

“It would be very nice to do that always—just to take men as they are, and not to have to think about their badness. It would be very nice not to have so many questions, but to think they were all comfortably answered, so that one could sit there on an old Spanish leather chair with the curtains drawn and keeping out the cold, the darkness, all the big, terrible, cruel world—sit there and listen for ever to Schubert and Mendelssohn.
They
didn’t care anything about female suffrage! And I didn’t feel the want of a vote to-day at all, did you?” Verena inquired, ending, as she always ended in these few speculations, with an appeal to Olive.

This young lady thought it necessary to give her a very firm answer. “I always feel it—everywhere—night and day. I feel it
here;”
and Olive laid her hand solemnly on her heart. “I feel it as a deep, unforgettable wrong; I feel it as one feels a stain that is on one’s honour.”

Verena gave a clear laugh, and after that a soft sigh, and then said, “Do you know, Olive, I sometimes wonder whether, if it wasn’t for you, I should feel it so very much!”

“My own friend,” Olive replied, “you have never yet said anything to me which expressed so clearly the closeness and sanctity of our union.
^»

“You do keep me up,” Verena went on. “You are my conscience.” “I should like to be able to say that you are my form—my envelope. But you are too beautiful for that!” So Olive returned her friend’s compliment; and later she said that, of course, it would be far easier to give up everything and draw the curtains to and pass one’s life in an artificial atmosphere, with rose-coloured lamps. It would be far easier to abandon the struggle, to leave all the unhappy women of the world to their immemorial misery, to lay down one’s burden, close one’s eyes to the whole dark picture, and, in short, simply expire. To this Verena objected that it would not be easy for her to expire at all; that such an idea was darker than anything the world contained; that she had not done with life yet, and that she didn’t mean to allow her responsibilities to crush her. And then the two young women concluded, as they had concluded before, by finding themselves completely, inspiringly in agreement, full of the purpose to live indeed, and with high success; to become great, in order not to be obscure, and powerful, in order not to be useless. Olive had often declared before that her conception of life was as something sublime or as nothing at all. The world was full of evil, but she was glad to have been born before it had been swept away, while it was still there to face, to give one a task and a reward. When the great reforms should be consummated, when the day of justice should have dawned, would not life perhaps be rather poor and pale? She had never pretended to deny that the hope of fame, of the very highest distinction, was one of her strongest incitements; and she held that the most effective way of protesting against the state of bondage of women was for an individual member of the sex to become illustrious. A person who might have overheard some of the talk of this possibly infatuated pair would have been touched by their extreme familiarity with the idea of earthly glory. Verena had not invented it, but she had taken it eagerly from her friend, and she returned it with interest. To Olive it appeared that just this partnership of their two minds—each of them, by itself, lacking an important group of facets—made an organic whole which, for the work in hand, could not fail to be brilliantly effective. Verena was often far more irresponsive than she liked to see her; but the happy thing in her composition was that, after a short contact with the divine idea—Olive was always trying to flash it at her, like a jewel in an uncovered case—she kindled, flamed up, took the words from her friend’s less persuasive lips, resolved herself into a magical voice, became again the pure young sibyl.
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Then Olive perceived how fatally, without Verena’s tender notes, her crusade would lack sweetness, what the Catholics call unction; and, on the other hand, how weak Verena would be on the statistical and logical side if she herself should not bring up the rear. Together, in short, they would be complete, they would have everything, and together they would triumph.

XIX

T
his idea of their triumph, a triumph as yet ultimate and remote, but preceded by the solemn vista of an effort so religious as never to be wanting in ecstasy, became tremendously familiar to the two friends, but especially to Olive, during the winter of 187—, a season which ushered in the most momentous period of Miss Chancellor’s life. About Christmas a step was taken which advanced her affairs immensely, and put them, to her apprehension, on a regular footing. This consisted in Verena’s coming in to Charles Street to stay with her, in pursuance of an arrangement on Olive’s part with Selah Tarrant and his wife that she should remain for many months. The coast was now perfectly clear. Mrs. Farrinder had started on her annual grand tour; she was rousing the people, from Maine to Texas; Matthias Pardon (it was to be supposed) had received, temporarily at least, his quietus; and Mrs. Luna was established in New York, where she had taken a house for a year, and whence she wrote to her sister that she was going to engage Basil Ransom (with whom she was in communication for this purpose) to do her law-business. Olive wondered what law-business Adeline could have, and hoped she would get into a pickle with her landlord or her milliner, so that repeated interviews with Mr. Ransom might become necessary. Mrs. Luna let her know very soon that these interviews had begun; the young Mississippian had come to dine with her; he hadn’t got started much, by what she could make out, and she was even afraid that he didn’t dine every day. But he wore a tall hat now, like a Northern gentleman, and Adeline intimated that she found him really attractive. He had been very nice to Newton, told him all about the war (quite the Southern version, of course, but Mrs. Luna didn’t care anything about American politics, and she wanted her son to know all sides), and Newton did nothing but talk about him, calling him “Rannie,” and imitating his pronunciation of certain words. Adeline subsequently wrote that she had made up her mind to put her affairs into his hands (Olive sighed, not unmagnanimously, as she thought of her sister’s “affairs”), and later still she mentioned that she was thinking strongly of taking him to be Newton’s tutor. She wished this interesting child to be privately educated, and it would be more agreeable to have in that relation a person who was already, as it were, a member of the family. Mrs. Luna wrote as if he were prepared to give up his profession to take charge of her son, and Olive was pretty sure that this was only a part of her grandeur, of the habit she had contracted, especially since living in Europe, of speaking as if in every case she required special arrangements.

In spite of the difference in their age, Olive had long since judged her, and made up her mind that Adeline lacked every quality that a person needed to be interesting in her eyes. She was rich (or sufficiently so), she was conventional and timid, very fond of attentions from men (with whom indeed she was reputed bold, but Olive scorned such boldness as that), given up to a merely personal, egotistical, instinctive life, and as unconscious of the tendencies of the age, the revenges of the future, the new truths and the great social questions, as if she had been a mere bundle of dress-trimmings, which she very nearly was. It was perfectly observable that she had no conscience, and it irritated Olive deeply to see how much trouble a woman was spared when she was constructed on that system. Adeline’s “affairs,” as I have intimated, her social relations, her views of Newton’s education, her practise and her theory (for she had plenty of that, such as it was, heaven save the mark!), her spasmodic disposition to marry again, and her still sillier retreats in the presence of danger (for she had not even the courage of her frivolity), these things had been a subject of tragic consideration to Olive ever since the return of the elder sister to America. The tragedy was not in any particular harm that Mrs. Luna could do her (for she did her good, rather, that is, she did her honour, by laughing at her), but in the spectacle itself, the drama, guided by the hand of fate, of which the small, ignoble scenes unrolled themselves so logically. The
dénouement
^ao
would of course be in keeping, and would consist simply of the spiritual death of Mrs. Luna, who would end by understanding no common speech of Olive’s at all, and would sink into mere worldly plumpness, into the last complacency, the supreme imbecility, of petty, genteel conservatism. As for Newton, he would be more utterly odious, if possible, as he grew up, than he was already; in fact, he would not grow up at all, but only grow down, if his mother should continue her infatuated system with him. He was insufferably forward and selfish; under the pretext of keeping him, at any cost, refined, Adeline had coddled and caressed him, having him always in her petticoats, remitting his lessons when he pretended he had an earache, drawing him into the conversation, letting him answer her back, with an impertinence beyond his years, when she administered the smallest check. The place for him, in Olive’s eyes, was one of the public schools, where the children of the people would teach him his small importance, teach it, if necessary, by the aid of an occasional drubbing; and the two ladies had a grand discussion on this point before Mrs. Luna left Boston—a scene which ended in Adeline’s clutching the irrepressible Newton to her bosom (he came in at the moment), and demanding of him a vow that he would live and die in the principles of his mother. Mrs. Luna declared that if she must be trampled upon—and very likely it was her fate!—she would rather be trampled upon by men than by women, and that if Olive and her friends should get possession of the government they would be worse despots than those who were celebrated in history. Newton took an infant oath that he would never be a destructive, impious radical, and Olive felt that after this she needn’t trouble herself any more about her sister, whom she simply committed to her fate. That fate might very properly be to marry an enemy of her country, a man who, no doubt, desired to treat women with the lash and manacles, as he and his people had formerly treated the wretched coloured race. If she was so fond of the fine old institutions of the past, he would supply them to her in abundance; and if she wanted so much to be a conservative, she could try first how she liked being a conservative’s wife. If Olive troubled herself little about Adeline, she troubled herself more about Basil Ransom; she said to herself that since he hated women who respected themselves (and each other), destiny would use him rightly in hanging a person like Adeline round his neck. That would be the way poetic justice ought to work, for him—and the law that our prejudices, when they act themselves out, punish us in doing so. Olive considered all this, as it was her effort to consider everything, from a very high point of view, and ended by feeling sure it was not for the sake of any nervous personal security that she desired to see her two relations in New York get mixed up together. If such an event as their marriage would gratify her sense of fitness, it would be simply as an illustration of certain laws. Olive, thanks to the philosophic cast of her mind, was exceedingly fond of illustrations of laws.