January 10th, 1999
August Burroughs awakens in the Upper Territory
My body twitches, expecting another whack with the shovel, but when I open my eyes I'm not lying in the yard like I expect. Instead, I'm lying on a cot in a small room.
The walls are covered in dark wood paneling and the rafters in the ceiling are exposed. There's a filthy window with patchy daylight at the other end of the cot, as well as a door with a gap underneath.
The jingle of a dog collar greets me as I sit up, and I'm surprised to see Halfacre lying next to the cot. He picks up his head and looks at me like he's been waiting for me to wake up.
“Hey, pal,” I say. “Where are we?”
Halfacre wags his tail twice and then stops to crane his neck at the front of the room. There are clunking footsteps outside, moving away from the door.
I slide my legs off the bed, a little dizzy, and reach in my pocket for my pack of smokes. I must be on the wildlife preserve in Lockworth, and this must be one of the ranger stations. But how did I get up here?
As easy as I can, I put a cigarette in my mouth, expecting my lips to explode in pain, but they don't. My teeth aren't busted-up, and nothing is swollen. How long would I be out for them to heal?
My lighter is in my front pocket like it should be, and I light up for what I expect to be the best smoke ever. Then I inhale nothing. There's no taste at all. I can't smell the burning tobacco, and there's no flavor on my lips.
I hold the cigarette away from my face and give it a good look, and for a second it looks foreign to me. I let it drop to the hardwood floor before I stamp it out. My senses must be off from the beating. “Let's get some air,” I say to Halfacre.
I'm still a bit off-kilter when I stand, but find I'm not so much dizzy as I'm uncoordinated. It must be from sleeping for so long. It'll wear off.
There are a few other well-used cots in the room, but not much else. A folding chair and small table in the opposite corner are the only other furniture.
I reach for the door and it sticks against the frame, so I give it a good shove. Then Halfacre and I walk out onto a narrow, wooden porch. It runs the length of the small cottage where we've apparently been spending our nights. There's a man with his back to us at the far end.
He's staring out into a morning fog that has rolled in, thick enough that I can't see much further than ten feet or so. The air is so still that for a second I don't feel like I'm outside.
The man doesn't move. He looks about six feet tall, and his black hair is a little longer than mine; some of it falls underneath the collar of his plaid shirt.
“Hey,” I say in his direction.
The man looks up, but doesn't turn around.
“Hey, buddy.” I walk towards him. “Listen, what am I doing here? Where am I?”
Still no answer from him; he must be slow. I grab him by the shoulder, at which point he turns around and I take a step back.
The man's face looks etched with a hatchet, with his skin stretched tight over it. “Glad to see you're awake,” he says. “Listen, I'm sorry things turned out the way they did.”
“Erâ¦What things?” I ask.
The man makes a swinging motion before answering quietly. “You know⦔
I almost laugh. “What, you mean the fight?” I grin, expecting the man to join in laughing. My smile fades when he remains serious.
“Friend,” he says, “I'm going to say this as straight and plain as I can. You're dead.”
I chuckle at this. “Buddy, I'm not sure I know what you're talking about.”
“So is he.” The man nods at Halfacre.
“Rightâ¦whatever you say, pal.” This guy is obviously mental. “Do you know a fella named Dirk? He works here. I know him.”
The man ignores me. “You were beaten down by one of your degenerate fellow menâmurdered. Then your body was dumped in a field. I brought your soul here.” He points to a clearing where I can barely make out the lines of a car.
Something sparks in my memory. For a second everything comes rushing back at once, kind of like waking up and remembering a dream from the night before. I remember this guy pulling me away. The whole time I could see Hank standing over my lifeless body.
Hank just stood there confused, looking back and forth from me to Halfacre, neither of us moving.
I faded in and out after being dragged to the car and then driven for who knows how long. I don't know what happened to Halfacre. He must have got in the way of the shovel.
“I carried your soul here,” the man repeats. “Your soulâdo you understand? All you have left is your soul.” He waits for me like I'm supposed to respond. “Your ghost was lost. So I constructed this body for you with bits of your DNA.” He gestures at me like he's pointing out something that isn't important. “But it's not very substantial; you're just a shadow, now.”
I don't believe a word the man is saying, but my legs give out anyway. Sliding to the floor boards of the porch, there are several thoughts fighting over my mind. Cold-cock this guy. Find Dirk. What happens when you die? Go back to sleep and try to wake up again.
The man continues to speak quietly, almost to himself. “Sorry for being so blunt about it, but you seemed like a hard-nosed guy.”
“Sureâwhatever,” I say. I don't want to hear what he has to say, even though I've got a sick feeling he's telling the truth. I reach for a cigarette and then remember I can't taste them. Damn it.
“I need you to listen to me, to be open-minded,” the man says. He's shifted gears again, from distant to serious and focused. “I need your help.”
“Oh, yeah? With what?” I say with as much sarcasm as possible. There's no way I'm dead. I can't be. I can feel my body. I'm breathâ¦wait, I'm not breathing. I haven't taken a breath in the last thirty seconds.
Like he can read my mind, the man says, “Go ahead; take a deep breath.”
Near panic, I take a huge gulp of nothing.
“It's just a reflex,” he says with half a grin. “We can talk inside. I'll try my best to answer your questions.”
“Get away from me,” I say as I stand and stumble away from him. It's a dream, that's all.
At a trot, Halfacre follows me off the porch.
The man walks to the edge of the first step. “You don't want to go out thereânot now, not by yourself.”
A few steps from the porch, I look as far as I can see into the fog. There are trees beyond the clearing, big ones, but that's all I can tell. “I'll take my chances.”
“Please,” the man says, “hear me out. There's something elseâyou can still find your ghost.”
I point a finger at him and again tell him to stay away from me. My gut says to run, and I always listen to my gut.
October 28th, 1986
Culver Crisp on recess
Starla and I stand on a small hill away from the kids on the playground. The woods are in front of us, and Jeff and Timmy are behind us. I was hoping Timmy wouldn't remember his dare from yesterday.
“You gonna go, or what?” Jeff snickers. He's wearing a jean jacket just like Timmy, but he's got a Mötley Crüe patch on the back of his.
“Yeah, I'm going,” I say. I don't want to look chicken in front of Starla, so I head toward the trees and then stop, waiting for her.
She doesn't follow. Her eyes are really wide.
Jeff and Timmy are still laughing and saying things like, “She ain't gonna go.”
Starla looks back and forth. Then she walks over to me with her head down.
We move away from Jeff and Timmy, and Starla grabs my hand. This makes me feel brave. I hear Jeff and Timmy run to the edge of the woods to watch us go.
“Don't be scared now!” Timmy yells. They laugh at that.
I want to punch them both.
Starla's arm touches my arm, and she asks, “How far do we have to go?”
“I don't know. I've never been back here before.”
Most of the leaves have already fallen off the trees. They swish and crunch as we walk through them. There are other noises tooâwhistling bird sounds and echoes everywhere.
I'm not sure what the ravine looks like. Someone told me it's like a big ditch. I don't know how far we'll have to go to get to it, either. Everything is brown and gray and taller than we are, so we keep walking because nothing looks like a ravine yet.
We're far enough that we can't hear Jeff or Timmy anymore. It's cooler in here and a little wet. I try to keep us in a straight line, but there are a lot of stumps and fallen branches, so we have to go around them.
Starla follows me, and I still have her hand. I notice her breath and ask her if she's O.K., because I don't know what else to say. She says she is, but I don't believe her.
It feels like we walked forever when we finally get to a ledge. There's a bunch of dead weeds in a big ditch below. It must be the ravine because it goes in both directions.
I'm not sure how we'll both make it down. There are a lot of stones and roots in the way. The other side is mostly dirt.
“Do we have to go across?” Starla asks.
“Yep, Mr. Cressup's shack is on the other side, and Timmy says we have to touch it with our own hands.”
“Culver, I don't like it back here,” Starla pulls on me. “I wanna go back.”
“We can't go back yet,” I don't tell her that I want to leave too. I'm worried about getting back before the bell rings.
“But I don't wanna keep going!” she says like she's about to cry. “I'm scared.”
“How 'bout I go then? You can stay here and wait till I come back.”
“O.K.,” she says and then sniffles.
The ravine isn't too steep where we're standing, and I think I can get down it if I run. I take one step back and then start down the edge, running as fast as I can so I won't stumble. I reach the bottom and then stop myself two steps up the other side.
“See? It's not so bad,” I yell to Starla.
She sniffles again and smiles. I climb my way up the other side. I turn to see Starla again when I get to the top. “Are you going to wait?” I ask.
Starla nods. “Uh-huh, I promise I'll wait if you promise to come back.”
“I promise, cross my heart and hope to die.”
“Stick a needle in your eye,” she says.
We both smile, but she's so pretty I have to look away. I walk in the other direction.
I can't stop thinking about Starla as I move further from the ravine. She wore her new dress today. It's blue with a white collar, so she looks extra pretty. Maybe I should tell her that when I get back. I could say she's prettier than the flowers. No, that's dumb. Maybe I shouldn't say anything at all.
I wonder if she'd hold my hand on afternoon recess. What would Jeff and Timmy say? They'd probably make fun of me. I'd slug 'em both if they made fun of Starla. I'll ask her to hold my hand on recess when I get back.
A lot of the trees on this side of the ravine are dead. They look black compared to the others. Some have fallen down and I have to climb over them. It's quieter too. I don't hear the weird sounds anymore.
There's no shack that I can see. What if Jeff and Timmy are lying? What if Mr. Cressup doesn't have a shack? I'm worried recess might be over and don't think I should keep going. I decide I'll just say I touched the shack even though I didn't.
I turn around and start to run. The ground flies past me so fast once I get moving, I can't keep my eyes on it; I have to slow down so I don't trip and fall. I fell down in the woods once and it hurt. I had bits of twigs and dirt in a cut and my mom had to wash it out. I cried a little, but that was last summer.
The leaves sound like paper under my feet, and I imagine someone's chasing me. I know it's my mind playing tricks, but I always feel like someone's chasing me when I'm running and scared at the same time. Maybe Starla will hear me coming.
The ravine isn't too far ahead. I get to the edge but Starla isn't on the other side. “Starla!” I yell. She doesn't answer. I'm not sure I'm at the spot where I left her.
With one hand out, I try to slide down the side of the ravine. My foot slips in some loose gravel and I scrape my knee trying to slow down. At the bottom, I look down to find my jeans are torn and my skin is bloody. Then I climb the other side as fast as I can.
At the top, my heart is echoing inside me when I think Starla has gone back without me. I'm going to be in big trouble. Why would she leave me here? I run a little ways in each direction, and then head into the woods.
There's a sick feeling in my stomach and my throat feels like there's a wad of paper stuck in it. The woods are getting brighter when I hear the echo of my name up ahead.
“Culver! Culver Crisp!” It's one of the recess monitors.
I'm in for it now. I cringe as I run into the clearing. One of the monitors is standing with her hands on her hips.
“What were you doing back there, Culver?”
“Nuthin,” I say.
“Did Starla Jenkins go with you?” The monitor says this like she doesn't know where Starla is.
With my head down, I say, “Yeah.”
“Is she still out there?” the monitor asks.
“No, I mean, I thought she already came back.” The wad of paper in my throat is now a rock.
“We already blew the whistle and everyone's lined up,” the monitor says as she looks down at me. “You two were the only ones missing, but Starla hasn't come back yet.”
January 10th, 1999
August Burroughs traveling through the Upper Territory
Halfacre and I walk for an hour or so before it's clear we're not the only ones in the woods. The rustling from either side of the narrow path is a giveaway for whoever's watching us.
I ignore the whispers and the grubby faces poking out of the brush here and there. An arm or leg appears as our watchers get braver, but they draw back before I can catch them.
Halfacre is attentive, darting his head back and forth when he senses something, but stays at my side as we push through the fog. I'm banking on his size being a threat.
My coordination is better, but I'm still “off.” This is a distraction on top of not knowing where I'm going. The path isn't marked and I don't know how big the grounds are. The fog doesn't help, either.
I set a good pace in hopes we'll find a main trail sooner rather than laterâor maybe catch a ranger on his rounds. I'm still sticking to my guns that this is all some mix-up and I dreamt the last day or two.
All the crazy talk from the man at the cottage sticks with me as much as I try to ignore it. Part of me says I'm in denial. What does it mean if I'm dead? I'm not ready to answer that question. The whole point of getting out of Graehling Station was to keep things simple, but this isn't simple.
Forget it. I'm not dealing with it. It's not my problem unless I make it my problem. Death can kiss my ass. I look at Halfacre and say, “Death can kiss both our asses.”
There's giggling in the trees nearby when I say this. It sounds like a kid.
“Who's there?” I say, fed up. Halfacre and I stop, waiting for someone to come out.
The low-hanging branches rustle as a small boy appears. His faded shirt doesn't fit over his round belly, and stringy hair hangs over where his eyes should be. Whatever's there is set so deep in his head he looks like he's got two shiners. “You're funny, mister,” he says.
I don't like kids that much, and I'm not sure what to say. From the looks of him, I'd say he's been wandering out here awhileâ¦probably homeless. “Your parents know you're out here?”
“Don't got no parents,” he says.
“You got a home?” I ask.
The boy shrugs and looks down at the dirt. “Nah. Don't need one.” He looks up. “You're new around here, ain't ya?”
“Yeah, I guess you could say that.” I don't want to spend any more time dawdling. “Listen, do you know where this trail goes?”
“Why?” He perks up. “Are you gonna go looking for your ghost? I'll help ya.”
“Jeez, is everyone here crazy?”
“Naw,” he says, “just dead.”
Denial is getting harder to hold on to. There's a funny calm about it, though, even though I want to fight it. It's like I've been dead for years and I'm used to it.
“It's O.K. mister, you don't have to worry. We'll find your ghost. I've helped lots of people find 'em.”
If I'm dead, then I'm not on the preserve in Lockworth. It sinks in that I've got less of an idea where I'm going than I thought. This kid might be my ticket out of here, wherever “here” is. “Yeah, sure, O.K. Let's go find my ghost,” I say, half-serious.
“Aren't you going to ask me what my name is?” he says.
“Uhâ¦sure. What's your name?”
“Conrad. What's yours? Is that your dog?”
Is Halfacre my dog? I guess he is now. I nod. “I'm August. This is Halfacre.”
“He sure is big,” Conrad says as he strokes Halfacre's side.
“Yeah, so how do we get out of here?” I look ahead, eager to get moving.
Conrad points up the trail in the direction we're already headed. “That wayâpast the fog.”
“What's past the fog?” I ask.
“The rest of the Territory. C'mon. Follow me.” He marches a few steps ahead.
“Let's go, pal,” I say to Halfacre as we follow.
We find it easy going along the path. Halfacre trots a little ahead of me.
Conrad, now silent, walks next to Halfacre. Sometimes he stomps on a leaf blowing across the path; other times he stops to look at something in the weeds. He hasn't looked back at me since we started. “How did you die?” he asks.
“I got hit with a shovel.” It sounds lame when I say it. “What about you?”
“I don't remember.” Conrad doesn't look back.
We enter a thick patch of fog after he says this, and Halfacre falls behind next to me. It's not long and I wonder if we've lost Conrad; I can barely see more than three feet ahead.
Just when I'm sure we'll have to stop, the fog starts to give way and we're met with a stern voice.
“Hold it right there.”
Halfacre tenses, his ears perked.
There's the outline of a man at the end of the trail, with one foot up on a fallen tree. Behind him is an open field.
I take a few steps ahead to get the man in clear view. He's tall and gangly, but stands like he's got authority. His close-cropped hair has a salt and pepper look. His clothes are oldânot worn out, but like they're from a hundred years ago.
Fingers hooked in his vest, he says, “Well, what have we got here? A couple of road-weary travelers, I presume. How long have you been on the go?”
I keep a watchful eye on the man because I'm not sure what to expect at this point. “Since this morning.”
“Ah-hah! You can't be road-weary yet, then. Have you been in contact with any of our friends? How about the opposition? Any of them to contend with?”
“I'm not sure who âour friends' are,” I say.
“You know,” he says, “anyone like you or me. We're all in the same boat; we're all in this together.”
“Well, there was the fellow back at the cottage.” I recount the conversation from earlier this morning.
“Ah, yes,” the man says, “the Driver. Self-righteous fellow. I've seen him around. He's been at this game for awhile now.”
“Then there was the boy,” I say. “I was following him when we got separated in the fog.”
The man's features freeze. “Did you say a boy? How old?”
At this, Conrad appears from the brush, howling. His teeth are bared, and he lunges for the man.
I step back without thinking, not sure what to do.
The man tries to side-step, but can't avoid the boy's jaws from locking onto his leg. “You little bastard!” he yells before reaching down to grab Conrad by the hair. With one strong move, he wrenches Conrad away and flings him aside.
Conrad rolls into the brush from where he came, and then runs off into the woods.
“His rabid little friends are probably close behind,” the man says. “They don't stray too far from one another. Let's goâwe should get a move-on.”
More confused than ever, I start after the man. Halfacre follows.
“He and his friends were probably going to eat you. I'll bet he was going to walk you right to them,” the man says.
“Eat me?” I say in disbelief.
“Your dog, too,” the man says as we move out into the field. He turns to me and sees I don't understand. “Your body isn't the same as it was before, my friend, but you still have matter.”
“What does that mean for me?” My mind can't take much more. First they tell me I'm dead, and now I almost get eaten. What kind of jacked-up world is this?
“It means you've got a super-physical body. New and improved.”
“New and improved⦔ I mutter to myself.
The man puts a narrow hand on my shoulder. “Just stick with me, and I'll show you the ropes.”
“Thanks, I guess. What do I call you?”
The man grins like his name tastes good. “Tickseed.”