Authors: Bernard Minier
Then Hirtmann went over the wall and vanished into thin air, disappeared in a cloud of smoke like the genie in the lamp. Servaz had always been convinced that he would eventually resurface. Sooner or later, without the appropriate treatment, his impulses and hunting instincts would reawaken.
Which did not mean that it would be easy to catch him.
As Simon Propp, the forensic psychologist who had taken part in the investigation, had emphasised, Hirtmann was not only a manipulator and an intelligent sociopath: he was in a class of his own. He belonged to that rare category of serial killers who are capable of having an intense and gratifying social life alongside their criminal activity. It was usual for the personality disorders from which compulsive murderers suffered to affect their intellectual faculties and social life in some way or other. But for twenty years or more the Swiss murderer had managed to occupy a position of great responsibility in the Geneva law courts, while continuing to kidnap, torture and murder over forty women. Tracking Hirtmann down had become a priority: several cops were devoting most of their time to it, both in Paris and Geneva. Servaz had no idea where they stood with their investigation â but he had their telephone numbers somewhere.
Again he pictured Hirtmann in his cell, his dark brown hair and very pale, almost translucent skin. He was thin and unshaven, wearing a boiler suit and T-shirt, of a whitish colour that had gone grey from frequent washing. Yet he was urbane, smiling, extremely polite. Servaz was sure that even if he were homeless Hirtmann would preserve that veneer of education and
savoir-vivre.
He had never met someone who looked so little like a serial killer. But there was something in his expression as electrifying as a Taser, and he never blinked. Something both severe and punitive about his face, yet the lower half, his mouth in particular, belonged to a sensualist. He could have been a hypocritical resident of Salem, Massachusetts in 1692, sending
so-called witches to the stake; or a member of the Holy Inquisition; or an accuser at a Stalinist trial ⦠or what he had been: a prosecutor who had a reputation for being intransigent, but who organised sado-masochistic soirées at his villa, where his own wife was subjected to the whims of powerful, corrupt men. Insatiable men who, like him, were in search of emotions and pleasures that went far beyond convention or public morality. Businessmen, judges, politicians, artists. Men with power and money. Men whose appetites knew no bounds.
Servaz wondered what Hirtmann looked like nowadays. Had he resorted to cosmetic surgery? Or had he merely let his hair and beard grow, or dyed them and started wearing contact lenses? Had he put on weight, changed the way he walked or spoke, found a job? So many questions ⦠If he wore make-up and dressed in a totally different manner, would Servaz recognise him if he passed him in a crowd? A shudder went through him.
He handed the bag with the CD back to the technician.
There was a knot in his stomach.
It was that same piece of music, the
Kindertotenlieder
, that Julian Hirtmann had selected the night he had murdered his wife and her lover. Servaz knew that once they had finished with the initial search and the house-to-house, he would have to get hold of a few people. He did not understand how one crime scene could involve both the son of a woman he had been in love with for a long time, and this music that evoked the most horrific murderer ever to cross his path, but he did know one thing: not only had the public prosecutor's office allowed him to lead the investigation, he was also personally involved.
They drove back to Toulouse at around four o'clock in the morning. They locked Hugo up in one of the detention cells. At the police station the cells were in a row on the opposite side of the corridor from the offices: that way, detainees did not have to go far to be interrogated. Servaz checked his watch.
âRight. Let's let him get some rest,' he said.
âAnd then what do we do?' asked Espérandieu, stifling a yawn.
âWe still have some work ahead. Keep track of the hours he spends resting, and make sure he initials them â and ask him if he's hungry.'
Servaz turned around. Samira was unloading her weapon in the bullet bin, a sort of metallic padded and armoured Kevlar dustbin. To avoid any accidents, when agents came back from a mission they
emptied their guns into the bin. Unlike most of her colleagues, Samira wore her holster on her hips. Servaz thought it made her look rather like a cowboy. As far as he knew, she had never yet had to use her gun, but she had excellent results at the shooting range â unlike Servaz, who could have missed an elephant in a corridor. He was the despair of his trainer, who had baptised him âDaredevil'. Since Servaz didn't understand, the instructor explained that âDaredevil' was a superhero in a comic strip who was very intuitive but blind. Servaz himself had never used the bullet bin. First of all because he generally forgot to take his weapon, and secondly because he simply locked it up when he came back from a mission and most of the time the magazine was empty anyway.
He walked across the hall and into his office.
The night was not yet over, and he still had a pile of paperwork to get through. The very idea of it depressed him. He went over to the window and looked out at the canal in the rain. The night sky was fading, but the day had not yet risen, so what he saw in the windowpane was his own reflection. His forehead, mouth and eyes were blurry, but before he had time to arrange his features, he surprised an expression that displeased him. That of a man who was anxious and tense. A man who was on his guard.
âSomeone wants to speak to you,' said a voice behind him.
He turned around. One of the officers on duty.
âWho?'
âThe family lawyer. He's asked to see the kid.'
Servaz frowned.
âThe boy didn't ask for a lawyer, and visiting hours are over,' he said. âHe ought to know that.'
âHe does. But he's asking for a favour: to speak with you for five minutes. That's what he said. And he says it's the kid's mother who sent him.'
Servaz paused. Should he comply with the lawyer's request? He could understand Marianne's anxiety. What had she told the lawyer about Servaz and herself?
âWhere is he?'
âDownstairs. In the lobby.'
âOkay. I'll be down.'
When he came out of the lift, Servaz ran into two officers setting up a little television behind the counter. He saw something green on the screen and tiny figures in blue running in every direction. Given the time, it must be a repeat. He gave a sigh, and mused that entire countries were on the verge of collapse, that the names of the Four Horsemen of the Apocalypse were finance, politics, religion and the depletion of resources, and they were whipping their horses as hard as they could, but the ant farm continued to dance on a volcano and be fascinated by things as insignificant as football. Servaz thought that the day the world came to an end â in a blaze of climate catastrophes, stock market collapses, massacres and riots â there would still be men stupid enough to score goals and others who were even more inane going to the stadiums to cheer them on.
The lawyer was sitting in the gloomy, deserted lobby. During the day, the chairs were besieged by anyone who had a reason to be there. No one came to the police station for the pleasure of it, and the officers on duty had to deal with crowds of desperate, furious or frightened people. But at this time of day, the little man was all alone, his briefcase on his lap, his knees close together, and in the dim light he was cleaning his glasses.
The lawyer heard the lift doors open. He put his glasses back on his nose and looked up in Servaz's direction. Servaz motioned to him to follow him and the man walked round the reception with his hand extended. A cool, limp handshake. After that, he smoothed his tie as if he were wiping his hand.
Servaz got straight to the point. âSir, you know you have no business here. The boy did not request your presence.'
The little man evaluated him carefully, and Servaz was immediately on his guard.
âI know, I know, Commandant. But Hugo wasn't really thinking straight when you asked him. He was under the influence of the drugs he'd been given, as the tests will show. So I'm asking you to put the question to him again, now that he may have regained his faculties.'
âNothing obliges us to do so.'
A brief flash behind his glasses.
âI am aware of that. So I am calling upon your ⦠humanity, and your sense of justice â not merely the code.'
âMy ⦠humanity?'
âYes. Those were the very words used by the person who sent me. You know, I think, who I am talking about.'
The lawyer kept his gaze on him, waiting for an answer.
He knew about Marianne and him
â¦
Servaz felt a burst of anger. âI advise you not toâ'
âAs you can imagine,' the lawyer broke in, âshe is very upset by what is going on. And “upset” is a weak word ⦠desperate, shattered, terrified, would be more appropriate. It's just a little gesture, Commandant. I am not trying to put a spanner in the works. I am not here to make things more difficult for you; I simply want to see him. She is begging you to agree to my request: that is also the word she used. Put yourself in her position. Imagine how you would feel if it were your daughter who was in Hugo's place. Ten minutes. Not a minute more.'
Servaz stared at him. The lawyer held his gaze. The cop tried to read scorn, affliction or embarrassment in his eyes, but there was nothing. Other than his own reflection in the lenses of the man's glasses.
âTen minutes.'
Memories
It was as if the sky were pouring out bile rather than tears, as if someone up there were squeezing a dirty sponge over their heads: the rain fell relentlessly on the roads and the woods from a sky the yellow-grey colour of a decomposing corpse. The air was sultry, sticky and humid. It was Saturday, 12 June, and not yet eight o'clock in the morning. Servaz was already on the road for Marsac, on his own this time.
He'd slept for barely two hours in one of the cells, had rinsed his armpits and his face in the washroom, dried himself with paper towels from the distributor, and now he was having trouble keeping his eyes open.
With one hand on the steering wheel, the other clutching a thermos of lukewarm coffee, he blinked to the same sleepy rhythm as the windscreen wipers. He was also holding a cigarette in the thermos hand, and he inhaled the smoke with a rage. Everything was coming back to him now, and he was acutely aware, stunningly lucid, as if his memory were on fire. The years of his youth. They had the flavour of the countryside he was going through. In autumn, the dead leaves scattered to the side of the road as he drove by, music on full blast; the long, silent, gloomy corridors bathed in a grey light as the rain fell relentlessly all through the endless November weeks; and then, the white illumination of the first snow in December, rock music resonating joyfully through the dormitories from behind people's doors as Christmas approached; the buds in spring and flowers bursting forth everywhere, like a siren's call, a lost paradise, inviting them to leave this place, just as the work rhythm was intensifying and the written exams of April and May were fast approaching. And finally, the stifling heat of June, the pale blue sky baking with heat, the dazzling light and the buzzing of insects â¦
Faces, too.
Dozens of faces ⦠youthful, honest, clever, spiritual, fervent, concentrated, friendly, all filled with hopes, dreams and impatience. And then, Marsac itself: its pubs, its art-house cinema showing Bergman, Tarkovsky and Godard; its streets, its squares. He had loved those years. Oh, God, how he had loved them. Even if, at the time, he had lived through them with a sort of unconsciousness punctuated by moments of astonishing happiness, or despair as violent as coming down from an acid trip.
The worst one was called Marianne â¦
Twenty years on, the wound, which he had thought would never heal, had closed, and he could look back on that time with the detached curiosity of an archaeologist. Or at least so he had thought, until yesterday.
The Cherokee bumped over the old cobblestones when he reached the town. It didn't look at all like it had the night before. The smooth faces of the students in their shining rain gear, the rows of bicycles, the shop windows, the pubs, the dark awnings dripping over the outdoor cafés: he was stunned to see it all, as if nothing had changed in twenty years, as if the past had been looking out for him, waiting for him, hoping, all these years, to grab him by the neck and immerse him headfirst in his memories.
Friends and Enemies
Servaz climbed out of the car and looked at a group of lycée students trotting past him, their blank-faced gym teacher in the lead, and he remembered a similar instructor who liked to humiliate and harden his students. He went into the building.
âI am Commandant Servaz,' he said to the secretary sitting in the office beyond the lobby, âI'm here to see the director.'
She gave his wet clothes a suspicious look.
âDo you have an appointment?'
âI'm in charge of the investigation into the death of Professor Diemar.'
He saw her gaze cloud over behind her glasses. She picked up the telephone and spoke in a low voice. Then she stood up.
âThere is no need. I know the way,' he said.
He saw her hesitate for a second, then sit back down, looking as if something were troubling her.
âMadame Diemar â¦' she said. â
Claire
⦠She was such a good person. I hope you're going to punish whoever did this.'
She had not said
find
, she had said
punish.
He was sure that everyone in Marsac knew that Hugo had been arrested. Servaz moved away. Silence reigned in this part of the lycée; courses were held elsewhere, in the concrete cubes out on the lawn and in the ultramodern amphitheatre which hadn't been there in his day. Out of breath, he reached the top of the spiral stairs inside the circular tower. The door opened almost at once. The headmaster had put on an appropriately grave expression, but his surprise destroyed the effect.