The Collected Works of Chögyam Trungpa: Volume 6 (8 page)

BOOK: The Collected Works of Chögyam Trungpa: Volume 6
6.29Mb size Format: txt, pdf, ePub
ads

Student:
Could you elaborate on the importance of studying the six states of bardo in connection with meditation experience?

Trungpa Rinpoche:
You don’t have to try to put them together; they are the same experience. However, the six types of bardo are postmeditation experience, the meditation-in-action aspect. Sitting meditation is
being
, a way of being in open space, providing a clear white canvas in order to paint pictures on it. So they are complementary to one other.

Student:
As Evans-Wentz mentions in
The Tibetan Book of the Dead
,
1
there are various books of the dead in various cultures. Are the experiences they describe inspired parables, or have they actually been experienced and can be experienced by us, too?

Trungpa Rinpoche:
You see, all ancient traditions—such as the Egyptian, the Bön tradition of Tibet, the Shintoism of Japan, the Taoism of China, and others—all paid a great deal of attention to the process of growth. The process of growth means birth as well as coloring, blooming, decaying, turning into a seed, dropping on the ground, regenerating as another plant, and going through the cycle of the four seasons continuously. Because of that, because it is of the same nature, human life has been dealt with in exactly the same way. So much sacredness has been imposed on the idea of the birth and death process. I don’t think it is so much an intellectual, philosophical, or religious phenomenon, but it is much more earthy—being one with the facts of life, with this growth process.

For instance, in Bön, the Tibetan pre-Buddhist tradition, they say the time of death and the time of birth should coincide. That brings a conclusion to that process of birth and death—which includes the climate, the time, the location, the direction the dying person is facing, the particular collection of parents and relatives, and how many people are gathered there, how many men, women, or children. That whole collection brings a total picture of complete conclusion. So they are very earthy people. It is quite different from how modern occultists work with the same thing. It is very earthy; nobody allows room for hallucinations or imagination. Everything is dealt with completely within the tradition and the actual experience of the moment.

From that point of view, in all the traditional civilizations of many different cultures, the death experience is regarded as an important point. And on top of that, the Buddhist discovery was to see all those colors, directions, temperatures, and climates of the dying person as a psychological picture. So it is seen completely differently but in exactly the same way.

S:
Are the deities which appear during the forty-nine days following death just visions, or are they actually experienced?

TR:
Nobody knows. But as an experience of a given situation develops, it has a feeling around it as well. That could be said of anything, like the meeting of two friends—the situation of the meeting, the nature of the conversation, the particular kind of prelude to the meeting the individuals had before they met the other person, what kind of state of mind you are in, what kind of incidents you have gone through, whether you just got up and felt high-spirited when you met this person or whether you were just involved in a car accident and you happened to drag yourself into a friend’s house and met this person—I mean, such situations make
real
life, the living quality. From that point of view it is a definite thing, an experiential thing. But as far as the death process is concerned, nobody knows. It is left to individuals to work through it from their living experiences.

S:
If you have decided to return to earth, the soul sees visions of copulating males and females. Well, this is a marvelous simile, but does that vision really exist?

TR:
It could exist, sure. If you are without a home for seven weeks and you see somebody decorating a beautiful apartment . . .

Student:
Through meditation I get myself together. But can I use it to help other people, all those who are oppressed?

Trungpa Rinpoche:
I think so, definitely, yes. It wouldn’t become true meditation if you couldn’t help other people. That is a criterion of meditation—meditation experience is not only an introverted experience, but it is also associated with the experience of life in general. You see, the idea of meditation is complete sanity, a completely balanced state of mind. If you are a completely sane person, even your example will be inspiring to others, that you are a balanced person, beautiful to be with.

Student: Is it helpful to study the
Tibetan Book of the Dead?

Trungpa Rinpoche:
Sure, of course. But you have to understand the symbolism, all the subtleties, because the people who wrote such writings were very earthy people. They saw things as they really are. When they say
water
, they really mean it. When we say
water
, we might see it as something coming out of taps, in terms of cold and hot. It could be misleading.

D
ISCUSSION
N
EXT
M
ORNING

Student:
We were talking this morning about ego, and we seemed to have trouble defining it. Could you say what it is?

Trungpa Rinpoche:
Well, there seem to be different ways of using the word
ego.
To some people, the ego is that which sustains them. That which gives some kind of guideline or practicality in dealing with things is referred to as ego, being conscious of being oneself. And you exert effort through it, so any kind of self-respect is referred to as ego, which is a general sense of the term.

But ego as we are discussing it is slightly different from that. In this case ego is that which is constantly involved with some kind of paranoia, some kind of panic—in other words, hope and fear. That is to say, as you operate there is a constant reference back to yourself. As you refer back to yourself, then a criterion of reference develops in terms of hope and fear: gaining something or losing one’s identity. It is a constant battle. That seems to be the notion of ego in this case, its neurotic aspect.

You could have a basic sound understanding of the logic of things as they are without ego. In fact you can have greater sanity beyond ego; you can deal with situations without hope and fear, and you can retain your self-respect or your logical sanity in dealing with things. Continuously you can do so, and you can do so with much greater skill, in a greater way, if you don’t have to make the journey to and fro and if you don’t have to have a running commentary going on side by side with your operation. It is more powerful and more definite. You see, getting beyond ego doesn’t mean that you have to lose contact with reality at all. I think that in a lot of cases there is a misunderstanding that you need ego and that without it you can’t operate. That’s a very convenient basic twist: hope and fear as well as the notion of sanity are amalgamated together and used as a kind of excuse, that you need some basic ground to operate—which is, I would say, a misunderstanding. It’s the same as when people say that if you are a completely enlightened being, then you have no dualistic notion of things. That is the idea of ultimate zombie, which doesn’t seem to be particularly inspiring or creative at all.

Student:
What do you mean by basic sanity?

Trungpa Rinpoche:
It is relating with things which come up within your experience and knowing experiences as they are. It’s kind of the rhythm between experience and your basic being, like driving on the road in accordance with the situation of the road, a kind of interchange. That is the basic sanity of clear perception. Otherwise, if you wanted to reshape the road in accordance with your excitement or your wishes, then possibly, instead of you reshaping the road, the road might reshape you and you might end up in an accident. This is insane, suicidal.

S:
How about vajrayana, crazy wisdom?

TR:
Well, crazy wisdom—that’s a very good question—is when you have a complete exchange with the road, so that the shape of the road becomes your pattern as well. There’s no hesitation at all. It’s complete control—not only control, but a complete dance with it, which is very sharp and penetrating, quick precision. That precision comes from the situation outside as well: not being afraid of the outside situation, we can tune into it. That’s the fearless quality of crazy wisdom.

Student:
What do you mean when you speak of “the simple-minded attitude toward karma”?

Trungpa Rinpoche:
Well, there seem to be all sorts of different attitudes toward the idea of karma. One is that if you constantly try to be good, then there will be constant good results. That attitude to karma doesn’t help you to transcend karmic creation. The ultimate idea is to transcend sowing the seed of any karma, either good or bad. By sowing karmic seeds you perpetually create more karma, so you are continuously wound up in the wheel of samsara.

Another attitude to karma is that it is connected with rebirth, life after death—which is pure blind faith. That approach brings a certain amount of psychological comfort: this is not the only life, but there are a lot more to come; other situations will come up so you don’t have to feel fatalistic any more. That kind of attitude to karma is not dealing with the root of the karmic situation but is purely trying to play games with it or else trying to use karma as a comforter. It is based on distrust in oneself. Knowing that you are making mistakes, you think that even if you do make mistakes, you can afford to correct them, because you have a long, long time, endless time to do so.

S:
I understand that an enlightened person doesn’t carry a trace of what happens, but the rest of us do.

TR:
In terms of an enlightened being, his attitude to karma is that either of the two polarities of good and bad is the same pattern—fundamentally a dead end. So there’s no fear involved. In fact, there’s more effort, more spontaneous effort of transcending sowing karmic seeds. In the ordinary case, you are not quite sure what you are doing, and there’s fear of the end result anyway. So there’s the constant panic of losing oneself, the ego.

Student:
Could you discuss what it is that reincarnates, especially in relation to the Theravada doctrine of anatman, egolessness?

Trungpa Rinpoche:
Well, from the point of view of anatman, nothing reincarnates. It is more of a rebirth process rather than reincarnation. The idea of reincarnation is that a solid, living quality is being passed on to the next being. It is the idea of some solid substance being passed on. But in this case, it’s more of a rebirth. You see, something continues, but at the same time, nothing continues. In a sense we’re like a running stream. You could say, such and such a river, such and such a stream. It has a name, but if you examine it carefully, that river you named three hundred years ago isn’t there at all; it is completely different, changing, passing all the time. It is transforming from one aspect to another. That complete transformation makes it possible to take rebirth. If one thing continued all the time there would be no possibilities for taking rebirth and evolving into another situation. It is the change which is important in terms of rebirth, rather than one thing continuing.

S:
Doesn’t that happen moment to moment within a lifetime?

TR:
Yes, exactly. You see, the ultimate idea of rebirth is not purely the idea of physical birth and death. Physical birth and death are very crude examples of it. Actually, rebirth takes place every moment, every instant. Every instant is death; every instant is birth. It’s a changing process: there’s nothing you can grasp onto; everything is changing. But there is some continuity, of course—the change
is
the continuity. The impermanence of the rebirth is the continuity of it. And because of that, there are possibilities of developing and possibilities of regressing. Certain new elements and inspirations could insert themselves into that process of continual change. You can enter yourself into the middle of the queue, if you are queuing, because this queue is made out of small particles, or people, rather than one thing.

Student:
Doesn’t alaya consciousness provide the ground of continuity?

Trungpa Rinpoche:
In order to have alaya consciousness, you have to have change taking place all the time. This common ground idea, or alaya, is not ground in terms of solid ground, but perpetually changing ground. That’s why it remains consciousness—or the unconscious state—it is a changing process.

Student:
This morning there was some confusion in our discussion group about the place of technique in dealing with the problems of everyday life and in meditating, and whether there should be any techniques at all.

Trungpa Rinpoche:
Whether there shouldn’t be any techniques or there should be techniques, both remain techniques in any case. I mean, you can’t step out of one thing because you have gotten a better one, you see? It’s a question of what is needed. Any kind of application becomes a technique, therefore there is continual room for discipline.

S:
Is the technique of “no technique” a fiction? In fact, do you always have to apply some technique?

TR:
When you talk about “no technique” and “technique,” when you begin to speak in terms of “yes” and “no,” then that is automatically a polarity. And however much you are able to reduce your negativity into nothingness, it still remains negative as opposed to positive. But at the same time, being without the sophisticated techniques of everyday life, the practice of meditation is in a sense more ruthless. In other words, it is not comforting and not easy. It is a very narrow and direct path because you can’t introduce any other means of occupying yourself. Everything is left to a complete bare minimum of simplicity—which helps you to discover everything.

BOOK: The Collected Works of Chögyam Trungpa: Volume 6
6.29Mb size Format: txt, pdf, ePub
ads

Other books

Ghost in the Pact by Jonathan Moeller
Decked with Folly by Kate Kingsbury
Strongest Conjuration by Skyler White
Let Your Heart Drive by Karli Rush
Emissary by Fiona McIntosh
Mysterious Aviator by Nevil Shute
Consequence by Shelly Crane