The Collective (2 page)

"One-way?" His wide Anglo-Saxon brow crippled and croggled into its usual expression of befuddlement. "How can you have a one-way hike, Lottie?"

"By hailing a taxi to take you home when your feet begin to hurt," she replied coldly,

The barb was wasted. He went without her, and came back glowing. The stupid bastard was getting a tan.

She had not even enjoyed their evenings of bridge in the downstairs recreation room, and that was most unlike her. She was something of a barracuda at bridge, and if it had been ladylike to play for stakes in mixed company, she could have brought a cash dowry to her marriage (not that she would have, of course). Bill was a good bridge partner, too; he had both qualifications: He understood the basic rules and he allowed Lottie to dominate him. She thought it was poetic justice that her new husband spent most of their bridge evenings as the dummy.

Their partners at the Overlook were the Compsons occasionally, the Vereckers more frequently. Dr. Verecker was in his early 70s, a surgeon who had retired after a near-fatal heart attack. His wife smiled a lot, spoke softly, and had eyes like shiny nickels. They played only adequate bridge, but they kept beating Lottie and Bill. On the occasions when the men played against the women, the men ended up trouncing Lottie and Malvina Verecker. When Lottie and Dr. Verecker played Bill and Malvina, she and the doctor usually won, but there was no pleasure in it because Bill was a dullard and Malvina, could not see the game of bridge as anything but a social tool.

Two nights before, after the doctor and his wife had made a bid of four clubs that, they had absolutely no right to make, Lottie had mussed the cards in a sudden flash of pique that was very unlike her. She usually kept her feelings under much better control.

"You could have led into my spades on that third trick!" she rattled at Bill. "That would have put a stop to it right there!"

"But dear," said Bill, flustered , "I thought you were thin in spades."

'If I had been thin in spades, I shouldn't have bid two of them, should I? Why I continue to play this game with you I don't. know!"

The Vereckers blinked at them in mild surprise. Later that evening Mrs. Verecker, she of the nickel-bright eyes, would tell her husband that she had thought them such a nice couple, so loving, but when she rumpled the cards like that she had looked just like a shrew.

Bill was staring at her with jaws agape.

"I'm very sorry," said Lottie, gathering up the reins of her control and giving them an inward shake. "I'm off my feed a little, I suppose. I haven't been sleeping well."

"That's a pity," said the doctor. "Usually this mountain air-we're almost 12,000 feet above sea level, you know is very conducive to good rest. Less oxygen, you know. The body doesn't-"

"I've had bad dreams," Lottie told him shortly.

And so she had. Not just bad dreams but nightmares. She had never been much of one to dream (which said something disgusting and Freudian about, her psyche, no doubt), even as a child. Oh, yes, there had been some pretty humdrum affairs, mostly he only one she could remember that, came even close to being a nightmare was one in which she had been delivering a Good Citizenship speech at the school assembly and had looked down to discover she had forgotten to put on her dress. Later someone had told her almost everyone had a dream like that at some point or another.

The dreams she had had at the Overlook were much worse. It was not a case of one dream or two repeating themselves with variations; they were all different. Only the setting of each was similar: In each one she found herself in a different part of the Overlook Hotel. Each dream would begin with an awareness on her part that she was dreaming and that something terrible and frightening was going to happen to her in the course of the dream. There was an inevitability about it that was particularly awful.

In one of them she had been hurrying for the elevator because she was late for dinner, so late that Bill had already gone down before her in a temper.

She rang for the elevator, which came promptly and was empty except for the operator. She thought too late that it was odd; at mealtimes you could barely wedge yourself in. The stupid hotel was only half full, but the elevator had a ridiculously small capacity. Her unease heightened as the elevator descended and continued to descend ... for far too long a time. Surely they must have reached the lobby or even the basement by now, and still the operator did not open the doors, and still the sensation of downward motion continued. She tapped him on the shoulder with mixed feelings of indignation and panic, aware too late of how spongy he felt, how strange, like a scarecrow stuffed with rotten straw. And as he turned his head and grinned at her she saw that the elevator was being piloted by a dead man, his face a greenish-white corpselike hue, Ms eyes sunken, his hair under his cap lifeless and sere. The fingers wrapped around the switch were fallen away to bones.

Even as she filled her lungs to shriek, the corpse threw the switch over and uttered, "Your floor, madam," in a husky, empty voice. The door drew open to reveal flames and basalt plateaus and the stench of brimstone. The elevator operator had taken her to hell.

In another dream it was near the end of the afternoon and she was on the playground. The light was curiously golden, although the sky overhead was black with thunderheads. Membranes of shower danced between two of the saw-toothed peaks further west. It was like a Brueghel, a moment of sunshine and low pressure. And she felt something beside her. Moving. Something in the topiary. And she turned to see with frozen horror that it was the topiary: The hedge animals had left their places and were creeping toward her, the lions, the buffalo, even the rabbit that usually looked so comic and friendly. Their horrid hedge features were bent on her as they

moved slowly toward the playground on their hedge paws, green and silent and deadly under the black thunderheads.

In the one she had just awakened from, the hotel had been on fire. She had awakened in their room to find Bill gone and smoke drifting slowly through the apartment. She fled in her nightgown but lost her direction in the narrow halls, which were obscured by smoke. All the numbers seemed to be gone from the doors, and there was no way to tell if you were running toward the stairwell and elevator or away from them. She rounded a corner and saw Bill standing outside the window at the end, motioning her forward. Somehow she had run all the way to the back of the hotel; he was standing out there on the fire escape landing. Now there was heat baking into her back through the thin, filmy stuff of her nightgown. The place must be in flames behind her, she thought. Perhaps it had been the boiler. You had to keep an. eye on the boiler, because if you didn't, she would creep on you. Lottie started forward and suddenly something wrapped around her arm like a python, holding her back. It was one of the fire hoses she had seen along the corridor walls, white canvas hose in a bright red frame. It had come alive somehow, and it writhed and coiled around her, now securing a leg, now her other arm. She was held fast and it was getting hotter, hotter. She could hear the angry crackle of the flames now only feet behind her. The wallpaper was peeling and blistering. Bill was gone from the fire-escape landing. And then she had been-

She had been awake in the big double bed, no smell of smoke, with Bill Pillsbury sleeping the sleep of the justly stupid beside her. She was running sweat, and if it, weren't so late she would get up to shower. It was quarter past three in the morning.

Dr. Verecker had offered to give her a sleeping medicine, but Lottie had refused. She distrusted any concoction you put in your body to knock out your mind. It was like giving up command of your ship voluntarily, and she had sworn to herself that she would never do that.

But what would she do for the next four clays? Well, Verecker played shuffleboard in the mornings with his nickeleyed wife. Perhaps she would look him up and get the prescription after all.

Lottie looked up at the white ceiling high above her, glimmering ghostlike, and admitted again that the Overlook had been a very bad mistake. None of the ads for the Overlook in the
New Yorker
or
The American Mercury
mentioned that the place's real specialty seemed to be giving people the whimwhams. Four more days, and that was plenty. It had been a mistake, all right, but a mistake she would never admit, or have to admit. In fact, she was sure she could.

You had to keep an eye on the boiler, because if you didn't., she would creep up on you.
What did that mean, anyway? Or was it just one of those nonsensical things that sometimes came to you in dreams, so much gibberish? Of course, there was undoubtedly a boiler in the basement or somewhere to heat the place; even summer resorts had to have heat, sometimes, didn't they? If only to supply hot water. But creep? Would a boiler creep?

You had to keep an, eye on, the boiler.

It was like one of those crazy riddles:

Why is a mouse when it runs, when is a raven like a writing desk, what is a creeping boiler? Was it, like the hedges, maybe? She'd had a dream where the hedges crept. And the fire hose that had what - what? - slithered?

A chill touched her. It was not good to think much about the dreams in the night, in the dark. You could ... well, you could bother yourself. It was better to think about the things you would be doing when you got back to New York, about how you were going to convince Bill that a baby was a bad idea for a while, until he got firmly settled in the vice presidency his father had awarded him as a wedding present-

She'll creep on you.

- and how you were going to encourage him to bring his work home so he would get used to the idea that she was going to be involved with it, very much involved.

Or did the whole hotel, creep? Was that the answer?

I'll make him a good wife, Lottie thought frantically. We'll work at it the same way we always worked at being bridge partners. He knows the rules of the game and he knows enough to let me run him. It will be just like the bridge, just like that, and if we've been off our game up here that, doesn't mean anything, it's just the hotel, the dreams-

An affirming voice: That's it. The whole place. It... creeps.

"Oh, shit," Lottie Kilgallon whispered in the dark. It was dismaying for her to realize just how badly her nerves were shot. As on the other nights, there would be no more sleep for her now. She would lie here in bed until the sun started to come up and then she would get an uneasy hour or so.

Smoking in bed was a bad habit, a terrible habit., but she had begun to leave her cigarettes in an ashtray on the floor by the bed in case of the dreams. Sometimes it calmed her. She reached down to get the ashtray and the thought burst on her like a revelation:

It does creep, the whole place - like it's alive!

And that was when the hand reached out unseen from under the bed and gripped her wrist firmly ... almost lecherously. A fingerlike canvas scratched suggestively against her palm and something was under there, something had been under there the whole time, and Lottie began to scream. She screamed until her

throat was raw and hoarse and her eyes were bulging from her face and Bill was awake and pallid with terror beside her.

When he put on the lamp she leaped from the bed, retreated into the farthest corner of the room and curled up with her thumb in her mouth.

Both Bill and Dr. Verecker tried to find out what was wrong; she told them but she was still sucking her thumb, so it was some time before they realized she was saying, "It crept under the bed. It crept under the bed."

And even though they flipped up the coverlet and Bill actually lifted up the whole bed by its foot off the floor to show her there was nothing under there, not even a litter of dust kitties, she would not come out of the corner. When the sun came up, she did at last come out of the corner. She took her thumb out of her mouth. She stayed away from the bed. She stared at, Bill Pillsbury from her clown-white face.

"We're going back to New York," she said. "This morning."

"Of course," Bill muttered. "Of course, dear."

Bill Pillsbury's father died of a heart attack two weeks after the stock-market crash. Bill and Lottie could not keep the company's head above water. Things went from bad to worse. In the years that followed she thought often of their honeymoon at the Overlook Hotel, and the dreams, and the canvas hand that had crept out from under the bed to squeeze her own. She thought about those things more and more. She committed suicide in a Yonkers motel room in 1949, a woman who was prematurely gray and prematurely lined. It had been 20 years and the hand that had gripped her wrist when she reached down to get her cigarettes had never really let go. She left a one-sentence suicide note written on Holiday Inn stationery. The note said: "I wish we had gone to Rome."

AND NOW THIS WORD FROM NEW HAMPSHIRE

In that long, hot summer of 1953, the summer Jacky Torrance turned 6, his father came home one night from the hospital and broke Jacky's arm. He almost killed the boy. He was drunk.

Jacky was sitting on the front porch reading a Combat Casey comic book when his father came down the street, listing to one side, torpedoed by beer somewhere down the line. As he always did, the boy felt a mixture of love-hate-fear rise in his chest at the sight of the old man, who looked like a giant, malevolent ghost in his hospital whites. Jacky's father was an orderly at the Berlin Community Hospital. He was like God, like Nature-sometimes lovable, sometimes terrible. You never knew which it would be. Jacky's mother feared and served him. Jacky's brothers hated him. Only Jacky, of all of them, still loved him in spite of the fear and the hate, and sometimes the volatile mixture of emotions made him want to cry out at the sight of his father coming, to simply cry out: "I love you, Daddy! Go away! Hug me! I'll kill you! I'm so afraid of you! I need you!" And his father seemed to sense in his stupid way-he was a stupid man, and selfish - that all of them had gone beyond him but Jacky, the youngest, knew that the only way he could touch the others was to bludgeon them to attention. But with Jacky there was still love, and there had been times when he had cuffed the boy's mouth into running blood and then hugged him with a frightful force, the killing force just, barely held back by some other thing, and Jackie would let himself be hugged deep into the atmosphere of malt and hops that hung around his old man forever, quailing, loving, fearing.