The Complete Tommy & Tuppence Collection (22 page)

The sound of the key turning in the lock awoke him from his slumbers. Not belonging to the type of hero who is famous for awaking in full possession of his faculties, Tommy merely blinked at the ceiling and wondered vaguely where he was. Then he remembered, and looked at his watch. It was eight o'clock.

“It's either early morning tea or breakfast,” deduced the young man, “and pray God it's the latter!”

The door swung open. Too late, Tommy remembered his scheme of obliterating the unprepossessing Conrad. A moment later he was glad that he had, for it was not Conrad who entered, but a girl. She carried a tray which she set down on the table.

In the feeble light of the gas burner Tommy blinked at her. He decided at once that she was one of the most beautiful girls he had ever seen. Her hair was a full rich brown, with sudden glints of gold in it as though there were imprisoned sunbeams struggling in its depths. There was a wild-rose quality about her face. Her eyes, set wide apart, were hazel, a golden hazel that again recalled a memory of sunbeams.

A delirious thought shot through Tommy's mind.

“Are you Jane Finn?” he asked breathlessly.

The girl shook her head wonderingly.

“My name is Annette, monsieur.”

She spoke in a soft, broken English.

“Oh!” said Tommy, rather taken aback.
“Française?”
he hazarded.

“Oui, monsieur. Monsieur parle français?”

“Not for any length of time,” said Tommy. “What's that? Breakfast?”

The girl nodded. Tommy dropped off the bed and came and inspected the contents of the tray. It consisted of a loaf, some margarine, and a jug of coffee.

“The living is not equal to the Ritz,” he observed with a sigh. “But for what we are at last about to receive the Lord has made me truly thankful. Amen.”

He drew up a chair, and the girl turned away to the door.

“Wait a sec,” cried Tommy. “There are lots of things I want to ask you, Annette. What are you doing in this house? Don't tell me you're Conrad's niece, or daughter, or anything, because I can't believe it.”

“I do the
service,
monsieur. I am not related to anybody.”

“I see,” said Tommy. “You know what I asked you just now. Have you ever heard that name?”

“I have heard people speak of Jane Finn, I think.”

“You don't know where she is?”

Annette shook her head.

“She's not in this house, for instance?”

“Oh no, monsieur. I must go now—they will be waiting for me.”

She hurried out. They key turned in the lock.

“I wonder who ‘they' are,” mused Tommy, as he continued to make inroads on the loaf. “With a bit of luck, that girl might help me to get out of here. She doesn't look like one of the gang.”

At one o'clock Annette reappeared with another tray, but this time Conrad accompanied her.

“Good morning,” said Tommy amiably. “You have
not
used Pear's soap, I see.”

Conrad growled threateningly.

“No light repartee, have you, old bean? There, there, we can't always have brains as well as beauty. What have we for lunch? Stew? How did I know? Elementary, my dear Watson—the smell of onions is unmistakable.”

“Talk away,” grunted the man. “It's little enough time you'll have to talk in, maybe.”

The remark was unpleasant in its suggestion, but Tommy ignored it. He sat down at the table.

“Retire, varlet,” he said, with a wave of his hand. “Prate not to thy betters.”

That evening Tommy sat on the bed, and cogitated deeply. Would Conrad again accompany the girl? If he did not, should he risk trying to make an ally of her? He decided that he must leave no stone unturned. His position was desperate.

At eight o'clock the familiar sound of the key turning made him spring to his feet. The girl was alone.

“Shut the door,” he commanded. “I want to speak to you.”

She obeyed.

“Look here, Annette, I want you to help me get out of this.”

She shook her head.

“Impossible. There are three of them on the floor below.”

“Oh!” Tommy was secretly grateful for the information. “But you would help me if you could?”

“No, monsieur.”

“Why not?”

The girl hesitated.

“I think—they are my own people. You have spied upon them. They are quite right to keep you here.”

“They're a bad lot, Annette. If you'll help me, I'll take you away from the lot of them. And you'd probably get a good whack of money.”

But the girl merely shook her head.

“I dare not, monsieur. I am afraid of them.”

She turned away.

“Wouldn't you do anything to help another girl?” cried Tommy. “She's about your age too. Won't you save her from their clutches?”

“You mean Jane Finn?”

“Yes.”

“It is her you came here to look for? Yes?”

“That's it.”

The girl looked at him, then passed her hand across her forehead.

“Jane Finn. Always I hear that name. It is familiar.”

Tommy came forward eagerly.

“You must know
something
about her?”

But the girl turned away abruptly.

“I know nothing—only the name.” She walked towards the door. Suddenly she uttered a cry. Tommy stared. She had caught sight of the picture he had laid against the wall the night before. For a moment he caught a look of terror in her eyes. As inexplicably it changed to relief. Then abruptly, she went out of the room. Tommy could make nothing of it. Did she fancy that he had meant to attack her with it? Surely not. He rehung the picture on the wall thoughtfully.

Three more days went by in dreary inaction. Tommy felt the strain telling on his nerves. He saw no one but Conrad and Annette, and the girl had become dumb. She spoke only in monosyllables. A kind of dark suspicion smouldered in her eyes. Tommy felt that if this solitary confinement went on much longer he would go mad. He gathered from Conrad that they were waiting for orders from “Mr. Brown.” Perhaps, thought Tommy, he was abroad or away, and they were obliged to wait for his return.

But the evening of the third day brought a rude awakening.

It was barely seven o'clock when he heard the tramp of footsteps outside in the passage. In another minute the door was flung open. Conrad entered. With him was the evil-looking Number Fourteen. Tommy's heart sank at the sight of them.

“Evenin,” gov'nor,” said the man with a leer. “Got those ropes, mate?”

The silent Conrad produced a length of fine cord. The next minute Number Fourteen's hands, horribly dexterous, were winding the cord round his limbs, while Conrad held him down.

“What the devil—?” began Tommy.

But the slow, speechless grin of the silent Conrad froze the words on his lips.

Number Fourteen proceeded deftly with his task. In another minute Tommy was a mere helpless bundle. Then at last Conrad spoke:

“Thought you'd bluffed us, did you? With what you knew, and what you didn't know. Bargained with us! And all the time it was bluff! Bluff! You know less than a kitten. But your number's up all right, you b— swine.”

Tommy lay silent. There was nothing to say. He had failed. Somehow or other the omnipotent Mr. Brown had seen through his pretensions. Suddenly a thought occurred to him.

“A very good speech, Conrad,” he said approvingly. “But wherefore the bonds and fetters? Why not let this kind gentleman here cut my throat without delay?”

“Garn,” said Number Fourteen unexpectedly. “Think we're as green as to do you in here, and have the police nosing round? Not 'alf! We've ordered the carriage for your lordship tomorrow mornin,' but in the meantime we're not taking any chances, see!”

“Nothing,” said Tommy, “could be plainer than your words—unless it was your face.”

“Stow it,” said Number Fourteen.

“With pleasure,” replied Tommy. “You're making a sad mistake—but yours will be the loss.”

“You don't kid us that way again,” said Number Fourteen. “Talking as though you were still at the blooming Ritz, aren't you?”

Tommy made no reply. He was engaged in wondering how Mr. Brown had discovered his identity. He decided that Tuppence, in the throes of anxiety, had gone to the police, and that his disappearance having been made public the gang had not been slow to put two and two together.

The two men departed and the door slammed. Tommy was left to his meditations. They were not pleasant ones. Already his limbs felt cramped and stiff. He was utterly helpless, and he could see no hope anywhere.

About an hour had passed when he heard the key softly turned, and the door opened. It was Annette. Tommy's heart beat a little faster. He had forgotten the girl. Was it possible that she had come to his help?

Suddenly he heard Conrad's voice:

“Come out of it, Annette. He doesn't want any supper tonight.”

“
Oui, oui, je sais bien.
But I must take the other tray. We need the things on it.”

“Well, hurry up,” growled Conrad.

Without looking at Tommy the girl went over to the table, and picked up the tray. She raised a hand and turned out the light.

“Curse you,”—Conrad had come to the door—“why did you do that?”

“I always turn it out. You should have told me. Shall I relight it, Monsieur Conrad?”

“No, come on out of it.”

“Le beau petit monsieur,”
cried Annette, pausing by the bed in the darkness. “You have tied him up well,
hein?
He is liked a trussed chicken!” The frank amusement in her tone jarred on the boy but at that moment to his amazement, he felt her hand running lightly over his bonds, and something small and cold was pressed into the palm of his hand.

“Come on, Annette.”

“Mais me voilà.”

The door shut. Tommy heard Conrad say:

“Lock it and give me the key.”

The footsteps died away. Tommy lay petrified with amazement. The object Annette had thrust into his hand was a small penknife, the blade open. From the way she had studiously avoided looking at him, and her action with the light, he came to the conclusion that the room was overlooked. There must be a peephole somewhere in the walls. Remembering how guarded she had always been in her manner, he saw that he had probably been under observation all the time. Had he said anything to give himself away? Hardly. He had revealed a wish to escape and a desire to find Jane Finn, but nothing that could have given a clue to his own identity. True, his question to Annette had proved that he was personally unacquainted with Jane Finn, but he had never pretended otherwise. The question now was, did Annette really know more? Were her denials intended primarily for the listeners? On that point he could come to no conclusion.

But there was a more vital question that drove out all others. Could he, bound as he was, manage to cut his bonds? He essayed cautiously to rub the open blade up and down on the cord that bound his two wrists together. It was an awkward business and drew a smothered “Ow” of pain from him as the knife cut into his wrist. But slowly and doggedly he went on sawing to and fro. He cut the flesh badly, but at last he felt the cord slacken. With his hands free, the rest was easy. Five minutes later he stood upright with some difficulty owing to the cramp in his limbs. His first care was to bind up his bleeding wrist. Then he sat on the edge of the bed to think. Conrad had taken the key of the door, so he could expect little more assistance from Annette. The only outlet from the room was the door, consequently he would perforce have to wait until the two men returned to fetch him. But when they did . . . Tommy smiled! Moving with infinite caution in the dark room, he found and unhooked the famous picture. He felt an economical pleasure that his first plan would not be wasted. There was now nothing to do but to wait. He waited.

The night passed slowly. Tommy lived through an eternity of hours, but at last he heard footsteps. He stood upright, drew a deep breath, and clutched the picture firmly.

The door opened. A faint light streamed in from outside. Conrad went straight towards the gas to light it. Tommy deeply regretted that it was he who had entered first. It would have been pleasant to get even with Conrad. Number Fourteen followed. As he stepped across the threshold, Tommy brought the picture down with terrific force on his head. Number Fourteen went down amidst a stupendous crash of broken glass. In a minute Tommy had slipped out and pulled to the door. The key was in the lock. He turned it and withdrew it just as Conrad hurled himself against the door from the inside with a volley of curses.

For a moment Tommy hesitated. There was the sound of someone stirring on the floor below. Then the German's voice came up the stairs.

“
Gott im Himmel!
Conrad, what is it?”

Tommy felt a small hand thrust into his. Beside him stood Annette. She pointed up a rickety ladder that apparently led to some attics.

“Quick—up here!” She dragged him after her up the ladder. In another moment they were standing in a dusty garret littered with lumber. Tommy looked round.

“This won't do. It's a regular trap. There's no way out.”

“Hush! Wait.” The girl put her finger to her lips. She crept to the top of the ladder and listened.

The banging and beating on the door was terrific. The German and another were trying to force the door in. Annette explained in a whisper:

“They will think you are still inside. They cannot hear what Conrad says. The door is too thick.”

“I thought you could hear what went on in the room?”

“There is a peephole into the next room. It was clever of you to guess. But they will not think of that—they are only anxious to get in.”

“Yes—but look here—”

“Leave it to me.” She bent down. To his amazement, Tommy saw that she was fastening the end of a long piece of string to the handle of a big cracked jug. She arranged it carefully, then turned to Tommy.