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Authors: Anne Rice
The Complete Vampire Chronicles 12-Book Bundle (The Vampire Chronicles) (246 page)
I studied him; he was telling the truth completely. He didn’t elaborate on it, but he would have thought it frightfully callous and disrespectful to kill me, to kill a thing as mysterious and old as I was.
“Yes, precisely,” he said, with a little smile.
Mind reader. Not very powerful however. Just the surface thoughts.
“Don’t be so sure.” Again it was said with remarkable politeness.
“Second question for you,” I said.
“By all means.” He was really intrigued now. The fear had absolutely melted away.
“Do you want the Dark Gift? You know. To become one of us.” Out
of the corner of my eye I saw Louis shake his head. Then he turned his back. “I’m not saying that I’d ever give it you. Very likely, I would not. But do you want it? If I was willing, would you accept it from me?”
“No.”
“Oh, come now.”
“Not in a million years would I ever accept it. As God is my witness, no.”
“You don’t believe in God, you know you don’t.”
“Merely an expression. But the sentiment is true.”
I smiled. Such an affable, alert face. And I was so exhilarated; the blood was moving through my veins with a new vigor; I wondered if he could sense it; did I look any less like a monster? Were there all those little signs of humanity that I saw in others of our kind when they were exuberant or absorbed?
“I don’t think it will take a million years for you to change your mind,” I said. “You don’t have very much time at all, really. When you think about it.”
“I will never change my mind,” he said. He smiled, very sincerely. He was holding his pen in both hands. And he toyed with it, unconsciously and anxiously for a second, but then he was still.
“I don’t believe you,” I said. I looked around the room; at the small Dutch painting in its lacquered frame: a house in Amsterdam above a canal. I looked at the frost on the leaded window. Nothing visible of the night outside at all. I felt sad suddenly; only it wasn’t anything as bad as before. It was just an acknowledgment of the bitter loneliness that had brought me here, the need with which I’d come, to stand in his little chamber and feel his eyes on me; to hear him say that he knew who I was.
The moment darkened. I couldn’t speak.
“Yes,” he said in a timid tone behind me. “I
know
who you are.”
I turned and looked at him. It seemed I’d weep suddenly. Weep on account of the warmth here, and the scent of human things; the sight of a living man standing before a desk. I swallowed. I wasn’t going to lose my composure, that was foolish.
“It’s quite fascinating really,” I said. “You wouldn’t kill me. But you wouldn’t become what I am.”
“That’s correct.”
“No. I don’t believe you,” I said again.
A little shadow came into his face, but it was an interesting shadow. He was afraid I’d seen some weakness in him that he wasn’t aware of himself.
I reached for his pen. “May I? And a piece of paper please?”
He gave them to me immediately. I sat down at the desk in his chair. All very immaculate—the blotter, the small leather cylinder in which he kept his pens, and even the manila folders. Immaculate as he was, standing there watching as I wrote.
“It’s a phone number,” I said. I put the piece of paper in his hand. “It’s a Paris number, an attorney, who knows me under my proper name, Lestat de Lioncourt, which I believe is in your files? Of course he doesn’t know the things about me you know. But he can reach me. Or, perhaps it would be accurate to say that I am always in touch with him.”
He didn’t say anything, but he looked at the paper, and he memorized the number.
“Keep it,” I said. “And when you change your mind, when you want to be immortal, and you’re willing to say so, call the number. And I’ll come back.”
He was about to protest. I gestured for silence.
“You never know what may happen,” I told him. I sat back in his chair, and crossed my hands on my chest. “You may discover you have a fatal illness; you may find yourself crippled by a bad fall. Maybe you’ll just start to have nightmares about being dead; about being nobody and nothing. Doesn’t matter. When you decide you want what I have to give, call. And remember please, I’m not saying I’ll give it to you. I may never do that. I’m only saying that when you decide you want it, then the dialogue will begin.”
“But it’s already begun.”
“No, it hasn’t.”
“You don’t think you’ll be back?” he asked. “I think you will, whether I call or not.”
Another little surprise. A little stab of humiliation. I smiled at him in spite of myself. He was a very interesting man. “You silver-tongued British bastard,” I said. “How dare you say that to me with such condescension? Maybe I should kill you right now.”
That did it. He was stunned. Covering it up rather well but I could still see it. And I knew how frightening I could look, especially when I smiled.
He recovered himself with amazing swiftness. He folded the paper with the phone number on it and slipped it into his pocket.
“Please accept my apology,” he said. “What I meant to say was that I hope you’ll come back.”
“Call the number,” I said. We looked at each other for a long moment; then I gave him another little smile. I stood up to take my leave. Then I looked down at his desk.
“Why don’t I have my own file?” I asked.
His face went blank for a second; then he recovered again, miraculously. “Ah, but you have the book!” He gestured to
The Vampire Lestat
on the shelf.
“Ah, yes, right. Well, thank you for reminding me.” I hesitated. “But you know, I think I should have my own file.”
“I agree with you,” he said. “I’ll make one up immediately. It was always … just a matter of time.”
I laughed softly in spite of myself. He was so courteous. I made a little farewell bow, and he acknowledged it gracefully.
And then I moved past him, as fast as I could manage it, which was quite fast, and I caught hold of Louis, and left immediately through the window, moving out and up over the grounds until I came down on a lonely stretch of the London road.
It was darker and colder here, with the oaks closing out the moon, and I loved it. I loved the pure darkness! I stood there with my hands shoved into my pockets looking at the faint faraway aureole of light hovering over London; and laughing to myself with irrepressible glee.
“Oh, that was wonderful; that was perfect!” I said, rubbing my hands together; and then clasping Louis’s hands, which were even colder than mine.
The expression on Louis’s face sent me into raptures. This was a real laughing fit coming on.
“You’re a bastard, do you know that!” he said. “How could you do such a thing to that poor man! You’re a fiend, Lestat. You should be walled up in a dungeon!”
“Oh, come on, Louis,” I said. I couldn’t stop laughing. “What do you expect of me? Besides, the man’s a student of the supernatural. He isn’t going to go stark raving mad. What does everybody expect of me?” I threw my arm around his shoulder. “Come on, let’s go to London. It’s a long walk, but it’s early. I’ve never been to London. Do you know that? I want to see the West End, and Mayfair, and the Tower, yes, let’s do go to the Tower. And I want to feed in London! Come on.”
“Lestat, this is no joking matter. Marius will be furious. Everyone will be furious!”
My laughing fit was getting worse. We started down the road at a good clip. It was so much fun to walk. Nothing was ever going to take the place of that, the simple act of walking, feeling the earth under your feet, and the sweet smell of the nearby chimneys scattered out there in the blackness; and the damp cold smell of deep winter in these woods. Oh, it was all very lovely. And we’d get Louis a decent overcoat when we reached London,
a nice long black overcoat with fur on the collar so that he’d be warm as I was now.
“Do you hear what I’m saying to you?” Louis said. “You
haven’t
learned anything, have you? You’re more incorrigible than you were before!”
I started to laugh again, helplessly.
Then more soberly, I thought of David Talbot’s face, and that moment when he’d challenged me. Well, maybe he was right. I’d be back. Who said I couldn’t come back and talk to him if I wanted to? Who said? But then I ought to give him just a little time to think about that phone number; and slowly lose his nerve.
The bitterness came again, and a great drowsy sadness suddenly that threatened to sweep my little triumph away. But I wouldn’t let it. The night was too beautiful. And Louis’s diatribe was becoming all the more heated and hilarious:
“You’re a perfect devil, Lestat!” he was saying. “That’s what you are! You are the devil himself!”
“Yes, I know,” I said, loving to look at him, to see the anger pumping him so full of life. “And I love to hear you say it, Louis. I need to hear you say it. I don’t think anyone will ever say it quite like you do. Come on, say it again. I’m a perfect devil. Tell me how bad I am. It makes me feel so good!”
THE END
This book is dedicated
with love
to
Stan Rice, Christopher Rice,
and John Preston
And to the memory
of
my beloved editors:
John Dodds
and
William Whitehead
A Ballantine Book
Published by The Random House Publishing Group
Copyright © 1992 by Anne O’Brien Rice
All rights reserved.
Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
Grateful acknowledgment is made to Macmillan Publishing Company for permission to reprint “The Dolls” and “Sailing to Byzantium” by W. B. Yeats from
The Poems of W. B. Yeats: A New Edition
, edited by Richard J. Finneran. Copyright 1928 by Macmillan Publishing Company, copyright renewed 1956 by Georgie Yeats (New York: Macmillan, 1983).
A portion of this work was originally published in
Playboy
magazine.
Ballantine and colophon are registered trademarks of Random House, Inc.
Library of Congress Catalog Card Number: 97-93892
eISBN: 978-0-307-57591-3
This edition published by arrangement with Alfred A Knopf, Inc.
v3.0_r1
by W. B. Yeats
I
That is no country for old men. The young
In one another’s arms, birds in the trees
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.