The Devil's Eye (9 page)

They ran tours out to Barryman's grave during the daylight hours, using a light-grav bus marked ANDROID LOCAL. When I asked the hotel host whether there was a night tour, he looked startled. "Absolutely not, young lady. Nobody goes out there at night. It's not allowed." He couldn't quite resist a smile. They picked us up at the hotel, made one more stop, and headed north to the cemetery. About fifteen of us were on board, half of whom were kids. It was a holiday crowd, full of laughter, and I could hear a little girl saying, "Is it really true, Mommy?"

"No, darling," Mommy said. "There are no such things as ghosts." Alex looked for his chance to show the tour guide a picture of Vicki. "Do you recall whether she ever rode with you?" "Mister," he said, "do you have any idea how many people go out there?" We passed through the town and drove about three kilometers on a flat straight road. Turned right onto a cutoff. And approached a pair of iron gates. They swung open for us. (As a security measure, they were of doubtful use because the fence was broken in any number of places.) The cemetery was old. Markers dated back more than six hundred years, to the beginning of the Bandahriate. The tour guide, a middle-aged guy who was trying his best to look nervous, told us the town advisory committee was talking about putting the cemetery off-limits to visitors, because everybody knew it was just a matter of time before Forrest Barryman broke loose from his grave and nobody knew what he might do then. He looked around at the children, some of whom giggled while others nestled closer to their mothers. "Of course, most of us at the Point think they're worried over nothing," he said with a straight face. "But you know how people are. One restless grave's enough to give the entire town a bad name." Alex leaned my way. "You look a little nervous, Chase." Anything to put me on the defensive. I smiled at him and let it go. The cemetery was a dusty, dry place, not at all like the green, almost lush graveyard near the Country House back on Rimway. Signs reading DO NOT APPROACH AFTER DARK were posted throughout the area. "I don't think I'd want to bury anybody here that I cared about," I said. Alex looked past me, and I could have predicted his response: "At the end, I can't imagine it matters much." A burst of wind rocked the bus. "Forrest is quiet in the daytime," said our tour guide. "Nothing to worry about." The bus made its way among the headstones. Eventually we topped a low hill, and the block came into view. It was higher than I could have reached and half as long as the bus. We swung into a parking area, and the doors opened. The tour guide was first off the bus. He helped the ladies navigate down, lent a hand to the kids, all the while explaining that we were perfectly safe, that there was nothing to worry about in the daytime. "It's only active when Callistra is in the sky." He drew the word
Callistra
out, rolling the consonants and savoring the vowels. The guy really enjoyed his work. "They're putting on a nice show," whispered Alex. The LIE STILL inscription was, of course, the first thing that caught my eye. There was another inscription, on the far side, consisting of three rows of unfamiliar symbols. "They're Arrakesh," the tour guide explained. "They're from the
Enkomia
, which is an ancient text that some people think is sacred. The first line translates to his name, Forrest Barryman. The second is the date of his first burial. And the bottom says
Gone to Glory
." He touched the rock cautiously. "We certainly hope so," he added. "Why the strange language?" I asked. "It's supposed to help keep him in the ground," he said. "Most of the people who lived here at the time were Travelers. They were the faithful. Their name came out of their emphasis on the notion of life as a journey from a wicked world to salvation. If you look around, you'll notice quite a few of the graves have a star emblem. Those are the Travelers." "Callistra," said a woman behind me. "That's correct," said the guide. "Travelers believed Callistra was God's star, placed in the heavens as a sign of His presence." The star, of course, was central to a number of that world's religions although I didn't know that at the time. The site seemed peaceful enough. The block would have required a good-sized antigrav engine to move it. "He's not really at rest," said the guide, who was obviously not one to let go of a good thing. "If you come out here on a windy night, which is strictly prohibited, by the way, but come out here anyway, when Callistra is directly overhead, you can hear him down there, trying to get free." There was a big bald-headed guy who asked him to stop. "You're scaring the kids," he said.

When we'd finished at the cemetery, the tour bus took us out to look at the android laboratory. It was a cluster of small buildings with specimen tables and tubs and exotic-looking equipment. It was, the driver explained, not the real lab, which had gone away centuries ago. But it
was
an "accurate replica." "Furthermore," he said, "this
is
the ground on which it stood." He continued as if everything were still standing. Here and over there were the quarters of the scientists, directly to your right the dining room. The main laboratory itself was the one-story white building on your right. He stopped in front of it. "Some of the damage was done by the government when it came to recover whatever might connect it with the monster. We think it was the creature itself, though, that really leveled the place." "They must think we're all idiots," I told Alex. "No, no. It's all showbiz. They know no one buys it, but what they want is a momentary suspension of disbelief. Like in a sim. Kick back and enjoy yourself, Chase." "Okay." "Of course, who really knows?" "About things like this? Would you please stop? You've been reading Greene's books again, haven't you?" He smiled, and we both had a good laugh. "Seriously, though, I wonder whether the story has any basis in fact? Whether they might have tried to build androids out here?" He shrugged. "Sure. They might have tried to put together a better cop. In a dictatorship, you'd pretty much expect it. It's what makes technology so scary, Chase. Sometimes, the wrong people get to make use of it." "You think Vicki took this tour?" "You think there's any chance in the world she came all the way out here and
didn't
take the tour?" For a long minute I kept my peace. Then: "How about we come back out tonight?" "Where?
Here?
" "Yes.
Here.
" "Why?" "Because that's what Vicki would have done. She would have wanted to
feel
the emotional impact of the android story. And the grave at night was part of that impact. I doubt she could have resisted it." "You're probably right, Chase. But I don't see any point in pushing this any further. What we need to do is find out where she went from here." "That seems like cheating. I think we should repeat the experience." "You really want to do this, don't you?" "Yes," I said. "I'd like to be here when the star gets overhead. That's the way she'd have done it." "Chase-" "We came to repeat the experience. To do what
she
did. It seems to me, this might be at the center of things." "Okay." His voice was resigned. "If you insist." I shook my head. "No." "No what?" "I'll go alone." "Why?" "Because she did." "Chase, you're not fooling anybody." "What do you mean, Alex?" "You're still a little kid."

He didn't like the idea. It's dangerous, he said. No place for a woman. Who knows who's hanging around out there at that time of night? There might even be predators in the area. I told him not to worry, that I'd call him if anything out of the ordinary happened. Anyhow, I was armed. I'd bought a 21k scrambler, which I would have with me. "But," I told him, "you might want to keep a plasma gun handy

in case there really is a monster running loose." He said something along the lines of how I needed to work on my sense of humor. When Callistra had risen prominently into the center of the sky, I fought my way through another series of cautionary admonitions from Alex, went up to the roof, and took the skimmer back to the cemetery. It's an even drearier place at night. There was no light, save the soft blue evanescence cast over the headstones and monuments by the lone star. I landed in the parking area, about thirty meters from the grave site. A strong wind was blowing out of the west and carrying a lot of dust with it. I climbed out, turned on my lamp, and walked over to the grave. Something moved off to my right, on the edge of vision. A couple of teens, trying to walk and make out at the same time. They disappeared behind a mausoleum. I shut off the lamp and stood in the silence, broken only by the drone of insects. The block gleamed in the starlight. I'd expected to be able to see the town lights, but there was only a soft glow in the trees to the south. A warm breeze kicked up. I pictured Vicki standing at that identical spot, listening to the darkness. And she had to be thinking how she might re-create that place, how she could use it. In her
Point Man
interview, she'd mentioned
The Devil's Eye
as a working title. I looked up at the blue star. It was the wrong color. But that night, in the presence of the oversized marker, color didn't matter. I wondered whether she'd been at all nervous. Or whether she delighted in an experience like that. Was that maybe why she'd come? Maybe it had nothing to do with planning a novel. Maybe she just liked the inner creep, the chill, that came with standing near a grave that people insisted was unquiet. A set of lights appeared in the northwest, passed overhead, and descended toward the glow that marked the town. I turned my lamp back on and looked at the symbols on the marker.
Forrest Barryman. Gone to Glory.

The rock and the Arrakesh characters had to be pure showbiz. Who knew what they really said? Whether they said anything at all? The whole town was an enterprise based on a fantasy. Like West Kobal on-where was it?-Black Adrian, where a sea monster with enormous tentacles was periodically reported. Or Bizmuth in the Spinners, where visitors from another galaxy were supposed to have crashed. (They and the wreckage had been spirited off by the government, which denied everything.) There's even a place that claims to have a doorway into another dimension. They'll show you the doorway, it's in the side of a mountain, cut into solid rock, but conditions have to be exactly right to get through it, which, of course, they never are. Just as well: The locals claim no one has ever come back. But townspeople swear you can get a magnificent view of this other-dimensional place. It was easy to imagine Vicki Greene standing there, thinking the same thoughts, wondering the same things. Possibly concluding that the answers didn't matter. That it was the uncertainty that counted. I began, that night, to feel close to her. Until then, she'd struck me as a kind of opportunist, making money by writing about things that could never be. That I personally didn't care about. But it struck me that the vampires and Forrest Barryman and all the rest of it weren't imaginative creatures dreamed up to separate idiots from their money. That they reflected light into the darkest corners of what makes us human. There was, after all, a time when we did not comprehend the natural world, did not see the order. There was only a vast darkness, a world for which no one really knew the rules. Filled with phantoms snatching unwary travelers, perhaps. With angels moving stars, and gods riding the sun across the sky. The ground moved. It wasn't a tremor, exactly. More like a flutter, a barely noticeable palpitation. My imagination, probably. It came again. I could see nothing, but I eased the scrambler out of my pocket and took a long look around. I was alone. The teenagers seemed to have gone. The block moved. Began to rise. I shook my head. Stared as one end, the forward end, the end closer to me, lifted.

I'd like to say I stood my ground. I understood immediately it was an elaborate illusion for tourists brave enough to go out there at night. To feed the legend. But it didn't matter. My hair rose, and my heart started to pound. The bottom of the rock cleared the ground, and I could see something holding it, lifting it from beneath. An oversized blue-tinted hand appeared, pushing down on the ground while the slab kept going up. I turned and ran. All the way back to the skimmer. I ordered the AI to open the hatch while I was still running. "Start the engine," I told it. My heart was coming out of my chest. The skimmer was already off the ground when I jumped on board.

All right. I wouldn't have you think I'm a complete coward. I went back a few minutes later, stayed in the skimmer, and looked down at the place from a safe altitude. The grave was quiet, and the block was flat on the ground again. I set back down in the parking area, opened up, and got out. I checked the time and stood where I'd stood before. And waited. Until it started again. I retreated to the lander and watched the routine play itself out. The hand, blue in the starlight, raising the slab, was as far as it went. Then it shut down. I returned again to my chosen spot. And stood there. After about two minutes, it happened a third time.

I was on my way back to the Point when Alex called.
"Are you okay?"
he asked. "Ummm. Yes. I'm fine."

"Just the usual ones."

"Why?"

"I'll be there in a few minutes."

"Alex?"

"The people in this town can't be trusted."

In the morning, I couldn't resist going down to the city hall. Alex tried to talk me out of it, but I was annoyed that they were playing tricks on their visitors. It was a run-down building, situated next to the courthouse and across the street from the police station. They had a human receptionist who looked as if she had more important things to do than talk to strangers. "Who did you want to see, ma'am?" "The supervisor, please." "Do you have an appointment?"