The Earl's Untouched Bride

THE EARL'S UNTOUCHED BRIDE

Annie Burrows

Annie Burrows
has been making up stories for her own amusement since she first went to school. As soon as she got the hang of using a pencil she began to write them down. Her love of books meant she had to do a degree in English literature. And her love of writing meant she could never take on a job where she didn't have time to jot down notes when inspiration for a new plot struck her. She still wants the heroines of her stories to wear beautiful floaty dresses, and triumph over all that life can throw at them. But when she got married, she discovered that finding a hero is an essential ingredient to arriving at 'happy ever after'.

Dear Reader,

It was such a thrill to be asked to contribute to this anthology, celebrating one hundred years of publishing from Mills & Boon.

Recently I had the opportunity to look at some cover pictures from the very earliest publications. As a lover of all things historical, I found it fascinating that it was fairly easy to date each book, simply by the style of the cover art. The glamour of the 1920s and 30s was replaced by a more patriotic and earnest tone during the war years,. Then came a profusion of bright colours which reflected the hopes of a nation emerging from austerity and rationing.

Whatever decade we live in, though, one thing is certain. Though our lifestyles may change, the deepest needs of each human being remain the same. Each of us longs to feel valued - loved for ourselves, just as we are.

The hero and heroine of my contribution to this anthology are both painfully aware of their own deficiencies. So aware that it is hard for either of them to believe another person can truly love them. I hope you enjoy reading their story, which is set against the turbulent times France and England had to face when Napoleon escaped from Elba and tried to re-establish his empire.

Annie Burrows

Readers may contact Annie Burrows via her website: www.annie-burrows.co.uk

To my parents, who taught me to love reading.

Giddings opened the door to find His Lordship standing upon the step, his face set in such rigid lines a shiver went down his spine. It was a relief when the Earl of Walton looked straight through him as he handed over his hat and coat, turning immediately towards the door to the salon. Thank God young Conningsby had taken it into his head to pass out on one of the sofas in there, instead of staggering back to his own lodgings the previous night. It was far better that it should be a man who could answer back, rather than a hapless member of staff, who became the butt of His Lordship's present mood.

But Charles Algernon Fawley, the ninth Earl of Walton, ignored Conningsby too. Striding across the room to the sideboard, he merely unstoppered a crystal decanter, pouring its entire contents into the last clean tumbler upon the tray.

Conningsby opened one eye warily, and rolled it in the Earl's direction. 'Breakfast at Tortoni's?' he grated hoarsely.

Charles tossed the glass of brandy back in one go, and reached for the decanter again.

'Don't look as though you enjoyed it much,' Conningsby observed, wincing as he struggled to sit up.

'No.' As the Earl realised the decanter was empty, his fingers curled round its neck as though he wished he could strangle it. 'And if you dare say I told you so...'

'Wouldn't dream of it, my lord. But what I will say is
—
'

'No. I listened to all you had to say last night, and, while I am grateful for your concern, my decision remains the same. I am not going to slink out of Paris with my tail between my legs like some whipped cur. I will not have it said that some false, painted jilt has made the slightest impact on my heart. I am staying until the lease on this apartment expires, not one hour sooner. Do you hear me?'

Conningsby raised a feeble hand to his brow. 'Only too clearly.' He eyed the empty decanter ruefully. 'And while you're proving to the whole world that you don't care a rap about your betrothed running off with some penniless artist, I don't suppose you could get your man to rustle up some coffee, could you?'

'Engraver,' snapped the Earl as he tugged viciously on the bell-pull.

Conningsby sank back into the sofa cushions, waving a languid hand to dismiss the profession of the Earl's betrothed's lover as the irrelevance it was. 'Judging by the expression on your face, the gossip-mongers have already been at work. It's not going to get any easier for you...'

'My mood now has nothing whatever to do with the fickle Mademoiselle Bergeron,' he snarled. 'It is her countrymen's actions which could almost induce me to leave this vile charnel house that calls itself a civilised city and return to London, where the most violent emotion I am likely to suffer is acute boredom.'

'But it was boredom you came to Paris to escape from!'

He let the inaccuracy of that remark pass. Staying in London, with his crippled half-brother, had simply become intolerable. Seeking refuge down at Wycke had not been a viable alternative, either. There was no respite from what ailed him there. The very opulence of the vast estate only served as a painful reminder of the injustice that had been perpetrated so that he could inherit it all.

Paris had seemed like the perfect solution. Since Bonaparte had abdicated, it had become extremely fashionable to hop across the Channel to see the sights.

Leaning one arm on the mantelpiece, he remarked, with an eloquent shudder, 'I will never complain of that particular malady again, I do assure you.'

'What is it?' Conningsby asked. 'What else has happened?'

'Another murder.'

'Du Mauriac again, I take it?' Conningsby's face was grim. The French officer was gaining a reputation for provoking hot-headed young Englishmen to duel with him, and dispatching them with a ruthless efficiency gleaned from his years of active service. And then celebrating his kill by breakfasting on broiled kidneys at Tortoni's. 'Who was it this morning? Not anybody we know, I hope?'

'On the contrary. The poor fellow he slaughtered before breakfast today was a subaltern by the name of Lennox.' At Conningsby's frown, Charles explained, 'Oh, there is no reason why you should know him. He was typical of all the others who have fallen by that butcher's sword. An obscure young man with no powerful connections.'

'Then how...?'

'He served in the same regiment as my unfortunate half-brother. He was one of those young men who constantly paraded through my London house, attempting to rouse him to some semblance of normality.' Sometimes it seemed as if an entire regiment must have marched through his hall at one time or another, to visit the poor wreck of a man who had once been a valiant soldier. Though few of them paid a second visit after encountering his blistering rejection. Captain Fawley did not want to be an object of pity.

Pity! If only he knew! If he, the ninth Earl, had been injured so badly, there would be not one well-wisher hastening to his bedside in an attempt to cheer him. On the contrary, it would be vultures who would begin to hover, eager to see who among them would gain his title, his wealth...

'At least he was a soldier, then.'

'He never stood a chance against a man of Du Mauriac's stamp, and the blackguard knew it! He sat there laughing about the fact that the boy did not look as though he needed to shave more than once a week! And sneered at his milk-white countenance as he faced him... God, the boy must have been sick with
fright.'

Charles smote one fist into his palm. 'If only Lennox had asked me to be his second, I would have found a way to stop it!'

Conningsby eyed him with surprise. The only thing he had known about the Earl before his arrival in Paris was that, upon coming of age, he had caused a ripple through society by ousting his guardians from his ancestral home and subsequently severing all connections with that branch of his family. He had not known of a single man who dared claim friendship with the chillingly insular young lord. In Conningsby's capacity as a junior aide at the English embassy, he had dutifully helped him to find these lodgings in the Rue de Richelieu, and generally smoothed his entry into the social scene. It had been quite a surprise, the previous night, when the Earl had reacted as any man might on discovering the beautiful Parisienne to whom he had just proposed had run off with her lover. He had gone straight home to drown his sorrows. Though his head had proved stronger than Conningsby's.

'Couldn't have backed down, though, could he?' he ventured sympathetically. 'Wouldn't have wanted to live with an accusation of cowardice hanging round his neck.'

'Somebody should have found some way to save Lennox,' the Earl persisted. 'If only...'

He was prevented from saying anything further when the butler opened the door. 'There is a visitor for you, my lord.'

'I am not receiving,' Charles growled.

Giddings cleared his throat, and eyed Conningsby warily, before saying diffidently, 'The young person insists you would wish to see her.' He stepped forward and, in a voice intended only for his master, said, 'She says her name is Mademoiselle Bergeron.'

Charles felt as though he had been punched in the stomach.

While he struggled to draw breath, Conningsby, who had remarkably acute hearing, rose gingerly to his feet. 'She has in all probability come to beg your forgiveness...'

'She shall not have it!' Charles turned to grasp the mantelpiece with both hands, his shoulders hunched. 'I shall not take her back. If she prefers some artist to me, then she may go to him and welcome!'

'But there may have been some dreadful mistake. Let's face it, my lord, the Bergeron household last night was in such a state of turmoil, who knows what may have been going on?'

They had gone to escort Felice to a ball, where the engagement was to have been announced. They had found Monsieur Bergeron slumped in his chair, as though all the stuffing had been knocked out of him, and Madame Bergeron suffering from a noisy bout of hysterics upon the sofa. The only clear piece of information either of them had been able to glean was that she had turned off the wicked maidservant who had aided and abetted her ungrateful daughter to elope with a nobody when she could have married an English earl.

The Earl was breathing rather rapidly. 'I am not safe to see her.' He turned back to face the room, his entire face leached of colour. 'I may well attempt to strangle her.'

"Not you,' Conningsby assured him.

The Earl looked at him sharply, then straightened up. 'No,' he said, his face freezing into a chillingly aloof mask. 'Not I.' He went to one of the fireside chairs, sat down, and crossed one leg nonchalantly over the other. 'You may show Mademoiselle Bergeron in, Giddings,' he said, keeping his eyes fixed on the door.

Conningsby got the peculiar impression he had just become invisible. And, though he could tell the Earl would not care one way or another, he had no intention of becoming a witness to the impending confrontation. It was one thing helping a man to drown his sorrows in a companionable way. Hell, what man hadn't been in a similar predicament at one time or another? But becoming embroiled with some hysterical Frenchwoman, with his head in its present delicate state, was asking too much! He looked wildly round the room for some other means of escape than the door through which Mademoiselle Bergeron would shortly appear. The only other exit appeared to be through the windows.

It took but a second to vault over the sofa on which he'd spent the night and dive through the heavy velvet curtains.

'Mademoiselle Bergeron,' he heard Giddings intone, as he fumbled open the shutter bolts.

Charles experienced a spurt of satisfaction when she paused on the threshold, her gloved hand fluttering to the heavy veil draped from her bonnet.

Instead of rising to his feet, he deliberately leaned back in his chair and crossed his arms, eyeing her with unremitting coldness. She squared her shoulders, taking one faltering step forward. Then, to his complete astonishment, she broke into a run, flying across the room and landing upon her knees at his feet. Seizing his hand, she pulled it to her face, kissing it through the veil.

Impatiently, he snatched it back. Whatever she had been up to last night, he was not prepared to unbend towards her without a really good explanation. And probably not even then. To feel such strong emotions that they could reduce you to the state of mind where not even copious quantities of alcohol could anaesthetise them was something he did not care to experience again. He was just about to tell her so when she knelt back, lifting the veil from her face.