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Authors: J. G. Farrell

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“Oh, there's Mr Hopkins,” said the Magistrate, ending his discourse abruptly as he caught sight of the Collector lurking in the doorway. And the Collector was obliged to step forward smiling, as if in anticipation of the poetry that would soon be gratifying his ears.

An empty chair had been placed beside the Magistrate, who was somewhat younger than the Collector and had the red hair and ginger whiskers of the born atheist; his face wore a constant expression of cynical surprise, one eyebrow raised and the corner of his mouth compressed, as far as one could make out beneath the growth of whiskers which here varied from ginger to cinnamon. It was said in the cantonment that he even slept with one eyebrow raised; the Collector did not know if there was any truth in this.

At one time everyone had sat in a circle and every member of the Society had been willing to voice an opinion on the poem which had just been read. Those were the days when every single poem had bristled with good qualities like a hedgehog and had glutted itself with praise like a jackal, the happy days before the Magistrate had been invited. Soon after his arrival the circle had begun to disintegrate, the ladies had progressively dropped away from each side of him until, soon, they faced him in a semi-circle, and now, at last, directly, as if in the dock. The Collector had bravely installed himself at the Magistrate's side in order to plead mitigating circumstances.

By this time the poetry reading had begun and Mrs Worseley, wife of one of the railway engineers, had faltered to the end of a sonnet about an erl-king. Everyone, including the Collector, was now watching the Magistrate in dismay, waiting for his verdict; although sure about most things, the Collector lacked confidence in his own judgement when it came to poetry and was obliged to defer to the Magistrate, but not without the private suspicion that his own judgement might be superior after all.

“Mrs Worseley, I found your poem defective in metre, rhyme, and invention. And to be quite honest I consider that we've had far too many erl-kings in recent weeks, though I can assure you that even one erl-king would be more than enough for me.” Mrs Worseley hung her head, but looked quite relieved, thinking that she had got off lightly.

Mrs Adams, a senior lady, the wife of a recently retired judge, now read in a commanding voice a long poem of which the Collector could make neither head nor tail, though it seemed to have something to do with Nature, serpents, and the fall of Troy. He allowed his mind to wander and, as his eyes came to rest on his wife, he thought that if there should indeed be trouble at Krishnapur it was just as well that she would not be there to see it; perhaps he should have insisted that the children go home with her; he would have done so but he had feared that the fuss, even if the
ayah
went too, would be too much for her nerves...Never mind, he had almost decided to retire in a year's time, at the end of the next cold season. He did not have to worry, as did the poor Magistrate, about securing a pension. He had a glorious and interesting life awaiting him in England whenever he considered that his duty in India was done.

But still those chapatis lodged in his mind, undissolved. In this room it was even harder to believe in trouble than it had been in the hall, indeed, it was hard to believe that one was in India at all, except for the punkahs. His eyes roamed with satisfaction over the walls, thickly armoured with paintings in oil and water-colour, with mirrors and glass cases containing stuffed birds and other wonders, over chairs and sofas upholstered in plum cretonne, over showcases of minerals and a cobra floating in a bottle of bluish alcohol, over occasional tables draped to the floor with heavy tablecloths on which stood statuettes in electro-metal of great men of literature, of Dr Johnson, of Molière, Keats, Voltaire and, of course, Shakespeare...but now he was obliged to return his attention to the proceedings.

Miss Carpenter had begun to read a poem in praise of the Great Exhibition; the Collector groaned inwardly, not because he found the subject unsuitable, but because it had so evidently been chosen as homage to himself; poems about the Exhibition recurred every few weeks and seldom failed to excite the Magistrate's most cutting remarks. This was undoubtedly because his own interest in the Exhibition was as well-known to the Magistrate as to the ladies; indeed, it was more than an interest for he had been a prominent member of the selection committee for the Bengal Presidency and, having taken his furlough in 1851, had attended the Exhibition in an official capacity. It was generally held in the cantonment that the Magistrate resented the fact that the Collector should be in with all the “big dogs” in the Company simply because he was in the habit of collecting artistic and scientific bric à brac.

“Power, like the trunk of Afric's wondrous brute,
Had, on that stage, its double triumph found,
To lift the forest monarch by the root,
Or pick a quivering needle from the ground.”

Although it was usually considered unwise to offer explanations to the Magistrate as you went along, Miss Carpenter was unable to prevent herself explaining that this image of the Exhibition was a reference to the versatile talent of Edmund Burke. But as the air of interrogation among her fellow poetesses only deepened as a result of this explanation she was obliged to add an explanation to her explanation, to the effect that this talent of Burke's had been compared to an elephant's trunk, which could uproot an oak or pick up a needle. The ladies shifted their terrified eyes to the Magistrate to see how he was responding; his face remained ominously impassive, however, beneath its ginger growth. Miss Carpenter bravely proceeded:

“Whilst they, the Royal Founders of the scene,
Through ranks of gazing myriads calmly move,
And Britons throng to proffer to their Queen
The willing dues of loyalty and love.”

“Really, this is not at all bad,” thought the Collector in spite of his alarm on her behalf; he was fond of Miss Carpenter, who was serious and pretty, and anxious to please.

“Pebbles and shells which little children find
Of rainbow-tinted hues, on ocean's shore;
Though full of learning to the thoughtful mind,
Themselves how vain, how shortly seen no more!”

“How excellent, how serious! The girl has a remarkable gift.” The Collector was surprised to find himself responding to a poem composed by one of the ladies; hitherto he had considered the poems of value only for their therapeutic properties. Alas, Miss Carpenter had been unable to resist appending yet another explanation: that this last verse was a reference to Newton's description of himself as “only a child picking up pebbles on the shore of the great ocean of truth”. This was altogether too much for the Magistrate. “Half of this poem appears to have been copied from books, Miss Carpenter, and the other half is plainly rubbish. It's entirely beyond my understanding why you should feel you have to say ‘Afric's wondrous brute' instead of ‘elephant' like everyone else, and ‘forest monarch' instead of ‘tree'. Nobody in his right mind goes about calling trees ‘forest monarchs'...I've really never heard such nonsense!”

The ladies gasped at this frontal attack, not just on poor Miss Carpenter, but on poetry itself. If you can't call an elephant Afric's wondrous brute” what
can
you call it? Why write poetry at all? Miss Carpenter's eyes filled with tears.

“Look here, Tom, that's very extreme,” grumbled the Collector, displeased. “I found it a very fine poem indeed. One of the best we've heard, I should think. Mind you,” he added as his confidence once more deserted him, “the subject of the Exhibition, as you know, is one that holds a particular interest for me.”

Miss Carpenter coloured prettily at this speech and appeared not to hear the Magistrate's derisive: “Ha!” “The fellow is quite impossible!” mused the Collector crossly.

Not everyone, the Collector was aware, is improved by the job he does in life; some people are visibly disimproved. The Magistrate had performed his duties for the Company conscientiously but they had not had a good effect on him: they had made him cynical, fatalistic, and too enamoured of the rational. His interest in phrenology, too, had had a bad effect; it had reinforced the determinism which had sapped his ideals, for he evidently believed that all one's acts were limited by the shape of one's skull. Given the swelling above and behind the ear on each side of his skull (he had once insinuated) there was not very much the Collector could do to remedy his inability to make rapid decisions...Though, of course, one could not be “absolutely sure” without making exact measurements. He had also begun to say something about a bump on each side of the Collector's crown which signified “love of approbation”, but noticing, at last, how badly the Collector was responding to this opportunity for self-knowledge he had desisted with a sigh.

“By the way, Tom,” said the Collector as the meeting broke up, “I found something odd on my desk in the office just now. Four chapatis, to be exact. And yesterday I found some in a despatch box. What d'you make of it?”

“That's strange. I found some too.” The two men looked at each other, surprised.

Presently they heard that chapatis were turning up all over Krishnapur. The Padre had found some on the steps of the Church and had assumed that they were some sort of superstitious offering. Mr Barlow, who worked in the Salt Agency, had been brought some by his watchman. Mr Rayne who, in addition to his official duties at the opium factory, was the Honorary Secretary of the Krishnapur Mutton Club and of the Ice Club, was shown chapatis by the watchmen employed in the protection of both these institutions. It soon became clear that it was chiefly among the watchmen that the chapatis were circulating; they had been given them by watchmen from other districts, without apparently knowing for what purpose, and told to bake more and then pass them on again to watchmen of yet other districts. The Collector discovered by questioning his own watchman that it was he who had left the chapatis on the desk in his office. Although he had baked twelve more chapatis and passed them on, as he had been instructed, he had felt it his duty to inform the Collector Sahib and so had left them on his desk. He denied any knowledge of those in the despatch box and on the portico. Where these came from the Collector never discovered.

In due course an even more curious fact emerged. The chapatis were appearing not just in Krishnapur but in stations all over northern India. Not only the Collector found this disturbing; for a while no one in Krishnapur could talk of anything else. Again and again the watchmen were interrogated, but they seemed genuinely to have no idea what the purpose of it had been. Some said they had passed on the chapatis because they believed it to be the order of the Government, that the purpose had been to see how quickly messages could be passed on.

In Calcutta the Government held an enquiry, but no reason for the phenomenon came to light and the excitement it caused died down within a few days. It was suggested that it might be a superstitious attempt to avert an epidemic of cholera. Only the Collector remained convinced that trouble was coming. He half remembered having heard of a similar distribution of chapatis on some other occasion. Surely there had been something of the kind before the mutiny at Vellore? He asked everyone he met whether they had heard of it, but no one had.

Before leaving Krishnapur to escort his wife to Calcutta, where she was to embark for England, the Collector took a strange decision. He ordered the digging of a deep trench combined with a thick wall of earth “for drainage during the monsoon” all the way round the perimeter of the Residency compound.

“The Collector's weakness appears to have found him,” observed the Magistrate lightly to Mr Ford, one of the railway engineers, as they smilingly surveyed the progress of this work.

2

It was during this winter that George Fleury arrived in Calcutta with his sister and first set eyes on Louise Dunstaple. It was hoped that something might come of this meeting for Fleury was not married and Louise, though not quite his social equal, was considered to be at the very height of her beauty...indeed, she was being talked of everywhere in Calcutta as the beauty of the cold season. She was very fair and pale and a little remote; one or two people thought her “insipid”, which is a danger blonde people sometimes run. She was remote, at least, in Fleury's presence, but once he glimpsed her at the race-course, flirting chastely with some young officers.

Dr Dunstaple in those days was the civil surgeon at Krishnapur. But somehow he had managed to get himself and his family to Calcutta for the cold season, leaving the Krishnapur civilians to the tender mercies of Dr McNab, who had taken over as regimental surgeon and who was known to be in favour of some of the most alarmingly direct methods known to civilized medicine.

The Doctor had left his son Harry behind in Krishnapur, however. Thanks to the help of a friend in Fort William young Harry had been posted as an ensign to one of the native infantry regiments stationed at Krishnapur (or rather at Captainganj, five miles away) where his parents could keep an eye on him and see that he did not get into debt. Harry, who by now was a lieutenant, was quite content to be left behind when his family, which included little Fanny, aged twelve, went away to enjoy themselves in Calcutta; being “military” he tended these days to look with condescension upon civilians, and Calcutta was undoubtedly riddled with the fellows.

Nor was Mrs Dunstaple displeased that her son should stay in Krishnapur, though this meant that he would be away from her side. Harry was at a vulnerable age and Calcutta swarmed with ambitious mammas anxious to expose young officers like Harry to the charms of their daughters. Alas, Mrs Dunstaple well knew that India was full of young lieutenants who had ruined their careers at the outset by disastrous marriages. All the same, this consideration, as applied to Harry, did not prevent her from hoping to be able to show off the charms of Louise before suitable young men. In the East the roses in a girl's cheeks fly away so quickly, so very quickly (though, strictly speaking, this did not apply to Louise whose beauty was of the pale sort).

BOOK: The Empire Trilogy
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