The Essential Faulkner (44 page)

He couldn’t tell when he first began to hear the sound, because when he became aware of it, it seemed to him that he had been already hearing it for several seconds—a sound as though someone were hammering a gun-barrel against a piece of railroad iron, a sound loud and heavy and not rapid yet with something frenzied about it, as the hammerer were not only a strong man and an earnest one but a little hysterical too. Yet it couldn’t be on the logline because, although the track lay in that direction, it was at least two miles from him and this sound was not three hundred yards away. But even as he thought that, he realized where the sound must be coming from: whoever the man was and whatever he was doing, he was somewhere near the edge of the clearing where the Gum Tree was and where he was to meet Boon. So far, he had been hunting as he advanced, moving slowly and quietly and watching the ground and the trees both. Now he went on, his gun unloaded and the barrel slanted up and back to facilitate its passage through brier and undergrowth, approaching as it grew louder and louder that steady savage somehow queerly hysterical beating of metal on metal, emerging from the woods, into the old clearing, with the solitary gum tree directly before him. At first glance the tree seemed to be alive with frantic squirrels. There appeared to be forty or fifty of them leaping and darting from branch to branch until the whole tree had become one green maelstrom of mad leaves, while from time to time, singly or in twos and threes, squirrels would dart down the trunk then whirl without stopping and rush back up again as though sucked violently back by the vacuum of their fellows’ frenzied vortex. Then he saw Boon, sitting, his back against the trunk, his head bent,
hammering furiously at something on his lap. What he hammered with was the barrel of his dismembered gun, what he hammered at was the breech of it. The rest of the gun lay scattered about him in a half-dozen pieces while he bent over the piece on his lap his scarlet and streaming walnut face, hammering the disjointed barrel against the gun-breech with the frantic abandon of a madman. He didn’t even look up to see who it was. Still hammering, he merely shouted back at the boy in a hoarse strangled voice:

“Get out of here! Don’t touch them! Don’t touch a one of them! They’re mine!”

Thirty or forty years after the Civil War, Flem Snopes appeared in the little community of Frenchman’s Bend, in the southeastern corner of Faulkner’s county. Flem was the son of a Civil War bushwhacker and horse thief. A lumpish and silent young man, with eyes the color of stagnant water, he never drank or smoked, but he sometimes chewed a nickel’s worth of tobacco until the suption was out of it. “Flem Snopes don’t even tell himself what he is up to,” one of his neighbors said. “Not if he was laying in bed with himself in the dark of the moon.”

In his dark-of-the-moon fashion, Flem managed to get control of the general store, the cotton gin, and the blacksmith shop, the only three money-making enterprises in Frenchman’s Bend; and one by one he introduced a horde of his relatives to take charge of them. Lump Snopes, the storekeeper; I. O. Snopes, the schoolmaster; Mink Snopes, the killer; Ike Snopes, the idiot boy who fell in love with a cow; Eck Snopes, the stupid and good-natured blacksmith: all together they descended on the community like field mice, devouring everything, cheating everybody, cheating one another; and when Flem had cheated even Ratliff, the sewing-machine agent, known as the shrewdest man in the county, they all moved on to Jefferson, like mice into an untouched field of grain.

That is the story told in
The Hamlet
(1940), first volume
in the Snopes trilogy, which is a book that took Faulkner a dozen years to write. When he first began working on the idea, it produced one story, “Spotted Horses,” but went no further. About two years later, he wrote two other stories with the same background, “The Hound” and “Lizards in Jamshyd’s Courtyard.” “I wrote them mainly,” he said in a letter, “because ‘Spotted Horses’ had created a character I fell in love with: the itinerant sewing-machine agent named Suratt. Later a man of that name turned up at home, so I changed my man to Ratliff.… Meanwhile my book had created Snopes and his clan, who produced stories in their saga which are to fall in later volumes: ‘Mule in the Yard,’ ‘Brass,’ etc. This over about ten years, until one day I decided I had better start on the first volume or I’d never get it down.”

The later volumes are
The Town
(1957) and
The Mansion
(1959), which complete the Snopes trilogy. They contain many impressive episodes, but nothing so wildly funny as “Spotted Horses.” The version of that story used in
The Hamlet
, and reprinted here, is nearly three times as long as the magazine version printed ten years earlier in
Scribner’s
, as well as being three times as good. To me it seems the culminating example of American backwoods humor, a long tradition that goes back to the Davy Crockett almanacs and that reached an early flowering in Mark Twain.

A little while before sundown the men lounging about the gallery of the store saw, coming up the road from the south, a covered wagon drawn by mules and followed by a considerable string of obviously alive objects which in the levelling sun resembled vari-sized and -colored tatters torn at random from large billboards—circus posters, say—attached to the rear of the wagon and inherent with its own separate and collective motion, like the tail of a kite.

“What in the hell is that?” one said.

“It’s a circus,” Quick said. They began to rise, watching the wagon. Now they could see that the animals behind the wagon were horses. Two men rode in the wagon.

“Hell fire,” the first man—his name was Freeman—said. “It’s Flem Snopes.” They were all standing when the wagon came up and stopped and Snopes got down and approached the steps. He might have departed only this morning. He wore the same cloth cap, the minute bow tie against the white shirt, the same gray trousers. He mounted the steps.

“Howdy, Flem,” Quick said. The other looked briefly at all of them and none of them, mounting the steps. “Starting you a circus?”

“Gentlemen,” he said. He crossed the gallery; they made way for him. Then they descended the steps and approached the wagon, at the tail of which the horses stood
in a restive clump, larger than rabbits and gaudy as parrots and shackled to one another and to the wagon itself with sections of barbed wire. Calico-coated, small-bodied, with delicate legs and pink faces in which their mismatched eyes rolled wild and subdued, they huddled, gaudy, motionless, and alert, wild as deer, deadly as rattlesnakes, quiet as doves. The men stood at a respectful distance, looking at them. At that moment Jody Varner came through the group, shouldering himself to the front of it.

“Watch yourself, doc,” a voice said from the rear. But it was already too late. The nearest animal rose on its hind legs with lightning rapidity and struck twice with its forefeet at Varner’s face, faster than a boxer, the movement of its surge against the wire which held it travelling backward among the rest of the band in a wave of thuds and lunges. “Hup, you broom-tailed, hay-burning sidewinders,” the same voice said. This was the second man who had arrived in the wagon. He was a stranger. He wore a heavy, densely black moustache, a wide pale hat. When he thrust himself through and turned to herd them back from the horses they saw, thrust into the hip pockets of his tight jeans pants, the butt of a heavy pearl-handled pistol and a florid carton such as small cakes come in. “Keep away from them, boys,” he said. “They’ve got kind of skittish, they ain’t been rode in so long.”

“Since when have they been rode?” Quick said. The stranger looked at Quick. He had a broad, quite cold, wind-gnawed face and bleak, cold eyes. His belly fitted neat and smooth as a peg into the tight trousers.

“I reckon that was when they were rode on the ferry to get across the Mississippi River,” Varner said. The stranger looked at him. “My name’s Varner,” Jody said.

“Hipps,” the other said. “Call me Buck.” Across the left side of his head, obliterating the tip of that ear, was a savage and recent gash gummed over with a blackish substance like axle-grease. They looked at the scar. Then they watched him remove the carton from his pocket and tilt a
gingersnap into his hand and put the gingersnap into his mouth, beneath the moustache.

“You and Flem have some trouble back yonder?” Quick said. The stranger ceased chewing. When he looked directly at anyone, his eyes became like two pieces of flint turned suddenly up in dug earth.

“Back where?” he said.

“Your nigh ear,” Quick said.

“Oh,” the other said. “That.” He touched his ear. “That was my mistake. I was absent-minded one night when I was staking them out. Studying about something else and forgot how long the wire was.” He chewed. They looked at his ear. “Happen to any man careless around a horse. Put a little axle-dope on it and you won’t notice it tomorrow though. They’re pretty lively now, lazing along all day doing nothing. It’ll work out of them in a couple of days.” He put another gingersnap into his mouth, chewing, “Don’t you believe they’ll gentle?” No one answered. They looked at the ponies, grave and noncommittal. Jody turned and went back into the store. “Them’s good, gentle ponies,” the stranger said. “Watch now.” He put the carton back into his pocket and approached the horses, his hand extended. The nearest one was standing on three legs now. It appeared to be asleep. Its eyelid drooped over the cerulean eye; its head was shaped like an ironing-board. Without even raising the eyelid it flicked its head, the yellow teeth cropped. For an instant it and the man appeared to be inextricable in one violence. Then they became motionless, the stranger’s high heels dug into the earth, one hand gripping the animal’s nostrils, holding the horse’s head wrenched half around while it breathed in hoarse, smothered groans. “See?” the stranger said in a panting voice, the veins standing white and rigid in his neck and along his jaw. “See? All you got to do is handle them a little and work hell out of them for a couple of days. Now look out. Give me room back there.” They gave back a little. The stranger gathered himself then
sprang away. As he did so, a second horse slashed at his back, severing his vest from collar to hem down the back exactly as the trick swordsman severs a floating veil with one stroke.

“Sho now,” Quick said. “But suppose a man don’t happen to own a vest.”

At that moment Jody Varner, followed by the blacksmith, thrust through them again. “All right, Buck,” he said. “Better get them on into the lot. Eck here will help you.” The stranger, the severed halves of the vest swinging from either shoulder, mounted to the wagon seat, the blacksmith following.

“Get up, you transmogrified hallucinations of Job and Jezebel,” the stranger said. The wagon moved on, the tethered ponies coming gaudily into motion behind it, behind which in turn the men followed at a respectful distance, on up the road and into the lane and so to the lot gate behind Mrs. Littlejohn’s. Eck got down and opened the gate. The wagon passed through but when the ponies saw the fence the herd surged backward against the wire which attached it to the wagon, standing on its collective hind legs and then trying to turn within itself, so that the wagon moved backward for a few feet until the Texan, cursing, managed to saw the mules about and so lock the wheels. The men following had already fallen rapidly back. “Here, Eck,” the Texan said. “Get up here and take the reins.” The blacksmith got back in the wagon and took the reins. Then they watched the Texan descend, carrying a looped-up blacksnake whip, and go around to the rear of the herd and drive it through the gate, the whip snaking about the harlequin rumps in methodical and pistol-like reports. Then the watchers hurried across Mrs. Littlejohn’s yard and mounted to the veranda, one end of which overlooked the lot.

“How you reckon he ever got them tied together?” Freeman said.

“I’d a heap rather watch how he aims to turn them
loose,” Quick said. The Texan had climbed back into the halted wagon. Presently he and Eck both appeared at the rear end of the open hood. The Texan grasped the wire and began to draw the first horse up to the wagon, the animal plunging and surging back against the wire as though trying to hang itself, the contagion passing back through the herd from animal to animal until they were rearing and plunging again against the wire.

“Come on, grab a holt,” the Texan said. Eck grasped the wire also. The horses laid back against it, the pink faces tossing above the back-surging mass. “Pull him up, pull him up,” the Texan said sharply. “They couldn’t get up here in the wagon even if they wanted to.” The wagon moved gradually backward until the head of the first horse was snubbed up to the tail-gate. The Texan took a turn of the wire quickly about one of the wagon stakes. “Keep the slack out of it,” he said. He vanished and reappeared, almost in the same second, with a pair of heavy wire-cutters. “Hold them like that,” he said, and leaped. He vanished, broad hat, flapping vest, wire-cutters and all, into a kaleidoscopic maelstrom of long teeth and wild eyes and slashing feet, from which presently the horses began to burst one by one like partridges flushing, each wearing a necklace of barbed wire. The first one crossed the lot at top speed, on a straight line. It galloped into the fence without any diminution whatever. The wire gave, recovered, and slammed the horse to earth where it lay for a moment, glaring, its legs still galloping in air. It scrambled up without having ceased to gallop and crossed the lot and galloped into the opposite fence and was slammed again to earth. The others were now freed. They whipped and whirled about the lot like dizzy fish in a bowl. It had seemed like a big lot until now, but now the very idea that all that fury and motion should be transpiring inside any one fence was something to be repudiated with contempt, like a mirror trick. From the ultimate dust the stranger, carrying the wire-cutters and his vest
completely gone now, emerged. He was not running, he merely moved with a light-poised and watchful celerity, weaving among the calico rushes of the animals, feinting and dodging like a boxer until he reached the gate and crossed the yard and mounted to the veranda. One sleeve of his shirt hung only at one point from his shoulder. He ripped it off and wiped his face with it and threw it away and took out the paper carton and shook a gingersnap into his hand. He was breathing only a little heavily. “Pretty lively now,” he said. “But it’ll work out of them in a couple of days.” The ponies still streaked back and forth through the growing dusk like hysterical fish, but not so violently now.