THE FOREVER GENE (THE SCIONS OF EARTH Book 1) (14 page)

BOOK: THE FOREVER GENE (THE SCIONS OF EARTH Book 1)
8.36Mb size Format: txt, pdf, ePub

Qara had no doubt that there would be fierce competition among the astronauts of the five delegations; each of them wanting to be the one to command the star ship on its maiden voyage.  The Americans would feel that they had earned the right to select its first commander as they had contributed the most technology to the project.  But the Russians were their old space-race rivals and would dearly love to beat them to the punch.

Katya's blue eyes blinked at last.  "How long will you need to get your equipment ready?"

Qara glanced at Batu.  "Thirty minutes," he said without hesitation.

"I will be back then."  Katya marched away down the corridor, passing a skinny young technician who was effortlessly carrying all of their luggage and equipment.  One of the benefits of the Moon's weak gravity was that just about everything was as light as a feather.

True to her word, Katya returned half an hour later.  Qara had barely had time to wash her face, change her clothes, and glance longingly at the small but comfortable looking bunk beds lining the walls of the sleeping chamber.  She had been a little startled to see that there were no separate facilities for men and women.  Space was precious on the moonbase and it seemed that there was no room to accommodate female sensitivities.

Batu and Oyugun had spent the time unpacking and booting up the camera equipment and, when Katya arrived, were ready to follow her through the labyrinthine tunnels and passageways which appeared to make up a large part of the base.  At first they saw very few people and Qara got the impression that they were zigzagging through living quarters which were deserted while everyone was at work.

Gradually the drone of machinery became more noticeable and the corridors grew wider.  They began to pass more technicians and military personnel going about their duties.  Those wearing Russian insignia saluted Katya respectfully, but otherwise they were ignored.  The arrival of a Personet crew from Earth was clearly not a big deal on the moonbase.

Qara felt that she had just begun to master the art of walking in her moonskin when they stopped in front of a large open hatchway.  Personnel of various nationalities hurried backwards and forwards through it, some carting equipment and others clutching plans and diagrams.

Katya gestured for them to stand out of the way.  "This is the main access corridor to the hanger bay where Earthworm is docked.  One of the regulations you have not yet been informed of is that it is off limits to all personnel who are not authorised to work on the ship.  Please stay close to me and try to look like you have every right to be here."

Qara couldn't hide a small grin as she followed the cosmonaut into the hangar bay.  She was beginning to like the ice-cool Russian.

The wide open space of the bay was a pleasant change from the cramped confines of the corridors they had navigated to get there.  A transparent domed roof curved far overhead, reminding her a little of the one at the Faerie Folk's facility outside Ulan Bator.  That wasn't surprising; the bay had been added to the moonbase in accordance with Faerie Folk specifications.  Through the dome she could see a spectacular vista of the Earth surrounded by the star-speckled blackness of space.  She was amazed by how many stars were visible.

There was no time to stop and record an introduction, so Batu simply began filming as they moved across the bay.  Katya swept imperiously towards the exotic lines of the star ship which sat at the centre of the dome.  It was larger than Qara had expected and looked far more impressive in reality than it had in the media downloads.

It was not shaped like any terrestrial craft she had ever seen.  It did not have wings for aerodynamic lift or a cylindrical fuselage.  Instead, it looked like a large black rubber ball, studded with dozens of stubby stability fins spread over its surface.  The fins were set at varying angles in a seemingly random pattern.

In numerous simulations she had watched on Earth, the purpose of the fins had been vividly illustrated.  Each one was fitted with a bank of manoeuvrable air-vortex thrusters, which were used to keep the ship orientated as it hurtled through a wormhole.

The simulations had depicted wormholes as massive, twisting roller-coasters without rails, through which any unstabilised object would carom out of control and be shattered to pieces.  To prevent this from happening the ship's computer systems would fire the thrusters in synchronised patterns to counteract the immense directional forces of wormhole travel.

As she got closer she could see that the ship was supported by an undercarriage made up of four of the fins.  The simulations had shown how these fins could be extended hydraulically to act as legs whenever the ship came in to land.

As she watched, a horizontal metal shaft began telescoping outwards from the hull.  The end of the shaft was capped with a small metallic bulb.  When the bulb was well clear of the stability fins, it sprouted a series of eight antennae.  The antennae telescoped outwards in a starfish formation, each antenna at right angles to the main shaft.  In space, they would extend until they spanned an area four times the diameter of the ship itself.

Qara knew from the simulations that she was looking at one of Earthworm's light-sail arrays.  When travelling through normal space, the ship would not use its air-vortex thrusters, except in an emergency.  Instead, it would deploy its light-sails to take advantage of the most abundant source of energy in space, the radiation emitted by the sun and other stars.

Once the antennae were fully extended, a magnetic field would be activated between them in four pairs.  Then liquid aluminium would be injected through the shaft and released into the magnetic fields.  This would result in the formation of four ultra-thin, pennant shaped sails, one between each pair of antennae.  The angle of each of the four sails could be changed independently, to enable the ship to manoeuvre in different directions.

A second array was located on the opposite side of the hull.

The array disappeared from view as Katya led them underneath the ship.  She headed for a large ramp leading into the belly of the ship, where they were challenged for the first time by a self-important young French officer.  Katya slowed just enough to give him a scathing look, which was all it took to persuade him step aside.

The Personet crew followed closely as she stalked up the ramp and into a busy loading bay.  They headed for a bank of elevator chutes at the far end, keeping out of the way of technicians and other personnel who were loading and unloading equipment.  They stepped into one of the chutes, its doors cutting off the noise and bustle as they closed.

Batu kept recording and turned the camera towards Qara.  "Ready, Oyugun?" she said to the young sound engineer.  He adjusted the calibration of his microphones and nodded.

She began in a hushed but excited tone.  "I am speaking to you from on board the first human star ship ever built.  With me is Colonel Kasparova, the Russian Federation's most celebrated cosmonaut.  Colonel, I believe you are in the running to command this ship on its maiden interstellar voyage.  Can you tell us how the choice of commander will be made?"

Batu panned across to Katya, whose imperious demeanour promptly deserted her.  Suddenly she looked more like a rabbit in the headlights.  Cool and decisive in command of troops in the middle of deadly battles, the glare of the media spotlight reduced her to red-faced uncertainty.

"That is not up to me," she stammered.  "Once the star drive is ready, the commanders of the five delegations will make a choice based on experience and seniority.  I am not sure..."  She was interrupted by the doors of the chute springing open.  She almost leapt out of the chute to get away from the camera and led them out into a cavernous space.  It was not as crowded as the loading bay, with just a few technicians working on electronic panels built into the distant bulkheads.

Qara was expecting something like the passenger deck of an airbus, with rows of bed-seats interspersed with aisles and refreshment cabinets.  What she saw was nothing like that.  She waited until Batu had captured a short clip and panned back to her.  He widened the shot to include Katya.

"Colonel, on Earth we have been shown models of the interior of the ship, but this is the first time we are seeing what it actually looks like.  Perhaps you can tell us a little about it?"

Batu panned away again and Qara saw Katya relax slightly.  "I will do my best," she said.  Oyugun passed her a small tablet so that she could follow what was in the camera shot.

"This is one of the passenger cabins.  There are four on this deck and another four on each of the three decks above it.  Each cabin can hold a thousand passengers."

Qara had heard the numbers before, but still couldn't help being astonished by the capacity of the ship.  "So Earthworm can hold sixteen thousand people?  But where do they all sit?  This cabin doesn't look as if it can hold more than two hundred bed-seats.  And what are all these little sacks for?"

The picture on Katya's monitor panned along row after row of what looked like elongated burlap sacks, each one tethered to the floor and roof of the cabin by metallic straps.

"They are not sacks," Katya replied.  They do not have an official name yet, although the technicians have been calling them 'cocoons'."  She paused, choosing her words carefully.  "Wormhole travel is completely unlike any other kind of travel that humans have ever experienced.  The speeds are so great that every little twist and turn subjects the ship and its passengers to massive G-forces.  Imagine sitting in a motor car which is suddenly thrown sideways at a thousand kilometres per hour.  No seat belt would be able save you.  Although the ship's stability fins cushion most of the G-forces and keep it from spinning out of control, the people inside the ship would all be killed or seriously injured if they were strapped into ordinary seats."

She moved closer to one of the little sacks and showed Qara that it was constructed of an extremely malleable material.

"This is a synthetic fabric produced here on the Moon.  Although it is very flexible, it is immensely strong.  The cocoon is designed to mould itself to the size and shape of the person who climbs inside it.  When the ship is travelling through the wormhole it acts like an elastic band.  It  cushions the passenger from the effect of the G-forces by stretching away from the direction of the force and returning to the centre as the force diminishes.  Although each cocoon moves independently, there is no danger of them colliding with each other as they are all subject to the same force at the same time."

Qara felt queasy just thinking about it.  If travelling through normal space made her as sick as it did, what would wormhole travel feel like?  She silently hoped she would never have to find out.

"What do the passengers do while they are travelling through normal space?  Surely they don't spend the whole trip inside the cocoons?"

"No, there are recreation cabins elsewhere in the ship where passengers can sit, eat and exercise.  They use the cocoons for the launch, the wormhole jump itself, and the landing.  They are also surprisingly comfortable to sleep in."

"Why is the ship so large, Colonel?"

"The size of a star ship is not restricted by the limitations placed on terrestrial craft by gravity and aerodynamics.  It can be as big as you want it to be.  The Faerie Folk have vessels which are far larger than this one.  And you must remember that the primary purpose of space travel is to establish colonies elsewhere.  To achieve this, the ships we build must be big enough to deliver meaningful numbers of colonists to new worlds."

Katya stopped and listened to a message on her 'mote.  Her military expression reasserted itself.

"It seems that Lieutenant Blanc has reported our excursion to the media committee."  She looked pointedly at Batu.  "I hope you have enough footage for your download, and somewhere to conceal it where it won't be found and censored."

Batu nodded.  He saved the footage onto a tiny external drive and inserted it into a slot within his belt buckle.  He looked up at Katya's quizzical expression.  "In Mongolia you can never be too careful," he said.

They left the ship the way they had come in.  Lieutenant Blanc had wisely made himself scarce.  Katya headed towards the other side of the hangar bay from the access corridor they had used to enter it.  Qara looked up for another glimpse at the incredible view of space, and felt her heart miss a beat.  A dark mass loomed over the moonbase, blotting out a large chunk of the star-scape.  She gasped, thinking for a moment that it was about to crash into the dome, obliterating them all.

Katya saw her expression.  "Emissary," she said without looking up.  "The Faerie Folk's star ship; it docked here a few days ago.  No-one knows why.  As you can see, it is far larger than Earthworm."

It wasn't the media committee that was waiting for them when they reached the command module of the moonbase.  Batu and Oyugun were unceremoniously relieved of their recording equipment before being shown into the office of the commander of the American delegation.  General Armitage was a large, florid man who had been in sole command of the base before the other four delegations had arrived.  Although he was now one of a committee of five commanders, his manner proclaimed that he still considered himself to be the man in charge.  The British and Chinese commanders were also present.

Taking advantage of the absence of the Russian commander, Armitage took the opportunity to administer a dressing down to Katya.  "Shouldn't you at least have introduced our visitors to us before turning them loose on the star ship, Colonel?"

Other books

The Canticle of Whispers by David Whitley
Ruthless: Mob Boss Book One by Michelle St. James
Dark Moon by Elizabeth Kelly
Coconuts and Wonderbras by Lynda Renham
A Taste for Love by Marita Conlon-McKenna
Hold on to Me by Elisabeth Naughton
Dance of the Dwarfs by Geoffrey Household
Nazareth's Song by Patricia Hickman