The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis (38 page)

BOOK: The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis
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Plantier (septuagenarian debauchee)

Plessis, Alphonsine.
See
Duplessis, Marie

Plessis, Delphine (sister).
See
Paquet, Delphine-Adèle

Plessis, Louise-Renée (grandmother),
1.1
,
1.2

Plessis, Marie (née Deshayes; mother),
1.1
,
1.2
,
app1.1
; ancestry of,
1.3
; baroness’s pledge to help daughters of,
6.1
; childhood of,
1.4
; death of,
1.5
,
6.2
; marital difficulties of,
1.6
; pregnancies and childbearing of,
1.7
,
1.8
; wedding of,
1.9

Plessis, Marin (father),
1.1
,
1.2
,
1.3
,
5.1
; birth and childhood of,
1.4
; daughter sent to Paris by,
1.5
,
2.1
; daughter “sold” to debaucher by,
1.6
; drinking, jealousy, and brutish
behavior of,
1.7
; illness and death of,
1.8
,
3.1
; incest rumors and,
1.9
; Marie’s love for,
1.10
,
1.11
; wedding of,
1.12

Pont-Neuf,
1.1
,
2.1
,
2.2

Ponval, Baron de

Prat, Clémence,
6.1
,
7.1

Prince Paul (pseudonym),
7.1
,
nts.1
n

Privé, Pierre,
7.1
,
7.2
,
app1.1

Prix du Jockey Club,
5.1
,
5.2

Proust, Marcel,
itr.1
,
itr.2

Puynode, Gustave du

Rachel (actress),
5.1
,
5.2
,
5.3
,
6.1
,
6.2
,
7.1

Raguse, Duchess de,
5.1
,
app1.1

Ricourt, Achille

Roqueplan, Camille

Roqueplan, Nestor,
itr.1
,
2.1
,
2.2
,
3.1
,
5.1
,
5.2
,
5.3
,
5.4
,
5.5
,
6.1
,
7.1
,
7.2
,
7.3
,
7.4
,
7.5
; dinners given by,
7.6
; young Marie first seen by,
1.1
,
2.3

Rose (maid),
1.1
,
1.2
,
1.3
,
3.1
,
4.1
,
4.2
,
6.1

Rousseau, Jean-Jacques,
5.1
,
5.2

Saint-Lazare prison-hospital (Paris),
1.1
,
2.1
,
app1.1

Saint-Mathieu fair,
1.1
,
1.2
,
1.3
,
2.1
,
3.1

Saint-Victor, Paul de,
5.1
,
7.1
,
app1.1

Sand, George,
5.1
,
5.2
,
5.3
,
5.4
,
7.1
,
nts.1
n

Scènes de la vie de bohème
(Murger),
2.1
,
2.2

Sins of Youth
(Dumas fils),
itr.1
,
6.1
,
6.2
,
7.1

Soreau, Georges,
4.1
,
nts1.1

Souper des Douze, Le
,
5.1
,
6.1

Spa,
4.1
,
5.1
,
5.2
; Marie’s sojourns in,
7.1

Stackelberg, Count Gustav Ernst von,
4.1
,
6.1
,
6.2
,
7.1
,
nts.1
n
; at Baden-Baden,
4.2
; breaking of Marie’s vow to,
4.3
; daughters’ deaths and,
4.4
,
4.5
,
4.6
,
6.3
,
6.4
,
7.2
; Marie’s final days and,
7.3
,
7.4
; Marie’s Paris apartments luxuriously furnished by,
4.7
,
6.5
,
app1.1
; Marie used as spy by,
6.6
; profligacy of,
4.8
,
6.7
; return of,
6.8

students: mistresses taken by,
2.1
,
2.2
; Parisian hangouts of,
2.3
,
2.4

Sue, Eugène,
2.1
,
5.1
,
5.2
,
5.3
,
app1.1

Susse (Paris)

Taglioni, Marie,
5.1
,
5.2
,
5.3
,
5.4

Théâtre des Variétés,
1.1
,
5.1
,
5.2
,
5.3
,
6.1
,
6.2
,
app1.1

Théâtre de Vaudeville,
itr.1
,
itr.2
,
5.1
,
5.2
,
5.3

Théâtre du Gymnase,
itr.1
,
5.1
,
6.1
,
app1.1

Théâtre Historique

Théâtre L’Ambigu-Comique,
itr.1
,
6.1
,
7.1
,
7.2

Tortoni (café),
5.1
,
app1.1

Traviata, La
(Verdi),
itr.1
,
itr.2
,
itr.3
,
itr.4
,
itr.5
,
5.1
,
5.2
,
7.1
,
7.2
,
7.3

Truth About the Real Lady of the Camellias, The
(Vienne),
itr.1
,
nts1.1
.
See also
Vienne, Romain

tuberculosis: Catholic ideology and,
7.1
; euphoria and heightened libido linked to,
6.1
,
7.2
; final stages of,
7.3
; transmission of,
6.2
,
6.3
,
nts.1
n
; treatment of,
6.4
,
7.4

Urbain, Mélanie,
2.1
,
2.2
,
2.3
,
3.1
,
3.2

Vandam, Albert,
2.1
,
4.1
,
5.1
,
5.2
,
5.3
,
5.4
,
5.5
,
5.6
,
6.1
,
6.2
,
app1.1

Verdi, Giuseppe,
itr.1
,
itr.2
,
itr.3
,
itr.4
,
itr.5
,
5.1

Véron, Dr. Louis,
itr.1
,
5.1
,
5.2
,
5.3
,
5.4

Vidal (artist),
app1.1
,
nts.1
n

Vienne, Mme,
1.1
,
1.2
,
5.1
,
5.2
,
7.1

Vienne, Romain,
itr.1
,
1.1
,
1.2
,
1.3
,
1.4
,
3.1
,
5.1
,
5.2
,
7.1
; auction of Marie’s belongings and,
app1.1
; book project on Marie and,
app1.2
; English baroness’s offer and,
6.1
,
6.2
,
6.3
,
6.4
; on Guiche,
4.1
,
4.2
,
4.3
,
4.4
,
4.5
,
5.3
; as journalist living in Paris,
4.6
; on Marie being sold by her father,
1.5
; Marie’s convalescence in Nonant and,
1.6
,
1.7
,
3.2
; Marie’s death and,
7.2
; on Marie’s first months in Paris,
2.1
,
2.2
,
2.3
,
2.4
,
3.3
,
3.4
,
3.5
,
3.6
,
3.7
,
3.8
; on Marie’s funeral,
7.3
; Marie’s future as concern of,
6.5
; on Marie’s refusal to submit to punitive moral code of her day,
4.7
; on Marie’s religious feelings,
7.4
,
7.5
; on Marie’s stay at Baden-Baden,
4.8
,
4.9
,
4.10
,
4.11
; on Marie’s theatergoing,
5.4
; Marie’s tuberculosis and,
6.6
,
6.7
,
6.8
,
7.6
; Montez’s brazen behavior with,
5.5
; nature of Marie’s relationship with,
4.12
; on Olympe’s relationship with Marie,
7.7
,
7.8
,
7.9
,
7.10
; on Perregaux’s relationship with Marie,
5.6
,
5.7
,
5.8
,
5.9
,
5.10
,
6.9
,
6.10
,
7.11
,
7.12
,
7.13
; on Ponval,
6.11
; as source,
nts1.1
; on Stackelberg’s relationship with Marie,
4.13
,
4.14
,
4.15
,
7.14
; in years after Marie’s death,
app1.3
,
app1.4
,
nts1.2
; on young Marie’s sexy escapades,
1.8
,
1.9

Vienot, Edouard,
7.1
,
7.2

Vigée-Lebrun, Elisabeth,
6.1

Villemessant, Hippolyte de,
6.1
,
7.1

Vimont, Elisa,
2.1
,
3.1
,
4.1

Wharton, Edith

Wohl, Janka,
7.1
,
7.2
,
7.3
,
app1.1

Yarborough, Lady Henrietta Anderson

Zola, Émile,
2.1
,
2.2
,
5.1
,
6.1

Zweig, Stefan

A Note About the Author

Julie Kavanagh is the author of
Secret Muses: The Life of Frederick Ashton
and
Nureyev
. She was trained as a dancer at the Royal Ballet Junior School, graduated from Oxford, and has been the arts editor of
Harpers & Queen
, a dance critic at
The Spectator
, and London editor of both
Vanity Fair
and
The New Yorker
. She is currently a writer and contributing editor for
The Economist
’s cultural, lifestyle, and travel magazine,
Intelligent Life
.

Other titles by Julie Kavanagh available in eBook format

Nureyev
· 978-0-307-80734-2

For more information, please visit
www.aaknopf.com

ILLUSTRATION CREDITS

bm.1
   Watercolor by Camille-Joseph-Etienne Roqueplan © Bridgeman Art Library/ Musée de la Ville de Paris, Musée Carnavalet, Paris, France/Giraudon.

bm.2
   Photograph of Nestor Roqueplan. From Jean-Louis Tamvaco,
Les Cancans de l’Opéra: Chroniques de l’Académie Royale de Musique et du théâtre à Paris sous les deux restaurations
, fig 159. Paris: CNRS Editions, 2000. Collection of Jean-Louis Tamvaco.

bm.3
   Drawing by Viset (Luc Lafnet). From Johannès Gros,
Une courtisane romantique: Marie Duplessis
. Paris: Au Cabinet Du Livre, 1929; photograph by Ross MacGibbon.

bm.4
   
La Chaumière
(1834). Lithograph by Nicolas-Eustache Maurin © Musée Carnavalet/Roger-Viollet.

bm.5
   
Le foyer de la danse
(1841). Lithograph by Eugène Lami. Collection of M. Lopez.

bm.6
   
L’Enchantresse Espagnole
(1847). Lithograph by J. G. Middleton; engraved by George Zobel. Collection of The Australian Ballet Collection, donated 1998. Performing Arts Collection, Arts Centre Melbourne.

bm.7
   
Interior of an Opera Box
(1843). Original steel engraving drawn by Eugène Lami; engraved by H. Robinson.

bm.8
   Frontispiece to
La vérité sur la dame aux camélias
by Romaine Vienne. (1888). Photograph by Ross MacGibbon.

bm.9
   
Congress of Vienna
(1819). Engraving by Jean Godefroy. Collection of the State Hermitage Museum.

bm.10
Die Allee im Bereich der Klesterwiese
(1840). From Heike Kronendett,
Die Lichtentaler Allee im Wandel der Zeit
. Baden-Baden: Stadtmuseum Baden-Baden und Autoren, 2005.

bm.11
Painting of Duke Ag‌énor de Guiche by Count d’Orsay. Collection of The Beinecke Rare Book and Manuscript Library, Yale University.

bm.12
Drawing of Count Edouard Perregaux. From Raymond Morel et al.,
Au Pays d’Argentelles: La Revue Culturelle de l’Orne
, fig. 28. Rouen: No. 3. January–March 1983.

bm.13
Engraving of Alexandre Dumas fils by Charles Geoffroy. Collection of Bibliothèque Nationale de France.

bm.14
Self-portrait
(circa 1855), photograph by Olympe Aguado © RMN-Grand Palais / Art Resource, NY. Collection of Musée d’Orsay.

bm.15
Portrait of Franz Liszt by Henri Lehmann (1839) © Musée Carnavalet/Rober-Viollet.

bm.16
Portrait of Marie Duplessis by Charles Chaplin (1846). Photograph by Ross MacGibbon. Collection of Musée de la Dame aux Camélias.

bm.17
Portrait of Alphonsine’s mother Marie Plessis. Photograph by Ross MacGibbon. Collection of Musée de la Dame aux Camélias.

bm.18
Skeleton of a lizard. Photograph by Ross MacGibbon. Collection of Musée de la Dame aux Camélias.

bm.19
Photograph of the tomb of Marie Duplessis © Albert Harlingue/Roger-Viollet.

bm.20
Lithograph of Marietta Piccolomini by Émile Desmaisons (1855). Collection of Bibliothèque Nationale de France.

bm.21
Lithograph of Eugénie Doche as Marguerite in
La Dame aux Camélias
by Richard Buckner. Collection of Musée Carnavalet, Paris.

bm.22
Photograph of Sarah Bernhardt as Marguerite in
La Dame aux Camélias
(1882). Collection of Bibliothèque Nationale de France.

bm.23
Eleonora Duse
by d’E. Kaulbach (1885). Collection of Musée de la Scala, Milan.

bm.24
Still from
Camille
(1936), directed by George Cukor © Photofest.

bm.25
Photograph of Maria Callas as Violetta by Houston Rogers (1958) in Nicola Rescigno’s production of
La Traviata
, Covent Garden.

bm.26
Photograph of Margot Fonteyn and Rudolf Nureyev (1963) by Michael Peto © University of Dundee The Peto Collection.

bm.27
Photograph of Isabelle Huppert in
Lady of the Camellias
(1981) © Cevallos/Sygma/Corbis.

bm.28
Photograph of Anna Netrebko in
La Traviata
(2005) © Klaus Lefebvre.

bm.29
Photograph of Tamara Rojo and Sergei Polunin © 2011 Royal Opera House/Tristram Kenton.

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