The Golden Apples of the Sun (19 page)

Her head lay upon a folded cloth, and no matter how she turned it, the humming of the immense powerhouse worked up through the cloth into her head. She shifted, shut her eyes, and adjusted herself, but it went on and on. She sat up, patted the cloth, lay back down.

But the humming was there.

She knew without looking, by some sense deep in herself, that her husband was awake. There was no year she could remember when she hadn't known. It was some subtle difference in his breathing. It was the absence of sound, rather; no sound of breathing at all, save at long carefully thought-out intervals. She knew then that he was looking at her in the rainy darkness, concerned with her, taking great care of his breath.

She turned in the darkness. "Berty?"

"Yes?"

"I'm awake too," she said.

"I know," he said.

They lay, she very straight, very rigid, he in a half curl, like a hand relaxed, half bent inward. She traced this dark, easy curve and was filled with incomprehensible wonder.

"Berty," she asked, and paused a long while, "how... how are you like you are?"

He waited a moment. "How do you mean?" he said.

"How do you
rest
?" She stopped. It sounded very bad. It sounded so much like an accusation, but it was not, really. She knew him to be a man concerned with all things, a man who could see in darknesses and who was not conceited because of his ability. He was worried for her now, and for her mother's life or death, but he had a way of worrying that seemed indifferent and irresponsible. It was neither of the two. His concern was all in him, deep; but it lay side by side with some faith, some belief that accepted it, made it welcome, and did not fight it. Something in him took hold of the sorrow first, got acquainted with it, knew each of its traceries before passing the message on to all of his waiting body. His body held a faith like a maze, and the sorrow that struck into him was lost and gone before it finally reached where it wanted to hurt him. Sometimes this faith drove her into a senseless anger, from which she recovered quickly, knowing how useless it was to criticize something as contained as a stone in a peach.

"Why didn't I ever catch it from you?" she said at last.

He laughed a little bit, softly. "Catch what?"

"I caught everything else. You shook me up and down in other ways. I didn't know anything but what you taught me." She stopped. It was hard to explain. Their life had been like the warm blood in a person passing through tissues quietly, both ways.

"Everything but religion," she said. "I never caught that from you."

"It's not a catching thing," he said. "Someday you just relax. And there it is."

Relax, she thought. Relax what? The body. But how to relax the mind? Her fingers twitched beside her. Her eyes wandered idly about the vast interior of the powerhouse. The machines stood over her in dark silhouettes with little sparkles crawling on them. The humming-humming-humming crept along her limbs.

Sleepy. Tired. She drowsed. Her eyes lidded and opened and lidded and opened. The humming-humming filled her marrow as if small hummingbirds were suspended in her body and in her head.

She traced the half-seen tubing up and up into the ceiling, and she saw the machines and heard the invisible whirlings. She suddenly became very alert in her drowsiness. Her eyes moved swiftly up and up and then down and across, and the humming-singing of the machines grew louder and louder, and her eyes moved, and her body relaxed; and on the tall, green windows she saw the shadows of the high-tension wires rushing off into the raining night.

Now the humming was in her, her eyes jerked, she felt herself yanked violently upright. She felt seized by a whirling dynamo, around, around in a whirl, out, out, into the heart of whirling invisibilities, fed into, accepted by a thousand copper wires, and shot, in an instant, over the earth!

She was everywhere at once!

Streaking along high monster towers in instants, sizzling between high poles where small glass knobs sat like crystal-green birds holding the wires in their non-conductive beaks, branching in four directions, eight secondary directions, finding towns, hamlets, cities, racing on to farms, ranches, haciendas, she descended gently like a widely filamented spider web upon a thousand square miles of desert!

The earth was suddenly more than many separate things, more than houses, rocks, concrete roads, a horse here or there, a human in a shallow, boulder-topped grave, a prickling of cactus, a town invested with its own light surrounded by night, a million apart things. Suddenly it all had one pattern encompassed and held by the pulsing electric web.

She spilled out swiftly into rooms where life was rising from a slap on a naked child's back, into rooms where life was leaving bodies like the light fading from an electric bulb—the filament glowing, fading, finally colorless. She was in every town, every room, making light-patterns over hundreds of miles of land; seeing, hearing everything, not alone any more, but one of thousands of people, each with his ideas and his faiths.

Her body lay, a lifeless reed, pale and trembling. Her mind, in all its electric tensity, was flung about this way, that, down vast networks of powerhouse tributary.

Everything balanced. In one room she saw life wither; in another, a mile away, she saw wineglasses lifted to the newborn, cigars passed, smiles, handshakes, laughter. She saw the pale, drawn faces of people at white deathbeds, heard how they understood and accepted death, saw their gestures, felt their feelings, and saw that they, too, were lonely in themselves, with no way to get to the world to see the balance, see it as she was seeing it now.

She swallowed. Her eyelids flickered and her throat burned under her upraised fingers.

She was not alone.

The dynamo had whirled and flung her with centrifugal force out along a thousand lines into a million glass capsules screwed into ceilings, plucked into light by a pull of a cord or a twist of a knob or a flick of a switch.

The light could be in
any
room; all that was needed was to touch the switch. All rooms were dark until light came. And here she was, in all of fhem at once. And she was not alone. Her grief was but one part of a vast grief, her fear only one of countless others. And this grief was only a half thing. There was the other half; of things born, of comfort in the shape of a new child, of food in the warmed body, of colors for the eye and sounds in the awakened ear, and spring wild flowers for the smelling.

Whenever a light blinked out, life threw another switch; rooms were illumined afresh.

She was with those named Clark and those named Gray and the Shaws and Martins and Hanfords, the Fentons, the Drakes, the Shattucks, the Hubbells, and the Smiths. Being alone was not alone, except in the mind. You had all sorts of peekholes in your head. A silly, strange way to put it, perhaps, but there were the holes; the ones to see through and see that the world was there and people in it, as hard put to and uneasy as yourself; and there were the holes for hearing, and the one for speaking out your grief and getting rid of it, and the holes for knowing the changes of season through the scents of summer grain or winter ice or autumn fires. They were there to be used so that one was not alone. Loneliness was a shutting of the eyes. Faith was a simple opening.

The light-net fell upon all the world she had known for twenty years, herself blended with every line. She glowed and pulsed and was gentled in the great easy fabric. It lay across the land, covering each mile like a gentle, warm, and humming blanket. She was everywhere.

In the powerhouse the turbines whirled and hummed and the electric sparks, like little votive candles, jumped and clustered upon bent elbows of electric piping and glass. And the machines stood like saints and choruses, haloed now yellow, now red, now green, and a massed singing beat along the roof hollows and echoed down in endless hymns and chants. Outside, the wind clamored at the brick walls and drenched the glazed windows with rain; inside, she lay upon her small pillow and suddenly began to cry.

Whether it was with understanding, acceptance, joy, resignation, she couldn't know. The singing went on, higher and higher, and she was everywhere. She put out her hand, caught hold of her husband, who was still awake, his eyes fixed at the ceiling. Perhaps he had run everywhere, too, in this instant, through the network of light and power. But then, he had always been everywhere at once. He felt himself a unit of a whole and therefore he was stable; to her, unity was new and shaking. She felt his arms suddenly around her and she pressed her face into his shoulder for a long while, hard, while the humming and the humming climbed higher, and she cried freely, achingly, against him....

In the morning the desert sky was very clear. They walked from the powerhouse quietly, saddled their horses, cinched on all of the equipment, and mounted.

She settled herself and sat there under the blue sky. And slowly she was aware of her back, and her back was straight, and she looked at her alien hands on the reins, and they had ceased trembling. And she could see the far mountains; there was no blur nor a running-of-color to things. All was solid stone touching stone, and stone touching sand, and sand touching wild flower, and wild flower touching the sky in one continuous clear flow, everything definite and of a piece.

"Wope!" cried Berty, and the horses walked slowly off, away from the brick building, through the cool sweet morning air.

She rode handsomely and she rode well, and in her, like a stone in a peach, was a peacefulness. She called to her husband as they slowed on a rise, "Berty!"

"Yes?"

"Can we..." she asked.

"Can we what?" he said, not hearing the first time.

"Can we come here again sometime?" she asked, nodding back toward the powerhouse. "Once in a while? Some Sunday?"

He looked at her and nodded slowly. "I reckon. Yes. Sure. I reckon so."

And as they rode on into town she was humming, humming a strange soft tune, and he glanced over and listened to it, and it was the sound you would expect to hear from sun-warmed railroad ties on a hot summer day when the air rises in a shimmer, flurried and whorling; a sound in one key, one pitch, rising a little, falling a little, humming, humming, but constant, peaceful, and wondrous to hear.

Copyright, 1952, by Fawcett Publications, Inc.

All night Mrs. Navarrez moaned, and these moans filled the tenement like a fight turned on in every room so no one could sleep. All night she gnashed her white pillow and wrung her thin hands and cried, "My Joe!" The tenement people, at 3 A.M., finally discouraged that she would
never
shut her painted red mouth, arose, feeling warm and gritty, and dressed to take the trolley downtown to an all-night movie. There Roy Rogers chased bad men through veils of stale smoke and spoke dialogue above the soft snorings in the dark night theater.

By dawn Mrs. Navarrez was still sobbing and screaming.

During the day it was not so bad. Then the massed choir of babies crying here or there in the house added the saving grace of what was almost a harmony. There was also the chugging thunder of the washing machines on the tenement porch, and chenille-robed women standing on the flooded, soggy boards of the porch, talking their Mexican gossip rapidly. But now and again, above the shrill talk, the washing, the babies, one could hear Mrs. Navarrez like a radio tuned high. "My Joe, oh, my poor Joe!" she screamed.

Now, at twilight, the men arrived with the sweat of their work under their arms. Lolling in cool bathtubs all through the cooking tenement, they cursed and held their hands to their ears.

"Is she
still
at it!" they raged helplessly. One man even kicked her door. "Shut
up
, woman!" But this only made Mrs. Navarrez shriek louder. "Oh, ah! Joe, Joe!"

"Tonight we eat out!" said the men to their wives. All through the house, kitchen utensils were shelved and doors locked as men hurried their perfumed wives down the halls by their pale elbows.

Mr. Villanazul, unlocking his ancient, flaking door at midnight, closed his brown eyes and stood for a moment, swaying. His wife Tina stood beside him with their three sons and two daughters, one in arms.

"Oh God," whispered Mr. Villanazul. "Sweet Jesus, come down off the cross and silence that woman." They entered their dim little room and looked at the blue candlelight flickering under a lonely crucifix. Mr. Villanazul shook his head philosophically. "He is still on the cross."

They lay in their beds like burning barbecues, the summer night basting them with their own liquors. The house flamed with that ill woman's cry.

"I am stifled!" Mr. Villanazul fled through the tenement, downstairs to the front porch with his wife, leaving the children, who had the great and miraculous talent of sleeping through all things.

Dim figures occupied the front porch, a dozen quiet men crouched with cigarettes fuming and glowing in their brown fingers, women in chenille wrappers taking what there was of the summer-night wind. They moved like dream figures, like clothes dummies worked stiffly on wires and rollers. Their eyes were puffed and their tongues thick.