The Greek Myths, Volume 1 (69 page)

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4
. Miletus’s claim to be Apollo’s son suggests that the Milesian kings were given solar attributes, like those of Corinth (see
67.
2
).

5
. The triumph of Minos, son of Zeus, over his brothers refers to the Dorian’s eventual mastery of Crete, but it was Poseidon to whom Minos sacrificed the bull, which again suggests that the earlier holders of the title ‘Minos’ were Aeolians. Crete had for centuries been a very rich country and, in the late eighth century
B
.
C
., was shared between the Achaeans, Dorians, Pelasgians, Cydonians (Aeolians), and in the far west of the island, ‘true Cretans’ (
Odyssey
xix. 171–5). Diodorus Siculus tries to distinguish Minos son of Zeus from his grandson, Minos son of
Lycastus; but two or three Minos dynasties may have successively reigned in Cnossus.

6
. Sarpedon’s name (‘rejoicing in a wooden ark’) suggests that he brought with him to Lycia (see 162.
n
) the ritual of the Sun-hero who, at New Year, makes his annual reappearance as a child floating in an ark –like Moses, Perseus (see
73.
c
), Anius (see 160.
t
), and others. A Cretan connexion with the Perseus myth is provided by Pasiphaë’s mother Perseis. Zeus’s concession to Sarpedon, that he should live for three generations, means perhaps that instead of the usual eight years – a Great Year – which was the length of Minos’s reign, he was allowed to keep his throne until the nineteenth year, when a closer synchronization of solar and lunar time occurred than at the end of eight; and thus broke into the third Great Year (see
67.
2
).

7
. Since ‘Pasiphaë’, according to Pausanias (iii. 26. 1), is a title of the Moon; and ‘Itone’, her other name, a title of Athene as rain-maker (Pausanias: ix. 34. 1), the myth of Pasiphaë and the bull points to a ritual marriage under an oak between the Moon-priestess, wearing cow’s horns, and the Minos-king, wearing a bull’s mask (see
76.
1
). According to Hesychius (
sub
Carten), ‘Gortys’ stands for
Carten
, the Cretan word for a cow; and the marriage seems to have been understood as one between Sun and Moon, since there was a herd of cattle sacred to the Sun in Gortys (Servius on Virgil’s
Eclogues
vi. 60). Daedalus’s discreet retirement from the meadow suggests that this was not consummated publicly in the Pictish or Moesynoechian style. Many later Greeks disliked the Pasiphaë myth, and preferred to believe that she had an affair not with a bull, but with a man called Taurus (Plutarch:
Theseus
19; Palaephatus:
On Incredible Stories
ii). White bulls, which were peculiarly sacred to the Moon (see
84.
1
), figured in the annual sacrifice on the Alban mount at Rome, in the cult of Thracian Dionysus, in the mistletoe-and-oak ritual of the Gallic Druids (see
50.
2
) and, according to the
Book of the Dun Cow
, in the divinatory rites which preceded an ancient Irish coronation.

8
. Minos’s palace at Cnossus was a complex of rooms, ante-rooms, halls, and corridors in which a country visitor might easily lose his way. Sir Arthur Evans, suggests that this was the Labyrinth, so called from the
labrys
, or double-headed axe; a familiar emblem of Cretan sovereignty –shaped like a waxing and a waning moon joined together back to back, and symbolizing the creative as well as the destructive power of the goddess. But the maze at Cnossus had a separate existence from the palace; it was a true maze, in the Hampton Court sense, and seems to have been marked out in mosaic on a pavement as a ritual dancing pattern – a pattern which occurs in places as far apart as Wales and North-eastern Russia, for use in the Easter maze-dance. This dance was performed in Italy (Pliny:
Natural History
xxxvi. 85), and in Troy (Scholiast on Euripides’s
Andromache
1139), and seems to have been introduced into Britain, towards the end of the third millennium
B
.
C
., by neolithic immigrants from North Africa. Homer describes the Cnossus maze (
Iliad
xviii. 592):

Daedalus in Cnossus once contrived
A dancing-floor for fair-haired Ariadne

and Lucian refers to popular dances in Crete connected with Ariadne and the Labyrinth (
On the Dance
49).

9
. The cult of Rhadamanthys may have been brought from Boeotia to Crete, and not contrariwise. Haliartus, where he had a hero-shrine, was apparently sacred to the ‘White Goddess of Bread’, namely Demeter; for
Halia
, ‘of the sea’, was a title of the Moon as Leucothea, ‘the White Goddess’ (Diodorus Siculus: v. 55), and
artos
means ‘bread’. Alcmene (‘strong in wrath’) is another Moon-title. Though said to be a Cretan word, Rhadamanthys may stand for
Rhabdomantis
, ‘divining with a wand’, a name taken from the reed-bed at Haliartus, where his spirit stirred the tops oracularly (see
83.
3
). If so, the tradition of his having legislated for all Crete and the islands of Asia Minor will mean that a similar oracle in Crete was consulted at the beginning of each new reign, and that its pronouncements carried authority wherever Cretan weights, measures, and trading conventions were accepted. He is called a son of Zeus, rather than of Hephaestus, doubtless because the Rhadamanthine oracles came from the Dictaean Cave, sacred to Zeus (see
7.
b
).

10
. At Petsofa in Crete a hoard of human heads and limbs, of clay, have been found, each with a hole through which a string could be passed. If once fixed to wooden trunks they may have formed part of Daedalus’s jointed dolls, and represented the Fertility-goddess. Their use was perhaps to hang from a fruit-tree, with their limbs moving about in the wind, to ensure good crops. Such a doll is shown hanging from a fruit-tree in the famous gold ring from the Acropolis Treasure at Mycenae. Tree worship is the subject of several Minoan works of art, and Ariadne, the Cretan goddess, is said to have hanged herself (
Contest of Homer and Hesiod
14), as the Attic Erigone did (see
79.
a
). Artemis the Hanged One, who had a sanctuary at Condyleia in Arcadia (Pausanias: viii. 23. 6), and Helen of the Trees, who had a sanctuary at Rhodes and is said to have been hanged by Polyxo (Pausanias: iii. 19. 10), may be variants of the same goddess.

89

THE LOVES OF MINOS

M
INOS
lay with the nymph Paria, whose sons colonized Paros and were later killed by Heracles; also with Androgeneia, the mother of the
lesser Asterius,
1
as well as many others; but especially he pursued Britomartis of Gortyna, a daughter of Leto. She invented hunting-nets and was a close companion to Artemis, whose hounds she kept on a leash.
2

b
. Britomartis hid from Minos under thick-leaved oak-saplings in the water meadows, and then for nine months he pursued her over craggy mountains and level plains until, in desperation, she threw herself into the sea, and was hauled to safety by fishermen. Artemis deified Britomartis under the name of Dictynna; but on Aegina she is worshipped as Aphaea, because she vanished; at Sparta as Artemis, surnamed ‘the Lady of the Lake’; and on Cephallonia as Laphria; the Samians, however, use her true name in their invocations.
3

c
. Minos’s many infidelities so enraged Pasiphaë that she put a spell upon him: whenever he lay with another woman he discharged, not seeds, but a swarm of noxious serpents, scorpions, and millepedes, which preyed on her vitals.
4
One day, Procris, daughter of the Athenian King Erechtheus, whom her husband Cephalus had deserted, visited Crete. Cephalus was provoked to this by Eos, who fell in love with him. When he politely refused her advances, on the ground that he could not deceive Procris, with whom he had exchanged vows of perpetual faithfulness, Eos protested that Procris, whom she knew better than he did, would readily forswear herself for gold. Since Cephalus indignantly denied this, Eos metamorphosed him into the likeness of one Pteleon, and advised him to tempt Procris to his bed by offering her a golden crown. He did so, and, finding that Procris was easily seduced, felt no compunction about lying with Eos, of whom she was painfully jealous.

d
. Eos bore Cephalus a son named Phaëthon; but Aphrodite stole him while still a child, to be the night-watchman of her most sacred shrines; and the Cretans call him Adymnus, by which they mean the morning and the evening star.
5

e
. Meanwhile, Procris could not bear to stay in Athens, her desertion being the subject of general gossip, and therefore came to Crete, where Minos found her no more difficult to seduce than had the supposed Pteleon. He bribed her with a hound that never failed to catch his quarry, and a dart that never missed its mark, both of which had been given him by Artemis.
6
Procris, being an ardent huntress, gladly accepted these, but insisted that Minos should take a prophylactic draught – a decoction of magical roots invented by the witch Circe –to
prevent him from filling her with reptiles and insects. This draught had the desired effect, but Procris feared that Pasiphaë might bewitch her, and therefore returned hurriedly to Athens, disguised as a handsome boy, having first changed her name to Pterelas. She never saw Minos again.

f
. Cephalus, whom she now joined on a hunting expedition, did not recognize her and coveted Laelaps, her hound, and the unerring dart so much that he offered to buy them, naming a huge sum of silver. But Procris refused to part with either, except for love, and when he agreed to take her to his bed, tearfully revealed herself as his wife. Thus they were reconciled at last, and Cephalus enjoyed great sport with the dog and the dart. But Artemis was vexed that her valuable gifts should thus be bandied from hand to hand by these mercenary adulterers, and plotted revenge. She put it into Procris’s head to suspect that Cephalus was still visiting Eos when he rose two hours after midnight and went off to hunt.

g
. One night Procris, wearing a dark tunic, crept out after him in the half light. Presently he heard a rustle in a thicket behind him, Laelaps growled and stiffened, Cephalus let fly with the unerring dart and transfixed Procris. In due course the Areiopagus sentenced him to perpetual banishment for murder.
7

h
. Cephalus retired to Thebes, where King Amphitryon, the supposed father of Heracles, borrowed Laelaps to hunt the Teumessian vixen which was ravaging Cadmeia. This vixen, divinely fated never to be caught, could be appeased only by the monthly sacrifice of a child. But, since Laelaps was divinely fated to catch whatever he pursued, doubt arose in Heaven as to how this contradiction should be resolved: in the end, Zeus angrily settled it by turning both Laelaps and the vixen into stone.
8

i
. Cephalus next assisted Amphitryon in a successful war against the Teleboans and Taphians. Before it began, Amphitryon made all his allies swear by Athene and Ares not to hide any of the spoils; only one, Panopeus, broke this oath and was punished by begetting a coward, the notorious Epeius.
9
The Teleboan king was Pterelaus, on whose head Poseidon, his grandfather, had planted a golden lock of immortality. His daughter Comaetho fell in love with Amphitryon and, wishing to gain his affections, plucked out the golden lock, so that Pterelaus died and Amphitryon swiftly conquered the Teleboans with the help of Cephalus; but he sentenced Comaetho to death for parricide.

j
. Cephalus’s share of the Teleboan dominions was the island of Cephallenia, which still bears his name. He never pardoned Minos for having seduced Procris and given her the fatal dart; nor yet could he acquit himself of responsibility. After all, he had been the first to forswear himself, because Procris’s affair with the supposed Pteleon could not be reckoned as a breach of faith; ‘No, no,’ he grieved, ‘I should never have bedded with Eos!’ Though purified of his guilt, he was haunted by Procris’s ghost and, fearing to bring misfortune on his companions, went one day to Cape Leucas, where he had built a temple to Apollo of the White Rock, and plunged into the sea from the cliff top. As he fell he called aloud on the name of Pterelas; for it was under this name that Procris had been most dear to him.
10

1
. Apollodorus: ii. 5.9 and iii. 1. 2; Nonnus:
Dionysiaca
xiii. 222 and xl. 284.

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