The House of Mirth (20 page)

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Authors: Edith Wharton

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BOOK: The House of Mirth
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He leaned unpleasantly close in order to convey this suggestion, and she fancied she caught a significant aroma which explained the dark flush on his face and the glistening dampness of his forehead.
The idea that any rash answer might provoke an unpleasant outburst tempered her disgust with caution, and she answered with a laugh: “I don't see how one can very well take country drives in town, but I am not always surrounded by an admiring throng, and if you will let me know what afternoon you are coming I will arrange things so that we can have a nice quiet talk.”
“Hang talking! That's what you always say,” returned Trenor, whose expletives lacked variety. “You put me off with that at the Van Osburgh wedding; but the plain English of it is that now you've got what you wanted out of me, you'd rather have any other fellow about.”
His voice had risen sharply with the last words, and Lily flushed with annoyance, but she kept command of the situation and laid a persuasive hand on his arm.
“Don't be foolish, Gus; I can't let you talk to me in that ridiculous way. If you really want to see me, why shouldn't we take a walk in the park some afternoon? I agree with you that it's amusing to be rustic in town, and if you like I'll meet you there, and we'll go and feed the squirrels, and you shall take me out on the lake in the steam-gondola.”
She smiled as she spoke, letting her eyes rest on his in a way that took the edge from her banter and made him suddenly malleable to her will.
“All right, then; that's a go. Will you come tomorrow? To-morrow at three o'clock, at the end of the Mall? I'll be there sharp, remember; you won't go back on me, Lily?”
But to Miss Bart's relief the repetition of her promise was cut short by the opening of the box door to admit George Dorset.
Trenor sulkily yielded his place, and Lily turned a brilliant smile on the new-comer. She had not talked with Dorset since their visit at Bellomont, but something in his look and manner told her that he recalled the friendly footing on which they had last met. He was not a man to whom the expression of admiration came easily; his long sallow face and distrustful eyes seemed always barricaded against the expansive emotions. But where her own influence was concerned, Lily's intuitions sent out thread-like feelers, and as she made room for him on the narrow sofa, she was sure he found a dumb pleasure in being near her. Few women took the trouble to make themselves agreeable to Dorset, and Lily had been kind to him at Bellomont and was now smiling on him with a divine renewal of kindness.
“Well, here we are, in for another six months of caterwauling,” he began complainingly. “Not a shade of difference between this year and last except that the women have got new clothes and the singers haven't got new voices. My wife's musical, you know—puts me through a course of this every winter. It isn't so bad on Italian nights; then she comes late, and there's time to digest. But when they give Wagner we have to rush dinner, and I pay up for it. And the draughts are damnable—asphyxia in front and pleurisy in the back. There's Trenor leaving the box without drawing the curtain! With a hide like that draughts don't make any difference. Did you ever watch Trenor eat? If you did, you'd wonder why he's alive; I suppose he's leather inside too. But I came to say that my wife wants you to come down to our place next Sunday. Do for heaven's sake say yes. She's got a lot of bores coming—intellectual ones, I mean; that's her new line, you know, and I'm not sure it ain't worse than the music. Some of 'em have long hair, and they start an argument with the soup and don't notice when things are handed to them. The consequence is the dinner gets cold, and I have dyspepsia. That silly ass Silverton brings them to the house—he writes poetry, you know, and Bertha and he are getting tremendously thick. She could write better than any of 'em if she chose, and I don't blame her for wanting clever fellows about; all I say is: ‘Don't let me see 'em eat!' ”
The gist of this strange communication gave Lily a distinct thrill of pleasure. Under ordinary circumstances, there would have been nothing surprising in an invitation from Bertha Dorset, but since the Bellomont episode, an unavowed hostility had kept the two women apart. Now, with a start of inner wonder, Lily felt that her thirst for retaliation had died out.
If you would forgive your enemy,
says the Malay proverb,
first inflict a hurt on him;
and Lily was experiencing the truth of the apothegm. If she had destroyed Mrs. Dorset's letters, she might have continued to hate her; but the fact that they remained in her possession had fed her resentment to satiety.
She uttered a smiling acceptance, hailing in the renewal of the tie an escape from Trenor's importunities.
XI
M
eanwhile, the holidays had gone by and the season was beginning. Fifth Avenue had become a nightly torrent of carriages surging upward to the fashionable quarters about the park, where illuminated windows and outspread awnings betokened the usual routine of hospitality. Other tributary currents crossed the main stream, bearing their freight to the theatres, restaurants, or opera; and Mrs. Peniston, from the secluded watch-tower of her upper window, could tell to a nicety just when the chronic volume of sound was increased by the sudden influx setting toward a Van Osburgh ball or when the multiplication of wheels meant merely that the opera was over or that there was a big supper at Sherry's.
Mrs. Peniston followed the rise and culmination of the season as keenly as the most active sharer in its gaieties; and as a looker-on, she enjoyed opportunities of comparison and generalization such as those who take part must proverbially forego. No one could have kept a more accurate record of social fluctuations or have put a more unerring finger on the distinguishing features of each season: its dulness, its extravagance, its lack of balls or excess of divorces. She had a special memory for the vicissitudes of the “new people” who rose to the surface with each recurring tide, and were either submerged beneath its rush or landed triumphantly beyond the reach of envious breakers; and she was apt to display a remarkable retrospective insight into their ultimate fate so that when they had fulfilled their destiny, she was almost always able to say to Grace Stepney—the recipient of her prophecies—that she had known exactly what would happen.
This particular season Mrs. Peniston would have characterized as that in which everybody “felt poor” except the Welly Brys and Mr. Simon Rosedale. It had been a bad autumn in Wall Street, where prices fell in accordance with that peculiar law which proves railway stocks and bales of cotton to be more sensitive to the allotment of executive power than many estimable citizens trained to all the advantages of self-government. Even fortunes supposed to be independent of the market either betrayed a secret dependence on it or suffered from a sympathetic affection: fashion sulked in its country-houses or came to town incognito, general entertainments were discountenanced, and informality and short dinners became the fashion.
But society, amused for a while at playing Cinderella, soon wearied of the hearthside
rôle,
and welcomed the fairy godmother in the shape of any magician powerful enough to turn the shrunken pumpkin back again into the golden coach. The mere fact of growing richer at a time when most people's investments are shrinking is calculated to attract envious attention; and according to Wall Street rumours, Welly Bry and Rosedale had found the secret of performing this miracle.
Rosedale, in particular, was said to have doubled his fortune, and there was talk of his buying the newly finished house of one of the victims of the crash, who, in the space of twelve short months, had made the same number of millions, built a house in Fifth Avenue, filled a picture-gallery with old masters, entertained all New York in it, and been smuggled out of the country between a trained nurse and a doctor while his creditors mounted guard over the old masters and his guests explained to each other that they had dined with him only because they wanted to see the pictures. Mr. Rosedale meant to have a less meteoric career. He knew he should have to go slowly, and the instincts of his race fitted him to suffer rebuffs and put up with delays. But he was prompt to perceive that the general dulness of the season afforded him an unusual opportunity to shine, and he set about with patient industry to form a background for his growing glory. Mrs. Fisher was of immense service to him at this period. She had set off so many newcomers on the social stage that she was like one of those pieces of stock scenery which tell the experienced spectator exactly what is going to take place. But Mr. Rosedale wanted, in the long run, a more individual environment. He was sensitive to shades of difference which Miss Bart would never have credited him with perceiving because he had no corresponding variations of manner; and it was becoming more and more clear to him that Miss Bart herself possessed precisely the complementary qualities needed to round off his social personality.
Such details did not fall within the range of Mrs. Peniston's vision. Like many minds of panoramic sweep, hers was apt to overlook the
minutiae
of the foreground, and she was much more likely to know where Carry Fisher had found the Welly Brys'
chef
for them than what was happening to her own niece. She was not, however, without purveyors of information ready to supplement her deficiencies. Grace Stepney's mind was like a kind of moral fly-paper, to which the buzzing items of gossip were drawn by a fatal attraction, and where they hung fast in the toils of an inexorable memory. Lily would have been surprised to know how many trivial facts concerning herself were lodged in Miss Stepney's head. She was quite aware that she was of interest to dingy people, but she assumed that there is only one form of dinginess and that admiration for brilliancy is the natural expression of its inferior state. She knew that Gerty Farish admired her blindly, and therefore supposed that she inspired the same sentiments in Grace Stepney, whom she classified as a Gerty Farish without the saving traits of youth and enthusiasm.
In reality, the two differed from each other as much as they differed from the object of their mutual contemplation. Miss Farish's heart was a fountain of tender illusions, Miss Stepney's a precise register of facts as manifested in their relation to herself. She had sensibilities which to Lily would have seemed comic in a person with a freckled nose and red eyelids who lived in a boarding-house and admired Mrs. Peniston's drawing-room; but poor Grace's limitations gave them a more concentrated inner life, as poor soil starves certain plants into intenser efflorescence. She had in truth no abstract propensity to malice; she did not dislike Lily because the latter was brilliant and predominant, but because she thought that Lily disliked her. It is less mortifying to believe one's self unpopular than insignificant, and vanity prefers to assume that indifference is a latent form of unfriendliness. Even such scant civilities as Lily accorded to Mr. Rosedale would have made Miss Stepney her friend for life; but how could she foresee that such a friend was worth cultivating? How, moreover, can a young woman who has never been ignored measure the pang which this injury inflicts? And, lastly, how could Lily, accustomed to choose between a pressure of engagements, guess that she had mortally offended Miss Stepney by causing her to be excluded from one of Mrs. Peniston's infrequent dinner-parties?
Mrs. Peniston disliked giving dinners, but she had a high sense of family obligation, and on the Jack Stepneys' return from their honeymoon she felt it incumbent upon her to light the drawing-room lamps and extract her best silver from the safe-deposit vaults. Mrs. Peniston's rare entertainments were preceded by days of heart-rending vacillation as to every detail of the feast, from the seating of the guests to the pattern of the tablecloth, and in the course of one of these preliminary discussions she had imprudently suggested to her cousin Grace that as the dinner was a family affair, she might be included in it. For a week the prospect had lighted up Miss Stepney's colourless existence; then she had been given to understand that it would be more convenient to have her another day. Miss Stepney knew exactly what had happened. Lily, to whom family reunions were occasions of unalloyed dulness, had persuaded her aunt that a dinner of “smart” people would be much more to the taste of the young couple, and Mrs. Peniston, who leaned helplessly on her niece in social matters, had been prevailed upon to pronounce Grace's exile. After all, Grace could come any other day; why should she mind being put off?
It was precisely because Miss Stepney could come any other day—and because she knew her relations were in the secret of her unoccupied evenings—that this incident loomed gigantically on her horizon. She was aware that she had Lily to thank for it, and dull resentment was turned to active animosity.
Mrs. Peniston, on whom she had looked in a day or two after the dinner, laid down her crochet-work and turned abruptly from her oblique survey of Fifth Avenue.
“Gus Trenor? Lily and Gus Trenor?” she said, growing so suddenly pale that her visitor was almost alarmed.
“Oh, cousin Julia—Of course I don't mean—”
“I don't know what you
do
mean,” said Mrs. Peniston with a frightened quiver in her small, fretful voice. “Such things were never heard of in my day. And my own niece! I'm not sure I understand you. Do people say he's in love with her?”
Mrs. Peniston's horror was genuine. Though she boasted an unequalled familiarity with the secret chronicles of society, she had the innocence of the schoolgirl who regards wickedness as a part of “history” and to whom it never occurs that the scandals she reads of in lesson-hours may be repeating themselves in the next street. Mrs. Peniston had kept her imagination shrouded like the drawing-room furniture. She knew, of course, that society was “very much changed” and that many women her mother would have thought “peculiar” were now in a position to be critical about their visiting-lists; she had discussed the perils of divorce with her rector and had felt thankful at times that Lily was still unmarried; but the idea that any scandal could attach to a young girl's name, above all that it could be lightly coupled with that of a married man, was so new to her that she was as much aghast as if she had been accused of leaving her carpets down all summer or of violating any of the other cardinal laws of housekeeping.

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