The Hunger Games Trilogy (2 page)

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Authors: Suzanne Collins

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BOOK: The Hunger Games Trilogy
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Now it’s Gale’s turn to be confused. Does she mean it? Or is she messing with him? I’m guessing the second.

“You won’t be going to the Capitol,” says Gale coolly. His eyes land on a small, circular pin that adorns her dress. Real gold. Beautifully crafted. It could keep a family in bread for months. “What can you have? Five entries? I had six when I was just twelve years old.”

“That’s not her fault,” I say.

“No, it’s no one’s fault. Just the way it is,” says Gale.

Madge’s face has become closed off. She puts the money for the berries in my hand. “Good luck, Katniss.”

“You, too,” I say, and the door closes.

We walk toward the Seam in silence. I don’t like that Gale took a dig at Madge, but he’s right, of course. The reaping system is unfair, with the poor getting the worst of it. You become eligible for the reaping the day you turn twelve. That year, your name is entered once. At thirteen, twice. And so on and so on until you reach the age of eighteen, the final year of eligibility, when your name goes into the pool seven times. That’s true for every citizen in all twelve districts in the entire country of Panem.

But here’s the catch. Say you are poor and starving as we were. You can opt to add your name more times in exchange for tesserae. Each tessera is worth a meager year’s supply of grain and oil for one person. You may do this for each of your family members as well. So, at the age of twelve, I had my name entered four times. Once, because I had to, and three times for tesserae for grain and oil for myself, Prim, and my mother. In fact, every year I have needed to do this. And the entries are cumulative. So now, at the age of sixteen, my name will be in the reaping twenty times. Gale, who is eighteen and has been either helping or single-handedly feeding a family of five for seven years, will have his name in forty-two times.

You can see why someone like Madge, who has never been at risk of needing a tessera, can set him off. The chance of her name being drawn is very slim compared to those of us who live in the Seam. Not impossible, but slim. And even though the rules were set up by the Capitol, not the districts, certainly not Madge’s family, it’s hard not to resent those who don’t have to sign up for tesserae.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

As we walk, I glance over at Gale’s face, still smoldering underneath his stony expression. His rages seem pointless to me, although I never say so. It’s not that I don’t agree with him. I do. But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Gale and I divide our spoils, leaving two fish, a couple of loaves of good bread, greens, a quart of strawberries, salt, paraffin, and a bit of money for each.

“See you in the square,” I say.

“Wear something pretty,” he says flatly.

At home, I find my mother and sister are ready to go. My mother wears a fine dress from her apothecary days. Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with
pins. Even so, she’s having trouble keeping the blouse tucked in at the back.

A tub of warm water waits for me. I scrub off the dirt and sweat from the woods and even wash my hair. To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes.

“Are you sure?” I ask. I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me. And this is something special. Her clothes from her past are very precious to her.

“Of course. Let’s put your hair up, too,” she says. I let her towel-dry it and braid it up on my head. I can hardly recognize myself in the cracked mirror that leans against the wall.

“You look beautiful,” says Prim in a hushed voice.

“And nothing like myself,” I say. I hug her, because I know these next few hours will be terrible for her. Her first reaping. She’s about as safe as you can get, since she’s only entered once. I wouldn’t let her take out any tesserae. But she’s worried about me. That the unthinkable might happen.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face. I notice her blouse has pulled out of her skirt in the back again and force myself to stay calm. “Tuck your tail in, little duck,” I say, smoothing the blouse back in place.

Prim giggles and gives me a small “Quack.”

“Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me. “Come on, let’s eat,” I say and plant a quick kiss on the top of her head.

The fish and greens are already cooking in a stew, but that will be for supper. We decide to save the strawberries and bakery bread for this evening’s meal, to make it special we say. Instead we drink milk from Prim’s goat, Lady, and eat the rough bread made from the tessera grain, although no one has much appetite anyway.

At one o’clock, we head for the square. Attendance is mandatory unless you are on death’s door. This evening, officials will come around and check to see if this is the case. If not, you’ll be imprisoned.

It’s too bad, really, that they hold the reaping in the square—one of the few places in District 12 that can be pleasant. The square’s surrounded by shops, and on public market days, especially if there’s good weather, it has a holiday feel to it. But today, despite the bright banners hanging on the buildings, there’s an air of grimness. The camera crews, perched like buzzards on rooftops, only add to the effect.

People file in silently and sign in. The reaping is a good opportunity for the Capitol to keep tabs on the population as well. Twelve-through eighteen-year-olds are herded into roped areas marked off by ages, the oldest in the front, the young ones, like Prim, toward the back. Family members line up around the perimeter, holding tightly to one another’s
hands. But there are others, too, who have no one they love at stake, or who no longer care, who slip among the crowd, taking bets on the two kids whose names will be drawn. Odds are given on their ages, whether they’re Seam or merchant, if they will break down and weep. Most refuse dealing with the racketeers but carefully, carefully. These same people tend to be informers, and who hasn’t broken the law? I could be shot on a daily basis for hunting, but the appetites of those in charge protect me. Not everyone can claim the same.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker.

The space gets tighter, more claustrophobic as people arrive. The square’s quite large, but not enough to hold District 12’s population of about eight thousand. Latecomers are directed to the adjacent streets, where they can watch the event on screens as it’s televised live by the state.

I find myself standing in a clump of sixteens from the Seam. We all exchange terse nods then focus our attention on the temporary stage that is set up before the Justice Building. It holds three chairs, a podium, and two large glass balls, one for the boys and one for the girls. I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

Two of the three chairs fill with Madge’s father, Mayor Undersee, who’s a tall, balding man, and Effie Trinket, District 12’s escort, fresh from the Capitol with her scary white
grin, pinkish hair, and spring green suit. They murmur to each other and then look with concern at the empty seat.

Just as the town clock strikes two, the mayor steps up to the podium and begins to read. It’s the same story every year. He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated. The Treaty of Treason gave us the new laws to guarantee peace and, as our yearly reminder that the Dark Days must never be repeated, it gave us the Hunger Games.

The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.

Taking the kids from our districts, forcing them to kill one another while we watch—this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion.
Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one of you. Just as we did in District Thirteen.”

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others. The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food. All year, the Capitol will show the winning district gifts of grain and oil and even delicacies like sugar while the rest of us battle starvation.

“It is both a time for repentance and a time for thanks,” intones the mayor.

Then he reads the list of past District 12 victors. In seventy-four years, we have had exactly two. Only one is still alive. Haymitch Abernathy, a paunchy, middle-aged man, who at this moment appears hollering something unintelligible, staggers onto the stage, and falls into the third chair. He’s drunk. Very. The crowd responds with its token applause, but he’s confused and tries to give Effie Trinket a big hug, which she barely manages to fend off.

The mayor looks distressed. Since all of this is being televised, right now District 12 is the laughingstock of Panem, and he knows it. He quickly tries to pull the attention back to the reaping by introducing Effie Trinket.

Bright and bubbly as ever, Effie Trinket trots to the podium and gives her signature, “Happy Hunger Games! And may the odds be
ever
in your favor!” Her pink hair
must be a wig because her curls have shifted slightly off-center since her encounter with Haymitch. She goes on a bit about what an honor it is to be here, although everyone knows she’s just aching to get bumped up to a better district where they have proper victors, not drunks who molest you in front of the entire nation.

Through the crowd, I spot Gale looking back at me with a ghost of a smile. As reapings go, this one at least has a slight entertainment factor. But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

It’s time for the drawing. Effie Trinket says as she always does, “Ladies first!” and crosses to the glass ball with the girls’ names. She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath and then you can hear a pin drop, and I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me.

It’s Primrose Everdeen.

 

2

One time, when I was in a blind in a tree, waiting motionless for game to wander by, I dozed off and fell ten feet to the ground, landing on my back. It was as if the impact had knocked every wisp of air from my lungs, and I lay there struggling to inhale, to exhale, to do anything.

That’s how I feel now, trying to remember how to breathe, unable to speak, totally stunned as the name bounces around the inside of my skull. Someone is gripping my arm, a boy from the Seam, and I think maybe I started to fall and he caught me.

There must have been some mistake. This can’t be happening. Prim was one slip of paper in thousands! Her chances of being chosen so remote that I’d not even bothered to worry about her. Hadn’t I done everything? Taken the tesserae, refused to let her do the same? One slip. One slip in thousands. The odds had been entirely in her favor. But it hadn’t mattered.

Somewhere far away, I can hear the crowd murmuring unhappily as they always do when a twelve-year-old gets chosen because no one thinks this is fair. And then I see her, the blood drained from her face, hands clenched in fists at her sides, walking with stiff, small steps up toward the stage, passing me, and I see the back of her blouse has
become untucked and hangs out over her skirt. It’s this detail, the untucked blouse forming a ducktail, that brings me back to myself.

“Prim!” The strangled cry comes out of my throat, and my muscles begin to move again. “Prim!” I don’t need to shove through the crowd. The other kids make way immediately allowing me a straight path to the stage. I reach her just as she is about to mount the steps. With one sweep of my arm, I push her behind me.

“I volunteer!” I gasp. “I volunteer as tribute!”

There’s some confusion on the stage. District 12 hasn’t had a volunteer in decades and the protocol has become rusty. The rule is that once a tribute’s name has been pulled from the ball, another eligible boy, if a boy’s name has been read, or girl, if a girl’s name has been read, can step forward to take his or her place. In some districts, in which winning the reaping is such a great honor, people are eager to risk their lives, the volunteering is complicated. But in District 12, where the word
tribute
is pretty much synonymous with the word
corpse
, volunteers are all but extinct.

“Lovely!” says Effie Trinket. “But I believe there’s a small matter of introducing the reaping winner and then asking for volunteers, and if one does come forth then we, um…” she trails off, unsure herself.

“What does it matter?” says the mayor. He’s looking at me with a pained expression on his face. He doesn’t know me really, but there’s a faint recognition there. I am the girl who brings the strawberries. The girl his daughter might have spoken of on occasion. The girl who five years ago stood
huddled with her mother and sister, as he presented her, the oldest child, with a medal of valor. A medal for her father, vaporized in the mines. Does he remember that? “What does it matter?” he repeats gruffly. “Let her come forward.”

Prim is screaming hysterically behind me. She’s wrapped her skinny arms around me like a vice. “No, Katniss! No! You can’t go!”

“Prim, let go,” I say harshly, because this is upsetting me and I don’t want to cry. When they televise the replay of the reapings tonight, everyone will make note of my tears, and I’ll be marked as an easy target. A weakling. I will give no one that satisfaction. “Let go!”

I can feel someone pulling her from my back. I turn and see Gale has lifted Prim off the ground and she’s thrashing in his arms. “Up you go, Catnip,” he says, in a voice he’s fighting to keep steady, and then he carries Prim off toward my mother. I steel myself and climb the steps.

“Well, bravo!” gushes Effie Trinket. “That’s the spirit of the Games!” She’s pleased to finally have a district with a little action going on in it. “What’s your name?”

I swallow hard. “Katniss Everdeen,” I say.

“I bet my buttons that was your sister. Don’t want her to steal all the glory, do we? Come on, everybody! Let’s give a big round of applause to our newest tribute!” trills Effie Trinket.

To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or
have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest form of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong.

Then something unexpected happens. At least, I don’t expect it because I don’t think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim’s place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.

Now I am truly in danger of crying, but fortunately Haymitch chooses this time to come staggering across the stage to congratulate me. “Look at her. Look at this one!” he hollers, throwing an arm around my shoulders. He’s surprisingly strong for such a wreck. “I like her!” His breath reeks of liquor and it’s been a long time since he’s bathed. “Lots of…” He can’t think of the word for a while. “Spunk!” he says triumphantly. “More than you!” he releases me and starts for the front of the stage. “More than you!” he shouts, pointing directly into a camera.

Is he addressing the audience or is he so drunk he might actually be taunting the Capitol? I’ll never know because just as he’s opening his mouth to continue, Haymitch plummets off the stage and knocks himself unconscious.

He’s disgusting, but I’m grateful. With every camera gleefully trained on him, I have just enough time to release the small, choked sound in my throat and compose myself. I put my hands behind my back and stare into the distance. I can see the hills I climbed this morning with Gale. For a moment, I yearn for something…the idea of us leaving the district…making our way in the woods…but I know I was right about not running off. Because who else would have volunteered for Prim?

Haymitch is whisked away on a stretcher, and Effie Trinket is trying to get the ball rolling again. “What an exciting day!” she warbles as she attempts to straighten her wig, which has listed severely to the right. “But more excitement to come! It’s time to choose our boy tribute!” Clearly hoping to contain her tenuous hair situation, she plants one hand on her head as she crosses to the ball that contains the boys’ names and grabs the first slip she encounters. She zips back to the podium, and I don’t even have time to wish for Gale’s safety when she’s reading the name. “Peeta Mellark.”

Peeta Mellark!

Oh, no,
I think.
Not him.
Because I recognize this name, although I have never spoken directly to its owner. Peeta Mellark.

No, the odds are not in my favor today.

I watch him as he makes his way toward the stage. Medium height, stocky build, ashy blond hair that falls in waves over his forehead. The shock of the moment is registering on his face, you can see his struggle to remain emotionless, but his
blue eyes show the alarm I’ve seen so often in prey. Yet he climbs steadily onto the stage and takes his place.

Effie Trinket asks for volunteers, but no one steps forward. He has two older brothers, I know, I’ve seen them in the bakery, but one is probably too old now to volunteer and the other won’t. This is standard. Family devotion only goes so far for most people on reaping day. What I did was the radical thing.

The mayor begins to read the long, dull Treaty of Treason as he does every year at this point—it’s required—but I’m not listening to a word.

Why him?
I think. Then I try to convince myself it doesn’t matter. Peeta Mellark and I are not friends. Not even neighbors. We don’t speak. Our only real interaction happened years ago. He’s probably forgotten it. But I haven’t and I know I never will…

It was during the worst time. My father had been killed in the mine accident three months earlier in the bitterest January anyone could remember. The numbness of his loss had passed, and the pain would hit me out of nowhere, doubling me over, racking my body with sobs.
Where are you?
I would cry out in my mind.
Where have you gone?
Of course, there was never any answer.

The district had given us a small amount of money as compensation for his death, enough to cover one month of grieving at which time my mother would be expected to get a job. Only she didn’t. She didn’t do anything but sit propped up in a chair or, more often, huddled under the
blankets on her bed, eyes fixed on some point in the distance. Once in a while, she’d stir, get up as if moved by some urgent purpose, only to then collapse back into stillness. No amount of pleading from Prim seemed to affect her.

I was terrified. I suppose now that my mother was locked in some dark world of sadness, but at the time, all I knew was that I had lost not only a father, but a mother as well. At eleven years old, with Prim just seven, I took over as head of the family. There was no choice. I bought our food at the market and cooked it as best I could and tried to keep Prim and myself looking presentable. Because if it had become known that my mother could no longer care for us, the district would have taken us away from her and placed us in the community home. I’d grown up seeing those home kids at school. The sadness, the marks of angry hands on their faces, the hopelessness that curled their shoulders forward. I could never let that happen to Prim. Sweet, tiny Prim who cried when I cried before she even knew the reason, who brushed and plaited my mother’s hair before we left for school, who still polished my father’s shaving mirror each night because he’d hated the layer of coal dust that settled on everything in the Seam. The community home would crush her like a bug. So I kept our predicament a secret.

But the money ran out and we were slowly starving to death. There’s no other way to put it. I kept telling myself if I could only hold out until May, just May 8th, I would turn
twelve and be able to sign up for the tesserae and get that precious grain and oil to feed us. Only there were still several weeks to go. We could well be dead by then.

Starvation’s not an uncommon fate in District 12. Who hasn’t seen the victims? Older people who can’t work. Children from a family with too many to feed. Those injured in the mines. Straggling through the streets. And one day, you come upon them sitting motionless against a wall or lying in the Meadow, you hear the wails from a house, and the Peacekeepers are called in to retrieve the body. Starvation is never the cause of death officially. It’s always the flu, or exposure, or pneumonia. But that fools no one.

On the afternoon of my encounter with Peeta Mellark, the rain was falling in relentless icy sheets. I had been in town, trying to trade some threadbare old baby clothes of Prim’s in the public market, but there were no takers. Although I had been to the Hob on several occasions with my father, I was too frightened to venture into that rough, gritty place alone. The rain had soaked through my father’s hunting jacket, leaving me chilled to the bone. For three days, we’d had nothing but boiled water with some old dried mint leaves I’d found in the back of a cupboard. By the time the market closed, I was shaking so hard I dropped my bundle of baby clothes in a mud puddle. I didn’t pick it up for fear I would keel over and be unable to regain my feet. Besides, no one wanted those clothes.

I couldn’t go home. Because at home was my mother with her dead eyes and my little sister, with her hollow
cheeks and cracked lips. I couldn’t walk into that room with the smoky fire from the damp branches I had scavenged at the edge of the woods after the coal had run out, my hands empty of any hope.

I found myself stumbling along a muddy lane behind the shops that serve the wealthiest townspeople. The merchants live above their businesses, so I was essentially in their backyards. I remember the outlines of garden beds not yet planted for the spring, a goat or two in a pen, one sodden dog tied to a post, hunched defeated in the muck.

All forms of stealing are forbidden in District 12. Punishable by death. But it crossed my mind that there might be something in the trash bins, and those were fair game. Perhaps a bone at the butcher’s or rotted vegetables at the grocer’s, something no one but my family was desperate enough to eat. Unfortunately, the bins had just been emptied.

When I passed the baker’s, the smell of fresh bread was so overwhelming I felt dizzy. The ovens were in the back, and a golden glow spilled out the open kitchen door. I stood mesmerized by the heat and the luscious scent until the rain interfered, running its icy fingers down my back, forcing me back to life. I lifted the lid to the baker’s trash bin and found it spotlessly, heartlessly bare.

Suddenly a voice was screaming at me and I looked up to see the baker’s wife, telling me to move on and did I want her to call the Peacekeepers and how sick she was of having those brats from the Seam pawing through her trash. The words were ugly and I had no defense. As I carefully
replaced the lid and backed away, I noticed him, a boy with blond hair peering out from behind his mother’s back. I’d seen him at school. He was in my year, but I didn’t know his name. He stuck with the town kids, so how would I? His mother went back into the bakery, grumbling, but he must have been watching me as I made my way behind the pen that held their pig and leaned against the far side of an old apple tree. The realization that I’d have nothing to take home had finally sunk in. My knees buckled and I slid down the tree trunk to its roots. It was too much. I was too sick and weak and tired, oh, so tired.
Let them call the Peacekeepers and take us to the community home,
I thought.
Or better yet, let me die right here in the rain.

There was a clatter in the bakery and I heard the woman screaming again and the sound of a blow, and I vaguely wondered what was going on. Feet sloshed toward me through the mud and I thought,
It’s her. She’s coming to drive me away with a stick.
But it wasn’t her. It was the boy. In his arms, he carried two large loaves of bread that must have fallen into the fire because the crusts were scorched black.

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